[...] />
both identify ='and'>& ="trms">respond to the aforementioned absurdities and ironies, through absurdity and irony ='lgc'>+ related ="trms">affects and sensibilities='lgc'>:
="lsts lst1">•irreverence بى ادبى
="lsts lst1">•ambivalence
="lsts lst1">•camp
="lsts lst1">•frivolity هرزه
="lsts lst1">•indecorum بى نزاکتى
="lsts lst1">•awkwardness
="lsts lst1">•sardonicism زهر خنده
="lsts lst1">•="trms">perversity
="lsts lst1">•playfulness
="lsts lst1">•glee شاد شاد

="trms">affects and sensibilities typically as="trms">sociated with environmentalism='lgc'>:
="lsts lst1">•gloom
="lsts lst1">•doom
="lsts lst1">•guilt
="lsts lst1">•shame
="lsts lst1">•didacticism
="lsts lst1">•prescriptiveness
="lsts lst1">•sentimentality احساساتى
="lsts lst1">•reverence حرمت
="lsts lst1">•="trms">seriousness
="lsts lst1">•sincerity
="lsts lst1">•earnestness
="lsts lst1">•sanctimony تقدس
="lsts lst1">•self-="trms"nttrm="righ,rigo,riga,rigi,trig,rign">righteousness
="lsts lst1">•="trms">wonder

assumptions='lgc'>:
="lsts lst1">•that reverence is required for ethical ="trms">relations to the nonhuman
="lsts lst1">•that knowl="trms"nttrm="knowledge,Knowledge">edge is key to fighting problems like climate change

="large lg2" stl="font-size:111%">
="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

="large lg18" stl="font-size:111%"> __al __ ='lgc'>: __ ="trms">affects and ="trms">matter of __
(sensational X ='lgc'>: Y ="trms">affects and the ="trms">matter of Z)

ocularcentric selves

(="ppl">="ppl">Hayward's) jellyfish='lgc'>: prismatically, their kinesthetic bling is registered visually and haptically, which draws our attention to the construction of their enclosure

expressively ="trms">dense
rendered ="trms">literal and ="trms">material
light is of this ="trms">world

to think diffractively='lgc'> = to apprehend a critical ="trms">difference within

(the formation of a word from a sound as="trms">sociated with what is named ='lgc'>='lgc'>-->) onomato="trms">poetic='lgc'>: designed around the sensation of water

="ppl">="ppl">Hayward is drawn (to the Monterey Bay aquarium) ='lgc'>='lgc'>==> trying to ="trms">sort out the ="trms">poetics of their display
='lgc'>[they='lgc'>] furnish a simulation of the real thing, soliciting the sensation of unmediated encounter with marine ="trms">worlds, they ='strcls'>*act as sites of ="trms">ecological hope='strcls'>* ='lgc'>--Acampora='lgc'>='lgc'>--> ='strcls'>*="trms">zooscopic='lgc'>: a totalizing view that conceals meaningful human-='trgt hghlght 1'href='?q=animal'>animal encounters at the price of reinvigorating ="trms">anthropocentrism ='lgc'>{='lgc'>=/=='qstn'>? ="trms">zoological vandalism ='lgc'>='lgc'>--> what would be an ='trgt hghlght 1'href='?q=animal'>animal ="trms">social media='qstn'>?='lgc'>}
='lgc'>[in ="trms">zooscopic experience:='lgc'>] the very structure of the human-='trgt hghlght 1'href='?q=animal'>animal encounter is disrupted, and the ="trms">interaction that is sought (encountering the ='trgt hghlght 1'href='?q=animal'>animal) becomes impossibility as the “real” ='trgt hghlght 1'href='?q=animal'>animals disappear and the conditions for seeings are undermined ='lgc'>[='lgc'><='lgc'>-- how telegram does that='qstn'>? if telegram ='trgt hghlght 1'href='?q=animal'>animal media is ="trms">zooscopic, then i say that is good for ="nms">Tehran, for the “real” encounters are violent. ='thdf'>the idea of “truely seeing ='trgt hghlght 1'href='?q=animal'>animal” is ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics='lgc'>]

captivity ='lgc'>='lgc'>==> ='trgt hghlght 1'href='?q=animal'>animal against themselves, “='trgt hghlght 1'href='?q=animal'>animal='lgc'> = qualified noun, adjectival” ='lgc'>[='lgc'>=/= ='strcls'>*="nms">ajayeb's ="trms">wilderness='strcls'>* was ="trms">articulated in a time before the ="trms">modern ="trms">zoo='lgc'>]
='lgc'>--Acampora='lgc'>='lgc'>--> zone of ="trms">species contact mediated by an ="trms">interruption that voids actual encounter
='lgc'>--='not'>✕='lgc'>='lgc'>--> ="frds">Sina='lgc'>: there has never been an “actual encounter”
='lgc'>--='not'>✕='lgc'>='lgc'>--> ="ppl">="ppl">Hayward='lgc'>: does face-to-face “seeing” ="trms">matter for organisms of a radically ="trms">different scale and for whom “eyes” are light receptors rather than picture makers='qstn'>?

="prgrph">-how can we see mediation as a dynamic of encounter, even an ethical one='qstn'>?
(captivity is always mediated)


captivity diffracted


='strcls'>*(telegram's) ='lgc'>[='strcls'>*='lgc'>]encounter='lgc'>: ="trms">sensuous rapport or energetic cadence='strcls'>*


aquariums engage a ="trms">story of looking ='lgc'>+ deep roots in imperialism and the process of nation building ='lgc'>='lgc'>--> aquarium='lgc'>: a ="trms">stage of an unspoiled garden in ="trms">nature, بوته hearth for learning human self from ='trgt hghlght 1'href='?q=animal'>animal other ='lgc'>+ (clarification of) ="trms">ontological and ="trms">epistemological disorders of ="trms">nature and culture ='lgc'>[='lgc'>=/= ="ppl">Tsing's contaminated landscapes='lgc'>]
="prgrph">-18th century='lgc'>: the ocean was taboo, a place of great fear, a cursed ="trms">world full of ="trms">monsters ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurking in shadowy fathoms, (waters='lgc'>: low and deep ='lgc'>=/= air='lgc'>: domain of morality and aspiration, closer to heaven)
="prgrph">-19th century europe victorian glass ='strcls'>*aqua vivarium='strcls'>* ='lgc'>='lgc'>--> windows that ="trms">interfaced between human sight and subaqueous s="trms">cenes (the unknown provoked feelings of bot curiosity and apprehension)='lgc'>--Stott='lgc'>='lgc'>--> for the ="trms">natura="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list the marine or freshwater aquarium provided a constantly changing, glass-fronted theater of bizarre and exotic bodies, moving, ="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">morphosing, ="trms">interacting and breeding in sensational ways
="prgrph">-aquariums became sacred spaces where cohabited forces of godliness and ="trms">nature were contained, compartmentalized, and studied ='lgc'>='lgc'>--> ='trgt hghlght 1'href='?q=animal'>animal='lgc'> = metonymic of particularly nonhuman environments ='lgc'>='lgc'>--> victorian sensibilities

(="ppl">Darwinan ="trms">trope...) ="trms">monstrously minute, potent and parasitic, characterized by missing body parts

efforts to know, classify, and conquer the oceanic (='lgc'>='lgc'>--> capture for visual pleasure) ='lgc'>='lgc'>==> counter-conquest of the home by ="trms">monsters and sexual deviants

the most prized organisms were “exotics” from non-european environments that fueled ongoing colonialism in the mode of ='trgt hghlght 1'href='?q=animal'>animal husbandry


="ppl">="ppl">Hayward='lgc'>:
="trms">differences in display ="trms">technologies
variations in viewer experience and perception
alterations in cross-="trms">species encounters
aquarium's promise of immediacy(='qstn'>?)

the ="trms">rhetoric of ='trgt hghlght 1'href='?q=animal'>animal domination is not the only discourse at work (in aquarium display, telegram, in ="nms">ajayeb, in ="trms">zoo, etc.)

="ppl">="ppl">Hayward's attention to the expressiveness of sensation, display ="trms">technologies, and the ='trgt hghlght 1'href='?q=animal'>animals themselves ='lgc'>=/=='qstn'>? my attention to telegram ='trgt hghlght 1'href='?q=animal'>animal media

(="trms">modern) aquarium='lgc'>: turning toward the ="trms">monstrous oceanic but updated for a ="trms">techno="trms">scientific post="trms">modernity and anticipating a sci-fi futurity


exhibits as idealizations
the aquarium visitor is entertained into caring about environmental ethics and marine biology. enacting a moral imperative to protect local eco="trms">systems, the aquarium is a savoir ='lgc'>='lgc'>--> the parochial becomes the new ="trms">cosmopolitan

="trms">technology ='lgc'>+ artistry ='lgc'>+ biology

playing with scale, volume, space
refractive ="trms">technology='lgc'>:
="lsts lst1">•produces the ="trms">visceral and optical experience of immersion...
="lsts lst1">•makes us profoundly aware of our bodies in space
="lsts lst1">•producing a disorienting visuality
='strcls'>*refracted vision='lgc'> = textured light='strcls'>*

refraction='lgc'> = corporal جسمى ='lgc'>+ carnal (جسمانى marked by the appetites and passions of the body) ='lgc'>='lgc'>==> effective stimulation


="large lg18" stl="font-size:110%"> osmotic space
amniotic
eroded
bad boundaries
concretions
immersive medusa or jellies transducingly
snaky tresses of the mythical gorgon
more-ness of sensation
destroyed, transformed, conserved

jelly scatters
diffracting cilia and fluible mesoglea
="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">morphosing diffraction patterns


multiple sensory registers temper the ="trms">apparatus of seeing='lgc'>: sound, tactility, movement, proximity

="large lg6" stl="font-size:110%"> immersion ='lgc'>==convey='lgc'>='lgc'>==> the experience of being totally inside a ="trms">world, a state of mind, cultural and ="trms">historical forms, and intellectual rumination ='lgc'>=/= unreality or reality
='lgc'>='lgc'>==> cohabitation ='lgc'>=/= re="trms">presentation

tactile visuality
fingery eyes
relies on textured proximity rather than objective distance
the visual ="trms">apparatus is the touching body

='lgc'>[='strcls'>*='lgc'>]art='lgc'>: ="trms">sensual movement of perceptual information (across media and bodies)

transduction='lgc'>:
(at an energetic transduction site='lgc'>: one form of organized energy a="trms">symmetrically converted into another kind of energy)
="lsts lst1">•trans="trms">mission of messages through various media and the ways those messages become mis/="trms">translated into sense and sensation
="lsts lst1">•transmitted information reformatted and transformed through devices, forces, and processes, and then broadcast to other sensorial subjects... (='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to my ="nms">ajayeb-e pit ="trms">story)


='at'>#telegram's ="trms">zoological corruption ='lgc'>=/= State, ="trms">science


="trms">matter owes a debt to its own means of revelation='lgc'>: light

(="ppl">="ppl">Hayward's) ='lgc'>[='strcls'>*='lgc'>]captivation='lgc'>: extraction of rhythm, pulse, color, texture ='lgc'>='lgc'>==> resonate for alternative purposes buth within the conditions of the frame

the (="trms">zoo's or aquarium's) display='lgc'>: motabolizes, creates, releases sensation into the ="trms">world ='lgc'>='lgc'>==> environment of intense involvement ='lgc'>='lgc'>--> familiar orderings are ="trms">affectively transposed, altered, refigured

jellies ='lgc'>='lgc'>--> surrea="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list white shapes

i am not sure ='lgc'>='lgc'>-->
(Desmond's) identification='lgc'>: the beautification of ‘drifters'='lgc'>[spending most of their time motionless with their tentacles extended over ten feet, netting the waters for food='lgc'>] makes cross-="trms">species identification impossible ='lgc'>='lgc'>--> ='lgc'>[='strcls'>*='lgc'>]identification='lgc'>: seeing familiarity in other organisms='lgc'> = a map for empathy and critical engagement='strcls'>* (='lgc'>=/= objectification of radically ="trms">different organisms) ='lgc'>: “transmutation of non-identification into ="trms">aestheticization” ='lgc'>='lgc'>==> observer gawks بى خيال نگاه کردن and marvels at dissimilarity ='lgc'>='lgc'>==> making ="trms">difference a ="trms">marketable feature ='lgc'>[='lgc'>='lgc'>--> ="nms">ajayeb stuff='lgc'>]
='lgc'>=/= ="ppl">="ppl">Hayward ='lgc'>='lgc'>--> ='lgc'>[='strcls'>*='lgc'>]identification='lgc'>: misalignment of empathy with the possibility of familiarity ='lgc'>--relying-on='lgc'>='lgc'>--> extending empathy across similarity to dissimilarity ='lgc'>: ='strcls'>*the organism can only receive the benefits of empathy if we can identify with it='strcls'>* (='lgc'>=/= ="ppl">Seymour's ="nms">="trms">wildboyz)

politics of erasure ='lgc'>=/= empathy

telegram ="nms">ajayeb channel ='lgc'>=/= idealized visual pathways (save, preserve, conserve vanishing ="trms">wildlife, while ignoring the idealization of ="trms">nature)

aquarium (as boundary object) ='lgc'>='lgc'>==> borders of ="trms">nature and culture (that functions as public ="trms">spectacle, public enlightenment, and conquest) ='lgc'>=/= telegram

="large lg14" stl="font-size:131%"> ="prgrph">-if not the ‘oppressed other’ then what kind of actor is ‘you,’ ‘them,’ or ‘me’='qstn'>?

Ponyo ='lgc'>='lgc'>--> low-oxygen environment in which fish die but jellies thrive


distracting ='lgc'>='lgc'>--> diffracted ethics ='lgc'>--="ppl">="ppl">Haraway='lgc'>='lgc'>--> (as a ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphor to talk about) ="trms">history of ="trms">interaction, ="trms">interference, reinforcement, ="trms">difference ='lgc'>=/= reflection or reflexivity='lgc'>: displacing the same elsewhere (in traditions of re="trms">presentation, searching for the authentic really real)
='strcls'>*diffraction='lgc'>: (depending on the phase ="trms">differences and the amplitude of the light waves) elements of com="trms">posite light (white light) are reinforced, weakened, or eliminated by each other alternately='strcls'>*
="lsts lst1">•scales of butterfly wings and fishes...
="lsts lst1">•modification of the form of a word to express the ="trms">different grammatical ="trms">relations into which it may enter
="lsts lst1">•to put concerns, entities, ="trms">relationships, and actions into process ='lgc'>[-to put your found object into process of ="trms">interference='lgc'>]
="lsts lst1">•='lgc'>[='strcls'>*='lgc'>]diffraction='lgc'>: mapping of ="trms">interference ='lgc'>==="ppl">="ppl">Haraway='lgc'>='lgc'>==> where the ='strcls'>*effects of='strcls'>* ="trms">differences appear ='lgc'>=/= ="trms">differences appear

meaning ='lgc'>+ ="trms">matter ='lgc'>+ action (always live together)

="large lg14" stl="font-size:131%"> telegram ='trgt hghlght 1'href='?q=animal'>animal carousel='lgc'>: nonhuman-='trgt hghlght 1'href='?q=animal'>animal-machine

my room/bedroom (='lgc'>='lgc'>~-> ="nms">Cinderella's attic, architecture of containment)
overlapping perceptual ="trms">worlds
syn="trms">aesthetic force of perceiving and feeling, processing and ="trms">mattering ='lgc'>='lgc'>--> transposing of senses
immersion
kinesthesia
numerous haptic registers
we are trans="trms">sensual

='lgc'>[='strcls'>*='lgc'>]sensation='lgc'>: the vibratory force in all organisms that seduces, sexulizes, entices, and mesmerizes the body

vibrate
oscillate
wave

aquarium ='lgc'>='lgc'>==> new sensations='lgc'>: deep-sea drifting and shimmering for up="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right opaque hominids ='lgc'>='lgc'>--> that are sent further adrift through experience in yet unknown expressions


='lgc'>[='strcls'>*='lgc'>]="trms">ecology='lgc'>: ambivalent powerful elusive ways of ="trms">composing through ="trms">histories of ="trms">interation, ="trms">relationality, ="trms">interconnection, and ="trms">materiality

="trms">relational ="trms">matter ='lgc'>=/= ="trms">matter of who has ="trms">agency

="ppl">="ppl">Hayward's ='lgc'>[and my='lgc'>] attention and ="trms">sensuous reach are soli="trms">cited by the ctenophores in the display, a display that ="trms">instrumentalizes the jellies diffracting cilia and solicits my senses

="prgrph">-jellies participation in ="trms">worldhood (further becomings)='qstn'>?
immersed in deep marine ="trms">techno="trms">science ="trms">worlds...

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

="ppl">Marx='lgc'>: human begin to distinguish themselves from ='trgt hghlght 1'href='?q=animal'>animals as soon as they begin to produce their means of subsistence ='lgc'>='lgc'>==> they produce their actual ="trms">material life
='lgc'>--="ppl">="ppl">Haraway='lgc'>='lgc'>--> ="ppl">Marx understood ="trms">relational ="trms">sensuousness, and he thought deeply about the ="trms"nttrm="metaph,metamorph,metabol,metal">metabolism between human beings and the rest of the ="trms">world enacted in living labor ='lgc'>='lgc'>--> the humanist teleology of that labor='lgc'>: making of man himself

horses
oxen
police dogs
rescue dogs
messenger pigeons

="ppl">="ppl">Despret > Ridout

(theological critical roots of theater='lgc'>:) before tragedy is its infancy ='lgc'>[infans='lgc'>: the condition of those who are without ="trms">language='lgc'>]
the division of labor, the death of god, the establishment of human dominion over the ='trgt hghlght 1'href='?q=animal'>animals, the birth of tragedy may all be seen as ="trms">simultaneous(='qstn'>?)
='lgc'>='lgc'>--> ='trgt hghlght 1'href='?q=animal'>animals off ="trms">stage in western theatre, to hide its o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigins in these moments of ='strcls'>*inaugural violence='strcls'>* ='lgc'>+ the institution of division of labor

what was the ='trgt hghlght 1'href='?q=animal'>animal doing on ="trms">stage before the birth of tragedy='qstn'>?

mythical o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin ='lgc'>==create='lgc'>='lgc'>==> ="trms">stories (="trms">fabulous, ="trms">fabulating)='lgc'>: ='lgc'>[="trms">storytelling='lgc'>: seeking for='lgc'>] means of making a vanished experience available again in the contemporary ="trms">world (='lgc'>~ ="trms">storytelling) ='lgc'>='lgc'>~/= ='strcls'>*="trms">storymaking='lgc'>: creation of ="trms">memories, the construction of a ="trms">history that renders the ="trms">present and the future richer in possibilities='strcls'>* ='lgc'>[not just for your self and your kind, as Hollywood or the brands do it='lgc'>: personalize experiences at scale='lgc'>]

='trgt hghlght 1'href='?q=animal'>animals do not appear to work, in the referential framework that emerges from the division of labor / ex="trms">="trms"nttrm="cluster,club">clusion from labor ='lgc'>[='thdf'>the idea of ='trgt hghlght 1'href='?q=animal'>animals have been transformed into “potential ="trms">instruments of satisfaction"='lgc'>] ='lgc'>='lgc'>--> it is held that what ='trgt hghlght 1'href='?q=animal'>animals do, they do it “="trms">naturally” ='lgc'>: as if answering our needs is the same thing as ='strcls'>*acting ="trms">according to ="trms">nature='strcls'>* ='lgc'>[='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to cooking manga anime Shokugeki no Soma, the ="trms">nature of serving='lgc'>]
='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> division of labor='lgc'>: a ="trms">matter of dividing='lgc'>: those who explicitly really work ='lgc'>=/= those who are only following a bent in their ="trms">nature (a necessity of a biological rather than a ="trms">historical ="trms">sort)

="large lg1" stl="font-size:136%">
Baratay ='lgc'>='lgc'>--> possibility of ="trms">writing a ="trms">history from the ='trgt hghlght 1'href='?q=animal'>animal's point of view
='lgc'>+ ="trms">epistemic, conceptual, ideological obstacles

when the ='trgt hghlght 1'href='?q=animal'>animals start paying attention to what humans are offering ir ="trms">demanding, and then either accept, play for time, resist, refuse... ="trms">stories in which they exhibit unusual ="trms">skills or behaviors='lgc'> = acculturation='lgc'>: acceptance from the ='trgt hghlght 1'href='?q=animal'>animal (not just humans imposing their will), dialogue between the two, influence of the ='trgt hghlght 1'href='?q=animal'>animal upon the human


(thinking about ='trgt hghlght 1'href='?q=animal'>animals that we raise in order to kill and eat them)
asking breeders='lgc'>: could one in any way way that their ='trgt hghlght 1'href='?q=animal'>animals collaborate with them and work with them='qstn'>?
="lsts lst1">•the immediate general ="trms">response is='lgc'>: no ='lgc'>--='not'>✕='lgc'>='lgc'>--> yet you hear many ="trms">stories about ='trgt hghlght 1'href='?q=animal'>animals who did in fact participate in the work of those who were raising them ='lgc'>: they acted in deliberate ways of their own volition

="prgrph">-do ='trgt hghlght 1'href='?q=animal'>animals work='qstn'>?
the answer to this ="trms">question will change something ='lgc'>='lgc'>--> (="ppl">="ppl">Despret's ="trms">pragmatism) ='strcls'>*="trms">pragmatic ="trms">position='lgc'> = involving a ="trms">question whose answer turns out to have consequences='strcls'>*


(Porcher > Tapper='lgc'>:) ="trms">relationships between human and nonhuman ='trgt hghlght 1'href='?q=animal'>animals (judging that this ="trms">relationship must have followed a ="trms">historical progression similar to that undergone by the ="trms">relations of production between ="trms">different groups of men)='lgc'>:
="lstsrd">1. hunting ="trms">societies ='lgc'>='lgc'>--> ="trms">communitarian, ='trgt hghlght 1'href='?q=animal'>animals are part of the same ="trms">world as humans
="lstsrd">2. domestication ='lgc'>='lgc'>--> slavery
="lstsrd">3. ="trms">pastoralism ='lgc'>='lgc'>--> contractual forms of the feudal type
="lstsrd">4. industrial ="trms">societies ='lgc'>='lgc'>--> ="trms">relationships based on means of production and capita="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list ="trms">relationships

Tapper (and Castelluci) raise the possibility that ='trgt hghlght 1'href='?q=animal'>animals may indeed work, they also close these ="trms">relationships up in a ='strcls'>*single schema='strcls'>* of ownership and exploitation


to in="trms">herit='lgc'>: (not merely receptive,) implies a task, a ="trms">pragmatic act='lgc'> = appropriation

='strcls'>**one's ="trms">heritage is something constructed, and it is constantly transforming itself retroactively='strcls'>** بازگشتی ='lgc'>='lgc'>--> it makes us capable of ="trms">responding and that we in fact ="trms">respond to our ="trms">heritage ='lgc'>=/= simply carrying on a tradition

='strcls'>***things are in="trms">herited, but we become ourselves in carrying out the ="trms">gesture of in="trms">heriting='strcls'>***

(="ppl">="ppl">Harawayian) re-="trms">member='lgc'>: enact the ="trms">past, collect and ="trms">compose ='lgc'>='lgc'>~/= (="ppl">="ppl">Despretian) to in="trms">herit='lgc'>: giving oneself an account of a certain task, which is more than just re="trms">membering
='lgc'>[="trms">storymaking='lgc'>] ='strcls'>*to make a ="trms">story='lgc'> = to reconstruct, to ="trms">fabulate, to offer other ="trms">presents and futures to the ="trms">past='strcls'>* ='lgc'>[='lgc'>='lgc'>~/= ="frds">Sina='lgc'>: to ="trms">fabulate='lgc'> = to give other ="trms">pasts to the ="trms">present and future='lgc'>]


how to ask the ="trms">question of work properly='qstn'>?
you have to consider ='trgt hghlght 1'href='?q=animal'>animals as other than victims, ="trms">natural and cultural idiots that ='strcls'>*need to be liberated='strcls'>* despite themselves ='lgc'>='lgc'>--> ‘liberating the ="trms">world of ='trgt hghlght 1'href='?q=animal'>animals'='lgc'> = 'freeing the human ="trms">world of the ="trms">presence of ='trgt hghlght 1'href='?q=animal'>animals’ ='lgc'>[='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ="trms">fabulation of ='trgt hghlght 1'href='?q=animal'>animal human in the movie How to Train Your Dragon='lgc'>: The Hidden ="trms">World='lgc'>]
='lgc'>=/= telegram's ='trgt hghlght 1'href='?q=animal'>animals

='strcls'>*humans and ='trgt hghlght 1'href='?q=animal'>animals must (not just considered together but) always be ="trms">imagined together='strcls'>*

ceasing to consider “='trgt hghlght 1'href='?q=animal'>animal='lgc'> = victim” ='lgc'>='lgc'>==> (='qstn'>?how in telegram media) ='trgt hghlght 1'href='?q=animal'>animals involve themselves (since they are not ="trms">natural and cultural idiots), just as human (breeders) are not “exploiting,” but giving, receiving, exchanging, raising, and growing with, their ='trgt hghlght 1'href='?q=animal'>animals


when ="ppl">="ppl">Despret is putting the ="trms">question of “do ='trgt hghlght 1'href='?q=animal'>animals work='qstn'>?” to breeders, it is a real experiment ='lgc'>: to explore the rese="trms"nttrm="search">archer's pro="trms">positions with the breeders ='lgc'>='lgc'>--> to make them hesitate (='lgc'>~ is about ='strcls'>*what does it mean to speculate in such a way='qstn'>?='strcls'>*) ='lgc'>[='lgc'>=/= means of knowing through information (to gather ="trms">data or opinions) ='lgc'>: “what do breeders think of X='qstn'>?"='lgc'>]


="ppl">="ppl">Despret’ amazing ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigour ='lgc'>='lgc'>--> the only place that the ="trms">question (considering whether ='trgt hghlght 1'href='?q=animal'>animals do work) can be brought forward is the place where only the meaning as="trms">sociated with exploitation can ="trms">matter (in places where both humans and ='trgt hghlght 1'href='?q=animal'>animals are greatly mistreated)
="prgrph">-place where the evidence of such work is found, are places where ='trgt hghlght 1'href='?q=animal'>animals are industrially “produced” ='lgc'>='lgc'>--> their behaviors appear very de="trms">finitely as belonging to a work ="trms">relationship


director of ='trgt hghlght 1'href='?q=animal'>animal resources ='lgc'>='lgc'>--> (in such frame) ='trgt hghlght 1'href='?q=animal'>animal='lgc'>: occupy the place of an obscure underclass, malleable, serviceable, and disposable in the end

moder feeder operations ='lgc'>--Porcher='lgc'>='lgc'>--> ='trgt hghlght 1'href='?q=animal'>animals sometimes wanted to help

asking the breeders='lgc'>: could you help us learn how to ask our ="trms">question so that it has a chance of making sense to other people='qstn'>? ='lgc'>='lgc'>==> they also could explore the ='strcls'>*manner in which we were ="trms">obligated to ="trms">formulate our ="trms">questions='strcls'>*


(="ppl">="ppl">Harawayiean) ="trms">responsibility='lgc'>: a ="trms">relationship ="trms">crafted into ="trms">intra-action through which entities, subjects, and objects, come into being

lead cow (the one who trusts the breeder, and one the herd trusts, usually is in the front) ='lgc'>=/= dominant cow (in the hierarchy of the herd, is found in the middle of the herd)

a theme in ='trgt hghlght 1'href='?q=animal'>animal ="trms">technicians
paying attention to ='trgt hghlght 1'href='?q=animal'>animals='lgc'> = being able to feel the limits that ='trgt hghlght 1'href='?q=animal'>animals ask us to take into account (more than ="trms">questions of well-being)


='lgc'>[many times='lgc'>] ='strcls'>*work often leaves no evidence behind='strcls'>* (='lgc'>=/= publishing)
='at'>@="nms">apass


ethology ='lgc'>==teaches='lgc'>='lgc'>==> certain ="trms">questions cannot be answered unless one constructs concrete conditions beforehand ='lgc'>='lgc'>--> those that allow the ="trms">questions to be asked ='lgc'>+ those that render those who ask capable of discerning the answer, capable of grasping it when it emerges

peace-maintaining ="trms">gestures of the cows

why the work of the cows was invisible='qstn'>?
='strcls'>*because work only becomes perceptible when the cows resist='strcls'>* (when they place limit on what can happen) ='lgc'>--shows='lgc'>='lgc'>--> when everything goes correctly it is because of an active investment on the part of the cows
='strcls'>***when everything happens as it should, we don't see the work='strcls'>*** (='lgc'>=/= notion of work in art)
='at'>@="nms">apass

(when they do what has to be done in ="trms">response to an order, cow's) obedience looks “mechanical” (='lgc'>='lgc'>~/=='qstn'>? ="nms">Cinderella's obedience ='lgc'>[='qstn'>?not in a mechanical age='lgc'>])
='lgc'>[='lgc'>=/= art's work ='lgc'><='lgc'>== conflict that disturb this order of things='lgc'>]

(the fieldwork of ="ppl">="ppl">Despret helping me to realize that) ='strcls'>*the moments without conflict='strcls'>* are not something merely ="trms">natural, self-evident, or mechanical ='lgc'>='lgc'>--> they require from the cows (or someone whose work is invisible) the activity of pacification, in which they make compromises (groom each other, exchange ="trms">gestures of politeness, etc.)
="lsts lst1">•dogs and horses who are asked to serve as therapeutic assistants for humans='lgc'>: these ='trgt hghlght 1'href='?q=animal'>animals often have a passive air and seem to simply be letting things happen ='lgc'>='lgc'>--> ='strcls'>*their cooperation is based on a remarkable ability to hold themselves back='strcls'>* ='lgc'>[='lgc'><='lgc'>-- i saw this, in a theater piece for blind, i was sitting next to two assistant dogs, and could feel strongly their efforts to sit motionless in the dark within the crowds='lgc'>] ='lgc'>='lgc'>~='lgc'>~='lgc'>='lgc'>--> but non of this is perceived...

only by observing the many ways that cows can resist the breeders, doing something other than what is expected of them ='lgc'>='lgc'>==> the rese="trms"nttrm="search">archer could see how they are actively invested in the work ='lgc'>: when the cows show that they are unwilling to do what is wanted ='lgc'>='lgc'>==> their “good will” appeared (the effect of their willingness)
="lsts lst1">•this is an ="trms">interested problem ='at'>@="nms">apass, ='thdf'>the notion of asking participants to participate in an “active” way ='lgc'>=/= ='trgt hghlght 1'href='?q=animal'>animal work ='lgc'>}='lgc'>='lgc'>--> “working well for an artist='lgc'> = violating normative organization (recommendations, regulations, procedures, ="trms">codes, ="trms">specifications)"='lgc'> = تمرد tamarod recalcitrance='lgc'>: practical or collective intelligence appearing when intentional mistakes are made, or when feigned misunderstanding leads to active disobedience='strcls'>*****


Vicki ="ppl">Hearne ='lgc'>+ ="ppl">="ppl">Despret
why dogs often drop the stick they fetch a couple of feet in front of you. it is a way for the dog to give to the human a sense of the limits to the ="trms">authority that she is ="trms"nttrm="already,spread">ready to concede, with an almost mathematical precision, reminding us that not everything goes without saying ='heart'>♥


‘="trms">communication with ='trgt hghlght 1'href='?q=animal'>animals='lgc'> = being together engaged in work’ ='lgc'>:
="lsts lst1">•learning patience in regard to them
="lsts lst1">•respecting them as they are ='lgc'>==imply='lgc'>='lgc'>==> you know them ='and'>& recognise them
="lsts lst1">•

='at'>@="frds scrmbld"nttrm="Leonardo">Leo

we are required to think about people and ='trgt hghlght 1'href='?q=animal'>animals as ='strcls'>**connected in a single experience='strcls'>** (in which they jointly constitute their identities) ='at'>#="trms">chimera
='lgc'>='lgc'>==> (="trms">obligates us to consider) the manner in which they keep faith with each other ='lgc'>='lgc'>--> they ="trms">respond to each other through the consequences of their action ='and'>& their ="trms">responses are part of the consequences (='lgc'>=/= act based on shared assumptions)

='lgc'>{being a victim ='lgc'>==imply='lgc'>='lgc'>==> passivity ='lgc'>+ all its consequences='lgc'>}='lgc'>='lgc'>--> ='strcls'>*='trgt hghlght 1'href='?q=animal'>animal is not a victim='strcls'>* ='lgc'>[because:='lgc'>]
="lsts lst1">•saying “='trgt hghlght 1'href='?q=animal'>animal='lgc'> = victim” ='lgc'>=/= (="ppl">="ppl">Despret's) mode of being engaged in ="trms">question
="lsts lst1">•(don't forget that) ='strcls'>***تقصیرپذیری culpability is easier to tolerate than ="trms">responsiblity مسئولیتپذیری='strcls'>*** (because ="trms">responsibility prevents the ="trms">question from being closed)
="lsts lst1">•='strcls'>***a victim does not invite curiosity='strcls'>*** ='lgc'><='lgc'>-- curiosity is essential in ="trms">relations in which two beings learn to look and to look back (="ppl">="ppl">Despret ='lgc'>+ ="ppl">="ppl">Haraway)

victim ='lgc'>=/= (="ppl">="ppl">Despret’ ='trgt hghlght 1'href='?q=animal'>animal, ="frds">Sina's ="nms">Cinderella) more alive, more ="trms">present, they invite more ="trms">question ='lgc'>='lgc'>--> they get the chance to become ="trms">interesting
="lsts lst1">•a ="nms">Cinderella who does her job engages us in a totally ="trms">different manner than a ="nms">Cinderella who is the victim of the ="trms">authority of her evil mother and wicked sisters


(from a clinical standpoint ='lgc'>+ in human terms) ='lgc'>[='strcls'>*='lgc'>]work='lgc'>: ="trms">gestures, know-how, the involvement of the body and the intelligence, the ability to analyze, ="trms">interpret and react to ="trms">situations='lgc'>:
="lsts lst1">•work transforms the ="trms">world
="lsts lst1">•work objectifies intelligence
="lsts lst1">•work produces subjectivity

work, not only has to do with economic rationality, but participate in other forms of rationality, in ="trms">relation to='lgc'>:
="lsts lst1">•identities
="lsts lst1">•in ="trms">relationship to God
="lsts lst1">•="trms">obligation and cures
="lsts lst1">•obedience to ="trms">Nature or mastering it
="lsts lst1">•moral rationality ='lgc'>='lgc'>--> (="ppl">Marx's) work='lgc'>: de="trms">finitve form of expressing their life (a mode of life, Dejours='lgc'>: assertion of their existence)

‘work='lgc'> = a source of recognition’ ='lgc'>='lgc'>==> work =
="lsts lst1">•a source of pleasure
="lsts lst1">•a practice in the construction of our identities
="lsts lst1">•a judgment about beauty (of something being well done that ='strcls'>*relies upon the recognition of one's peers='strcls'>* ='lgc'>='lgc'>--> this is something i realized in ="nms">apass) ='lgc'>='lgc'>==> judgment about ='strcls'>*bond='strcls'>* (that concerns) the means of the work's doing ='lgc'>[and places where humans and ='trgt hghlght 1'href='?q=animal'>animals share things, achieve things together, accomplish themselves='lgc'>] (='lgc'>=/= the work as accomplished)='lgc'>: a ='strcls'>**reciprocal judgment (of bond ='and'>& beauty)='strcls'>** ='lgc'>[bond='lgc'>: judgment about the conditions of a life lived together ='strcls'>***even in ="trms">situations that are radically a="trms">symmetrical='strcls'>***='lgc'>] through which the breeder and his ='trgt hghlght 1'href='?q=animal'>animal ='lgc'>[also participants in ="nms">apass='lgc'>] may recognize each other

(="ppl">="ppl">Haraway's) work='lgc'>: a process that ="trms">crafts capabilites to answer for ='lgc'>+ answer to

="ppl">="ppl">Despret's notion of ‘judgment of the bond at the center of all ="trms">relations’ ='lgc'>=/= Wittgenestein (famous and meaningless observation='lgc'>: “if ='trgt hghlght 1'href='?q=animal'>animals could speak we would get shouted at every day” ='lgc'>: highly ="trms">anthropocentric notion of ='trgt hghlght 1'href='?q=animal'>animal as victim)


(Porcher's radical idea of) we work with ='trgt hghlght 1'href='?q=animal'>animals in order to be able to live with them, not the other way round

='lgc'>[="nms">Tehran's need of='lgc'>] speculative ="trms">fabulation='lgc'>: ="trms">stories that whets our appetite for possibilites, that open ="trms">imagination ='lgc'>=/= idyllic ="trms">story of a golden age

(="ppl">="ppl">Despret, Porcher, ="ppl">="ppl">Haraway) work='lgc'>: locus of unexpected encounter, the possibility of our ="trms">communication

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eternal turtle

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new ="trms">zoonotic infectious diseases ='lgc'>='lgc'>==> new human-='trgt hghlght 1'href='?q=animal'>animal ="trms">relationship
vast silent reservoir in aquatic ="trms">birds
confinement, deprivation, stress
global biodiversity crisis ='lgc'>--[...]