[...](='mywrk'>my work on telegram ="trms">bestiary='lgc'>:) ='strcls'>*post-='trgt hghlght 1'href='?q=animal'>animal studies='strcls'>*

='lgc'>[='strcls'>*='lgc'>]tr='trgt hghlght 1'href='?q=animal'>animal='lgc'>: a synecdochically ="trms">imagined cor="trms">respondence ="trms">written as a portmanteau word ='lgc'>='lgc'>--> changes in our understanding of bodily transformation, somatic and ="trms">sensual synthesis that manifests synecdochically (a figure of speech in which a part is used for the whole or the whole for a part) ='lgc'>=/= ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorically
='lgc'>[="nms">Cinderella is synecdochic='lgc'>]

='strcls'>*trans-
ongoing labor of cross-="trms">species ="trms">agents
energetic and ="trms">material crossings that disrupt bifurcated ="trms">categories

(="ppl">="ppl">Haraway ='lgc'>+ ="ppl">="ppl">Hayward) ="trms"nttrm="metaph,metamorph,metabol,metal">metaplasm قلب حروف='lgc'>: a change in a word (by adding, comitting or transposing its letters, syllables or sounds) that can signify a mistake, stumbling, a troping that makes a ="trms">difference ='lgc'>[in joined ="trms">natureculture ='lgc'>--="ppl">="ppl">Haraway='lgc'>='lgc'>--> flesh and signifier, bodies and words, ="trms">stories and ="trms">worlds='lgc'>]
to inflect tr='trgt hghlght 1'href='?q=animal'>animals with its tropic kin of antimeria that turns nouns into ="trms">verbs, that mobilizes, in="trms">cites, activates persons, ='trgt hghlght 1'href='?q=animal'>animals, places, things and ideas

='strcls'>*i am rubied by your attention='strcls'>* ='lgc'>: the relay of energies and forces (not just encounter) ='lgc'>==constitute='lgc'>='lgc'>==> ="trms">ontology

='lgc'>[='strcls'>*='lgc'>]="trms">ontology='lgc'>: what there is ='lgc'>+ what debts we owe to it ='lgc'>='lgc'>--> we owe ‘sensation’ to life's ‘insistencies’ ='lgc'>: (="ppl">="ppl">Hayward arguing) we must ="trms">respond to ='strcls'>*life's insistencies='strcls'>* through sensation (corporal prehensions)
='lgc'>--(='qstn'>?why to ="trms">write='lgc'>:)='lgc'>='lgc'>--> ='strcls'>**noun='lgc'> = ="trms">transitional ="trms">responses to ="trms">relationships='strcls'>** (='lgc'>=/= direct products of environment)
='lgc'>==='qstn'>?='lgc'>='lgc'>==> percussive distribution of ="trms">affect

="large lg2" stl="font-size:111%"> boundary='lgc'>: refracted ="trms">interfaces of passage, pre="trms">positional orientation
="trms">sensuous being='lgc'>: un="trms"nttrm="metaph,metamorph,metabol,metal">metabolizable more, the residue of passing

jellyfish sting ="trms">story
“a jellyfish stings human skin, leaving an empurpled mark that inscribes the boundaries of tentacle and skin (somatic ="trms">technologies), but the ex="trms">citation (sensorial ="trms">transit) of burning and b="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listering energy remains partly un="trms"nttrm="metaph,metamorph,metabol,metal">metabolizable='lgc'>--this remainder is ="trms">differentiating and binding. so ex="trms">citation is not necessarily predicated on ="trms">positive joins of ever expanding units of life, but emerges between them and therefore can be generated through haemorrhaging ='lgc'>[flow of blood from a ruptured blood vessels='lgc'>], excising, amputating” ='lgc'>[& killing(='qstn'>?)='lgc'>]


breaking fast with glowing light
Kac's GFP bunny='lgc'>: (="trms">chimera of) rabbit ='lgc'>+ jellyfish ='lgc'>+ human ='lgc'>+ ="trms">technology

making bodies ="trms">materially luminal ='lgc'>--="ppl">="ppl">Hayward='lgc'>='lgc'>--> تابش effulgence bound to meatier substance ='lgc'>=/= extraterrestrial force of more heavenly bodies
(-what about the moon='qstn'>?)

sexual planktonic medusa
دو شکلی di="trms">morphic life ="trms">history
جانور دریایی pelagic drifters

='lgc'>[='strcls'>*='lgc'>]drift='lgc'>: to be carried slowly by a current of air or water ='lgc'>:
="lsts lst1">•move passively, aimlessly or involuntarily into a certain ="trms">situation or condition
="lsts lst1">•a steady movement or developement from one thing toward another
="lsts lst1">•='strcls'>*your body is an index of its environment='strcls'>* (= jellyfish='lgc'>: when provoked give off a green glow... ='strcls'>*glowing in ="trms">response to provocation='strcls'>*)
="lsts lst1">•to be sent adrift as mutation
="lsts lst1">•the general intention of an argument (='lgc'>='lgc'>--> in ="trms">writing='lgc'>: ='strcls'>*="trms">technique of drifting='strcls'>*)
="lsts lst2">◦="trms">poetic joints
="lsts lst2">◦mixing ="trms">ontologies into larger organizations
="lsts lst2">◦

blend of tissue
reorder not only life but also light

="prgrph">-(="ppl">Sagan ='lgc'>='lgc'>-->) life='lgc'>: how ="trms">matter ="trms">interacts with ="trms">interconnected ="trms">systems that in="trms"nttrm="cluster,club">clude organisms in their distinct perceiving ="trms">worlds

="large lg1" stl="font-size:142%"> ="prgrph">-(Uexküll ='lgc'>='lgc'>-->) Umwelt='lgc'>: perceptual bubbles (of the most unidentifiable ='trgt hghlght 1'href='?q=animal'>animals='lgc'>: ticks, spiders, inverts) ='lgc'>='lgc'>==> ‘organs of ='trgt hghlght 1'href='?q=animal'>animals are counterparts of lived environments’ ='lgc'>: ='strcls'>***='trgt hghlght 1'href='?q=animal'>animal body='lgc'>: inverted map of its environment='strcls'>*** (mediated by its capacity to ="trms">interpret habitat through bodily sensation) ='lgc'>[Uexküll using music to define the laws of ="trms">nature='lgc'>: “life='lgc'> = musical ="trms">response,” effects of ='strcls'>*='trgt hghlght 1'href='?q=animal'>animal capitalism='strcls'>*='lgc'>]

to ="trms">travel through ="trms">stages of evolution of the ="trms">consumer product ='lgc'>='lgc'>~=> becoming a new harmony (='lgc'><='lgc'>-- using jellyfish as advertising in posthuman ="trms">consumerism)

="prgrph">-(Lingis ='lgc'>='lgc'>-->) ='lgc'>[='strcls'>*='lgc'>]sensation='lgc'>: ملقمه amalgamations made of movements and ="trms">affects that shape the energetic relay between subjects and objects,, an intensity ='lgc'>--that='lgc'>='lgc'>--> pressures us ='lgc'>--feel='lgc'>='lgc'>--> our cohabitation ='lgc'>--in='lgc'>='lgc'>--> a sensible environment ='lgc'>--that='lgc'>='lgc'>--> opens outward (='lgc'>=/= simulation of our sensorys or nervous ="trms">systems) ='lgc'>='lgc'>==> subject is ='strcls'>*involved='strcls'>* into the ="trms">sensuousness of being ='lgc'>: ='strcls'>*ex="trms">citation of ="trms">affect and desire within a ="trms">sensuous environment ='lgc'>==generate='lgc'>='lgc'>==> substance of self='strcls'>*
="lsts lst1">•percepts oringinating in environmental harmonization

tr='trgt hghlght 1'href='?q=animal'>animals invoke the ="trms">social, ="trms">affective, sensorial ="trms">response-abilities of becoming and eating ='lgc'>[='lgc'><='lgc'>-- ="ppl">="ppl">Hayward's affirmative ="trms">poetics of trans- ='lgc'>--='not'>✕='lgc'>='lgc'>--> ="ppl">="ppl">Stewart's much more complex pattern of description='lgc'>]

="prgrph">-my art work has been more about intensity ='lgc'>+ ="trms">techne (= baroque='qstn'>?), than ="trms">aesthetics ='lgc'>='lgc'>==> (='lgc'>[='lgc'>{when i make images='lgc'>} sharing='lgc'>] our) subjugation to sensation


( sensibility ='lgc'>[ ... ) ="trms">sensuousness ='lgc'>]
                 |
="trms">affect ='lgc'><='lgc'>--  sensation ='lgc'>='lgc'>--> ="trms">affect
   ="trms">affect          ="trms">affect
          ="trms">affect ="trms">affect   ="trms">affect
        ="trms">affect      ::='lgc'>{='lgc'>~body='lgc'>~='lgc'>}:='lgc'>:


sensation ='lgc'>--distribute='lgc'>='lgc'>--> ="trms">affects ='and'>& percepts (across bodies)

ex="trms">citation (unleashes bodily organization at the site of contact)='lgc'> = zone of an ='strcls'>*expressed threshold='strcls'>* ='lgc'>=/= zone of contact


multi="trms">species ="trms">materialities ='lgc'>--="ppl">Grosz='lgc'>='lgc'>--> life ="trms">folds over itself to embrace its contact with ="trms">materiality


rabbit mammalizes light
glow='lgc'>: a dynamizing force ='lgc'>='lgc'>==> making ="trms">matter more


="ppl">="ppl">Hayward='lgc'>: through ='lgc'>[Alba's='lgc'>] glow, her artfulness, we are reminded that ="trms">species are not just ="trms">relationships, nor are ="trms">species ever directly in ="trms">relationship with other ="trms">species, we are resonances and dissonances of intensification, energetic cadences of one another='lgc'>--a sensorial ensemble ='lgc'>[='lgc'><='lgc'>-- what ="trms">marketing would say about this='qstn'>?='lgc'>]


space between ="trms">scientific experimentation (biocultural) ='and'>& domestic cohabitation (com="trms">position ='at'>#="nms">Cinderella, pet) ='lgc'>--evoke='lgc'>='lgc'>--> invisible labour of jellyfish, research on the proliferation and patterns of cancer cells and the sensation of somalumenality ='lgc'>[="ppl">="ppl">Hayward's Alba='lgc'>]


(Anker > ="ppl">="ppl">Hayward='lgc'>:) the ="trms">chimera must be understood in a ="trms">social context='lgc'>: these ="trms">beasts have always reflected the ="trms">social, ="trms">scientific and ="trms">religious circumstances ='lgc'><='lgc'>-- my project in ="trms">zoological vandalism


(="ppl">="ppl">Hayward's neologism ='lgc'>='lgc'>--> posthumanist re="trms">positioning of visuality) carnophallogocentric visual appetite
...glow (intensifying vision) drifts through the bodies of ="trms">consumers

eating (in="trms">gesting and killing of) jellyfish usually takes the form of dried crisps sprinkled into salads and Chinese food



="nms">Cinderella's ="trms">techne ='lgc'>='lgc'>--> companion
Crusoe's ="trms">techne ='lgc'>='lgc'>--> human

="prgrph">-="trms">fictional kitchen where ="nms">Cinderella works (and is not a master of)

='lgc'>[learning from='lgc'>] ="nms">Cinderella (her room has been undone and remade by cohabitation with ="trms">birds, mice, evil mother ='lgc'>='lgc'>--> changing the self and adapting) ='lgc'>='lgc'>==> ="trms">ontology='lgc'>: a practice of co-constitutive awareness


Alba ='lgc'>--engineered='lgc'>='lgc'>--> to glow
pig ='lgc'>--engineered='lgc'>='lgc'>--> to become sausage

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................
="large lg3" stl="font-size:110%">
="ppl">Seymour
bad ="trms">affect
(bad environmentalism's) ="trms">respond to mainstream environmentalism ='lgc'>+ ="trms">questioning its broader ideals of ="trms">nature
='lgc'>=/= conventional environmental ="trms">affect

both identify ='and'>& ="trms">respond to the aforementioned absurdities and ironies, through absurdity and irony ='lgc'>+ related ="trms">affects and sensibilities='lgc'>:
="lsts lst1">•irreverence بى ادبى
="lsts lst1">•ambivalence
="lsts lst1">•camp
="lsts lst1">•frivolity هرزه
="lsts lst1">•indecorum بى نزاکتى
="lsts lst1">•awkwardness
="lsts lst1">•sardonicism زهر خنده
="lsts lst1">•="trms">perversity
="lsts lst1">•playfulness
="lsts lst1">•glee شاد شاد

="trms">affects and sensibilities typically as="trms">sociated with environmentalism='lgc'>:
="lsts lst1">•gloom
="lsts lst1">•doom
="lsts lst1">•guilt
="lsts lst1">•shame
="lsts lst1">•didacticism
="lsts lst1">•prescriptiveness
="lsts lst1">•sentimentality احساساتى
="lsts lst1">•reverence حرمت
="lsts lst1">•="trms">seriousness
="lsts lst1">•sincerity
="lsts lst1">•earnestness
="lsts lst1">•sanctimony تقدس
="lsts lst1">•self-="trms"nttrm="righ,rigo,riga,rigi,trig,rign">righteousness
="lsts lst1">•="trms">wonder

="large lg4" stl="font-size:111%"> assumptions='lgc'>:
="lsts lst1">•that reverence is required for ethical ="trms">relations to the nonhuman
="lsts lst1">•that knowl="trms"nttrm="knowledge,Knowledge">edge is key to fighting problems like climate change


="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

__al __ ='lgc'>: __ ="trms">affects and ="trms">matter of __
(sensational X ='lgc'>: Y ="trms">affects and the ="trms">matter of Z)

="large lg5" stl="font-size:165%"> ocularcentric selves

(="ppl">="ppl">Hayward's) jellyfish='lgc'>: prismatically, their kinesthetic bling is registered visually and ha[...]