[...]ight ='lgc'>: a heavenly light promising liberation from the flesh


transgenic ="trms">technologies ='lgc'>='lgc'>==>
jellyfish ='lgc'>+ GFP (green fluorescent protein)
rhesus monkey
glowing kittens
transgenic pigs
(...='trgt hghlght 1'href='?q=animal'>animal examples of ="trms">chimeric and impure)='lgc'>--="ppl">="ppl">Hayward='lgc'>='lgc'>--> ="trms">articulation of carnal ="trms">interdependence across ="trms">species boundaries

bacteria, yeast, fungi, plant, fly, human cell

="large lg2" stl="font-size:110%"> ="trms">chimeric borderlands of GFP and transgenics
pushing against the perceptual and ="trms">affective registers of laboratory walls ="trms">embodied selves, eating practices, living conditions

bio-capitalism
='trgt hghlght 1'href='?q=animal'>animal industry

(="ppl">="ppl">Hayward on) carnality and radiance of ="trms">naturecultures
(welcoming a) multidisciplinary table of where light is being eaten


visuality as corporality
light='lgc'> = meat

(Latin word) lumen='lgc'>: light, lantern, lamp, clairity, understanding, the central cavity of a hollow structure in an organism or cell

='strcls'>*somalumenal='lgc'>: how might luminosity, effulgence and illumination be about ="trms">embodiment or corporality='qstn'>? light transubstantiated into flesh and ="trms">matter (='lgc'>=/= body transcended by the thrills of enlightenment and radiance)='strcls'>*

="large lg14" stl="font-size:102%">
(='mywrk'>my work on telegram ="trms">bestiary='lgc'>:) ='strcls'>*post-='trgt hghlght 1'href='?q=animal'>animal studies='strcls'>*

='lgc'>[='strcls'>*='lgc'>]tr='trgt hghlght 1'href='?q=animal'>animal='lgc'>: a synecdochically ="trms">imagined cor="trms">respondence ="trms">written as a portmanteau word ='lgc'>='lgc'>--> changes in our understanding of bodily transformation, somatic and ="trms">sensual synthesis that manifests synecdochically (a figure of speech in which a part is used for the whole or the whole for a part) ='lgc'>=/= ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorically
='lgc'>[="nms">Cinderella is synecdochic='lgc'>]

='strcls'>*trans-
ongoing labor of cross-="trms">species ="trms">agents
energetic and ="trms">material crossings that disrupt bifurcated ="trms">categories

(="ppl">="ppl">Haraway ='lgc'>+ ="ppl">="ppl">Hayward) ="trms"nttrm="metaph,metamorph,metabol,metal">metaplasm قلب حروف='lgc'>: a change in a word (by adding, comitting or transposing its letters, syllables or sounds) that can signify a mistake, stumbling, a troping that makes a ="trms">difference ='lgc'>[in joined ="trms">natureculture ='lgc'>--="ppl">="ppl">Haraway='lgc'>='lgc'>--> flesh and signifier, bodies and words, ="trms">stories and ="trms">worlds='lgc'>]
to inflect tr='trgt hghlght 1'href='?q=animal'>animals with its tropic kin of antimeria that turns nouns into ="trms">verbs, that mobilizes, in="trms">cites, activates persons, ='trgt hghlght 1'href='?q=animal'>animals, places, things and ideas

='strcls'>*i am rubied by your attention='strcls'>* ='lgc'>: the relay of energies and forces (not just encounter) ='lgc'>==constitute='lgc'>='lgc'>==> ="trms">ontology

='lgc'>[='strcls'>*='lgc'>]="trms">ontology='lgc'>: what there is ='lgc'>+ what debts we owe to it ='lgc'>='lgc'>--> we owe ‘sensation’ to life's ‘insistencies’ ='lgc'>: (="ppl">="ppl">Hayward arguing) we must ="trms">respond to ='strcls'>*life's insistencies='strcls'>* through sensation (corporal prehensions)
='lgc'>--(='qstn'>?why to ="trms">write='lgc'>:)='lgc'>='lgc'>--> ='strcls'>**noun='lgc'> = ="trms">transitional ="trms">responses to ="trms">relationships='strcls'>** (='lgc'>=/= direct products of environment)
='lgc'>==='qstn'>?='lgc'>='lgc'>==> percussive distribution of ="trms">affect

boundary='lgc'>: refracted ="trms">interfaces of passage, pre="trms">positional orientation
="trms">sensuous being='lgc'>: un="trms"nttrm="metaph,metamorph,metabol,metal">metabolizable more, the residue of passing

="large lg14" stl="font-size:135%"> jellyfish sting ="trms">story
“a jellyfish stings human skin, leaving an empurpled mark that inscribes the boundaries of tentacle and skin (somatic ="trms">technologies), but the ex="trms">citation (sensorial ="trms">transit) of burning and b="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listering energy remains partly un="trms"nttrm="metaph,metamorph,metabol,metal">metabolizable='lgc'>--this remainder is ="trms">differentiating and binding. so ex="trms">citation is not necessarily predicated on ="trms">positive joins of ever expanding units of life, but emerges between them and therefore can be generated through haemorrhaging ='lgc'>[flow of blood from a ruptured blood vessels='lgc'>], excising, amputating” ='lgc'>[& killing(='qstn'>?)='lgc'>]


breaking fast with glowing light
Kac's GFP bunny='lgc'>: (="trms">chimera of) rabbit ='lgc'>+ jellyfish ='lgc'>+ human ='lgc'>+ ="trms">technology

making bodies ="trms">materially luminal ='lgc'>--="ppl">="ppl">Hayward='lgc'>='lgc'>--> تابش effulgence bound to meatier substance ='lgc'>=/= extraterrestrial force of more heavenly bodies
(-what about the moon='qstn'>?)

sexual planktonic medusa
دو شکلی di="trms">morphic life ="trms">history
جانور دریایی pelagic drifters

='lgc'>[='strcls'>*='lgc'>]drift='lgc'>: to be carried slowly by a current of air or water ='lgc'>:
="lsts lst1">•move passively, aimlessly or involuntarily into a certain ="trms">situation or condition
="lsts lst1">•a steady movement or developement from one thing toward another
="lsts lst1">•='strcls'>*your body is an index of its environment='strcls'>* (= jellyfish='lgc'>: when provoked give off a green glow... ='strcls'>*glowing in ="trms">response to provocation='strcls'>*)
="lsts lst1">•to be sent adrift as mutation
="lsts lst1">•the general intention of an argument (='lgc'>='lgc'>--> in ="trms">writing='lgc'>: ='strcls'>*="trms">technique of drifting='strcls'>*)
="lsts lst2">◦="trms">poetic joints
="lsts lst2">◦mixing ="trms">ontologies into larger organizations
="lsts lst2">◦

blend of tissue
reorder not only life but also light

="prgrph">-(="ppl">Sagan ='lgc'>='lgc'>-->) life='lgc'>: how ="trms">matter ="trms">interacts with ="trms">interconnected ="trms">systems that in="trms"nttrm="cluster,club">clude organisms in their distinct perceiving ="trms">worlds

="prgrph">-(Uexküll ='lgc'>='lgc'>-->) Umwelt='lgc'>: perceptual bubbles (of the most unidentifiable ='trgt hghlght 1'href='?q=animal'>animals='lgc'>: ticks, spiders, inverts) ='lgc'>='lgc'>==> ‘organs of ='trgt hghlght 1'href='?q=animal'>animals are counterparts of lived environments’ ='lgc'>: ='strcls'>***='trgt hghlght 1'href='?q=animal'>animal body='lgc'>: inverted map of its environment='strcls'>*** (mediated by its capacity to ="trms">interpret habitat through bodily sensation) ='lgc'>[Uexküll using music to define the laws of ="trms">nature='lgc'>: “life='lgc'> = musical ="trms">response,” effects of ='strcls'>*='trgt hghlght 1'href='?q=animal'>animal capitalism='strcls'>*='lgc'>]

to ="trms">travel through ="trms">stages of evolution of the ="trms">consumer product ='lgc'>='lgc'>~=> becoming a new harmony (='lgc'><='lgc'>-- using jellyfish as advertising in posthuman ="trms">consumerism)

="large lg6" stl="font-size:115%"> ="prgrph">-(Lingis ='lgc'>='lgc'>-->) ='lgc'>[='strcls'>*='lgc'>]sensation='lgc'>: ملقمه amalgamations made of movements and ="trms">affects that shape the energetic relay between subjects and objects,, an intensity ='lgc'>--that='lgc'>='lgc'>--> pressures us ='lgc'>--feel='lgc'>='lgc'>--> our cohabitation ='lgc'>--in='lgc'>='lgc'>--> a sensible environment ='lgc'>--that='lgc'>='lgc'>--> opens outward (='lgc'>=/= simulation of our sensorys or nervous ="trms">systems) ='lgc'>='lgc'>==> subject is ='strcls'>*involved='strcls'>* into the ="trms">sensuousness of being ='lgc'>: ='strcls'>*ex="trms">citation of ="trms">affect and desire within a ="trms">sensuous environment ='lgc'>==generate='lgc'>='lgc'>==> substance of self='strcls'>*
="lsts lst1">•percepts oringinating in environmental harmonization

tr='trgt hghlght 1'href='?q=animal'>animals invoke the ="trms">social, ="trms">affective, sensorial ="trms">response-abilities of becoming and eating ='lgc'>[='lgc'><='lgc'>-- ="ppl">="ppl">Hayward's affirmative ="trms">poetics of trans- ='lgc'>--='not'>✕='lgc'>='lgc'>--> ="ppl">="ppl">Stewart's much more complex pattern of description='lgc'>]

="prgrph">-my art work has been more about intensity ='lgc'>+ ="trms">techne (= baroque='qstn'>?), than ="trms">aesthetics ='lgc'>='lgc'>==> (='lgc'>[='lgc'>{when i make images='lgc'>} sharing='lgc'>] our) subjugation to sensation


( sensibility ='lgc'>[ ... ) ="trms">sensuousness ='lgc'>]
                 |
="trms">affect ='lgc'><='lgc'>--  sensation ='lgc'>='lgc'>--> ="trms">affect
   ="trms">affect          ="trms">affect
          ="trms">affect ="trms">affect   ="trms">affect
        ="trms">affect      ::='lgc'>{='lgc'>~body='lgc'>~='lgc'>}:='lgc'>:


sensation ='lgc'>--distribute='lgc'>='lgc'>--> ="trms">affects ='and'>& percepts (across bodies)

ex="trms">citation (unleashes bodily organization at the site of contact)='lgc'> = zone of an ='strcls'>*expressed threshold='strcls'>* ='lgc'>=/= zone of contact


multi="trms">species ="trms">materialities ='lgc'>--="ppl">Grosz='lgc'>='lgc'>--> life ="trms">folds over itself to embrace its contact with ="trms">materiality


rabbit mammalizes light
glow='lgc'>: a dynamizing force ='lgc'>='lgc'>==> making ="trms">matter more


="ppl">="ppl">Hayward='lgc'>: through ='lgc'>[Alba's='lgc'>] glow, her artfulness, we are reminded that ="trms">species are not just ="trms">relationships, nor are ="trms">species ever directly in ="trms">relationship with other ="trms">species, we are resonances and dissonances of intensification, energetic cadences of one another='lgc'>--a sensorial ensemble ='lgc'>[='lgc'><='lgc'>-- what ="trms">marketing would say about this='qstn'>?='lgc'>]


space between ="trms">scientific experimentation (biocultural) ='and'>& domestic cohabitation (com="trms">position ='at'>#="nms">Cinderella, pet) ='lgc'>--evoke='lgc'>='lgc'>--> invisible labour of jellyfish, research on the proliferation and patterns of cancer cells and the sensation of somalumenality ='lgc'>[="ppl">="ppl">Hayward's Alba='lgc'>]


(Anker > ="ppl">="ppl">Hayward='lgc'>:) the ="trms">chimera must be understood in a ="trms">social context='lgc'>: these ="trms">beasts have always reflected the ="trms">social, ="trms">scientific and ="trms">religious circumstances ='lgc'><='lgc'>-- my project in ="trms">zoological vandalism


(="ppl">="ppl">Hayward's neologism ='lgc'>='lgc'>--> posthumanist re="trms">positioning of visuality) carnophallogocentric visual appetite
...glow (intensifying vision) drifts through the bodies of ="trms">consumers

eating (in="trms">gesting and killing of) jellyfish usually takes the form of dried crisps sprinkled into salads and Chinese food



="nms">Cinderella's ="trms">techne ='lgc'>='lgc'>--> companion
Crusoe's ="trms">techne ='lgc'>='lgc'>--> human

="prgrph">-="trms">fictional kitchen where ="nms">Cinderella works (and is not a master of)

='lgc'>[learning from='lgc'>] ="nms">Cinderella (her room has been undone and remade by cohabitation with ="trms">birds, mice, evil mother ='lgc'>='lgc'>--> changing the self and adapting) ='lgc'>='lgc'>==> ="trms">ontology='lgc'>: a practice of co-constitutive awareness


Alba ='lgc'>--engineered='lgc'>='lgc'>--> to glow
pig ='lgc'>--engineered='lgc'>='lgc'>--> to become sausage

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

="ppl">Seymour
bad ="trms">affect
(bad environmentalism's) ="trms">respond to mainstream environmentalism ='lgc'>+ ="trms">questioning its broader ideals of ="trms">nature
='lgc'>=/= conventional environmental ="trms">affect

both identify ='and'>& ="trms">respond to the aforementioned absurdities and ironies, through absurdity and irony ='lgc'>+ related ="trms">affects and sensibilities='lgc'>:
="lsts lst1">•irreverence بى ادبى
="lsts lst1">•ambivalence
="lsts lst1">•camp
="lsts lst1">•frivolity هرزه
="lsts lst1">•indecorum بى نزاکتى
="lsts lst1">•awkwardness
="lsts lst1">•sardonicism زهر خنده
="lsts lst1">•="trms">perversity
="lsts lst1">•playfulness
="lsts lst1">•glee شاد شاد

="trms">affects and sensibilities typically as="trms">sociated with environmentalism='lgc'>:
="lsts lst1">•gloom
="lsts lst1">•doom
="lsts lst1">•guilt
="lsts lst1">•shame
="lsts lst1">•didacticism
="lsts lst1">•prescriptiveness
="lsts lst1">•sentimentality احساساتى
="lsts lst1">•reverence حرمت
="lsts lst1">•="trms">seriousness
="lsts lst1">•sincerity
="lsts lst1">•earnestness
="lsts lst1">•sanctimony تقدس
="lsts lst1">•self-="trms"nttrm="righ,rigo,riga,rigi,trig,rign">righteousness
="lsts lst1">•="trms">wonder

="large lg1" stl="font-size:124%"> assumptions='lgc'>:
="lsts lst1">•that reverence is required for ethical ="trms">relations to the nonhuman
="lsts lst1">•that knowl="trms"nttrm="knowledge,Knowledge">edge is key to fighting problems like climate change


="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

__al __ ='lgc'>: __ ="trms">affects and ="trms">matter of __
(sensational X ='lgc'>: Y ="trms">affects and the ="trms">matter of Z)

ocularcentric selves

(="ppl">="ppl">Hayward's) jellyfish='lgc'>: prismatically, their kinesthetic bling is registered visually and haptically, which draws our attention to the construction of their enclosure

expressively ="trms">dense
rendered ="trms">literal and ="trms">material
light is of this ="trms">world

to think diffractively='lgc'> = to apprehend a critical ="trms">difference within

(the formation of a word from a sound as="trms">sociated with what is named ='lgc'>='lgc'>-->) onomato="trms">poetic='lgc'>: designed around the sensation of water

="ppl">="ppl">Hayward is drawn (to the Monterey Bay aquarium) ='lgc'>='lgc'>==> trying to ="trms">sort out the ="trms">poetics of their display
='lgc'>[they='lgc'>] furnish a simulation of the real thing, soliciting the sensation of unmediated encounter with marine ="trms">worlds, they ='strcls'>*act as sites of ="trms">ecological hope='strcls'>* ='lgc'>--Acampora='lgc'>='lgc'>--> ='strcls'>*="trms">zooscopic='lgc'>: a totalizing view that conceals meaningful human-='trgt hghlght 1'href='?q=animal'>animal encounters at the price of reinvigorating ="trms">anthropocentrism ='lgc'>{='lgc'>=/=='qstn'>? ="trms">zoological vandalism ='lgc'>='lgc'>--> what would be an ='trgt hghlght 1'href='?q=animal'>animal ="trms">social media='qstn'>?='lgc'>}
='lgc'>[in ="trms">zooscopic experience:='lgc'>] the very structure of the human-='trgt hghlght 1'href='?q=animal'>animal encounter is disrupted, and the ="trms">interaction that is sought (encountering the ='trgt hghlght 1'href='?q=animal'>animal) becomes impossibility as the “real” ='trgt hghlght 1'href='?q=animal'>animals disappear and the conditions for seeings are undermined ='lgc'>[='lgc'><='lgc'>-- how telegram does that='qstn'>? if telegram ='trgt hghlght 1'href='?q=animal'>animal media is ="trms">zooscopic, then i say that is good for ="nms">Tehran, for the “real” encounters are violent. ='thdf'>the idea of “truely seeing ='trgt hghlght 1'href='?q=animal'>animal” is ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics='lgc'>]

captivity ='lgc'>='lgc'>==> ='trgt hghlght 1'href='?q=animal'>animal against themselves, “='trgt hghlght 1'href='?q=animal'>animal='lgc'> = qualified noun, adjectival” ='lgc'>[='lgc'>=/= ='strcls'>*="nms">ajayeb's ="trms">wilderness='strcls'>* was ="trms">articulated in a time before the ="trms">modern ="trms">zoo='lgc'>]
='lgc'>--Acampora='lgc'>='lgc'>--> zone of ="trms">species contact mediated by an ="trms">interruption that voids actual encounter
='lgc'>--='not'>✕='lgc'>='lgc'>--> ="frds">Sina='lgc'>: there has never been an “actual encounter”
='lgc'>--='not'>✕='lgc'>='lgc'>--> ="ppl">="ppl">Hayward='lgc'>: does face-to-face “seeing” ="trms">matter for organisms of a radically ="trms">different scale and for whom “eyes” are light receptors rather than picture makers='qstn'>?

="prgrph">-how can we see mediation as a dynamic of encounter, even an ethical one='qstn'>?
(captivity is always mediated)


captivity diffracted


='strcls'>*(telegram's) ='lgc'>[='strcls'>*='lgc'>]encounter='lgc'>: ="trms">sensuous rapport or energetic cadence='strcls'>*


aquariums engage a ="trms">story of looking ='lgc'>+ deep roots in imperialism and the process of nation building ='lgc'>='lgc'>--> aquarium='lgc'>: a ="trms">stage of an unspoiled garden in ="trms">nature, بوته hearth for learning human self from ='trgt hghlght 1'href='?q=animal'>animal other ='lgc'>+ (clarification of) ="trms">ontological and ="trms">epistemological disorders of ="trms">nature and culture ='lgc'>[='lgc'>=/= ="ppl">Tsing's contaminated landscapes='lgc'>]
="prgrph">-18th century='lgc'>: the ocean was taboo, a place of great fear, a cursed ="trms">world full of ="trms">monsters ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurking in shadowy fathoms, (waters='lgc'>: low and deep ='lgc'>=/= air='lgc'>: domain of morality and aspiration, closer to heaven)
="prgrph">-19th century europe victorian glass ='strcls'>*aqua vivarium='strcls'>* ='lgc'>='lgc'>--> windows that ="trms">interfaced between human sight and subaqueous s="trms">cenes (the unknown provoked feelings of bot curiosity and apprehension)='lgc'>--Stott='lgc'>='lgc'>--> for the ="trms">natura="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list the marine or freshwater aquarium provided a constantly changing, glass-fronted theater of bizarre and exotic bodies, moving, ="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">morphosing, ="trms">interacting and breeding in sensational ways
="prgrph">-aquariums became sacred spaces where cohabited forces of godliness and ="trms">nature were contained, compartmentalized, and studied ='lgc'>='lgc'>--> ='trgt hghlght 1'href='?q=animal'>animal='lgc'> = metonymic of particularly nonhuman environments ='lgc'>='lgc'>--> victorian sensibilities

(="ppl">Darwinan ="trms">trope...) ="trms">monstrously minute, potent and parasitic, characterized by missing body parts

efforts to know, classify, and conquer the oceanic (='lgc'>='lgc'>--> capture for visual pleasure) ='lgc'>='lgc'>==> counter-conquest of the home by ="trms">monsters and sexual deviants

the most prized organisms were “exotics” from non-european environments that fueled ongoing colonialism in the mode of ='trgt hghlght 1'href='?q=animal'>animal husbandry


="ppl">="ppl">Hayward='lgc'>:
="trms">differences in display ="trms">technologies
variations in viewer experience and perception
alterations in cross-="trms">species encounters
aquarium's promise of immediacy(='qstn'>?)

the ="trms">rhetoric of ='trgt hghlght 1'href='?q=animal'>animal domination is not the only discourse at work (in aquarium display, telegram, in ="nms">ajayeb, in ="trms">zoo, etc.)

="ppl">="ppl">Hayward's attention to the expressiveness of sensation, display ="trms">technologies, and the ='trgt hghlght 1'href='?q=animal'>animals themselves ='lgc'>=/=='qstn'>? my attention to telegram ='trgt hghlght 1'href='?q=animal'>animal media

(="trms">modern) aquarium='lgc'>: turning toward the ="trms">monstrous oceanic but updated for a ="trms">techno="trms">scientific post="trms">modernity and anticipating a sci-fi futurity


exhibits as idealizations
the aquarium visitor is entertained into caring about environmental ethics and marine biology. enacting a moral imperative to protect local eco="trms">systems, the aquarium is a savoir ='lgc'>='lgc'>--> the parochial becomes the new ="trms">cosmopolitan

="trms">technology ='lgc'>+ artistry ='lgc'>+ biology

playing with scale, volume, space
refractive ="trms">technology='lgc'>:
="lsts lst1">•produces the ="trms">visceral and optical experience of immersion...
="lsts lst1">•makes us profoundly aware of our bodies in space
="lsts lst1">•producing a disorienting visuality
='strcls'>*refracted vision='lgc'> = textured light='strcls'>*

refraction='lgc'> = corporal جسمى ='lgc'>+ carnal (جسمانى marked by the appetites and passions of the body) ='lgc'>='lgc'>==> effective stimulation


osmotic space
amniotic
eroded
bad boundaries
concretions
immersive medusa or jellies transducingly
snaky tresses of the mythical gorgon
more-ness of sensation
destroyed, transformed, conserved

jelly scatters
diffracting cilia and fluible mesoglea
="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">morphosing diffraction patterns


multiple sensory registers temper the ="trms">apparatus of seeing='lgc'>: sound, tactility, movement, proximity

immersion ='lgc'>==convey='lgc'>='lgc'>==> the experience of being totally inside a ="trms">world, a state of mind, cultural and ="trms">historical forms, and intellectual rumination ='lgc'>=/= unreality or reality
='lgc'>='lgc'>==> cohabitation ='lgc'>=/= re="trms">presentation

tactile visuality
fingery eyes
relies on textured proximity rather than objective distance
the visual ="trms">apparatus is the touching body

='lgc'>[='strcls'>*='lgc'>]art='lgc'>: ="trms">sensual movement of perceptual information (across media and bodies)

transduction='lgc'>:
(at an energetic transduction site='lgc'>: one form of organized energy a="trms">symmetrically converted into another kind of energy)
="lsts lst1">•trans="trms">mission of messages through various media and the ways those messages become mis/="trms">translated into sense and sensation
="lsts lst1">•transmitted information reformatted and transformed through devices, forces, and processes, and then broadcast to other sensorial subjects... (='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to my ="nms">ajayeb-e pit ="trms">story)


='at'>#telegram's ="trms">zoological corruption ='lgc'>=/= State, ="trms">science

="large lg3" stl="font-size:112%">
="trms">matter owes a debt to its own means of revelation='lgc'>: light

(="ppl">="ppl">Hayward's) ='lgc'>[='strcls'>*='lgc'>]captivation='lgc'>: extraction of rhythm, pulse, color, texture ='lgc'>='lgc'>==> resonate for alternative purposes buth within the conditions of the frame

the (="trms">zoo's or aquarium's) display='lgc'>: motabolizes, creates, releases sensation into the ="trms">world ='lgc'>='lgc'>==> environment of intense involvement ='lgc'>='lgc'>--> familiar orderings are ="trms">affectively transposed, altered, refigured

="large lg4" stl="font-size:110%"> jellies ='lgc'>='lgc'>--> surrea="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list white shapes

i am not sure ='lgc'>='lgc'>-->
(Desmond's) identification='lgc'>: the beautification of ‘drifters'='lgc'>[spending most of their time motionless with their tentacles extended over ten feet, netting the waters for food='lgc'>] makes cross-="trms">species identification impossible ='lgc'>='lgc'>--> ='lgc'>[='strcls'>*='lgc'>]identification='lgc'>: seeing familiarity in other organisms='lgc'> = a map for empathy and critical engagement='strcls'>* (='lgc'>=/= objectification of radically ="trms">different organisms) ='lgc'>: “transmutation of non-identification into ="trms">aestheticization” =[...]