[...]

="ppl">Sennett

we don't know how to use ="trms">material objects and machines well

="large lg2" stl="font-size:110%"> ="trms">craftsmanship='lgc'>: the quest to make physical things well
="lsts lst1">•how the head and hand are connected
="lsts lst1">•doing something well for its own sake ='lgc'>='lgc'>--> ="trms">skill (not honoured in ="trms">modern ="trms">society)
='lgc'>='lgc'>==> free the ="trms">craftsman (="ppl">Sennett)


in many ="trms">social ="trms">relations we do not know exactly what we need from others – or what they ought to want from us

cooperation as a ="trms">craft ='lgc'>='lgc'>--> ="trms">skill of understanding and ="trms">responding to one another

="trms"nttrm="disturban">urban design is a ="trms">craft in peril (dar khatar)
="lsts lst1">•too much ="trms"nttrm="disturban">urban design ='lgc'>='lgc'>==> homogeneous and ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid
="lsts lst1">•="trms">modern built forms ='lgc'>='lgc'>==> only a faint imprint of personal and shared experience

="ppl">Sennett ='lgc'>='lgc'>--> (better understanding of) ‘="trms">material ="trms">craftsmanship ='lgc'>+ ="trms">social cooperation’ ='lgc'>='lgc'>==> cities better made

‘homo faber project’='lgc'>: the ancient idea of Man as his or her own maker, man as a maker of life through concrete practices
="lsts lst1">•limits on desire and will
="lsts lst1">•the experience of other people's needs (which cannot be reconciled with our own)
='lgc'>+ to recognize and honour what lies beyond us (and before us)

="trms">social ="trms">relations ='and'>& physical environment

issues of practical ="trms">skill, tool, meaning, value


='strcls'>***the rebellious ="trms">child (in me)


United States has become an intensely tribal ="trms">society
='strcls'>*tribalism='strcls'>* ='lgc'>[= adverse to getting along with those who differ, solidarity with others like yourself, ='and'>& “thinking you know what other people are like without knowing them"='lgc'>], in the form of nationalism, destroyed Europe during the first half of the 20th century
='lgc'>--='not'>✕='lgc'>='lgc'>--> complex ="trms">societies='lgc'>:
="lsts lst1">•workers flowing across borders
="lsts lst1">•="trms">different ethnicities, races and ="trms">religions
="lsts lst1">•diverging ways of sexual and family life

“The ‘self’ is a com="trms">posite of sentiments, affiliations and behaviors which seldom fit neatly together; any call for tribal unity will reduce this personal complexity.”
="prgrph">-="ppl">Sennett

(for ="ppl">Aristotle='lgc'>:) city='lgc'> = synoikismos(= coming together of people from diverse family tribes='lgc'>--each ='strcls'>*oikos='strcls'>* having its own ="trms">history, allegiances, property, family gods)
='lgc'>[some my german friends are making us all poor in not recognizing this, that similar people cannot bring a city into existence. city ="trms">obliges people to think about and deal with others who have ="trms">different
loyalties to (="trms">linguistic ="trms">differences). Germany, lacking direct experience of others, because of lesser colonial encounters in its ="trms">history, falls back on fearful fantasies with the new refugees coming. ="trms">integration, a bad ="trms">response to the problems of living with ="trms">difference='lgc'>]


(="frds scrmbld"nttrm="Robin,Robot,Robert,Robocop">Robert Putnam='lgc'>:) people who live in homogeneous local ="trms">communities appear more ="trms">sociably inclined towards and curious about others in the larger ="trms">world ='lgc'>: first- hand experience does not weaken stereotypes
="prgrph">-the case of Brussels='lgc'>: withdraw from neighbours who differ ='lgc'>='lgc'>--> to hibernate

attitudes
actual behavior

='lgc'>[='strcls'>*='lgc'>]cooperation='lgc'>: an exchange in which the participants benefit from the encounter
can be informal as well as formal='lgc'>: experience of ="trms">mutual pleasure in a bar exchange gossip
difficult kind of cooperation='lgc'>: join people who='lgc'>:
="lsts lst1">•have separate or conflicting ="trms">interests
="lsts lst1">•do not feel good about each other
="lsts lst1">•are unequal
="lsts lst1">•do not understand one another
="lsts lst1">•(="trms">different faith ="trms">communities)
='lgc'>}='lgc'>='lgc'>==> ="trms">responsiveness as an ethical dis="trms">position

rituals of civility
as small as ‘please’ and ‘thank you,’ put abstract notions of ="trms">mutual respect into practice

in the spirit of generosity, let's not ="trms">write off the banker (or the Mullah) as a human being ='lgc'>='lgc'>--> instead of “fuck you” how do we ="trms">respond to our ="trms">differences in a difficult ="trms">social environment such as contemporary ="nms">Iran ='lgc'>='lgc'>--> what ="trms">skills are needed for this hard cooperation='qstn'>? ='lgc'>--="ppl">Sennett='lgc'>='lgc'>--> dialogic

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what remains from christianity after its self-deconstruction='qstn'>? (="ppl">Nancy)

(what theology doesn't know about itself='qstn'>?) recovered from the repressive power of ="trms">religion

="ppl">Nancy's “shattered ="trms">love” is the stuff of ="ppl">Hafez

='at'>#="trms">love (and ="trms">greeting='qstn'>?) doesn't belong to the realm of giveable things
="ppl">Lacan's de="trms">finition of ="trms">love consists in giving what one does not have, (filling emptiness with emptiness) ='lgc'>='lgc'>--> to give something i ‘would’ have='qstn'>? ='lgc'>='lgc'>--> (giving that which is not a property, not even one's self,) to give behind or beyond any subject, any self='qstn'>? ='lgc'>='lgc'>--> ='strcls'>*the giving of the fact that i cannot possess myself='strcls'>* ='lgc'>='lgc'>==> ‘to give'='lgc'> = 'to give up’
='strcls'>***="trms">love='lgc'>: to share the impossibility of being a self='strcls'>***
='lgc'>='lgc'>--='lgc'>='lgc'>--> (="ppl">Nancy's) ‘body’ (of political thought)='lgc'>: not as an organicity, but of ="trms">community as the living to share precisely an impossibility of being-in-common (='lgc'>=/= ="trms">ontologize the ="trms">community, after the death of God, ="ppl">Rousseau='lgc'>: ="trms">community of mankind as the foundation of politics ='lgc'>='lgc'>--> “man” comes from the “contract” and not reverse)
='lgc'>='lgc'>--='lgc'>='lgc'>--> “giving” the (="ppl">Derridean) ‘gift’ cannot succeed if the giver knows about his/her gift; ='strcls'>*un="trms">presentable='strcls'>*
='lgc'>--='not'>✕='lgc'>='lgc'>--> politics and the political always implies fulfillment, law, closed space, ='strcls'>*closure='strcls'>*

(="nms">Pir's) heaven of value

(="ppl">Bergson's) supplementary soul

there is a nihi="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic way in which we destroy

“everything is political” ='lgc'>=/= everything is directly ="trms">ontologically political ='lgc'>='lgc'>==> totalitarianism='lgc'>: everything belongs to law ='lgc'>='lgc'>--> make law about anything (='lgc'>='lgc'>--> ="ppl">Plato's political theology='lgc'>: thought is founded on something; - ='at'>@="frds scrmbld">Varinia, “management of justice”)

national ="trms">aestheticism

over-educated ='lgc'>='lgc'>~=='qstn'>? brainwashed

="large lg26" stl="font-size:107%"> ='lgc'>[in my ="trms">lectures i am trying to teach something (="ppl">Heidegger, ="ppl">Sa'di, etc.) in ‘a certain way,’ and that ‘certain way’ touches me and i hope touches my audience, even if one don't understand much of it at the time of ="trms">lecture. i am trying to think by the outside, what comes from outside, being touched by it. ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right now in ="nms">apass this outside consists of my (living) peers, getting their quantity of imposed ideas and try to work with that. to ‘take part'='lgc'>]

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(how='qstn'>?) the exposure of violence becomes the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of violence (='at'>@="frds scrmbld">Mona)

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a preoccupation (of someone/yours) ='lgc'>--into='lgc'>='lgc'>--> analytical solution/terms (for example ‘="trms">aesthetics’ and ‘gender’ for ="ppl">Strathern)

gift (produced to be seen) ='lgc'>='lgc'>--> moments of performance ='lgc'>='lgc'>--> ='strcls'>*creating a context of display='strcls'>*

='lgc'>[='strcls'>*='lgc'>]gift='lgc'>: participate in and generate ="trms">internal ="trms">relations ='lgc'><='lgc'>='lgc'>--> commodities='lgc'>: participate in and generate external ="trms">relations


you gain prestige in what you give


='strcls'>*there is a lot of ambiguity about what can be seen and what cannot be seen='strcls'>* (='lgc'><='lgc'>-- this must be understood for any one who is invested in ‘showing’)
='strcls'>***='lgc'>='lgc'>--> the alternation between what you conceal and what you reveal (is='lgc'>[='qstn'>?='lgc'>] at the heart of thinking about creativity, about reproduction, about the perpetuation of ="trms">society, about the perpetuation of ="trms">relations)


exchange wealth between two clan groups
wealth
="lsts lst1">•has an ="trms">aesthetic form
="lsts lst1">•has to be grown as well as exchanged
="lsts lst1">•must be accumulated privately and secretly
="lsts lst1">•must be revealed at the ='strcls'>*moment of transfer='strcls'>*
="lsts lst1">•has to take a proper form ='lgc'>~ recognized by others as appropriate


='lgc'>[='strcls'>*='lgc'>]="trms">aesthetic='lgc'> = a proper form (at the moment of revelation) that other people have to ="trms">respond
(='lgc'>--='not'>✕='lgc'>='lgc'>--> european notion of ="trms">aesthetic='lgc'> = eliciting a sense of appreciation of beauty)


(my sister's wedding had/created) an appropriate form


='strcls'>**** exchange ="trms">situations ='lgc'>[shows, exhibitions, events, weddings, etc.='lgc'>] has to appear in a certain form, otherwise people will not recognize it, otherwise they fail to impress people ='strcls'>****
='at'>@="frds scrmbld">Foad

="prgrph">-what are ="nms">Tehran's contemporary contexts in which we can see exchanges working='qstn'>?

younger people are impressing one another in terms of ="trms">consuming or participation in sports, or mobile phones, or whatever ='lgc'>='lgc'>--> they create ="trms">different kinds of ="trms">relations (='at'>#telegram ="nms">iran='qstn'>?)
(how among my freinds we impress one another='qstn'>?)
younger people, invest value in ="trms">different things from what older people do


money does not have anything else but number

things that shine, things that g="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listen, things that sparkle ='lgc'>='lgc'>--> a sense in which these objects ='strcls'>*give off a ="trms">presence='strcls'>* ='lgc'>[='at'>@="frds scrmbld">Janina='lgc'>] and people are ="trms">affected by this

='strcls'>*quality of shininess='strcls'>* indicates the successful ="trms">intervention of ="trms">ancestral spirits ='lgc'>='lgc'>--> a spiritual condition (acquainted with health)

they must display to be regarded as worthwhile

with mobile phones='lgc'>: what is going on here, what is their value, how are they circulating, how do people regard them='qstn'>?


(ibn ebn ابن) people belong because their fathers belonged and so forth ='lgc'>+ what they give away, the (gift) shells, can be regarded as female ='lgc'>: items that have come into men's possessions (='lgc'>=/= ="frds scrmbld">Karin's gifts)
="prgrph">-so the shells are passive objects, women are/were (traditionally), classically regarded as objects in a similar way and were given the names of shells


='strcls'>***how to think about ="trms">vocabulary:='strcls'>***
="prgrph">-i cannot start using economics of the ="trms">market to describe what i am talking about
="prgrph">-in the ="trms">vocabulary of gift exchange (="ppl">Strathern) may be able to find the ="trms">vocabulary of analysis (like an artist choosing the color)
="prgrph">-="ppl">Strathern choice='lgc'>: the ="trms">vocabulary of gift exchange might give her the ="trms">vocabulary by which to start describing, is an ='strcls'>*artificial choice='strcls'>*. the ="trms">vocabulary of the gift economy gives her a lot of terms in which to understand. but those terms are only useful for the purposes of understanding that particular set of ="trms">data, and if i then leave that ="trms">data, and if i follow these objects as they move out of the highlands, and if they became, if they came into an art ="trms">market, then absolutely what we would be dealing with is commodities='lgc'>[...='lgc'>] ='lgc'>='lgc'>--> ="trms">situated knowl="trms"nttrm="knowledge,Knowledge">edges ='lgc'>[='at'>#SK='lgc'>], ='at'>#import function


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='strcls'>*="trms">literature='lgc'> = the ="trms">question of ="trms"nttrm="already,spread">reading='strcls'>* (='lgc'>=/= ="trms">matter of novels and ="trms">poems)

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="large lg26" stl="font-size:111%"> what is the ="trms">language of war='qstn'>?
(="ppl">Keenan > Weizman='lgc'>:) we need to understand war as discourse ='lgc'>='lgc'>--> ='strcls'>*war='lgc'> = a threatened discourse='strcls'>*
="prgrph">-The ="trms">language component of war exists in the gap between the level of destruction which is “possible” and the level of destruction which is “actually applied” in every given ="trms">situation.

when war is no longer a means but an end in itself(='qstn'>?) ='lgc'>='lgc'>-->='qstn'>? Hezbollah

deterrence='lgc'>: a means of controlling a person's behavior through negative motivational influences

“We are law-abiding, and we go ="trms">wild.”


violence stripped of ="trms">semiotics

The logic, the reason, of conflict is thus political ... for Clausewitz, politics is essentially logic, logos, discourse, people reasoning with one another, thinking and speaking, exchanging


='at'>@Luis, why conflict could be my concern='qstn'>? because it marks the breakdown of politics, when we can no longer have a conversation, engage in the game, where there is no possibility of further exchange, there is fighting

fai="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure ='lgc'>='lgc'>==> use of force

Saskia Sassen called the attacks of September 11 “A Message From the Global South”
she wrote that the attacks bore witness to a fai="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure in ="trms">communication or to a “="trms">translation problem”
for her the ="trms">language of September 11 attacks was clear
Sassen's d="trms"nttrm="danger,stranger">angerous and depraved rationalization of September 11='lgc'>: south is speaking in a ="trms">language that needs no ="trms">translation


="large lg10" stl="font-size:117%">
the word ‘conflict’ (is coined as a discoursive necessity and) bears with itself an analysis of politics which sees it as a rational enterprise, a structured confrontation or conversation aimed at compromise or reconciliation, the exchange of ="trms">demands and the negotiation of outcomes ='lgc'>='lgc'>--> a ="trms">Greek tradition ='lgc'>: to protect politics from irrationality and persuasion, and that State's monopoly of law enforcement is the only legitimate violence ='lgc'>='lgc'>--> (as a term) ‘conflict’ carries with itself a telos of con="trms">sensus (etefagh-e ara اتفاق آرا Übereinstimmung), agreement ='lgc'>='lgc'>==> perfect understanding ='lgc'>='lgc'>~='lgc'>~='lgc'>='lgc'>--> (="trms">Greek ='lgc'>='lgc'>-->) democracy's dream of overcoming ="trms">internal opacities of mediation or signification, dream of a final unification, dream of a clear universal ="trms">language

(="ppl">Barthes’ ="trms">fable of) the woodcutter='lgc'>[='lgc'>='lgc'>~= an ="trms">agent of change='lgc'>] ='lgc'>='lgc'>==> ="trms">language='lgc'> = act (without mediation or image, operating ='strcls'>*an immediate transformation='strcls'>* ='lgc'>='lgc'>==> politic) ='lgc'>:
If I am a woodcutter and I am led to name the tree which I am cutting down ='lgc'>[j'abats='lgc'>], whatever the form of my sentence, I speak the tree, I do not speak about it. This means that my ="trms">language is operative, linked to its object in a ="trms">transitive way; between the tree and myself, there is nothing but my labor, that is to say, an act. This is a political ="trms">language='lgc'>: it ="trms">presents ="trms">nature to me only to the extent that I am going to transform it, it is a ="trms">language by which I act the object; the tree is not an image for me, it is simply the meaning of my action. But if I am not a woodcutter, I can no longer speak the tree, I can only speak of it, about it.
='at'>@="nms">apass ='at'>@="frds scrmbld">Femke

(="ppl">Barthes='lgc'>:) political='lgc'> = operative (='lgc'>~ active, transformative, destructive) ='lgc'>='lgc'>--> this is an important ="trms">fable for artists

talking about ‘conflict’ is also like this, is a “political” speech, an “operative” ="trms">language, it “="trms">presents” the object of my action to me, which is democracy, and not Colombia

(some ="trms">figurative ‘violence of ="trms">language’ ='lgc'>=/= ='lgc'>[="ppl">Austin, ="ppl">Derrida, ="ppl">Butler ='lgc'>='lgc'>==>='lgc'>] i am talking about paying attention to) the ="trms">language used in a certain manner by certain ="trms">agents ='lgc'>='lgc'>--> studying in KHM media school teaches me to be careful with the erasure of distance, mediation, reference, re="trms">presentation, to be careful with the collapse of hermeneutic (in any discourse) ='lgc'>='lgc'>--> the labor of transparency ='lgc'>[='at'>@="frds scrmbld">Mona ='at'>@="frds scrmbld"nttrm="Alice,Shariati">Ali ='lgc'>]



(the very strange claim ='lgc'>[made by political leaders='lgc'>] that) force is a kind of ="trms">language, and not just any ="trms">language. It is one which solves the problem that seems endemic to all things ="trms">linguistic, namely='lgc'>: fai="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure, indirection, misunderstanding, drift. ='lgc'>[...='lgc'>]that the ="trms">language of force actively and successfully delivers its message ='lgc'>='lgc'>--> a ="trms">fable='lgc'>: “everybody understands the ="trms">language of force” (unlike ordinary, diplomatic, political ="trms">language) ='lgc'>='lgc'>--> the ="trms"nttrm="already,spread">readability or ="trms">communicative power of the utterance, violence is seen as continuous with discourse ='lgc'>--='at'>@="frds scrmbld">Mona
='lgc'>[='strcls'>*='lgc'>]violence='lgc'>: “speaking the (only) ="trms">language of the other” ='lgc'>='lgc'>--> (very strange ="trms">fable='lgc'>:) that violence is non="trms">interpretive direct(='lgc'>~ umediated) and nonanalytic, that it is unmisunderstandable, that it takes hold and transforms its ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listener ='lgc'>[='lgc'>='lgc'>--> fantasy of ="trms">affective ="trms">communication='lgc'>], hermeneutic and cognitive of the ="trms">language is effaced and what is left is only ='strcls'>*delivery='strcls'>* itself ='lgc'>[='at'>@="frds scrmbld"nttrm="Alice,Shariati">Ali's way of talking has a hint of this (a self-erasing speech,) he “delivers” his (political) message to me ='at'>#tattooing me ='lgc'>}='lgc'>='lgc'>--> the silencing/elimination of his ="trms">interlocutor, ='strcls'>**the little annihilatory ="trms">gestures='strcls'>** of my friends='lgc'>], that it ='lgc'>[violence='lgc'>] aspires to a ='strcls'>*pure ="trms">present='strcls'>*

="lsts lst1">•this is a ="trms">translational problem='qstn'>? ="ppl">Keenan
="lsts lst1">•how do we know when things cannot get any worse='qstn'>?
="lsts lst1">•when/where the ="trms">translation should stop='qstn'>? ='at'>@="frds scrmbld"nttrm="Alice,Shariati">Ali ='at'>@="frds">Sina ='lgc'>='lgc'>--> this is about the ethical risks (we are making all the time) in mistaking an annihilatory ="trms">gesture for a discursive or political one


there is no ="trms">language which needs no ="trms">translation (not even violence)

='strcls'>*="trms">translation='lgc'>: an active ="trms">relation between and within ="trms">languages ='lgc'>=/= to overcome ="trms">language ='lgc'>='lgc'>--> is exaclty where the name politics ought to be reserve (Ranciere) (='lgc'>='lgc'>--> ='thdf'>that is why i am doing political work ='lgc'>[='mywrk'>my work on='lgc'>: discordant objects of reference, misunderstanding, active deconstruction, etc. my ‘personal ="trms">responsibility’ to insist on space of difficult ="trms">translation='lgc'>])


unilateralism of an im="trms">position='lgc'>: universality of human ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights
(="ppl">Keenan='lgc'>:) human ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights='lgc'> = standardization of the ="trms">rhetorics of claims we make on each other ='lgc'>--therefore='lgc'>='lgc'>--> an open and undefined field of operation (and not some essence about humanity, nor law. ="ppl">Keenan is helping me not to think of human ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights as an old ="trms">fashioned, transcendental, essentia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list, ="trms">ontological discourse, grounding de="trms">finitional basis, ="trms">categorically an enemy's discourse)



military ="trms"nttrm="disturban">urban research (employing critical theory) ='lgc'>='lgc'>--> use of theory as the ultimate ‘smart weapon’
="prgrph">-="ppl">Deleuzian theory influences military tactics and manoeuvres ='lgc'>='lgc'>--> a form of discourse between enemies
contemporary military theorists (in US TV series, re-conceptualizing the ="trms"nttrm="disturban">urban domain)
...military with the spatial and organizational models and modes of operation advanced by Artificial Intelligence, swarm intelligence, ="ppl">Deleuze and ="ppl">Guattari, Gregory ="ppl">="ppl">Bateson, ="ppl">="ppl">Foucault, ="ppl">Guy ="ppl">Debord, ="ppl">Bataille,


conflicted peace and peaceful conflict
competitive military buildup

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="ppl">Keenan on working with images politically ='lgc'>='lgc'>--> ='strcls'>*politics of exposure (or revelation ='lgc'>='lgc'>~-> forensic)='strcls'>*
(increasingly important dimension of political) ='strcls'>*image-making='strcls'>*='lgc'>:
='lgc'>--more='lgc'>='lgc'>--> the event takes place in order to be photographed and reproduced and rebroadcast, transmitted and distributed, copied and viewed ='lgc'>='lgc'>--> dissolution of the obvious political spaces ='lgc'>=/=
='lgc'>--less='lgc'>='lgc'>--> making visible something that is otherwise hard to see (='lgc'>='lgc'>~= converting observation or visualization into knowl="trms"nttrm="knowledge,Knowledge">edge in hopes that some kind of action will come about, based on the rational, reasonable, deliberate ="trms">interpretation of those images) (='lgc'><='lgc'>-- a lot of ="trms">social justice activists, human ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights organizations, and civil ="trms">society practitioners are still working within this realm of the traditional image)

a bad (revelatory) theory of the (rational democratic) public sphere ='lgc'>: “visual re="trms">presentation of things ='lgc'>='lgc'>==> known to a wider public ='lgc'>='lgc'>==> knowl="trms"nttrm="knowledge,Knowledge">edge properly considered ='lgc'>='lgc'>==> wise decisions ='lgc'>='lgc'>==> actions”
='lgc'>=/= (a more properly) political moment of='lgc'>: inscribe images ='lgc'>--within='lgc'>='lgc'>--> a ="trms">narrative or a persuasive project ='lgc'>--within='lgc'>='lgc'>--> a campaign that actually ="trms">narrates them (captions them, makes them more available for some kind of political action) and doesn't just take for granted that their meaning follows automatically

the way performative dimension involves a kind of action that doesn't pass through the same cognitive circuits or the same process of knowing (in images)

="lsts lst1">•living by the image
="lsts lst1">•vulnerable to the exposure of the distortion or falseness of the image

to get a rich sense of the political context in which you operate (knowing about the ="trms">history, knowing what the local forces are, who the actors are, and so on) ='lgc'>=/=  ethically-self-confident political movement reassured by the quality of their own good intentions ='lgc'>='lgc'>==> skip over a lot of local analysis, research, or ="trms">interaction

...is it a humanitarian catastrophe (a crisis of suffering) or genocide (a crisis of an
ideological ="trms">sort)
quasi-raw ="trms">material of images ='lgc'>='lgc'>--> re="trms">coding, contextualization, ="trms">narration,

the bad ="trms">stories and fai="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lures (in our lifetime) that do need to be excavated and thought about

="ppl">Keenan ='lgc'>='lgc'>--> ='strcls'>*the fantasy of being able to move so directly from knowl="trms"nttrm="knowledge,Knowledge">edge to action that one almost skips the moment of knowl="trms"nttrm="knowledge,Knowledge">edge altogether='strcls'>* ='lgc'>--example='lgc'>='lgc'>-->='lgc'>{ ="ppl">Barthes in his woodcutter='lgc'>: a woodcutter in cutting the tree manages to avoid ="trms">language (something that needs no ="trms">translation, the woodcutter in unilateral ="trms">relation to the tree), in which “="trms">language” is re="trms">presentation, knowl="trms"nttrm="knowledge,Knowledge">edge as re="trms">presentation, “act the things” ='lgc'>='lgc'>--> ="ppl">Barthes skips over all the opacities and paradoxes and difficulties of re="trms">presentation and just goes after the tree directly

='strcls'>*there are ="trms">demands which are placed on you that won't wait for the knowl="trms"nttrm="knowledge,Knowledge">edge that is necessary='strcls'>* (or ="trms">situations in which you might feel as though you've been overwhelmed by too much knowledg)

='lgc'>[='strcls'>*='lgc'>]="trms">responsibility='lgc'>: (when) one has to act in a way for which the knowl="trms"nttrm="knowledge,Knowledge">edge doesn't provide a full alibi ='lgc'>~ one's action is in some important way disconnected, or not entirely saturated by one's knowl="trms"nttrm="knowledge,Knowledge">edge

="large lg34" stl="font-size:122%"> every event (take September 11) is rich in ="trms">translation, a moment when an enormous number of competing ="trms">narrative frames were al="trms"nttrm="already,spread">ready available for understanding or processing or
="trms"nttrm="already,spread">reading what is at stake ='lgc'>='lgc'>--> there is no unequivocal act


='strcls'>*witness='lgc'>: (in the fantasy of the act) the witness for whom no ="trms">translation is necessary='strcls'>* ='lgc'>--="ppl">Levinas-="ppl">Blanchot-="ppl">Keenan='lgc'>='lgc'>--> ho="trms">stage (='thdf'>for example images of Abu Ghraib prison in Iraq, the media, the public event takes us ho="trms">stage)='lgc'>: a ="trms">position of extreme passivity that is equally the most intense experience of ="trms">responsibility

="prgrph">-what is the political effect of revelation='qstn'>? ='at'>@="frds scrmbld"nttrm="Alice,Shariati">Ali

beyond the immediate shock effect of the images ='lgc'>='lgc'>--> they are testament to the ways in which many ="trms">different political actors make use of them (over a long period of time) ='lgc'>='lgc'>--> with ="trms">interestingly ="trms">different outcomes

...="trms">intermediate space between a traditional secret (susceptible to revelation and exposure and delegitimization) and a kind of increasing public acceptance (that the ="trms">question of torture could be openly discussed='lgc'>: “it's not an absolute, there are moments when, there are individuals for whom...”) ='lgc'>--='not'>✕='lgc'>='lgc'>--> public discussion


the too high threshold for entry into political discussion (or resetting political ="trms">agendas) ='lgc'>='lgc'>--> the mythic completely innovative inaugural ="trms">agenda-setting event ='lgc'>=/= low-threshold ideas (look like ='strcls'>*reactive='strcls'>* ='lgc'>==constitute='lgc'>='lgc'>==> pro="trms">position about a very ="trms">different way that the future should be organized)

='at'>@="frds scrmbld">Pierre, ="nms">apass='lgc'>: placing something into the political sphere ='lgc'>='lgc'>--> pure innovation (the mythic alternative='lgc'> = completely innovative inaugural ="trms">agenda-setting event) ='lgc'>='lgc'>==> the too high threshold for entry into political discussion ='lgc'>=/= low-threshold ideas (might look like ='strcls'>*reactive='strcls'>* ='lgc'>==constitute='lgc'>='lgc'>==> pro="trms">position about a very ="trms">different way that the future should be organized)='lgc'>:
="lsts lst1">•slight shift in emphasis
="lsts lst1">•slight shift in ="trms">interpretation
="lsts lst1">•a little re-de="trms">finition
="lsts lst1">•a reactive mimicry
="lsts lst1">•




expendable people targeted for discrimination, injury and death, in a continuing wave of violent economic, psychic, ="trms">social, political, medical and juridical assaults


="large lg14" stl="font-size:104%"> ="ppl">Keenan on the possibility that justice might not be simply possible

deconstruction's ethico-political pertinence='lgc'>:
="lsts lst1">•reference to its thematic or referential considerations of issues (ethics, race, feminism, etc.)
="lsts lst1">•its formal homologies with political ="trms">interventions ='lgc'>='lgc'>--> deconstruction of ="trms">authority as liberating ideology-critique
="lsts lst1">•ruin the ="trms">categories on which political discourse and re="trms">liable knowl="trms"nttrm="knowledge,Knowledge">edge found itself
='lgc'>}='lgc'>='lgc'>==> axiom='lgc'>: ethics and politics are ="trms">matters of choice ='lgc'>: determinations and acts of a subject with an identity (whether strong or weak) held to be ='lgc'>[='strcls'>*='lgc'>]free='lgc'>: capable of understanding and ="trms">integrating that knowl="trms"nttrm="knowledge,Knowledge">edge with a ="trms">response to the ="trms">demand to act
='lgc'>[='strcls'>*='lgc'>]subject='lgc'>: name of the time and place in which knowl="trms"nttrm="knowledge,Knowledge">edge can be ="trms">articulated, ='strcls'>*the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to the passage from knowing to doing='strcls'>*

undecidability ='lgc'>='lgc'>--> ="ppl">Derrida
un="trms"nttrm="already,spread">readability ='lgc'>='lgc'>--> ="ppl">de Man

="prgrph">-what is more radically unsettling than criticism='qstn'>? (...="trms"nttrm="already,spread">reading)
='at'>@="frds">Sina

“the subject who ="trms"nttrm="already,spread">reads is the subject who choose” ='lgc'>='lgc'>==> ="trms">responsibility

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Eichmann ='lgc'>='lgc'>--> faced a legal forum
Mengele's skull ='lgc'>='lgc'>--> faced a ="trms">scientific forum
='lgc'>}='lgc'>--="ppl">Keenan='lgc'>='lgc'>--> (two ="trms">different discursive operations) each ='strcls'>*inaugurates='strcls'>* a fundamental concept and practice within the politics and ="trms">epistemology of war crimes investigations

='strcls'>*cultural turn towards testimony='strcls'>* ='lgc'>='lgc'>--> the speech of the witness

='lgc'>[='qstn'>?we are in the='lgc'>] era of the witness ='lgc'>='lgc'>--> legitimized and validated victims

dramatic and emotional
trial='lgc'>: form of ="trms">historical and political pedagogy
not merely to convict the accused but to “reach the hearts of men”

political ="trms">agency of witnesses (survivors)

="trms">narrative in war crime investigations ='lgc'>='lgc'>--> document ='lgc'>='lgc'>~= witness ='lgc'>='lgc'>--> forensic approach

human remains are the kind of objects from which the trace of the subject cannot be fully removed

exhumation
examination

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="frds scrmbld">Mona is actually concerned with the separation of the spheres of ethics and knowl="trms"nttrm="knowledge,Knowledge">edge
strength ='lgc'><='lgc'>='lgc'>--> “Gewalt” ='lgc'><='lgc'>='lgc'>--> valere ='lgc'><='lgc'>='lgc'>--> Vale ='lgc'><='lgc'>='lgc'>--> value='strcls'>*

vergüenza, a collective sentiment, of one's own dignity and self-esteem, shame
vergüenza ajena ='lgc'>='lgc'>--> fremdschämen ='lgc'>='lgc'>--> (one of the essential features of aidos/aidôs ='lgc'>[αἰδώς='lgc'>]) the ="trms">Greek personification of modesty
“bashfulness,” “diffidence,”
“respectful,” “reserved,” “revered,” ='lgc'>='lgc'>--> vereor (or vereri)='lgc'>: in ="trms">religion, “to fear,” “to revere,” حرمت “to have respect or scruple for.” Vereor belongs to a family of words that derive from the Indo-European root ᵒswer-, meaning “pay attention,” like the ="trms">Greek horan ='lgc'>[ὁϱᾶν='lgc'>] (to look, pay attention, see)

one must take the path in exactly the op="trms">posite direction

(let's not be) persons con vergüenza ='lgc'>: persons of honor, persons of their word. It is not so much that they keep their promises, but that they are bound by the word that they have given ='lgc'>='lgc'>--> they commit to cumplire='lgc'>: “to carry out,” “to accomplish a ="trms">mission,” ='lgc'>[='lgc'>=/= “leaving your post,” ="ppl">Kafka='lgc'>]

vergüenza ='lgc'>=/= to attack the ="trms">community ='lgc'>}='lgc'>='lgc'>-->='qstn'>? khashm خشم indignation='lgc'>: rupture of an implicit contract based on norms and conventions

the sentiment (and performance of ="nms">Tarof in a weird way, and) of verguenza construct ="trms">relations of ="trms">social solidarity, the tie ='lgc'>='lgc'>--> to give structure to the ="trms">relationship to the gods (as well as that between persons) ='lgc'>='lgc'>--> ='strcls'>*aidos='strcls'>* becomes constitutive of shame civilization (that continues to mutate)

shame, sham, to “cover up” shameful parts
aischune='lgc'>[='lgc'>=/= ='strcls'>*aidos='strcls'>* (='lgc'>='lgc'>==> ='strcls'>*kleos='strcls'>* “fame”) defines the ="ppl">Homeric hero, aidos precisely identifies the de="trms">finitive requirement of the hero, his “regard” for his philoi (φίλοι  royal friend/advisor of the king) and his genos (γένος, ="trms">social group claiming common descent)='lgc'>]='lgc'>: to dishonor ='lgc'>[='lgc'>=/= beauty, in ="ppl">Plato='lgc'>] ='lgc'>}='lgc'>='lgc'>--> to disfigure; tied to the body, and in the case of the female body ='lgc'>='lgc'>--> blush, as in the sensitive plant

aidos (='lgc'>='lgc'>~= moderation ='lgc'>[provoked by the regard and expectations of the other='lgc'>]) ='lgc'>=/= ='strcls'>*="trms">excess='strcls'>* ='lgc'>[='lgc'>='lgc'>--> in my ="trms">lectures i usually don't respect/regard the expectations of the other='lgc'>]='lgc'>='lgc'>-->='qstn'>? that which separates me from the ="ppl">Homeric hero

(these are all about the regulation of the ="trms">world)='lgc'>='lgc'>--> in a way also that which ="frds scrmbld">Mona ="trms">demands
="frds scrmbld">Mona need to analyse her ="trms">question of (caused) violence and calamity='lgc'>:
="lsts lst1">•disposal the Promethean ="trms">technai ='lgc'>[τέχναι='lgc'>] (when she asks “who gave them the tool to kill='qstn'>?”)
="lsts lst1">•the logos ='lgc'>[λόγος='lgc'>] of the arts and discursivity (when she ="trms">demands con="trms">science and justice ='lgc'>[='lgc'>~ dike, another ="trms">greek tool='lgc'>])

for ="ppl">Aristotle='lgc'>: aidos ='lgc'>='lgc'>==> clean ethics='lgc'>: pathos (an ="trms">affection that involves the body)
='strcls'>*the form of fear proper to free men='strcls'>* ='lgc'>='lgc'>--> properties proper to truth

from aidos ='lgc'>[linked to the Latin videre (to see)='lgc'>], to vergüenza ='lgc'>[linked to the ="trms">Greek horan (to see)='lgc'>], we remain in the space of the ='strcls'>*gaze='strcls'>*

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="ppl">Veena on ='strcls'>*how knowl="trms"nttrm="knowledge,Knowledge">edge is secreted in ="trms">relation to catastrophic events='strcls'>*

‘inordinate knowl="trms"nttrm="knowledge,Knowledge">edge’ ='lgc'>='lgc'>--> beyond the act of merely knowing
='lgc'>=/= pale intellectualized distracted archived knowl="trms"nttrm="knowledge,Knowledge">edge ='lgc'>='lgc'>--> it is the subject who has
to discover which aspects of knowl="trms"nttrm="knowledge,Knowledge">edge ="trms">matter to her and where her attachments lie

='lgc'>--="ppl">Veena='lgc'>='lgc'>--> (with pale or ="trms">excessive, it is not the form of knowl="trms"nttrm="knowledge,Knowledge">edge, rather) it is the way in which knowl="trms"nttrm="knowledge,Knowledge">edge enters the realms of the ="trms">social

those who have to endure what they cannot ignore
pale ='lgc'>='lgc'>--> bare ='lgc'>='lgc'>--> dark ='lgc'>='lgc'>--> filled with plenitude

="trms">different modes of knowing as means of navigating the catastrophic (='lgc'>=/= simply knowl="trms"nttrm="knowledge,Knowledge">edge about an object)

='strcls'>*reality does not have that frontal character='strcls'>*, (it is rather) like atmosphere, deeply embedded within context
='lgc'>[='strcls'>*='lgc'>]context='lgc'>: the weaver's loom that is discerned within the cloth it weaves

Donatelli ='lgc'>--destruction='lgc'>='lgc'>--> small, recurring, repetitive crises that define everyday life itself or are grown within the everyday
='strcls'>*event of traumatic loss functions as='lgc'>:
="lsts lst1">•an event
="lsts lst1">•a figure of thought

="large lg22" stl="font-size:100%"> 20th century as the century of genocides ='lgc'>: the ="trms">story of collective violence from the point of view of victims and survivors ='lgc'><='lgc'>-- we must contest this ="trms">story

="lsts lst1">•(Kleinman ='and'>& Kleinman, Mookherjee='lgc'>:) victim ="trms">stories ='lgc'>='lgc'>==> voyeurism
="lsts lst1">•(Fassin ='and'>& Rechtman='lgc'>:) ubiquity of a trauma ="trms">narrative substitutes critical engagement with the structural forces of inequality (or discrimination by a psychologizing of experience and of subjectivity)
="lsts lst1">•
="lsts lst1">•

="trms">category of the victim is not transparent ='lgc'>=/= bureaucratic legal forms through which the victim status is produced aligns with very ="trms">different kinds of knowl="trms"nttrm="knowledge,Knowledge">edge (shamanic, ritual, genealogical) to generate ="trms">different kinds of ="trms">affects

1947 Partition of India (marked by massive ="trms">inter="trms">communal killing, rape, and abduction of women) ='lgc'>==/='lgc'>='lgc'>==> victim
='lgc'>='lgc'>==> refugees, evacuee property, abducted persons

his ="trms">fictionalized account of my ="trms">responses to his ="trms">questions inspired me to think
(your ="trms">fictionalized account of my ="trms">response to your ="trms">question inspires me to think)

='lgc'>[to='lgc'>] rake the fallen leaves of ="trms">language and ="trms">literature to recreate experiences...

(usually) “treason” ='lgc'>='lgc'>==> massacres and violation of human ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights by governmental forces

(one is forced to see events in other countiries in the light of issues pertaining to)  ="trms">transitional justice and the global form of truth

unknown dead ="trms">imagined as hungry and thirsty ghosts
='strcls'>*the living cannot offer the dead solace because the unknown dead cannot be placed within the grid of genealogical knowl="trms"nttrm="knowledge,Knowledge">edge necessary to make them into benign ="trms">ancestors='strcls'>*
="prgrph">-the ="trms">difference between kin and str="trms"nttrm="danger,stranger">angers, ="trms">ancestors and ghosts

='strcls'>**hospitality being offered to the str="trms"nttrm="danger,stranger">anger could also become a way of reincorporating the estranged kin='strcls'>**(='qstn'>? -="nms">iranian hospitality='qstn'>?)

the ="trms">intertwined ="trms">nature of bureaucratic power and ritual action

the dead are haphazardly buried that have to be then contained or transformed through shamanic knowl="trms"nttrm="knowledge,Knowledge">edge and ritual manipulations='qstn'>? -="ppl">Veena

="trms">modern bureaucratic procedures ='lgc'>='lgc'>==> tear apart the continuity of generational connections ='lgc'><-='lgc'>~ the work of ritual to restore connections is engaged

the ="trms">different ways we come to know something ='lgc'>=/= the experience of ‘carrying’ a knowl="trms"nttrm="knowledge,Knowledge">edge


...unknown dead in a milieu in which ="trms">ancestors and ghosts are not simply distant and abstract concepts but are felt with every sinew of the body, who come to haunt the descendants through dreams and apparitions ='lgc'>=/= Ta'zieh='lgc'>: ="trms">ancestors in contexts in which the ="trms">relation to the dead is com="trms">memorated primarily through national rituals

="large lg18" stl="font-size:133%"> (in the Jeju uprising/massacre case that ="ppl">Veena studies) ‘victim’='lgc'>: the qualifying condition for genealogical connections to be maintained in ="trms">imagining kinship as constitutive of the ="trms">relations between the living and the dead ='lgc'>[='lgc'>=/= victim='lgc'>: an appeal to the ="trms">authority of subjective experience, or the knowl="trms"nttrm="knowledge,Knowledge">edge produced by the State about the dead as victim or traitor='lgc'>]

bureaucrats (victim or traitor='qstn'>?) and shaman (="trms">ancestor or ghost='qstn'>?) ='lgc'>='lgc'>--> entanglement of ="trms">different ways of knowing and classifying

(for the survivorss of Jeju after 70 years) inordinate character of knowl="trms"nttrm="knowledge,Knowledge">edge appears in this ="trms">world as the unbearable burden of not being able to convert your dead kin into ="trms">ancestors consigning them to a ghostly existence

='lgc'>='lgc'>--> so that the ="trms">ancestors can rest peacefully in death and less in terms of the discourse of transnational justice or human ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights


reputation of a woman ='lgc'>='lgc'>--> the marriage prospects of girls ='lgc'>='lgc'>--> ideas of purity and honor ='lgc'>--="ppl">Veena='lgc'>='lgc'>--> “poisonous knowl="trms"nttrm="knowledge,Knowledge">edge” secreted by the large-scale abduction of women (in India-Pakistan Partition)

="prgrph">-cultural understanding of sex as especially polluting for a woman

disclosure or a coming to know that a close relative had a hidden ="trms">history tied to large ="trms">historical event ='lgc'>='lgc'>--> announcing an “otherness” to a close relative with whom one had inhabited a life.

="large lg22" stl="font-size:113%"> Partition ='lgc'>='lgc'>==> distortion of everyday ="trms">language itself and its bodying forth
bodily ="trms">nature of ="trms">language
="trms">poetry suffused with exquisite portraits of grief
the sense that kinship ="trms">relations themselves have become lethal

(journalism's) ="trms">trap of knowl="trms"nttrm="knowledge,Knowledge">edge/ignorance (ruth/falsity) binary ='lgc'>[asking for formal solutions to problems of indeterminacy because of the ="trms">finitude of knowing subjects or ="trms">veiling of objects='lgc'>] ='lgc'>=/= (="ppl">Veena trying to) attend to regions of knowl="trms"nttrm="knowledge,Knowledge">edge that can turn us to change the ="trms">questions we ask

(inordinate) knowl="trms"nttrm="knowledge,Knowledge">edge is contended with locally, diurnally, repeatedly

="ppl">Veena asking how is this knowl="trms"nttrm="knowledge,Knowledge">edge ='lgc'>[catastrophic event secrete knowl="trms"nttrm="knowledge,Knowledge">edge in the everyday='lgc'>] endured or contested; concealed or revealed; and what are ='strcls'>*rhythms='strcls'>* of these movements='qstn'>?

='strcls'>*inordinate knowl="trms"nttrm="knowledge,Knowledge">edge='strcls'>*
="prgrph">-as citizens, how do we deal with the knowl="trms"nttrm="knowledge,Knowledge">edge that torture is regularly practiced as part of the security ="trms">apparatus of many democracies='qstn'>?
="prgrph">-what ="trms">responsibility do we bear for these practices that are before our eyes='lgc'>--that we cannot but help know='qstn'>?
="prgrph">-As ="trms">relational beings how do we reveal the extent of sexual violence or violent ="trms">histories of our families to our ="trms">children and to our grand="trms">children='qstn'>?

(='qstn'>?to make) ="trms">responses in terms of the cultural repertoire of one's own ="trms">society relating to the care of the dead

the necessity of embracing a mismatch between harm and healing, between not knowing and shading your eyes from what you cannot but help know ='lgc'>[-acceptance of a certain degree of ignorance as essential for life='lgc'>]

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="ppl">Ahmed, ="ppl">Sedgwick='lgc'>+Frank ='at'>@="nms">apass
installation of an automatic “anti-” (for example antibiologism, as the unshifting tenet of ‘theory’ ='lgc'>='lgc'>--> ='strcls'>*="trms">routinized antiessentialism='strcls'>*) ='lgc'>='lgc'>==> loss of conceptual access to an entire thought-realm='strcls'>***

immersed in a precritical understanding of the body
='thdf'>the idea of biological construction having been rendered either unintelligible or naive (in feminism ='lgc'>='lgc'>--> an avowed ="trms">interest in the body ='lgc'>+ a persistent distaste for biological detail)

="trms">interested in antiracism and politics of globalization ='lgc'>--='not'>✕='lgc'>='lgc'>--> crucial dimension of research='lgc'>: body ='lgc'><='lgc'>== “the precarious, accidental, ="trms">contingent, expedient, striving, dynamic status of life in a messy, complicated, resistant, brute ="trms">world of ="trms">materiality, a ="trms">world regulated by the exigencies, the forces, of space and time” ='lgc'>+ the conditions under which bodies are encultured, psychologized, given identity, ="trms">historical location, and ="trms">agency


='strcls'>*(you can) speak (back) to post="trms">modernism (or democracy etc.), rather than simply speak on (your ="trms">relationship to) it='strcls'>*

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="ppl">="ppl">Hayward on the role of ="trms">embodiment in visual cultures ='lgc'>+ meaning of ="trms">animals in re="trms">presentation

='strcls'>*to envision ="trms">animal='strcls'>*='lgc'> = to visualize, to experience, to figure, to image, kinds of ="trms">species, discourses, re="trms">presentations, institutions, ="trms">histories, ="trms">epistemologies ='lgc'>+ to “="trms">imagine possible” a set of ="trms">material and ethical ="trms">relationships between ="trms">species

envisioning='lgc'>:
="lsts lst1">•a mode of seeing and ="trms">embodying, of immersing and inhabiting, and of ="trms">storytelling and theorizing in a ="trms">techno-="trms">scientific ="trms">world of “eye machine”
="lsts lst1">•a range of practices for ="trms">situating the “self” (that tender thing in post="trms">modernity) in places and spaces grown ="trms">thick with entanglements and consequences; a form both of “to face” and “to perceive”

="trms">aesthetic conceptions of beauty and/or ambiguity coupled with biological ="trms">epistemology and ="trms">phenomenology of the organisms ='lgc'>--in='lgc'>='lgc'>--> in Jean Painleve, Genevieve Hamon, Leni Riefenstahl, David Powell ='lgc'>==construct='lgc'>='lgc'>==> a host of hybridized and enmeshed “encounters”

bio="trms">semiotics
="trms">zoo="trms">semiotics
="prgrph">-humanist fascist ="trms">aesthetic ='lgc'>='lgc'>--> desires to ="trms">memorialize “beautiful and unpolluted” coral ="trms">communities
="prgrph">-promise of immediate and luminous experience of “jellyfish otherness”
="prgrph">-="trms">systems (of power='qstn'>?) that constitutively produce ="trms">animal and human actors



human-="trms">animal ='lgc'>+ nonhuman-="trms">animal ='lgc'>+ ="trms">apparatuses ='lgc'>='lgc'>--> co-constitutive in the process of trying to know something about whale ="trms">ecology

(="ppl">="ppl">Hayward > ="ppl">Whitehead='lgc'>:) concrescence='lgc'>: “we” (con prefix) ere- (create) scence (sense, or the “s="trms">cene,” that which is seen), the ="trms">present is given by a consense of subjective forms. We are multiple individuals, but there are also multiple individual ="trms">agents of consciousness operant in the construction of the given.
="prgrph">-="trms">literal ="trms">materialization of a dynamic produced

photograph (only one part, a kind of lively limb, of the relay)='lgc'>:
(="nms">ajayeb style ='lgc'>='lgc'>-->) a bumptious and lively event of the processes of whale studies and whales themselves ='lgc'>=/= a still record of a whale “that had been there”

the image='lgc'>: a kind of connective tissue, soliciting one's senses

solar light ='lgc'>='lgc'>--> brushed up against, even touched, the whale ='lgc'>='lgc'>--> ="trms">translated through the camera ='lgc'>='lgc'>--> into film ='lgc'>='lgc'>--> into chemical bathes ='lgc'>='lgc'>--> into photo-paper ='lgc'>='lgc'>--> through my eye as a research assistant

='lgc'>}='lgc'>='lgc'>==> ‘photograph='lgc'>: ="trms">material, immanent, ="trms">interconnected’ ='lgc'>='lgc'>==> somatic intelligibility (="trms">embodiment) to my own somatic intelligence ='lgc'>~ enacted an encounter between the senses (subjective feelings) and their sense (objective knowl="trms"nttrm="knowledge,Knowledge">edges)

a ="trms">mutual ="trms">embodiment ='lgc'><='lgc'>-- shared in the event of the photographic space

experience of these photographs ='lgc'>[whale or telegram ="trms">animal video='lgc'>]='lgc'>: an instance of ='strcls'>*="trms">sensuous knowl="trms"nttrm="knowledge,Knowledge">edge='strcls'>* ='lgc'>='lgc'>--> way we are in some carnal modality able to touch and be touched by the substance of images (to feel a visual atmosphere envelop us)

(="ppl">Grosz's) ='lgc'>[='strcls'>*='lgc'>]perception='lgc'>: flesh's reversibility ='lgc'>~ the flesh touching, seeing, perceiving itself, one ="trms">fold (provisionally) catching the other in its own self­embrace

human/="trms">animal and ="trms">technological sensorium


="prgrph">-="ppl">="ppl">Hayward asking how coral ="trms">communities create re="trms">presentational ruptures in photographs
="prgrph">-="frds">Sina asking how telegram virtual ="trms">communities create re="trms">presentational ruptures in the real of human-="trms">animal of ="nms">Tehran, how the enfleshed ="trms">animal mobile phone photograph touch us
='lgc'>}='lgc'>='lgc'>--> liveliness of human="trms">animal encounters ='lgc'>[the way in which my ="trms">aesthetic and ethical senses merge with ="trms">animals in the flesh='lgc'>]
="prgrph">-how people get along in concrete, ="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">morphic, phantasmatic ways
='strcls'>**sensible and ="trms">sensual ensembles of ="trms">materialized capacities and activities that ="trms">literally and ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorically make sense of, and to, ourselves and other ="trms">animals='strcls'>**


(="ppl">="ppl">Ihde >) ='lgc'>[='strcls'>*='lgc'>]="trms">phenomenology='lgc'>: a philosophical style that emphasizes a certain ="trms">interpretation of human experience and that, in particular, concerns perception and bodily activity ='lgc'>--="ppl">="ppl">Hayward='lgc'>='lgc'>--> a theoretical practice grounded on the carnal, fleshy, ="trms">material foundations of subjectivity as it engages and is transformed by and in the ="trms">world

we attend to='lgc'>: content ='lgc'>+ form ='lgc'>+ context


invertebrates, product of displacement and comparison, a ruinous ="trms">verb turned noun turned classification ='lgc'>--="ppl">="ppl">Hayward='lgc'>='lgc'>--> foregrounding and rethinking the syntax, optics, and heterogeneity of vertebrate and invertebrate ="trms">relationality

accountability and ="trms">responsibility in the enmeshment of knowing, doing, seeing, and being

(we need less philosophizing and more) ='strcls'>*envisioning='lgc'>: an enactment of dynamic en-figurings that imperil boundaries that clearly ="trms">differentiate self and other without the loss of ="trms">historical, cultural, and ="trms">species ="trms">specificity='strcls'>*

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

☾
light has illuminated western ="trms">stories
="lsts lst1">•God said, let there be light='lgc'>: and there was light
="lsts lst1">•solar radiance ='lgc'>='lgc'>--> refracted planetary atmosphere ='lgc'>='lgc'>--> earth's watery ="trms">matter ='lgc'>='lgc'>--> lively forms

="lsts lst1">•life shaped by ice (="ppl">Meloy)
="lsts lst1">•life shaped by dark (="ppl">Mohaghegh)
="lsts lst1">•life shaped by ="trms">animal (="frds">Sina)
="lsts lst1">•life shaped by light (="ppl">="ppl">Hayward) ='lgc'>='lgc'>--> the invisible medium that makes a knowable ="trms">world visible; ='strcls'>*seeing light='lgc'>: a ="trms">trope for making visible in a comprehensive form (such that they are real)='strcls'>*

="lstsrd">1. ='strcls'>*philosophy is photology='strcls'>* ='lgc'>: ="trms">language of philosophy is constituted by ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors of light
="lstsrd">2. sunlight ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorizes into transcendent light ='lgc'>: a heavenly light promising liberation from the flesh


transgenic ="trms">technologies ='lgc'>='lgc'>==>
jellyfish ='lgc'>+ GFP (green fluorescent protein)
rhesus monkey
glowing kittens
transgenic pigs
(...="trms">animal examples of ="trms">chimeric and impure)='lgc'>--="ppl">="ppl">Hayward='lgc'>='lgc'>--> ="trms">articulation of carnal ="trms">interdependence across ="trms">species boundaries

bacteria, yeast, fungi, plant, fly, human cell

="trms">chimeric borderlands of GFP and transgenics
pushing against the perceptual and ="trms">affective registers of laboratory walls ="trms">embodied selves, eating practices, living conditions

bio-capitalism
="trms">animal industry

(="ppl">="ppl">Hayward on) carnality and radiance of ="trms">naturecultures
(welcoming a) multidisciplinary table of where light is being eaten


visuality as corporality
light='lgc'> = meat

(Latin word) lumen='lgc'>: light, lantern, lamp, clairity, understanding, the central cavity of a hollow structure in an organism or cell

='strcls'>*somalumenal='lgc'>: how might luminosity, effulgence and illumination be about ="trms">embodiment or corporality='qstn'>? light transubstantiated into flesh and ="trms">matter (='lgc'>=/= body transcended by the thrills of enlightenment and radiance)='strcls'>*


(='mywrk'>my work on telegram ="trms">bestiary='lgc'>:) ='strcls'>*post-="trms">animal studies='strcls'>*

='lgc'>[='strcls'>*='lgc'>]tr="trms">animal='lgc'>: a synecdochically ="trms">imagined cor="trms">respondence ="trms">written as a portmanteau word ='lgc'>='lgc'>--> changes in our understanding of bodily transformation, somatic and ="trms">sensual synthesis that manifests synecdochically (a figure of speech in which a part is used for the whole or the whole for a part) ='lgc'>=/= ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorically
='lgc'>[="nms">Cinderella is synecdochic='lgc'>]

='strcls'>*trans-
ongoing labor of cross-="trms">species ="trms">agents
energetic and ="trms">material crossings that disrupt bifurcated ="trms">categories

(="ppl">="ppl">Haraway ='lgc'>+ ="ppl">="ppl">Hayward) ="trms"nttrm="metaph,metamorph,metabol,metal">metaplasm قلب حروف='lgc'>: a change in a word (by adding, comitting or transposing its letters, syllables or sounds) that can signify a mistake, stumbling, a troping that makes a ="trms">difference ='lgc'>[in joined ="trms">natureculture ='lgc'>--="ppl">="ppl">Haraway='lgc'>='lgc'>--> flesh and signifier, bodies and words, ="trms">stories and ="trms">worlds='lgc'>]
to inflect tr="trms">animals with its tropic kin of antimeria that turns nouns into ="trms">verbs, that mobilizes, in="trms">cites, activates persons, ="trms">animals, places, things and ideas

='strcls'>*i am rubied by your attention='strcls'>* ='lgc'>: the relay of energies and forces (not just encounter) ='lgc'>==constitute='lgc'>='lgc'>==> ="trms">ontology

='lgc'>[='strcls'>*='lgc'>]="trms">ontology='lgc'>: what there is ='lgc'>+ what debts we owe to it ='lgc'>='lgc'>--> we owe ‘sensation’ to life'[...]