[...] successful participatory alliance to trick Pinocchio='lgc'>: the hybrid-robot who doesn't understand his own potentialities and wants to be so-called human, the ="trms">animal-betrayer. the fact that he can be tricked by the cat/fox is what making him human.
="lsts lst1">•and Geppetto, oh my god, (he is Yunnos/Jonah='qstn'>?) working on a project inside the fish, colloquial activity and asceticism registered with the fish ="trms">interiority. Geppetto-pop is refound or saved='qstn'>? by the non-truth seeking robot! ='lgc'>='lgc'>--> breaking his self-sur="trms">veillance as a characterization of pictorial objectivism, a form of moral self-control of ="trms">natural-philosophical style.
="lsts lst1">•i rather go with the ="trms">animal style, the con of Gorb-e nar-e ='and'>& Rubah-e makar گربه نره و روباه مکار they are opaque and transparent at the same time
="lsts lst1">•the signifying ="trms">animal, machine, and human in Pinocchio ="trms">story is ridiculous!
="lsts lst1">•towards ="trms">responding to “opacity” (opacity is complicated philosophical ethical issue regarding ="trms">animality and humanity) ='lgc'>='lgc'>--> refraction. with opacity what is at stake is our “="trms">material understanding of our connection with other ="trms">animals” (="ppl">="ppl">Marks, touch 39)


(we are talking about) ="trms">Fables of ="trms">Animal Subjectivity ='lgc'>[="ppl">="ppl">Kenney='lgc'>]

="trms">apparatuses of subject formation

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="large lg2" stl="font-size:112%"> THE prey and THE visible (both are ="trms">categories of forest life survival ="trms">stories. also have high stakes in ="nms">iranian culture, thought, and philosophy)
='lgc'>='lgc'>--> what is important for a living self='qstn'>?

(bab-e) hekayat-e dusti-e kabutar o zagh o mush o bakhe o aahu o ...
بابِ / حکایت دوستی کبوتر و زاغ و موش و باخه و آهو و ...
='lgc'>[everyone='qstn'>?='lgc'>]
='lgc'>[the ="trms">story of the friendship of these ="trms">animals; the quality, properties, and pitfalls of ="trms">relation='lgc'>]
="lsts lst1">•what is (re)activating the ='strcls'>*="trms">imaginary friend='strcls'>*='qstn'>? (is it really fully on shut-down='qstn'>?) ='lgc'>-='lgc'>='lgc'>--> ="trms">trap to abstract thought='qstn'>? ='lgc'>-='lgc'>='lgc'>--> this ‘abstract thought’ is d="trms"nttrm="danger,stranger">angerous for “sadness” to get lost in it, but it is amazing for “joy”
="lsts lst1">•how much we need sadness='qstn'>?

why jackal is so persistent and play-full (full of “plays”) in Kelile o Demne's ="trms">bestiary='qstn'>?


="trms">bird people
,
fox people

,


arbab-e اربابِ ='lgc'>='lgc'>--> dar bab-e در بابِ
(let's do this conversion, we are not “arbab”/master of the ="trms">story nor ethics or anything else, we like to create “dar bab-e”='lgc'>: doors/openings into ="trms">different possible path ways)
(it is about teller not fully understanding the ="trms">story)



‘shekar’ ='lgc'>[شکار prey='lgc'>] and ‘ashkar’ ='lgc'>[آشکار visible='lgc'>], two entities in play, like the game of stone-paper-scissors, a link in our shared ="trms">literature that relates the perceptible to the subject of hunt. in a discourse of friendship and enmity, the visible anticipating itself as target for violence, becomes meaningful when we approach it in a game-theoretic-="trms">semiotic linkage, relating and tying together issues of voyeurism, sur="trms">veillance, violence, media and mediation, and predation in ="trms">poetic itineraries.

="large lg1" stl="font-size:124%"> ='lgc'>[business='lgc'>] friendliness, تعارف ="nms">Tarof and ="trms">greetings ='lgc'>[and its artificial inseminations='lgc'>] (sometimes) is it covering up or masking really predatory behaviors(='qstn'>?)


and in Kelile o Demne,

کلیله و دمنه Kelile o Demne (i am becoming more convinced that) is (all) about the ="trms">phenomenology of ='strcls'>*friendship and the ='strcls'>*contract


="ppl">Sa'di is the theoretician of friendship (“mojaverat” مجاورت) and Kelileo Demne is the theoretician of “sherarat” (شرارت villainy, felony) saying that the closeness of ="trms">different subjects is catastrophic ='lgc'>[='lgc'>='lgc'>--> proper ="trms">differences between kinds and subjects.='lgc'>] ="ppl">Sa'di is ="trms">writing golestan گلستان and bustan بوستان at the time of the Mongols threat='lgc'>='lgc'>---it is the news of the Mongols coming and we know about the velocities of news can penetrate within the ="trms">thick walls of any city. ="ppl">Sa'di is theorizing proximity based on “mohabat” (محبت ="trms">love, Liebe and kindness), he assembles a setting of ‘garden’ for the coming of Mongols army. Kelileo Demne's project is pessimist ="trms">pragmatism, mobilizing ethics in a milieu of violence and power.



='lgc'>-='lgc'>='lgc'>--> the ="trms">story of ="trms">birds en="trms">trapped escape away with the cage
='lgc'>-='lgc'>='lgc'>--> the ="trms">story of cat and mouse project
='lgc'>-='lgc'>='lgc'>--> bat and owl
='lgc'>-='lgc'>='lgc'>--> scorpion and..


="ppl">Shakespearean villain ='lgc'><== ="trms">nature ='lgc'>[='lgc'><='lgc'>-- i prefer Ursula, evil corporally located='lgc'>]
="trms">modern villain ='lgc'><== power struggle


کلیله و دمنه Kelile Demne is full of disastrous laws of encounter and encounters of law
a ="trms">sort of a ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics of ="trms">presence (imposing and projecting to and with ="trms">animals) that regulates the possibility of a pedagogical encounter
="lsts lst1">•no mediated forms of ="trms">presence and so on
="lsts lst1">•nobody breaking the ="trms">semiotic rules
="lsts lst1">•what subject-="trms">supposed-to-know
="lsts lst1">•what blocks cordial dis="trms">position and ="trms">animal amity='qstn'>?
="lsts lst1">•what genital lickings are welcomed or unwelcomed and discouraged or abandoned='qstn'>? and so on


to ="trms"nttrm="already,spread">read Kelile Demne not as something that works as legitimator

="trms"nttrm="already,spread">reading and ="trms">greeting


to form (an) intention


all that ="trms">anthropo="trms">morphism performs and withholds on and with ="trms">animality

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='lgc'>[="ppl">Rickels='lgc'>]
(my) ="trms">animal-findings and fairy-tale as="trms">sociations

if dogs ="trms">communicate through their trainability cats redirect lines of ="trms">communication through play. the dog waits and watches, the cat looks and looks, which when is your turn to be looked at, can be therapeutic or unnerving.

meeting the cat half-way

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='lgc'>[="ppl">Avital='lgc'>]

the ="trms">greeting ‘hello’, the initiatory and inaugural moment of our encounter

the gift sabotaging the freedom of the subject to receive ="trms">greeting or offering ="trms">greeting
a gift that becomes a curse for the person,

who has the civic stability to refuse a ="trms">greeting='qstn'>?
the finantialy challenged and the ="trms">greeting



explore friendship as a crucial modeling of justice='qstn'>?

con="trms">figuration of encounter

It doesn't always have to be ="trms">science ="trms">fiction, risking the wrong blend and watching the uncontrollable spill of consequences ='lgc'>='lgc'>--> hook up friends

friendship, as ="ppl">Avital practices it, should often involve triangulation and the drama of departure='qstn'>?

I found myself (also) tempted to reduce her/him/you to sameness,

“meant to be,” relying on a kind of ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysical latency.

="large lg3" stl="font-size:110%"> invasion with little violation(='qstn'>?)

(In ="trms">rhetoric='lgc'>:) ="trms">citation='lgc'> = apostrophe ='lgc'>[address to an absent or ="trms">imaginary person, calling to the other='lgc'>]

(i am late. i am transed late. ="trms">translation and trans-="trms">relations has everything to do with latency. )


="large lg4" stl="font-size:110%"> ="ppl">Avital='lgc'>: For ="ppl">Bataille, friendship is part of the sovereign operation and is linked to ="trms"nttrm="already,spread">reading.

apostrophe (="trms">citation) for ="ppl">Derrida is the possibility of postmortem discourse ='lgc'>='lgc'>--> ="trms">memory, acts of bringing back, recalling

can we take out no insurance policies to safeguard thinking or ="trms">writing or building='qstn'>?

(="ppl">Lyotard's) différend='lgc'>: a dispute or ="trms">difference that cannot be resolved by the cognitive or ="trms">linguistic resources we have at hand ='lgc'>--(indicating rather)='lgc'>='lgc'>--> a rupture in the ="trms">presentation of testimony (='lgc'>~ litigate)

something you could turn your tattooed back on

="large lg5" stl="font-size:122%">
(='at'>#='mywrk'>my work on ='lgc'>[post-feminist='lgc'>] ="nms">harem)
(companionship and sexuality and installations of ="trms">community) ='lgc'>='lgc'>--> The Inoperative ="trms">Community ='lgc'>[="ppl">Bataille, ="ppl">Blanchot, ="ppl">Nancy='lgc'>]
(how to) create ="trms">community wherever I go='qstn'>?
(establish ="trms">relationships='lgc'>: humor, kindness, attention, reworking, “re-”, festivity, moderate arousal, silliness, playfulness, support,)
learning making a “="trms">fictive kin group in training” (how to learn to notice each other='qstn'>? how to learn to be in the same game='qstn'>?)
to insisted on ="trms">community without relying on transcendence ='lgc'>=/= ="trms">communion
(="trms">community without illusions about itself)
a ="trms">community that is self-annulling but ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigorous (="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigorously ="trms">perverse)
(='lgc'>--the duties of the survivor)
="prgrph">-this is about creating convivial spaces (='lgc'>=/= ="trms"nttrm="disturban">urban design ideology)
(to set up around) work ='lgc'>=/= (bodies of) knowl="trms"nttrm="knowledge,Knowledge">edge
(let's make this an ="trms">obligation='lgc'>:) to create an atmosphere in which ="trms">interesting mistakes can get made
let's bring a huge amount of ="trms">material what we get into trying to di="trms">gest
='lgc'>='lgc'>--> ='lgc'>[an effect of being in Europe ='lgc'>==>='lgc'>] is ="nms">harem about having a space/time to claim as my own='qstn'>? ='lgc'>[it can never be='qstn'>?='lgc'>] an actual space which i can dream of and re-create and hope toward='qstn'>? retrieving a mythic place [...]