[...]y indeed work, they also close these ="trms">relationships up in a ='strcls'>*single schema='strcls'>* of ownership and exploitation


to in="trms">herit='lgc'>: (not merely receptive,) implies a task, a ="trms">pragmatic act='lgc'> = appropriation

="large lg2" stl="font-size:111%"> ='strcls'>**one's ="trms">heritage is something constructed, and it is constantly transforming itself retroactively='strcls'>** بازگشتی ='lgc'>='lgc'>--> it makes us capable of ="trms">responding and that we in fact ="trms">respond to our ="trms">heritage ='lgc'>=/= simply carrying on a tradition

='strcls'>***things are in="trms">herited, but we become ourselves in carrying out the ="trms">gesture of in="trms">heriting='strcls'>***

(="ppl">="ppl">Harawayian) re-="trms">member='lgc'>: enact the ="trms">past, collect and ="trms">compose ='lgc'>='lgc'>~/= (="ppl">="ppl">Despretian) to in="trms">herit='lgc'>: giving oneself an account of a certain task, which is more than just re="trms">membering
='lgc'>[="trms">storymaking='lgc'>] ='strcls'>*to make a ="trms">story='lgc'> = to reconstruct, to ="trms">fabulate, to offer other ="trms">presents and futures to the ="trms">past='strcls'>* ='lgc'>[='lgc'>='lgc'>~/= ="frds">Sina='lgc'>: to ="trms">fabulate='lgc'> = to give other ="trms">pasts to the ="trms">present and future='lgc'>]


how to ask the ="trms">question of work properly='qstn'>?
you have to consider ='trgt hghlght 1'href='?q=animal'>animals as other than victims, ="trms">natural and cultural idiots that ='strcls'>*need to be liberated='strcls'>* despite themselves ='lgc'>='lgc'>--> ‘liberating the ="trms">world of ='trgt hghlght 1'href='?q=animal'>animals'='lgc'> = 'freeing the human ="trms">world of the ="trms">presence of ='trgt hghlght 1'href='?q=animal'>animals’ ='lgc'>[='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ="trms">fabulation of ='trgt hghlght 1'href='?q=animal'>animal human in the movie How to Train Your Dragon='lgc'>: The Hidden ="trms">World='lgc'>]
='lgc'>=/= telegram's ='trgt hghlght 1'href='?q=animal'>animals

='strcls'>*humans and ='trgt hghlght 1'href='?q=animal'>animals must (not just considered together but) always be ="trms">imagined together='strcls'>*

ceasing to consider “='trgt hghlght 1'href='?q=animal'>animal='lgc'> = victim” ='lgc'>='lgc'>==> (='qstn'>?how in telegram media) ='trgt hghlght 1'href='?q=animal'>animals involve themselves (since they are not ="trms">natural and cultural idiots), just as human (breeders) are not “exploiting,” but giving, receiving, exchanging, raising, and growing with, their ='trgt hghlght 1'href='?q=animal'>animals


when ="ppl">="ppl">Despret is putting the ="trms">question of “do ='trgt hghlght 1'href='?q=animal'>animals work='qstn'>?” to breeders, it is a real experiment ='lgc'>: to explore the rese="trms"nttrm="search">archer's pro="trms">positions with the breeders ='lgc'>='lgc'>--> to make them hesitate (='lgc'>~ is about ='strcls'>*what does it mean to speculate in such a way='qstn'>?='strcls'>*) ='lgc'>[='lgc'>=/= means of knowing through information (to gather ="trms">data or opinions) ='lgc'>: “what do breeders think of X='qstn'>?"='lgc'>]


="ppl">="ppl">Despret’ amazing ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigour ='lgc'>='lgc'>--> the only place that the ="trms">question (considering whether ='trgt hghlght 1'href='?q=animal'>animals do work) can be brought forward is the place where only the meaning as="trms">sociated with exploitation can ="trms">matter (in places where both humans and ='trgt hghlght 1'href='?q=animal'>animals are greatly mistreated)
="prgrph">-place where the evidence of such work is found, are places where ='trgt hghlght 1'href='?q=animal'>animals are industrially “produced” ='lgc'>='lgc'>--> their behaviors appear very de="trms">finitely as belonging to a work ="trms">relationship


director of ='trgt hghlght 1'href='?q=animal'>animal resources ='lgc'>='lgc'>--> (in such frame) ='trgt hghlght 1'href='?q=animal'>animal='lgc'>: occupy the place of an obscure underclass, malleable, serviceable, and disposable in the end

moder feeder operations ='lgc'>--Porcher='lgc'>='lgc'>--> ='trgt hghlght 1'href='?q=animal'>animals sometimes wanted to help

asking the breeders='lgc'>: could you help us learn how to ask our ="trms">question so that it has a chance of making sense to other people='qstn'>? ='lgc'>='lgc'>==> they also could explore the ='strcls'>*manner in which we were ="trms">obligated to ="trms">formulate our ="trms">questions='strcls'>*


(="ppl">="ppl">Harawayiean) ="trms">responsibility='lgc'>: a ="trms">relationship ="trms">crafted into ="trms">intra-action through which entities, subjects, and objects, come into being

lead cow (the one who trusts the breeder, and one the herd trusts, usually is in the front) ='lgc'>=/= dominant cow (in the hierarchy of the herd, is found in the middle of the herd)

a theme in ='trgt hghlght 1'href='?q=animal'>animal ="trms">technicians
paying attention to ='trgt hghlght 1'href='?q=animal'>animals='lgc'> = being able to feel the limits that ='trgt hghlght 1'href='?q=animal'>animals ask us to take into account (more than ="trms">questions of well-being)


='lgc'>[many times='lgc'>] ='strcls'>*work often leaves no evidence behind='strcls'>* (='lgc'>=/= publishing)
='at'>@="nms">apass


ethology ='lgc'>==teaches='lgc'>='lgc'>==> certain ="trms">questions cannot be answered unless one constructs concrete conditions beforehand ='lgc'>='lgc'>--> those that allow the ="trms">questions to be asked ='lgc'>+ those that render those who ask capable of discerning the answer, capable of grasping it when it emerges

peace-maintaining ="trms">gestures of the cows

why the work of the cows was invisible='qstn'>?
='strcls'>*because work only becomes perceptible when the cows resist='strcls'>* (when they place limit on what can happen) ='lgc'>--shows='lgc'>='lgc'>--> when everything goes correctly it is because of an active investment on the part of the cows
='strcls'>***when everything happens as it should, we don't see the work='strcls'>*** (='lgc'>=/= notion of work in art)
='at'>@="nms">apass

(when they do what has to be done in ="trms">response to an order, cow's) obedience looks “mechanical” (='lgc'>='lgc'>~/=='qstn'>? ="nms">Cinderella's obedience ='lgc'>[='qstn'>?not in a mechanical age='lgc'>])
='lgc'>[='lgc'>=/= art's work ='lgc'><='lgc'>== conflict that disturb this order of things='lgc'>]

(the fieldwork of ="ppl">="ppl">Despret helping me to realize that) ='strcls'>*the moments without conflict='strcls'>* are not something merely ="trms">natural, self-evident, or mechanical ='lgc'>='lgc'>--> they require from the cows (or someone whose work is invisible) the activity of pacification, in which they make compromises (groom each other, exchange ="trms">gestures of politeness, etc.)
="lsts lst1">•dogs and horses who are asked to serve as therapeutic assistants for humans='lgc'>: these ='trgt hghlght 1'href='?q=animal'>animals often have a passive air and seem to simply be letting things happen ='lgc'>='lgc'>--> ='strcls'>*their cooperation is based on a remarkable ability to hold themselves back='strcls'>* ='lgc'>[='lgc'><='lgc'>-- i saw this, in a theater piece for blind, i was sitting next to two assistant dogs, and could feel strongly their efforts to sit motionless in the dark within the crowds='lgc'>] ='lgc'>='lgc'>~='lgc'>~='lgc'>='lgc'>--> but non of this is perceived...

only by observing the many ways that cows can resist the breeders, doing something other than what is expected of them ='lgc'>='lgc'>==> the rese="trms"nttrm="search">archer could see how they are actively invested in the work ='lgc'>: when the cows show that they are unwilling to do what is wanted ='lgc'>='lgc'>==> their “good will” appeared (the effect of their willingness)
="lsts lst1">•this is an ="trms">interested problem ='at'>@="nms">apass, ='thdf'>the notion of asking participants to participate in an “active” way ='lgc'>=/= ='trgt hghlght 1'href='?q=animal'>animal work ='lgc'>}='lgc'>='lgc'>--> “working well for an artist='lgc'> = violating normative organization (recommendations, regulations, procedures, ="trms">codes, ="trms">specifications)"='lgc'> = تمرد tamarod recalcitrance='lgc'>: practical or collective intelligence appearing when intentional mistakes are made, or when feigned misunderstanding leads to active disobedience='strcls'>*****


Vicki ="ppl">Hearne ='lgc'>+ ="ppl">="ppl">Despret
why dogs often drop the stick they fetch a couple of feet in front of you. it is a way for the dog to give to the human a sense of the limits to the ="trms">authority that she is ="trms"nttrm="already,spread">ready to concede, with an almost mathematical precision, reminding us that not everything goes without saying ='heart'>♥


‘="trms">communication with ='trgt hghlght 1'href='?q=animal'>animals='lgc'> = being together engaged in work’ ='lgc'>:
="lsts lst1">•learning patience in regard to them
="lsts lst1">•respecting them as they are ='lgc'>==imply='lgc'>='lgc'>==> you know them ='and'>& recognise them
="lsts lst1">•

='at'>@="frds scrmbld"nttrm="Leonardo">Leo

we are required to think about people and ='trgt hghlght 1'href='?q=animal'>animals as ='strcls'>**connected in a single experience='strcls'>** (in which they jointly constitute their identities) ='at'>#="trms">chimera
='lgc'>='lgc'>==> (="trms">obligates us to consider) the manner in which they keep faith with each other ='lgc'>='lgc'>--> they ="trms">respond to each other through the consequences of their action ='and'>& their ="trms">responses are part of the consequences (='lgc'>=/= act based on shared assumptions)

='lgc'>{being a victim ='lgc'>==imply='lgc'>='lgc'>==> passivity ='lgc'>+ all its consequences='lgc'>}='lgc'>='lgc'>--> ='strcls'>*='trgt hghlght 1'href='?q=animal'>animal is not a victim='strcls'>* ='lgc'>[because:='lgc'>]
="lsts lst1">•saying “='trgt hghlght 1'href='?q=animal'>animal='lgc'> = victim” ='lgc'>=/= (="ppl">="ppl">Despret's) mode of being engaged in ="trms">question
="lsts lst1">•(don't forget that) ='strcls'>***تقصیرپذیری culpability is easier to tolerate than ="trms">responsiblity مسئولیتپذیری='strcls'>*** (because ="trms">responsibility prevents the ="trms">question from being closed)
="lsts lst1">•='strcls'>***a victim does not invite curiosity='strcls'>*** ='lgc'><='lgc'>-- curiosity is essential in ="trms">relations in which two beings learn to look and to look back (="ppl">="ppl">Despret ='lgc'>+ ="ppl">="ppl">Haraway)

victim ='lgc'>=/= (="ppl">="ppl">Despret’ ='trgt hghlght 1'href='?q=animal'>animal, ="frds">Sina's ="nms">Cinderella) more alive, more ="trms">present, they invite more ="trms">question ='lgc'>='lgc'>--> they get the chance to become ="trms">interesting
="lsts lst1">•a ="nms">Cinderella who does her job engages us in a totally ="trms">different manner than a ="nms">Cinderella who is the victim of the ="trms">authority of her evil mother and wicked sisters


(from a clinical standpoint ='lgc'>+ in human terms) ='lgc'>[='strcls'>*='lgc'>]work='lgc'>: ="trms">gestures, know-how, the involvement of the body and the intelligence, the ability to analyze, ="trms">interpret and react to ="trms">situations='lgc'>:
="lsts lst1">•work transforms the ="trms">world
="lsts lst1">•work objectifies intelligence
="lsts lst1">•work produces subjectivity

work, not only has to do with economic rationality, but participate in other forms of rationality, in ="trms">relation to='lgc'>:
="lsts lst1">•identities
="lsts lst1">•in ="trms">relationship to God
="lsts lst1">•="trms">obligation and cures
="lsts lst1">•obedience to ="trms">Nature or mastering it
="lsts lst1">•moral rationality ='lgc'>='lgc'>--> (="ppl">Marx's) work='lgc'>: de="trms">finitve form of expressing their life (a mode of life, Dejours='lgc'>: assertion of their existence)

‘work='lgc'> = a source of recognition’ ='lgc'>='lgc'>==> work =
="lsts lst1">•a source of pleasure
="lsts lst1">•a practice in the construction of our identities
="lsts lst1">•a judgment about beauty (of something being well done that ='strcls'>*relies upon the recognition of one's peers='strcls'>* ='lgc'>='lgc'>--> this is something i realized in ="nms">apass) ='lgc'>='lgc'>==> judgment about ='strcls'>*bond='strcls'>* (that concerns) the means of the work's doing ='lgc'>[and places where humans and ='trgt hghlght 1'href='?q=animal'>animals share things, achieve things together, accomplish themselves='lgc'>] (='lgc'>=/= the work as accomplished)='lgc'>: a ='strcls'>**reciprocal judgment (of bond ='and'>& beauty)='strcls'>** ='lgc'>[bond='lgc'>: judgment about the conditions of a life lived together ='strcls'>***even in ="trms">situations that are radically a="trms">symmetrical='strcls'>***='lgc'>] through which the breeder and his ='trgt hghlght 1'href='?q=animal'>animal ='lgc'>[also participants in ="nms">apass='lgc'>] may recognize each other

(="ppl">="ppl">Haraway's) work='lgc'>: a process that ="trms">crafts capabilites to answer for ='lgc'>+ answer to

="ppl">="ppl">Despret's notion of ‘judgment of the bond at the center of all ="trms">relations’ ='lgc'>=/= Wittgenestein (famous and meaningless observation='lgc'>: “if ='trgt hghlght 1'href='?q=animal'>animals could speak we would get shouted at every day” ='lgc'>: highly ="trms">anthropocentric notion of ='trgt hghlght 1'href='?q=animal'>animal as victim)


(Porcher's radical idea of) we work with ='trgt hghlght 1'href='?q=animal'>animals in order to be able to live with them, not the other way round

='lgc'>[="nms">Tehran's need of='lgc'>] speculative ="trms">fabulation='lgc'>: ="trms">stories that whets our appetite for possibilites, that open ="trms">imagination ='lgc'>=/= idyllic ="trms">story of a golden age

(="ppl">="ppl">Despret, Porcher, ="ppl">="ppl">Haraway) work='lgc'>: locus of unexpected encounter, the possibility of our ="trms">communication

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eternal turtle

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new ="trms">zoonotic infectious diseases ='lgc'>='lgc'>==> new human-='trgt hghlght 1'href='?q=animal'>animal ="trms">relationship
vast silent reservoir in aquatic ="trms">birds
confinement, deprivation, stress
global biodiversity crisis ='lgc'>='lgc'>--> there is no monopoly on ='trgt hghlght 1'href='?q=animal'>animal cruelty
mass-production of ='trgt hghlght 1'href='?q=animal'>animal suffering
unsanitary practices
(we make) mad cow disease='lgc'>: herbivores ='lgc'>--into='lgc'>='lgc'>--> carnivores ='lgc'>--into='lgc'>='lgc'>--> cannibals

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='strcls'>*discussion across ideologies='strcls'>*
partisan mindset ='lgc'>[='lgc'>='lgc'>--> ="trms">social belonging='lgc'>]='lgc'>: ideology provides an ostensive set of tools (sometimes unconsciously) for analyzing a complex ="trms">social ="trms">world='lgc'> = orientation
="lsts lst1">•partisan operative mentality یک نوع ذهن عملی
="lsts lst1">•normal is ="trms">ontologically privileged over abnormalities (or vice versa)
="lsts lst1">•left-wing identity politics='lgc'>: reductive us-versus-them mentality ='lgc'>+ moral panic
i am influenced by the ="trms">demand of the other ='lgc'>[= (="ppl">Lacanian) ="trms">socio-psychic projection of a Big Other that stands in for the ="trms">presence of the ="trms">ontologically non-existent group ="trms">narrative='lgc'>] ='lgc'>='lgc'>==> moral grounds for living
(='qstn'>?) reverting back to your ="trms">material status (as private individuals) ='lgc'>=/= looking after ideological stability and economy
thins that don't work with when talking to partisan mentality='lgc'>:
="lsts lst1">•factual argumentation
="lsts lst1">•punching them
="lsts lst1">•="ppl">Kantian argument for the intrinsic value of all human lives
(what generally don't work='lgc'>:) reminding one's political rivals of facts ='lgc'>--='not'>✕='lgc'>='lgc'>--> (="ppl">Levinasian) the trace of the other


(='qstn'>?why i need or not need) intellectual adversarie ='lgc'>[='lgc'>=/= caricatures for shooting practice='lgc'>]
(the banal and continuous hyper-polarized political partisanship of) ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right-wing populism ='lgc'>=/= ="trms">Social justice activism
(our agreement on) moral and ="trms">methodological ="trms">priority of the individual

="large lg6" stl="font-size:125%"> ="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

https://merionwest.com/2018/07/31/purity-politics-is-ruining-progressivism/
prison='lgc'>: mechanism available to remove people from ="trms">society

='lgc'>[my problem with='lgc'>: political philosophy (of) authentic radical politics ='lgc'>='lgc'>-->='lgc'>] (academic or artistic) critical scholarship ='lgc'>[critical race theory, post-colonial theory, gender studies, etc. ='lgc'>='lgc'>-->='lgc'>{busy with ='strcls'>**="trms">systemic grievances='strcls'>** (white supremacy, colonialism, racism, etc,)='lgc'>} ='lgc'>+ left-wing identity politics ='lgc'>='lgc'>--> ='strcls'>*leftist purity politics='strcls'>*='lgc'>] universalizing a kind of moral complicity ='lgc'>='lgc'>==> a reductionist ="trms">social ="trms">ontology of guilt and victimization ='lgc'>='lgc'>-->='lgc'>{
="lsts lst1">•='thdf'>bad idea of the whole (liberalism) is ="trms">historically as="trms">sociated with, for example, colonialism ='lgc'>='lgc'>==> all of its parts (people, ideas, etc.) are equally as="trms">sociated with colonialism
="lsts lst1">•='thdf'>the idea of ="trms">modernity ='lgc'>+ the rise of the individual ='lgc'>='lgc'>==> (a sense of) loss of ="trms">community
='lgc'>='lgc'>==>
="lsts lst1">•participation
="lsts lst1">•horizontalism
="lsts lst1">•institutional distrust
="lsts lst1">•ad hoc organizations

forensic architecture='lgc'>: purifying itself of (and overcome) injustice ='lgc'>=/= meaningful progressive change

(Occupy movement, protest mentality ='lgc'>='lgc'>--> how left-wing purity politics missed the) consequences electoral capacity, electoral politics
(not knowing how to use) liberal institutions

="lsts lst1">•(thinking with Bruzzone ='lgc'>='lgc'>-->) we need more ='strcls'>*impure politics='strcls'>* ='lgc'>: (reform ='and'>& compromise mentality)
="lsts lst2">◦how to transform knowl="trms"nttrm="knowledge,Knowledge">edge into ='strcls'>*electoral mobilization='strcls'>* (='lgc'>=/= ="frds scrmbld">Pierre's ="trms">interest in ="trms">fiction, ="frds scrmbld"nttrm="Leonardo">Leo's ="trms">interest in a morally pure collective future)
="lsts lst2">◦how to form alliances with groups whom you have grave doubts
="lsts lst1">•we don't need ='strcls'>*hoard of like-minded people sharing collective ="trms"nttrm="danger,stranger">anger and disgust at injustice='strcls'>*



post="trms">modern conservatism='lgc'>: ="trms">="trms">empirical / ideological
neoliberal ="trms">societies='lgc'>: hierarchies tolerated by citizens so long as the economy continues to prosper



something happens ='lgc'>='lgc'>==> together ='lgc'>='lgc'>--> ="trms">social group

entitative='lgc'>: the quality of groupiness, a perception that the people together are a group ='lgc'>: ='strcls'>*perception of similarity='strcls'>*

="trms">interaction based on ="trms">interdependence ='lgc'>='lgc'>==> ="trms">social group

='lgc'>[='strcls'>*='lgc'>]group='lgc'>: experience of ="trms">social identity

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='lgc'>[='strcls'>*='lgc'>]="trms">embody='lgc'>: empathetically experience ="trms">situations ‘from outside’
(="ppl">="ppl">Despret raising the ="trms">question) ='strcls'>*what can we do or what are we allowed to do with our bodies when we are with our ='trgt hghlght 1'href='?q=animal'>animals='qstn'>?='strcls'>*

='lgc'>[='strcls'>*='lgc'>]empathy='lgc'>: bodies that undo and redo each other (reciprocally though not ="trms">symmetrically) ='lgc'>[='lgc'>=/= experiencing with one's own body what the other experiences='lgc'>]
='lgc'>='lgc'>==> possibilites of an ="trms">embodied ="trms">communication

feeling ='and'>& emotions are not alone in making up what life is all about

(="ppl">="ppl">Despret researching) ways in which ="trms">scientists’ bodies are actively being involved while they are observing ='trgt hghlght 1'href='?q=animal'>animals
='lgc'>--="frds">Sina='lgc'>='lgc'>--> becoming describable as a body ='lgc'>[that moves, walks, bears, diffuses, smells, makes noise, follows, ...='lgc'>]

the old rule of “human bodies shouldn't ="trms">interfere in a properly ="trms">scientific research process ='lgc'>=/= Lorenz='lgc'>:
...feed his jackdaw with worms
...attempted to teach him to fly
...swam with the geese
='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> Lorenz aimed at elucidating ‘meaning’ in and through the ="trms">relationships he sustained with the ='trgt hghlght 1'href='?q=animal'>animals he was studying ='lgc'>='lgc'>==>
="lsts lst1">•he understood for a little goose what mother is/means by letting his own body be caught in that meaning of mother
="lsts lst1">•he achieved what ‘companionship’ is/means for a jackdaw through being fed and playing with, and flying lessons
="lsts lst1">•
='lgc'>='lgc'>--> ='strcls'>***what ="trms">matters in the ='trgt hghlght 1'href='?q=animal'>animal's ="trms">world='lgc'> = what bears meaning from their point of view='strcls'>***


="trms">presence
='strcls'>*if the ="trms">scientists body is evoked, it is never for itself nor is it named as such ='lgc'>='lgc'>--> when seeking the body, we are offered a surprisingly abstract concept='lgc'>: “="trms">presence” (under the guise of “="trms">presence of the observer”) ='lgc'>=/= body
="prgrph">-the ="trms">presence has no skin, it does not sweat, nor does it eat, sleep, dream, fear ='lgc'>='lgc'>--> ='lgc'>[='strcls'>*='lgc'>]="trms">presence='lgc'>: the perceived body which never acknowl="trms"nttrm="knowledge,Knowledge">edges itself as a body (there is no ="trms">presence that could be unperceived in one way or in an other)='lgc'> = dis="trms">embodied body ='lgc'><='lgc'>== ='strcls'>*="trms">science='lgc'>: the cognitive activity par excellence='strcls'>*
="lsts lst1">•ob="trms">literates the actual ="trms">presence of the observer ='lgc'>--understood='lgc'>='lgc'>--> (in terms of a) convenient and non-problematized split “="trms">presence ='lgc'>=/= absence”
="lsts lst1">•(='qstn'>?if these attempts succeed in) reducing the reactivity of the ='trgt hghlght 1'href='?q=animal'>animal to the rese="trms"nttrm="search">archer ='lgc'>=/= ="nms">="trms">wildboyz
='lgc'>}='lgc'>='lgc'>--> ‘not having a body'='lgc'> = a mean to pre="trms"nttrm="cluster,club">clude (to prevent or to avoid) ='strcls'>**the always possible reciprocity of the encounter='strcls'>** ='lgc'>[='lgc'>='lgc'>--> aliens are watching us!='lgc'>]
='lgc'>}='lgc'>='lgc'>--> ‘having a body’ discloses and renders perceptible (it is the actual condition of) the very existence of reciprocity of the encounter


how ="trms">scientists (and artists) construe their ="trms">presence in the field
='strcls'>*the will to be there without being there='strcls'>*

="large lg62" stl="font-size:112%"> the problematic “='trgt hghlght 1'href='?q=animal'>animals react ='lgc'>=/= ='trgt hghlght 1'href='?q=animal'>animal don't react”

(also in art ='lgc'>='lgc'>-->) ='strcls'>***the regime of distrust of influence='strcls'>*** ='lgc'>[='lgc'>='lgc'>--> ="trms">fable of ‘artist's o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal ="trms">interiority'='lgc'>]


="prgrph">-='strcls'>*- what does ‘meaningful’ means='qstn'>? -='strcls'>*-

="trms">scientists aim to find new ="trms">methods to focus on those behaviors that are most meaningful to the ='trgt hghlght 1'href='?q=animal'>animals themselves
="lsts lst1">•Shirly Strum ='lgc'>='lgc'>--> I tried to let the baboons themselves “tell” me what was ‘important’ (-how a tree can tell you what is important to them='qstn'>?) -with the baboonss='lgc'>: nothing made them believe that she could be a baboon, so she decided after a while that she could try to urinate while staying among the baboons ='lgc'>='lgc'>==> surprise (='lgc'>=/= trying not to disturb the baboons with her body) ='lgc'>='lgc'>--> her body (style, gender, smell, look, anime, etc.) made her enter into ="trms">relationships with the ='trgt hghlght 1'href='?q=animal'>animals in a new mode, ='strcls'>**as a living person (like them) she creates with them an ="trms">embodied proximity='strcls'>** (='lgc'>='lgc'>==> ="trms">embodied af="trms">finities) ='lgc'>[='lgc'><='lgc'>-- ="frds scrmbld">Jassem is very good at it. this happens as well in ="nms">apass research environment between artists='lgc'>]
  ='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ="nms">Cinderella taking shower with her ="trms">birds in the attic ='lgc'>{urine, noise, surprise='lgc'>}
="lsts lst1">•Mark Bekoff ='lgc'>='lgc'>--> empathy='lgc'>: possibility of sharing feelings involves mirror ="trms">neurons (“I can feel the ='trgt hghlght 1'href='?q=animal'>animals”) ='lgc'>='lgc'>~= (an experiment to incorporate) ='strcls'>*to ="trms">embody ="trms">literally='strcls'>*
='lgc'>+ (Burghardt's) use of ='strcls'>*critical ="trms">anthropo="trms">morphism='strcls'>* (='lgc'>=/= Walt Disney) use of various forms of information (="trms">natural ="trms">history, perception, behavioral description, autism, ="nms">Cinderella, etc.)
="lsts lst1">•Temple Grandin (expert in factory plants for s="trms">laughter ="trms">systems) ='lgc'>='lgc'>--> ='strcls'>*empathy without pathos='strcls'>* (for her and the ='trgt hghlght 1'href='?q=animal'>animals) ='lgc'>[='strcls'>*='lgc'>]="trms">world='lgc'>: a swirling mass of tiny details ='lgc'>~ ='lgc'>[='trgt hghlght 1'href='?q=animal'>animal='lgc'>: autistic savant ='lgc'>='lgc'>~= special form of genius='lgc'>]='lgc'>='lgc'>--> a little plastic water bottle lying harmlessly, a shiny reflection, a yellow jacket hanging on a fence, all those turn out to be in their ="trms">world ='strcls'>*wrong details='strcls'>* (“I think the way ='trgt hghlght 1'href='?q=animal'>animals think”) ='lgc'>='lgc'>--> ='strcls'>****='trgt hghlght 1'href='?q=animal'>animals are visual thinkers='strcls'>**** ='lgc'>{='strcls'>*you have to see in details='strcls'>*_ ='lgc'><='lgc'>-- how ='mywrk'>my work changed visually from abstract to baroque while working on the ="trms">heritage of ="trms">zoology. ='at'>#="nms">Cinderella='lgc'>: which part of me ='trgt hghlght 1'href='?q=animal'>animals give new powers and meanings='qstn'>? that part is of other beings='lgc'>}
="prgrph">-='lgc'>{Grandin actively transforms mindless ='trgt hghlght 1'href='?q=animal'>animals into meaningful geniuses ='lgc'>='lgc'>==> gives them new powers ='lgc'>='lgc'>==> changes her='lgc'>}='lgc'>='lgc'>--> ='strcls'>*='trgt hghlght 1'href='?q=animal'>animals (or your ghosts, your subjects) are invited to other modes of being, other ="trms">relationships, new ways to inhabit the human ="trms">world ='lgc'>+ to force human beings to address them ="trms">differently ='lgc'>: ='strcls'>**disclosing unexpected af="trms">finities ='lgc'>==create='lgc'>='lgc'>==> new identities='strcls'>** (='lgc'>=/= empathy='lgc'>: tourism of the soul) ='lgc'>='lgc'>--> identities do not pre-exist identification ='lgc'>: ='strcls'>*****previous construction of af="trms">finities ='lgc'>='lgc'>==> identity (is the outcome, the achievement)='strcls'>*****
(Grandin='lgc'>:) ='strcls'>*marginal essence ='lgc'>--transform='lgc'>='lgc'>--> partial perspective ='lgc'>='lgc'>==> af="trms">finities='lgc'>: (="ppl">="ppl">Haraway's) just-barely-connections='strcls'>*

='lgc'>}='lgc'>=/= romanticism='lgc'>: the belief that “feeling for another” belongs to some ="trms">sort of naive state of ="trms">nature


(='at'>#feedback='lgc'>: ways of showing the artists how they actively create the perspective that allows them to “see” ='lgc'>='lgc'>--> ‘giving artistic feedback='lgc'> = being an ="trms">anthropologist on Mars’)

="ppl">="ppl">Despret anticipate finding some references to the body (beyond simple “="trms">presence”) in the work of ="trms">scientists ='lgc'>='lgc'>--> the ="trms">question of meaning ='lgc'>+ (its corollary) the ="trms">question of perspective

tick's perception='lgc'> = ="trms">world
(we know from Uexküll) one may indeed construct a perspective without involving the body - the perspective may be drawn partially from a mental process
="lsts lst1">•='strcls'>*='trgt hghlght 1'href='?q=animal'>animals only perceive things that have meaning for them='strcls'>*
="lsts lst1">•='strcls'>*='trgt hghlght 1'href='?q=animal'>animals construe meanings in acting='strcls'>*
Umwelt theory='lgc'>: a ="trms">scientist may make an inventory of what makes the ='trgt hghlght 1'href='?q=animal'>animal act and react ='lgc'>='lgc'>--> collecting ‘meanings’ the ="trms">scientist rebuilds the ="trms">world as each ='trgt hghlght 1'href='?q=animal'>animal perceives it ='lgc'>+ seeks for which meaning all these things take for it (='lgc'>=/= adopt the perspective of ='trgt hghlght 1'href='?q=animal'>animal)

the ="trms">scientist aims not just to understand what something merely ‘means’ for another being, but also how something ‘="trms">matters’ for it (='lgc'>~ the most meaningful)

="trms">language of perspective ='lgc'>--="ppl">Daston='lgc'>='lgc'>--> what does it mean to understand other minds
='strcls'>*="trms">sympathetic projection='strcls'>* ='lgc'>[='lgc'>='lgc'>--> ='strcls'>**perspective='lgc'>: apotheosis of subjectivity as the essence of mind='lgc'>] ='lgc'><='lgc'>-- a cultural shift='lgc'>:
="lsts lst1">•habit of ="trms">interior observation cultivated by certain forms of piety
="lsts lst1">•increasingly refined ="trms">language of individual subjectivity (developed in the 18th and 19th century novel)
="lsts lst1">•equation drawn between ‘sensory experience='lgc'> = self’ by sensationa="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list psychology
="lsts lst1">•economic (and political) individualism
="lsts lst1">•cult of ="trms">sympathy

perspective ='lgc'>='lgc'>~= ="trms">sympathy (with ="trms">science ='lgc'>+ ='trgt hghlght 1'href='?q=animal'>animals) ='lgc'>='lgc'>--> an inappropriate form of subjectivity
="lstsrd">1. adopting ='trgt hghlght 1'href='?q=animal'>animal's perspective involves a d="trms"nttrm="danger,stranger">angerous flirtation with ='lgc'>[='strcls'>*='lgc'>]="trms">anthropo="trms">morphism='lgc'>: one putting himself in the ='trgt hghlght 1'href='?q=animal'>animal's shoe ='lgc'>='lgc'>~=='qstn'>? one actually put the ='trgt hghlght 1'href='?q=animal'>animal in human shoes
="lstsrd">2. perspective ='lgc'>==imperil='lgc'>='lgc'>==> necessary distance (or ‘sanitary cordon’ between the observer and the observed)
='lgc'>}='lgc'>='lgc'>==>
="lsts lst1">•="trms">anthropo="trms">morphism ='lgc'>=/= ="trms">science
="lsts lst1">•anecdote ='lgc'>=/= legitimate date
="lsts lst1">•nonhuman ='lgc'>=/= beliefs (='lgc'>='lgc'>--> you can't attribute belief to ='trgt hghlght 1'href='?q=animal'>animals)


(old dualism of) “="trms">Science ='lgc'>=/= non-="trms">science” ='lgc'>='lgc'>~= “="trms">imaginative (autobiographical, emotional) ='lgc'>=/= factual (neutral)” ='lgc'>='lgc'>~= “body ='lgc'>=/= mind”

(reconstruction of)
what is most meaningful for ='trgt hghlght 1'href='?q=animal'>animal
what is the perspective of ='trgt hghlght 1'href='?q=animal'>animal

='strcls'>*most meaningful='lgc'>: ="trms">affected perspective='strcls'>* (="ppl">="ppl">Despret) ='lgc'>=/= (Uexküll) ="trms">semiological perspective (of the tick)

(looking for or) focus on ="trms">affected perspective ='lgc'>==="ppl">="ppl">Despret='lgc'>='lgc'>==> (reveals) ="trms">scientists’ bodies in their practice ='lgc'>='lgc'>--> what having a body means (for ="trms">scientists)
='lgc'>+
(="ppl">="ppl">Haraway ='lgc'>='lgc'>==>) ='strcls'>*bodies are “made” by ="trms">scientific practices ='lgc'>[='lgc'><='lgc'>-- ='thdf'>that is why the ="trms">question of ="trms">science is important for whoever dealing or working with the body='lgc'>]
='lgc'>+
(="ppl">Annemarie ='lgc'>='lgc'>==>) bobies (that are made) are enacted multiples (in medical practice)
='lgc'>+
(="ppl">="ppl">Despret ='lgc'>='lgc'>-->) how bodies are undoing and redoing themselves through ="trms">different ="trms">scientific practices with ='trgt hghlght 1'href='?q=animal'>animals='qstn'>?='lgc'> = ='strcls'>*how are bodies growing multiples in diverse practices='qstn'>?='strcls'>* ='lgc'>+ (its corollary) ='strcls'>*how do each of these practices (='lgc'>+ ='trgt hghlght 1'href='?q=animal'>animals they are addressing) enact each of these bodies='qstn'>?='strcls'>*



Mowat's ='strcls'>*modest ="trms">embodiment='strcls'>* ='lgc'>==="ppl">="ppl">Despret='lgc'>='lgc'>==> partial af="trms">finities ='lgc'>[='lgc'>=/= seeing like a wolf or mouse='lgc'>] ='lgc'>='lgc'>==> feeling or being like a wolf or mouse='lgc'> = ='strcls'>****to be taken in a radically non-psychological sense='strcls'>**** (='lgc'>='lgc'>--> ="nms">Cinderella's non-psychological ="trms">relation to her ="trms">birds and mice ='lgc'>=/= contemporary western psychological subjects)
='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ="nms">="trms">wildboyz, ="nms">Cinderella under a mouse regimen
="prgrph">-using his body as an experimental tool ='lgc'>='lgc'>--> eating a wolf's diet (='lgc'>=/= empathy, romantic dream of being a wolf)
submit his own body to mouse diet
one uses one's own body to meet the needs of another
Mowat used his own body as a means of generating ="trms">scientific proof, and turned it into an ="trms">apparatus for validity ='lgc'>[='lgc'>='lgc'>--> how do we apply or misapply our body in artistic environment for generating truth and validity='qstn'>? to be careful with the context of ="trms">generalization='lgc'>]
(='lgc'>[artist's and='lgc'>] ="trms">scientist's) body='lgc'>: a ="trms">technical device, the witness
(companion ="trms">story ='lgc'>='lgc'>-->) ='strcls'>***to ="trms">embody the way other beings solve their survival problems='strcls'>***

“the business of curling up to start with, and spinning around after each nap” (was vital to success with a dozing wolf) ='lgc'>='lgc'>--> ="nms">Cinderella's choreography of the morning ="trms">greeting ceremony

limits of endurance


i feld that i, because of my ="trms">specific superiority as a ="trms">member of Homo sapiens, together with my intensive ="trms">technical training, was entitled to ='strcls'>*pride of place='strcls'>* ='lgc'>=/= being under observation

Mowat's humour ='lgc'>=/= ="ppl">Derrida not ="trms">laughing at his own worries (concerned with='lgc'>: what distinguish ='trgt hghlght 1'href='?q=animal'>animals from man is their “being naked without knowing it”)
="lsts lst1">•naked body is a pretext, a pre-text for more philosophy
="lsts lst1">•="ppl">Derrida is talking to his colleagues (the very people who are ='strcls'>**seeking grandiose ="trms">difference='strcls'>** ='lgc'><='lgc'>-- also artists) ='lgc'>=/= a ="trms">difference that happens to him
="lsts lst1">•(my problem with the old tiring trend in philosophy ='lgc'>[after encounter with Manning='lgc'>]='lgc'>:) looking for locus of things ='lgc'>[a generality='lgc'>] ='lgc'>: talk about ‘the figure of the cat'='lgc'> = the allegory for all the cats on the earth (='lgc'>~ the felines that ="trms">traverses our myths and ="trms">religions, ="trms">literature and ="trms">fables)

='strcls'>***what the cat might actually be doing='strcls'>***
(this is my ="trms">relation to description, what is the ="trms">world, that cat, the demon, the mice up to='qstn'>? and use my best ="trms">imaginative ="trms">crafts and precise descriptive acts, the answers are many. that is not about de="trms">finition or defining ‘what is’ the cat that visits me or the spider in my room. i only try to well define concepts and not subjects. my style of ="trms">presenting ='mywrk'>my research on ="nms">ajayeb ="trms">bestiary='lgc'>: ="trms">narrating the ="trms">contingency of the ="trms">differences that happened and ="trms">mattered to me in particular ='lgc'>=/= philosophy)

="large lg6" stl="font-size:114%">
wolves (='lgc'>=/= nomadic roamer) have strong feelings of property ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights and they ritually and regularly mark their boundaries


what am i allowed to do with my body when i am with ='trgt hghlght 1'href='?q=animal'>animals='qstn'>?

(="ppl">="ppl">Despret ='lgc'>+ Strum ='lgc'>+ Mowat) using one's body to make the ='trgt hghlght 1'href='?q=animal'>animal ="trms">respond (='lgc'>='lgc'>--> does this make sense with humans='qstn'>? in ="nms">apass for example ='lgc'>--='qstn'>?='lgc'>='lgc'>--> use your body to make them ="trms">respond ='lgc'>=/= react)
='lgc'>--="ppl">="ppl">Haraway='lgc'>='lgc'>--> a “good” (actually bad) ="trms">scientist='lgc'> = learning to be invisible, like a rock to be unavailable, as if ="trms">data-collecting humankind were not ="trms">present, seeing the s="trms">cene of ="trms">nature close up through a peep-hole, remove from the subject ='trgt hghlght 1'href='?q=animal'>animals’ ="trms">social environment
="lsts lst1">•(ignoring ='trgt hghlght 1'href='?q=animal'>animal ="trms">social cues) ="trms">imagining the baboons as seeing somebody off-="trms">category, not something ='lgc'>='lgc'>--> to be a ='strcls'>*nonentity='strcls'>* (tolerated but unobtrusive!!)
='lgc'>='lgc'>--> ='lgc'>[='strcls'>*='lgc'>]distance='lgc'>: a cognitive and ="trms">relational perspective ='lgc'>{what kind of distance, aesop ="trms">fables, Kelile Demne, or ="nms">ajayeb takes or keeps='qstn'>?='lgc'>}
='lgc'>='lgc'>--> learn to be ='lgc'>[='strcls'>*='lgc'>]polite='lgc'>: (in the ethical, political, and ="trms">epistemological senses of the word) to ="trms">respond, to acknowl="trms"nttrm="knowledge,Knowledge">edge, to look back, and ='strcls'>*to ="trms">greet='strcls'>*

='strcls'>****politeness ='lgc'>='lgc'>==> transforms you ='lgc'>='lgc'>--> in the way of those you are being polite to='strcls'>**** (='lgc'><='lgc'>--='qstn'>?='lgc'>-- ="nms">Cinderella's politeness)


companion ="trms">story ='lgc'>='lgc'>--> wich who we share food ='lgc'>{='lgc'>=/= with who we cook together ='lgc'><='lgc'>-- generated protocols ='lgc'>='lgc'>==> host, guest, house, power='lgc'>}



='lgc'>[(="ppl">Annemarie's) praxiographic enquiry into the='lgc'>] (="ppl">="ppl">Despret's) ="trms">embodied practices of knowing ='lgc'>[of (="frds">Sina's) ="nms">Cinderella='lgc'>]

="large lg66" stl="font-size:111%"> ='strcls'>**bodies enact ='lgc'>=/= perform='strcls'>**
='at'>@="frds scrmbld">Chloe, Mette ='lgc'>='lgc'>--> (ironic) performing a protocol ='lgc'>=/= ="trms">embodied choreography
(contemporary choreography ='lgc'>=/= ="trms">embodiment)

(="trms">scientists and ='trgt hghlght 1'href='?q=animal'>animals are fleshy creatures which are) enacted and enacting through their ='strcls'>*="trms">embodied choreography='strcls'>* (='lgc'><='lgc'>-- ="trms">epistemological, political, ="trms">ontological)

="trms">scientist work ='lgc'>[observing, collecting events, meeting them, ="trms">writing about, inscribing them into theories ='lgc'>='lgc'>--> explain why they do what they do='lgc'>] ='lgc'>='lgc'>==> ='strcls'>*makes their ='trgt hghlght 1'href='?q=animal'>animals more real='strcls'>*
='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> a praxiographic account ='lgc'>[='lgc'>='lgc'>~= feedback='lgc'>] (paying attention to the way ="trms">scientists ="trms">embody their work) ='lgc'>='lgc'>==> ='strcls'>*make ="trms">scientists more real='strcls'>*


(for ="nms">apass) we need praxiography ='lgc'>=/= philosophy or theory ='lgc'>[of artistic research='lgc'>]
="frds">Sina's note taking in ="nms">apass ='lgc'>='lgc'>--> how ='strcls'>*practices at some point become words='strcls'>*
='at'>#feedback in ="nms">apass ='lgc'>==make='lgc'>='lgc'>==> artists and their work more real
feedback ='lgc'>='lgc'>==> ="trms">interpretive version ='lgc'>='lgc'>--> coexistence of the various versions of a multiple object (='lgc'><='lgc'>-- this is localized or ='strcls'>*="trms">situated='strcls'>* ='lgc'>: it happens “there” and nowhere else)
work of observation in ="nms">apass='lgc'>:
="lsts lst1">•conceptualizations of short-term ="trms">social exchanges
="lsts lst1">•conceptualizations of ="trms">agency-structure dynamics
="lsts lst1">•getting closer to the everyday activities of those speaking
="lsts lst1">•(context driven='qstn'>?) forms of analysis
="lsts lst1">•="trms">methodological repertoire
="lsts lst1">•note='lgc'>: com="trms">posites of ="trms">linguistic repertoires that are embedded in meanings (is part of what happens in ="nms">apass, not after what happens.) ='lgc'>='lgc'>--> a form of di="trms">gestion='strcls'>***
='strcls'>*praxiography='lgc'>: forms of analysis produced by practice rese="trms"nttrm="search">archers, a type of ethnographic ="trms">method that converses with multiplicity (='lgc'>='lgc'>--> following a trail, walking a path ='lgc'>=/= map out a field ='lgc'>='lgc'>~= philosophy of artistic research), doctors ='lgc'>[analyst='lgc'>] and patients ='lgc'>[analysand, artist='lgc'>] ascribe meaning in ="trms">different ways ='lgc'>--="ppl">Annemarie='lgc'>='lgc'>--> yet they perform or enact reality together ='lgc'>='lgc'>--> they ='strcls'>*do the reality of a disease ='lgc'>[problem, artwork='lgc'>]='strcls'>*
='lgc'>+='lgc'>+='lgc'>{="ppl">Annemarie uses the term “enact” to show that objects (such as body and disease) exist as ="trms">articulations of the practices that produce them (='lgc'>='lgc'>~= ="ppl">Butler's performance), enacting (not explained by what went before, ="trms">present remains unstable, patterns and ="trms">routines and surprises) ='lgc'>=/= making (‘causes’ lie when ‘making’ happened)='lgc'>}
='lgc'>[='strcls'>*='lgc'>]theory='lgc'>: conversations about the realities our words help to explore (='lgc'>=/= seeking to fix concepts)
in knowl="trms"nttrm="knowledge,Knowledge">edge practice realities are various brought into being (='lgc'>+ limits of that adaptability) ='lgc'>='lgc'>--> ='strcls'>*="trms">ontology='lgc'>:
='lgc'>--="trms">anthropology='lgc'>='lgc'>--> people order “reality” ="trms">seriously ="trms">differently
='lgc'>--biomedical='lgc'>='lgc'>--> why, when, where is this truth realized='qstn'>? what does it depend on='qstn'>? what are its alternatives='qstn'>? ='lgc'>='lgc'>--> ='strcls'>*="trms">ontology does not precede knowl="trms"nttrm="knowledge,Knowledge">edge practices='strcls'>* (various practices are closely linked ='lgc'>='lgc'>==> ="trms">ontologies are linked ='lgc'>[='thdf'>for example a patient who talks to a doctor in a consulting room may receive a clinical diagnosis, while laboratory ="trms">measurements ‘do’ her disease in a ="trms">different way. or in artistic research environments such as ="nms">apass.='lgc'>])

(="ppl">Annemarie's) praxiography ='lgc'>='lgc'>--> asking what are the ="trms">techniques that make things (their ="trms">="trms">empirical, ="trms">epistemological found objects) visible, audible, tangible, knowable (for this artist in front of me ='at'>#feedback ='at'>@="nms">apass)='strcls'>**


‘empathy’ is a word that is often ="trms">recruited when bodies are involved ='lgc'>='lgc'>--> resonances with troublesome romantic meanings (magic, ="trms">fold knowl="trms"nttrm="knowledge,Knowledge">edge)
="trms">embodied empathy shifts its meaning from one ="trms">situation to another ='lgc'>='lgc'>--> ="trms">different meanings ='lgc'>='lgc'>==> ="trms">different outcomes
='lgc'>[='strcls'>*='lgc'>]empathy='lgc'>: the process by which one delegates to one's body a ="trms">question, or a problem, that ="trms">matters and that involves other beings’ bodies ='lgc'>='lgc'>--> bodies are ="trms">articulating and become ="trms">articulated in the asking and in its ="trms">responses
= making the body available for the ="trms">response of another being (='lgc'>=/= feeling what the other feels)
='lgc'>==create='lgc'>='lgc'>==> possibility of an ="trms">embodied ="trms">communication (='lgc'>=/= experiencing with one's body what the other experiences)
='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ="nms">Cinderella's empathy='lgc'>: make one think with ='and'>& with the body
='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> ='strcls'>*empathy becomes a ="trms">scientific tool='strcls'>* that need to be shaped, forged, refined, ="trms">embodied, a tool that attunes bodies

='lgc'>[='strcls'>*='lgc'>]care='lgc'>: it ="trms">matters for them that it ="trms">matters for their ='trgt hghlght 1'href='?q=animal'>animals (='strcls'>***what ="trms">matters for the other person becomes your ="trms">matters='strcls'>***)

how to act in a polite manner in a baboon's ="trms">world='qstn'>? (or in an artist's ="trms">world, when we give feedbacks)
='lgc'>{seeing like a baboon ='lgc'>=/= acting like a baboon='lgc'> = cor="trms">responding with a baboon='lgc'>}='lgc'>='lgc'>--> ='strcls'>*they transform themselves in order to create partial connections='strcls'>* (James’ “acting as if”) ='lgc'>=/= performative
="lsts lst1">•to act with the baboons (learn how a tree gives you dirty looks, how it resists the pro="trms">position of your ="trms">presence)
="lsts lst1">•Lorenz's “becoming with”
="lsts lst1">•="ppl">="ppl">Despret's “the miracle of the attunement”

="trms">embodied ="trms">communication ='lgc'>='lgc'>--> ="trms">responsible ="trms">relation ='lgc'>='lgc'>--> constructing the possibility of engagement

='lgc'>[='strcls'>*='lgc'>]="trms">responsible='lgc'>: the one who constructs him/herself in order to be available to a ="trms">respond

='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> (to ="trms">imagine that we can actually) cor="trms">respond through the choreographic ="trms">language of our bodies

“traying to get knowl="trms"nttrm="knowledge,Knowledge">edge"='lgc'> = knowing for the sake of knowing ='lgc'>}='lgc'><='lgc'>-- 19th century adventure hunter ="trms"nttrm="search">archeologist imperialism

='strcls'>***(for James) ='lgc'>[='strcls'>*='lgc'>]emotion='lgc'>: what makes us feel (='lgc'>=/= what is felt), an experience of making available ='lgc'>='lgc'>==> an occasion for others ='lgc'>: ='strcls'>****emotions ='lgc'>='lgc'>==> dispose our bodies='strcls'>**** (='lgc'>+ our bodies dispose our emotions) ='at'>@="frds scrmbld">Chloe
="prgrph">-if we want to feel an emotion, we can dispose our body to produce it (='lgc'><='lgc'>-- this was my ="trms">method in my early performances in 2014)

Lorenz, Strum, Smuts, ="ppl">="ppl">Despret
learn to become what it becames when it acts ‘as if’ ='lgc'>='lgc'>--> ='strcls'>*stakes of re="trms">liable knowl="trms"nttrm="knowledge,Knowledge">edge ='lgc'>: to thing with='strcls'>*

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

="ppl">Baxstrom ='lgc'>='lgc'>--> ="trms">anthropology of the ="trms">anthropologist
="ppl">="ppl">Despret ='lgc'>='lgc'>--> ethology of the ethologist

اشعیا Isaiah provides a vivid ="trms">imaginary of multi="trms">species bonds and flourishing='lgc'>: the wold will live with the lamb, the leopard will lie down with the goat, the calf and the lion and the yearling together; and a little ="trms">child will lead them

='strcls'>*nonhuman ='trgt hghlght 1'href='?q=animal'>animals are as much subjects of ="trms">history as humans are='strcls'>*

="prgrph">-why do we ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listen to prohpets='qstn'>?

quasi-theological and ="trms">anthropocentric notions such as that of the great chain of being

(the importance of) changing ourselves as humans ='lgc'>='lgc'>==> change ='trgt hghlght 1'href='?q=animal'>animals
="lsts lst1">•how changing human habits also gives other ='trgt hghlght 1'href='?q=animal'>animals a chance to change theirs='qstn'>?
='lgc'>[='strcls'>*='lgc'>]ethology='lgc'>: a practice of habits involving distance, knowing activity, politeness, milieu, alliance

(i am ="trms">interested in women) not because of gender ='lgc'>[= identity politics, political correctness='lgc'>], but because of ='strcls'>*their practice and the ="trms">question they pursue='strcls'>*

what parrots talk about
talking ="trms">birds and primates as subjective ="trms">interlocutors who can become persons in the exchanges allowed by ="trms">language


='strcls'>*they never posed the ="trms">question of knowing what a raven could, through this somewhat maniacal behavior, teach them about what ="trms">interested it='strcls'>*
="prgrph">-(curious) being always teach you what that being is ="trms">interested in

very bottom of the ladder of choices...

for ="nms">Tehran='lgc'>:
="lstsrd">1. ="trms">memory studies
="lstsrd">2. kalagh shenasi (raven studies) کلاغ شناسی

ravens, evidently, do not want to obey any of the rules that make research possible='lgc'>: the incivility that ex="trms">communicated them from the laboratoies of the behaviorists having al="trms"nttrm="already,spread">ready been stigmatized from the time of the Flood (in Noah's ark)

ravens are by all account unre="trms">liable ='lgc'><='lgc'>-- calling into ="trms">question the intelligence of their rese="trms"nttrm="search">archers, the pertinence of their models, and the solidity of their dis="trms">positives
='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to Kelile Demne

='strcls'>*the ravens ="trms">literally ="trms">recruit their rese="trms"nttrm="search">archer='strcls'>*
to ='lgc'>[='strcls'>*='lgc'>]="trms">recruit='lgc'>: they will reveal to him the resolution of an enigma the difficulty and the ="trms">interest of which would be in ="trms">accord with what makes them impossible to study

(from) season ='lgc'>--to='lgc'>='lgc'>--> season
(from) enigma ='lgc'>--to='lgc'>='lgc'>--> findings
(from) hypothesis ='lgc'>--to='lgc'>='lgc'>--> tests
suspense and sudden turns ='lgc'>='lgc'>==> transform all that we know about ravens

the ravens ="trms">present a behavior that has no sense from the point of view of evolution

the “guilty” of the ="trms">story are given from the beginning

="large lg70" stl="font-size:127%"> ='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ='lgc'>[="ppl">Daston's='lgc'>] ="trms">historian of ="trms">science (always knew how the ="trms">story ended)='lgc'>: ="trms">imagine you are the kind of a person who cheats when ="trms"nttrm="already,spread">reading mystery novels, and you ="trms"nttrm="already,spread">read the last page first to know who did it, and then when you ="trms"nttrm="already,spread">read the rest of mystery ="trms">story, you know everything is building towards this climax, you ="trms"nttrm="already,spread">read it in a very ="trms">different way than the person who has to retrace all that have been implanted in your way by the ="trms">author to throw you off the scent of the real villain ='lgc'>{='lgc'>='lgc'>==> you lose the ="trms">past in the image of the ="trms">present='lgc'>}
='lgc'>+ ="trms">scientist (who wish to have a) ="trms">story about ='strcls'>*why we believe what we believe now and why it is ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right='strcls'>* ='lgc'>[knowing that everything we know now will be overturned if not now later='lgc'>]='lgc'>='lgc'>--> pathos and progress of ="trms">science ='lgc'>{='lgc'>='lgc'>==> negates ="trms">science's enormous creativity and capacity for renovation='lgc'>}
="prgrph">-='strcls'>*="ppl">="ppl">Foucault showed how many more objects ='lgc'>[sexuality, etc.='lgc'>] have ="trms">histories (that we thought they don't, that they are constant for all humanity for all time for all cultures)


ravens are capable of being silent when they don't care to be noticed

(the raven inviting the others to share in the party, when food is difficult to find ='lgc'>+ they are experts in hiding food items) eyes of an ethologist ='lgc'>='lgc'>--> why do ravens do that which the logic of evolution should prohibit them from doing='qstn'>? ='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> this motive will be not only a ="trms">matter of discovering but also of inscribing in the regime of proof

hierarchical ladder ='lgc'>=/= great economy of conflicts

one-upmanship

(raven's) acts that appear to be useless, pertain at once to both the game and to the affirmation of ="trms">skill

='strcls'>**reciprocity of exchanges of good conduct='strcls'>**
="lsts lst1">•you are ="trms">interested in the ="trms">differences
="lsts lst1">•you are ="trms">interested in unexpected strategies
="lsts lst1">•you take into account the fact that the ='trgt hghlght 1'href='?q=animal'>animal does not cease to transgress the rules and models ='lgc'>+ that it is unpre="trms">dictable in its choices (='lgc'><='lgc'>-- ravens ="trms">demand this) ='lgc'>='lgc'>==> you adopt other ='strcls'>***criteria of achievement='strcls'>*** ='lgc'>[='lgc'>='lgc'>--> in giving ='at'>#feedback to artists='lgc'>: understanding their ‘criteria of achievement’ (has nothing of an ambitious program about it, but) leaves their program totally open in regards to its realization='lgc'>]
="lsts lst2">◦for example (Heinrish explains) raven's criteria of achievement='lgc'>: the raven can ='strcls'>****procure resources from the environment and convert them to ="nms">a little more of itself='strcls'>**** (='lgc'><='lgc'>-- ='at'>@="nms">apass this is also what artists do, ='strcls'>*converting the environment into ="nms">a little more of itself='strcls'>*)
='lgc'>=/= theory of ="trms">sociobiology ='lgc'>{raven='lgc'> = an umpteenth ='thdf'>example of the “all purpose” model of the theory of the “selfish gene” ='lgc'>='lgc'>--> altruistic behaviors ='lgc'>='lgc'>==> transmit the greatest possible number of its genes to the population ='lgc'>='lgc'>--> ravens who are altruistic ="trms">recruiters (sharing rare resources), costly from the individual point of view, can reap benefits in regard to evolution ='lgc'>='lgc'>~= ='strcls'>*the ='trgt hghlght 1'href='?q=animal'>animal simply obeys a relatively inflexible rule='lgc'>: help your relatives, ignore others, and you will multiply the copies of yourself='strcls'>* ='lgc'>='lgc'>--> ='strcls'>*your ='trgt hghlght 1'href='?q=animal'>animal will be similar to others and all the variations be nothing but details of the same motive='strcls'>* ='lgc'>[='lgc'>=/= ="nms">Cinderella='lgc'>]='lgc'>}

how does the motive make the “crime” an achievement for the raven='qstn'>?
how (to ="trms">accord) this achievement (with that which) ="trms">translate to (the raven's everyday) survival='qstn'>?

(register of) negotiations of ="trms">interest and stakes ='lgc'>='lgc'>~/= (politeness of) “getting to know” by posing the ="trms">question, in terms of achievement, what it is that ="trms">interests the raven
='lgc'>='lgc'>--> to elucidate (not just what and how, but) why the raven does what it does
="lsts lst1">•the ravens will not show you straightforwardly what counts for them ='lgc'>='lgc'>--> you have to create ="trms">situations that permit the ravens to help you decide (among all the contesting ="trms">fictions) the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right ="trms">fiction ='lgc'>[='at'>#artistic feedback as ="trms">fictioning='lgc'>]

dance of hesitation


(a cadaver لاشه, once a preditor, waiting for an imprudent raven) to reverse the ="trms">situation='lgc'>: to convert the ="trms">bird into ="nms">a little more of itself
='lgc'>='lgc'>==> salutary egoism='lgc'>: it would be better to be with many others in the case of this type of error

organization
cooperation
i find, you open

='strcls'>*work of the rese="trms"nttrm="search">archer='lgc'> = leading the ravens to take a ="trms">position in ="trms">relation to his ="trms">fictions and hypothesis='strcls'>* (resisting those that don't explain, clarifying those that do) ='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> ='strcls'>**the rese="trms"nttrm="search">archer must create a dis="trms">positive that confers on the ravens “the power not to submit to his ="trms">interpretations”='strcls'>** ='lgc'><='lgc'>-- politeness of “getting to know” ='lgc'>{"getting to know you” does not necessarily turn on an attentive benevolence but on the art of finding the forces, and exchanging them, in an exercise of ='lgc'>[='strcls'>*='lgc'>]rivalry='lgc'>: (constituted by) a clever mixture of complicity ='and'>& op="trms">position='lgc'>}

test of the intelligence and cunning (of each other)

(in the case of ravens ='lgc'>[and ='at'>#feedback in art='lgc'>])
theoretically ='lgc'>='lgc'>--> we understand nothing
practically ='lgc'>='lgc'>--> we have to learn their tricks to be able to approach them

='strcls'>**a ="trms">matter of finding the procedures that attest to the pertinence of explanations='strcls'>** (='lgc'>=/= a ="trms">matter of explaining/understanding them)


enigma ='lgc'>--='lgc'>{(like good detective ="trms">stories) inscribes the protagonists in a ="trms">relation of='lgc'>}='lgc'>='lgc'>--> rivalry هم اورى ='lgc'>: if you want to understand them you must try to be as smart and cunning than they are (not letting oneself be duped by appearances)

politeness ='lgc'>='lgc'>--> suspicion ='lgc'>='lgc'>~= respect (‘re-="trms">spectare’ to look twice)
="lsts lst1">•confidence without verification offers little guarantee as to its robustness

we want to witness in a re="trms">liable manner='lgc'> = we want that which we learn from the ravens is to be treated with confidence='lgc'> = we want to define ourselves as ="trms">authorized by them to speak in their names='lgc'> = we want to (required to) offer them the opportunity to show what they can do (with the ='strcls'>*great flexibility of our ="trms">interpretation='strcls'>*)


='lgc'>[='strcls'>*='lgc'>]="trms">trap
(enigma of the apparently inexplicable behavior) ='lgc'>='lgc'>--> ='strcls'>*how to ask the ravens, with the same politeness, to take a ="trms">position in ="trms">relations to all the possible conjectures of the investigation='qstn'>?='strcls'>* how to ask them to teach us the good explanation, the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right motive='qstn'>? ='lgc'>='lgc'>==> the rese="trms"nttrm="search">archer will have to learn the ='strcls'>***art of the ="trms">trap and the net='strcls'>***='lgc'> = the art of the ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure and the trick='lgc'> = ='strcls'>***the art of learning from those whose enigma you are trying to solve='strcls'>*** (and have no intention of helping you) ='lgc'>='lgc'>--> ‘how that which counts can count for them’
="lsts lst1">•='strcls'>*the art of metis / cunning intelligence='strcls'>* ='lgc'>: the particular form of intelligence that the ="trms">greeks (learning from hunters and fishermen) cultivated='lgc'> = intuition شهود ='lgc'>+ cunning مکر ='lgc'>+ perspicacity فراست ='lgc'>+ dissimulation فریب ='lgc'>+ improvisation بدیهه ='lgc'>+ vigilant attention هوشيار ='lgc'>+ sense of timeliness بجا (='lgc'><='lgc'>-- this type of “getting to know” was constituted exaclty to be found in a domain where human intelligence is constantly at grips with the land or sea ='trgt hghlght 1'href='?q=animal'>animals in an are where humans saw their intelligence and ="trms">techniques transform in learning from ='trgt hghlght 1'href='?q=animal'>animals='strcls'>**** ='lgc'>[-how to prolong the possibility of this transformation='qstn'>?='lgc'>]) ='lgc'><='lgc'>-- ='strcls'>*it is the only way of getting to know that can hope to address intelligent highly flexible='strcls'>* (="ppl">="ppl">Despret > Heinrish)='lgc'> = ravens who require of those who want to know them the same flexibility and the same intelligence
='lgc'>}='lgc'>='lgc'>-->='lgc'>[="trms"nttrm="already,spread">reading ="nms">ajayeb ="trms">bestiary as enigma; ="nms">Bambi's mother studies; little mermaid; (using ="ppl">="ppl">Despret's ethological research to think about) art of feedback ='lgc'>='lgc'>~= getting to know you ='lgc'>=/= audience engagement='lgc'>]


strange politeness
art of cunning (="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lures ='lgc'>+ manipulation) ='lgc'>='lgc'>--> enticing ravens
='strcls'>*seeing without being seen='strcls'>*
="trms">obliging them ='lgc'>: ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">luring them to actualize the choices ='lgc'>: ='strcls'>***creating ="trms">situations as if they were ="trms">natural='strcls'>*** (so as to let the ="trms">birds do the talking)
(it is a ="trms">matter of) rendering them more robust ='lgc'>[giving them the occasion to resists, of giving them ='strcls'>*the power to send the rese="trms"nttrm="search">archer/="trms">storyteller to work='strcls'>* ='lgc'>=/= to dis="trms">articulate (what ="ppl">Ferdosi does in Shahnameh to the Div)='lgc'>]


to find an enticement that ="trms">interests them ='lgc'>='lgc'>~= to let himself be ="trms">recruited by them
='lgc'>[from Latin “cresc-” grow, rise ='lgc'>='lgc'>==> crescent, crew, decrease, crescendo, ="trms">recruit='lgc'>]

to trust them='lgc'> = to act like them
='at'>@="nms">apass feedback (="trms">differential knowl="trms"nttrm="knowledge,Knowledge">edge that is created because of not trusting)


the ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure could be used to ="trms">respond to this ="trms">question='lgc'>: the ravens fall for the trick
...not only do the ravens not ="trms">respond to ="trms">questions but they pose new ones

="prgrph">-how could we ask them (the ravens, trees, etc.) to verify our hypothesis (about them)='qstn'>?

='strcls'>*he has no answers ='lgc'>=/= he has nine hypothesis='strcls'>*


biological detective ="trms">stories

curiosity (for the things you discover that you don't know) ='lgc'><='lgc'>== the more you know

more cunning
more ="trms">imagination
more activities
='lgc'>--to='lgc'>='lgc'>--> ="trms">obligate ravens to choose between hypothesis

='lgc'>{ Heinrish='lgc'>: “It is still dark, and I'm al="trms"nttrm="already,spread">ready being awakened by raven calls! Several ="trms">birds are flying over Kaflunk making short, high-pitched calls that are unlike the usual quorks. These calls convey ex="trms">citement. The ="trms">birds are flying to a kill! I feel it. Even I can understand, and I too am ="trms">recruited” ='lgc'>}='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> ='strcls'>***if this ="trms">recruitment by nonhumans was able to acquire such an efficacy, it is because the human was transformed by those whose enigma he was trying to understand='strcls'>*** ='lgc'>[='lgc'>=/= ='trgt hghlght 1'href='?q=animal'>animal ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights activist ='lgc'>='lgc'>==> evidence arrive in the form of a weakened raven that has to be saved='lgc'>]

='strcls'>***letting himself be drawn into their enigma='lgc'> = converting the environment into ="nms">a little more of himself ='lgc'>='lgc'>==> he learned to become sensitive to what makes the ravens sensitive='strcls'>*** (="nms">Cinderella's mice learned that about her)

Heinrish ='lgc'>='lgc'>--> I, as a mammal for whom they are not intended, can feel ='lgc'>[...='lgc'>] I also feel I can detect a raven's surprise, happiness, bravado, and self-aggrandizement


(recognizing one another ='lgc'>='lgc'>==>) to go by way of what the ravens ="trms">demand ='lgc'>--="nms">Cinderella='lgc'>='lgc'>--> ='strcls'>*progress often depends more on how well one follows the ="trms">situation than on how well one controls='strcls'>* (especially when control is difficult)
="lsts lst1">•one must learn to ask them to give evidence ="trms">differently and to try to understand ='strcls'>*how a raven ponders a ="trms">question='strcls'>*


and now, when everything is suddenly new, this ="trms">bird acts as if nothing is out of the ordinary! ='lgc'>[...='lgc'>] I can only guess that they see it not as an absolute but as departures from the accepted. when everything is ="trms">different, then comparisons cease, and almost anything can be accepted -Heinrish
(='lgc'>='lgc'>--> ="trms">integration)


tame
="trms">questions that the other ones do not allow to be asked
tamed and be tamed to better find out what ="trms">matters from a raven's point of view
gain the trust to ="trms">respond to the ="trms">demands of the politeness of ='strcls'>*getting to know='strcls'>*
="lsts lst1">•the dis="trms">positive of taming then proves to be a privileged access of “getting to know” ='lgc'>: it actualizes competences that have less chance of occuring in usual conditions (those of the ="trms">birds and those of the rese="trms"nttrm="search">archer) ='lgc'>='lgc'>==> transforms habits (those of the ="trms">birds and those of the one who investigate them)

aviary مرغدانی

the most adventurous ='and'>& the most curious ='lgc'>='lgc'>==> the most attached to the rese="trms"nttrm="search">archer (to ="nms">Cinderella) ='lgc'>='lgc'>==> hierarchy takes shape as a function of bravery ='lgc'>[='lgc'>=/= bravery of adventure in the shape of radical detachment and fluidity='lgc'>]

(when) ='strcls'>*investigator becomes biographer='strcls'>* (='lgc'>='lgc'>==> the ="trms">story changes)

(how when why) the fact of ="trms">recruiting must be linked to de="trms">monstrations of bravery

="trms">position in the hierarchy
manner of ="trms">recruiting


shyness='lgc'>: dancing a little dance of hesitation


(="ppl">="ppl">Despret's account of how Heinrish succeeded in) ="trms">recruiting the ravens around his problem ='lgc'>='lgc'><='lgc'>~='lgc'>~='lgc'>~='lgc'>~> ='strcls'>*he sufficiently ="trms">recruited himself to invent pertinent ways of addressing them='strcls'>* ='lgc'>='lgc'>==> the models are now commensurate متناسب with their unpre="trms">dictability
='at'>@="nms">apass

Heinrish becomes their expert and their re="trms">liable spokesperson ='lgc'>='lgc'>==> (like ="frds scrmbld">Pierre) he could now convince and ="trms">interest his colleagues in terms that count for them (='lgc'>='lgc'>==> enroll other rese="trms"nttrm="search">archers to pose other ="trms">questions) ='lgc'>='lgc'>==> he could bear witness for them
='lgc'>=/= Hitchcock's the ="trms">birds ='lgc'>='lgc'>--> ="trms">nature turned to ="trms">horror, based on in Germany in mid-1990s fifty ravens invaded the idyllie Swabian Alps region... ='lgc'>='lgc'>==> their killing would be necessary
(chain of ="trms">recruitment='lgc'>:) the German ravens had in thier turn succeeded in ="trms">recruiting the re="trms">presentative of the american ravens, and Heinrish was able to ="trms">recruit ="trms">ecologists, who in their turn mobilized experts and politicians, who themselves modified the habits of the owners of the cows and sheep... ='lgc'>[='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ="ppl">Tsing's coalescence='lgc'>]

='strcls'>***amazing ="trms">inter="trms">specific ="trms">recruitment='strcls'>***


="frds">Sina ='lgc'>--telegram='lgc'>='lgc'>--> visual ='trgt hghlght 1'href='?q=animal'>animal ='lgc'>--inventing='lgc'>='lgc'>--> ="trms">hallucinating ='lgc'>--spoiled='lgc'>='lgc'>--> dis="trms">sociated
="frds scrmbld"nttrm="Godard">Goda ='lgc'>--Boicic='lgc'>='lgc'>--> wounded dog ='lgc'>--saving='lgc'>='lgc'>--> mothering ='lgc'>='lgc'>--> traumatized (left alone)


wolf observers
Heinrish's colleagues who study wolves in Yellowstone ="trms">Natural Park
the peaceful cohabitation between the wolves and ravens
in Yellowstone when the ravens are in the ="trms">presence of wolves, do not de="trms">monstrate any timidity and do not hesitate a second before eating ='lgc'>='lgc'>--> the wolves allow ravens to conquer their fear ='lgc'>='lgc'>--> wolves changed the constrains that hold sway over the habits of the ravens
the ravens of much more alert and vigilant than the wolves (the ="trms">birds serve the wolves as extra eyes and ears)

="large lg46" stl="font-size:109%">
the prophecy ="trms">translated in terms of ="trms">recruitment ='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> who could have thought, if not no doubt a descendant of La Fontaine, that it is the ravens who protect the wolves and permit then to eat with their eyes closed='qstn'>? ='heart'>♥

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

='lgc'>[title='lgc'>]
the old taghalob (تقلب cheat)
="trms">history of enumeration in the ="nms">Iran (="trms">measurement, weight, scale)
the ="trms">history of our non-mathematical practices

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

time ="trms">travel (in TV series or ="trms">literature) ='lgc'>='lgc'>--> (regardless if they are dystopian or not) essential for creating sensations of ="trms">historical continuity

Marzolph on pre="trms">modern middle eastern ="trms">narrative culture
seafaring merchant...
sailor's yarns

tales documented in persian ="trms">literature of the muslim period appear to be offshoots of earlier versions in either indian or arabic ="trms">literature ='lgc'>='lgc'>--> arabic as the ="trms">lingua franca of the day

Kitab ="nms">ajayeb al Hind, ="trms">wonders of india, 10th century by ="nms">iranian captain Bozorg ibn Sahriyar of Ramhormoz

(Marzolph holisitic assessment ='lgc'>[='lgc'>=/= Beyzai's parochial claims of ="nms">iranianness='lgc'>] of) middle-eastern ="trms">narrative traditions='lgc'> = arabic ='lgc'>+ persian ='lgc'>+ otaman turkish ='lgc'>+ jewish ='lgc'>+ christian (='lgc'>+ several other) ="trms">narrative traditions related to each other and none of which may claim an ex="trms">="trms"nttrm="cluster,club">clusive ="trms">position

city of Brass
the Golden City is a legendary city built in africa by Tawil, the brother of the giant Ug, both of whom were born from the incestuous ="trms">relation between Cain and his sister Anaq. having been deserted for more than a thousand years, the Golden City was later conquered by Egyptians and became the source of their ="trms">fabulous wealth.

agahi آگاهی knowl="trms"nttrm="knowledge,Knowledge">edge
na javan mard ناجوانمرد impudent one
farz فرض rite
sonat سنت manner
mardi مردی manly combat

='lgc'>[="frds">Sina, ="frds scrmbld">Ehsan ='lgc'>='lgc'>-->='lgc'>] in the manner of ='strcls'>*="trms">narrative men='strcls'>* ='lgc'>='lgc'>--> typical for the thousand and one nights='lgc'>--whose protagonists of merchants (often thrift sons of rich merchants, who embark on ="trms">travel after they have wasted their fortune with false friends)
="lsts lst1">•save himself by his inventiveness, strong determination, physical strength
="lsts lst1">•there is no single predestined future but a variety of options whose eventual practical course depends on the protagonist's active ="trms">intervention
="lsts lst1">•(="nms">Sinbad left behind on an island where) the Ruhh has laid its eggs (spirit's eggs تخم های روح 🥚🥚🥚)
="lsts lst1">•althought most of them kill other people in order to survive, their action is spontaneously motivated by the needs of the moment
="lsts lst1">•

با هزار زحمت with a thousand efforts


customary formal “hearing is obeying”


pitfalls
“='lgc'>[...='lgc'>]When I returned home, my wife had died. They lifted her up, took me along, and brought us to that cave. With a rope they let me down and blocked the entrance of the cave. After they had lowered the ='lgc'>[body of my dead='lgc'>] wife and the ='lgc'>[bundle of='lgc'>] clothes and I had regained my senses, I got up and saw a tremendously large cave. I installed the wick and lit the lamp, chose a place by the side, cleaned it and made a bedstead. And when every two days they threw somebody down there alive, I killed that person with my knife and took the supplies of three days b="trms"nttrm="already,spread">read and water, until one day they de="trms">posited in that cave my former wife’s sister alive, together with her dead husband. When she saw me, she recognized me and consented to marry me. I slept with her and had several ="trms">children with her. Some time later I started to dig the ground in a corner of the cave with my knife until I had made a ='lgc'>[large='lgc'>] hole to the side of the sea. Every day I would sit there, until I finally saw a ship. I attached a piece of cloth to a stick and waved it, until the ship came close and took me and my ="trms">children aboard. They also asked me the same ="trms">question ='lgc'>[i. e. why my ="trms">children had heads like horses='lgc'>], I told them my ="trms">story, and they delivered me to my country. I had many more ="trms">children with that woman. This is the ="trms">story of my ="trms">children and their ="trms">ancestry.”


moral ="trms">obligation of contemporary ="trms">society
...the king would use the slave girl as muslim men would do='lgc'> = for entertainment of all kinds (in="trms"nttrm="cluster,club">cluding sexual ="trms">intercourse, but not eating them)


relief after hardship فرج بعد از شدت

urdu romance bagh o bahar باغ و بهار

(the considerably older) misogynous motif of the unfaithful wife
husband and sife being buried together

='lgc'>='lgc'>--> part and parcel of the ='strcls'>**="trms">narrative stock='strcls'>** talented ="trms">storytellers would exploit to construct their tales

="trms">intertextual references
="lsts lst1">•cannibal black men
="lsts lst1">•the one-eyed person whose one eye had been picked out by a ="trms">bird (a well-known ="trms">narrative from pre="trms">modern arabic and persian tradition, a one-eyed character is taken as an ill omen, whereas here he figures as a friendly advisor and helper)
="lsts lst1">•
='lgc'>='lgc'>--> ='strcls'>***stock characters='strcls'>*** of pre="trms">modern middle eastern ="trms">literature

Marzolph ='lgc'>='lgc'>--> concider texts as artful creations ="trms">composed by a talented ="trms">narrator ='lgc'>=/= taking texts as the products of an anonymous popular “="trms">fold” tradition that would indiscriminately غيرمشخص lump together all kinds of ="trms">material ='lgc'>='lgc'>==> belittling the creative act of a single individual

='strcls'>*="trms">intertextual allusions (to themes, motifs, concepts familiar to the audience) ='lgc'>: a highly effective narative ="trms">technique for linking new and unknown tales to a web of tradition the audience shares='strcls'>*

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='strcls'>*='lgc'>~._

all the familiar landmarks of your thoughts that you find in somebody else's


عجایب نامه ="nms">ajayeb (doing it here in europe)='lgc'>: the exotic charm of another ="trms">system of thought (='lgc'>='lgc'>~= its limitation)

='lgc'>[='strcls'>*='lgc'>]="trms">zoo='lgc'>: terrible grounds that the ="trms">child ='lgc'>[= us='lgc'>] enjoys='lgc'> = primal s="trms">cene of conquest (of nation building, of state power) ='lgc'>--carceral='lgc'>='lgc'>--> s="trms">cene of sadistic pleasure, where bodies become “flesh” ='lgc'>[='lgc'><='lgc'>-- telegram is all of this='lgc'>]
(="ppl">="ppl">Hayward ='lgc'>+ Borges)

='lgc'>[='strcls'>*='lgc'>]="trms">child='lgc'>: a primal s="trms">cene='lgc'> = the promise of the ="trms">social, the human, and the future ='lgc'>='lgc'>--> ='strcls'>***="trms">child is necessary for the ="trms">ongoingness of colonialism='strcls'>*** ='lgc'>[='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to the ="trms">children in The 100 TV series ='lgc'><='lgc'>-- ='strcls'>*white ="trms">child='lgc'>: an explorer of terrible grounds='strcls'>*='lgc'>]
="lsts lst1">•conscripted labor
="lsts lst1">•enslavement
="lsts lst1">•necropolitical economy
="lsts lst1">•
='lgc'>--elaborating-proliferating='lgc'>='lgc'>--> productive engines of empire

='lgc'>}='lgc'>--="ppl">="ppl">Hayward='lgc'>='lgc'>--> how might the effects of colonialism always find ="trms">children enjoying terrible places='qstn'>?


the subtending (entgegensetzend) logic of the ="trms">zoo

sadism='lgc'>: the trouble of enjoying terribleness

(="ppl">Lacanian) ="trms">imaginary ='lgc'>--desires='lgc'>='lgc'>--> coherence (='lgc'>=/= fragmentation) ='lgc'>==generates='lgc'>='lgc'>==> a compromise ='lgc'>: an idealization of the self as whole, between the unbearability of ="trms">interiority and exteriority
='strcls'>*="trms">imaginary is unavoidable, the ="trms">obligatory state of existence (for speaking subjects) ='lgc'>==constitutes='lgc'>='lgc'>==> real effects

="lsts lst1">•Borges ='lgc'>='lgc'>--> ="trms">imaginary ='lgc'>='lgc'>--> a ="trms">world in pieces (="trms">monstrous fragmentation), impossible ="trms">world of ‘that’
="lsts lst1">•="ppl">Lacan ='lgc'>='lgc'>--> ="trms">imaginary ='lgc'>='lgc'>--> tentatively precariously constitutes a sense of self through alienation

(="ppl">="ppl">Hayward > Borgesian) ='strcls'>****="trms">zoo ='lgc'>--constitutes='lgc'>='lgc'>--> a primal s="trms">cene of colonial violence though which fantasy and ="trms">imagination, dragons and unicorns, are ="trms">articulated, organized, rendered as “elsewhere” ='lgc'>=/=='qstn'>? ="nms">ajayeb pre="trms">modern


="trms">zoo
one of the most ancient institutions
transformed by the event horizon of ="trms">modernity

(Fanon dramatizing) colonialization is animated by ="trms">zoonomia as phantasy='lgc'>: “when the settler seeks to describe the native fully in exact terms he constantly refers to the ="trms">bestiary”

="large lg66" stl="font-size:106%"> ='strcls'>*we='lgc'> = sadism's ="trms">children='strcls'>*

how ="trms">imaginary beings and ='strcls'>*fantastic ="trms">zoology='strcls'>* always carry a colonial logic

biological essentialism ='lgc'>: a d="trms"nttrm="danger,stranger">angerous and reactionary basis upon which to build a politic

...racial and colonial violence of slavery

prison='lgc'>: anti-trans necropolitical institution
='lgc'>+ its abolition='lgc'>: a critique of anti-black legal/sovereign violence and for the radical potentiality of ="trms">social tranformation
(='lgc'>=/= prison in Orange Is the New Black TV series)

='lgc'>[='strcls'>*='lgc'>]trans='lgc'>: an effect of white supremacist thinking that needs incoherent genders to make gender ="trms">matter at all='strcls'>****
='lgc'>--="ppl">="ppl">Hayward='lgc'>='lgc'>--> when trans becomes ‘this’ (an effect of gender) then it can only serve regimes of power


='lgc'>[="ppl">="ppl">Hayward's (expected and a bit cliche)='lgc'>] trans="trms">figurations='lgc'>: (cascading provocations) sug="trms">gesting ="trms">questions without answering them, to break from an ="trms">interpretive paradigm that ="trms">demands solution-making over and against problem-generating


native
a ="trms">zoological term

="ppl">Derrida's blackness (skin color)='lgc'>: unsovereign and stateless, criminal and ="trms">beast

(promise of ="trms">love ='lgc'>='lgc'>-->) relinquishing the body to ='lgc'>[='strcls'>*='lgc'>]flesh='lgc'>: pre-discoursive ="trms">material, a zone of non-personhood, a state of anjection (='lgc'><='lgc'>-- ="trms">according to ="ppl">="ppl">Hayward)
anatomo-political)

soma-politics of the body (of the racial-colonial ="trms">category of the human)

carno-political ="trms">question of flesh (under the regime of racial capitalism) ='lgc'>='lgc'>--> human/='trgt hghlght 1'href='?q=animal'>animal divide
="lsts lst1">•='trgt hghlght 1'href='?q=animal'>animals in the afterlife of slavery are rendered as flesh (under the regime carno-political regimes of racial capita="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list valuation) ='lgc'>[='lgc'><='lgc'>-- ="ppl">="ppl">Hayward's misrecognition of contemporary ="trms">society as “regime"='lgc'>]

genre of ='trgt hghlght 1'href='?q=animal'>animal

Gossett ='lgc'>+ ="ppl">="ppl">Hayward's argument ='lgc'>='lgc'>--> the psychic life of ="trms">zoophobia and ="trms">zoophilia are tied up with negrophobia and negrophilia ='lgc'>='lgc'>~= ="trms">species divides (human/='trgt hghlght 1'href='?q=animal'>animal) are ="trms">technologies of race (human/black)

="large lg58" stl="font-size:108%">
maroon='lgc'>: escaped cattle


typography='lgc'>: domain of style, of appearance, of ="trms">aesthetic

glyph “='strcls'>*”
asterisk
a diminutive star
limb-y reach
a grasping
erring on the side of over-population, over-use, ="trms">excessiveness
“='strcls'>*” can denote a ="trms">database search or censorship
designate multiplication
a disclaimer
mark genetic identity
pseudonyms that have been changed
='strcls'>* ='lgc'>='lgc'>--> ='strcls'>*the star of life='strcls'>*

xenogenesis ='lgc'>='lgc'>--> proliferating ="trms">difference (genesis) built through pessimism (xeno)

="large lg34" stl="font-size:114%"> Sun Ra (in Space is the Place ='lgc'>='lgc'>~= earth is “nowhere,” no longer a place ='lgc'>[='lgc'>+ Octavia, Delany='lgc'>]) signaled the failed projects of planetary humanist and earthly liberalism, inviting blacks living in Oakland to leave the gratuitous violence of the ="trms">world
afro-futurism is about the impossible, the unbearable, the fai="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure of the ="trms">world ='lgc'><='lgc'>='lgc'>--> afro-pessimism (blackness as loss, as nothingness)
(mode of ="trms">imagination='lgc'>:) “anti-black racism ='lgc'>='lgc'>==> radical politics of abolition”
='lgc'>='lgc'>==> “being (white) is made possible thourgh and with black bodies cannibalized by a racial capitalism and its ="trms">scientific jaws” ='lgc'>[='lgc'><='lgc'>-- ="ppl">="ppl">Hayward's politically correct and simple fantasy about good and bad='lgc'>]

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='strcls'>*body='strcls'>* ='lgc'>='lgc'>--> ="trms">socio="trms">historical construct ='and'>& constrain
='lgc'>=/=
='strcls'>*="trms">embodiment='strcls'>* ='lgc'>='lgc'>--> sense of being bodily (pain, ...) ='lgc'>[='lgc'><='lgc'>-- my focus has been on this one more than the other='lgc'>] ='lgc'>='lgc'>--> ='strcls'>**never ="trms">embody ironically!='strcls'>** (='lgc'><='lgc'>-- maybe irony is OK in visual or ="trms">written medium='qstn'>?)
="lsts lst1">•="trms">embodiment goes beyond body (my body is still my body but also not)

="lsts lst1">•to pose
="lsts lst1">•to transpose

in ='mywrk'>my work, i transpose='lgc'>: walk through ="trms"nttrm="already,spread">readings (='lgc'>=/= transform='lgc'>: performative “true” ="trms">embodiment)
="lsts lst1">•trans="trms">position='lgc'>: a mapping of senses, to change something into another form (='lgc'>+ its foreclosures, refusals, limits)='lgc'> = expressive ex="trms">citation, provocation of ="trms">difference that cannot be resolved by penetration or collapsed selves ='lgc'>=/= ="trms">interpenetration

border crossing='lgc'>: forces and ex="trms">citations of location, of neighborhood

sensation='lgc'>: a com="trms">posite of ="trms">affects and percepts

personal ='lgc'>=/= individual

="ppl">="ppl">Hayward's ="trms">story is shaped by repression ='lgc'>: a wish to be seen as she wants to be seen ='lgc'>=/= ="frds">Sina

="large lg70" stl="font-size:126%"> ="trms">story='lgc'>: act of violence and deception

medicalized legacy of transsexual's self-="trms">narrativizing ='lgc'>='lgc'>--> ="trms">synchronous field of wrong body-ness ='lgc'>='lgc'>==> account

accurate accounting ='lgc'>=/= describe ="trms">transitional sensations

described='lgc'>: forma="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listically detailed trans="trms">positional

="large lg74" stl="font-size:100%"> post-='trgt hghlght 1'href='?q=animal'>animal='lgc'>: the afterward of the ='trgt hghlght 1'href='?q=animal'>animal is meat


="large lg82" stl="font-size:132%"> bumptious coherence of bodies

(neighborhoods) designed to make some vulnerable while others safe
percussed by bullets or by traffic
='strcls'>*threat as invitation='strcls'>*

جراحی زیبایی who alter themselves through surgeries and hormonoes ='strcls'>*to feel themselves ="trms">differently='strcls'>*
(shia in ="nms">iran is islam after a cosmetic surgery to feel their ="trms">religion ="trms">differently)

='strcls'>*changing sex is about changing senses and ="trms">species='strcls'>* ='at'>@="frds scrmbld">Foad


depending on my needs, i pretend not to understand

="trms">instrumentalization of ='trgt hghlght 1'href='?q=animal'>animal life
surgically changing body


="trms">technique of eschew اجتناب
eschewing a ="trms">nature or culture distinction


sex in pieces
spheres of ="trms">imagination


='lgc'>[='mywrk'>my work:='lgc'>] trans="trms">historical diagnosis='lgc'>: ="trms"nttrm="already,spread">reading in pieces neighborhoods of ="trms">imagination (opposed to what is available)
='at'>#sleep-walking


web-building ="trms">beasts (spiders) ='lgc'>[webbing ='lgc'>=/=='qstn'>? weaving='lgc'>: a feminine ="trms">trope='qstn'>?='lgc'>] ='lgc'>}='lgc'>='lgc'>--> expression of the body
my fleshy referent 🕷
over-reaching subjects
='strcls'>*spider's web ='lgc'>==propose='lgc'>='lgc'>==> home and territory are of and with the body='strcls'>*
spiders are s="trms">cenes of arachnophobia and revultion
extending bodily substance through sexual ="trms">transition
(arrangment of) sensorial milieu of the self ='lgc'>+ profusion of the ="trms">world
(="trms">trope for fear as emancipation)
an ="trms"nttrm="disturban">urban designer
weaver of cityscapes
='lgc'>[='strcls'>*='lgc'>]web='lgc'>: skeletalization of the surface, extension of the surface ="trms">affects of the spider, dynamic threshold of sensibility ='lgc'>--="ppl">="ppl">Hayward='lgc'>='lgc'>--> (the body is strengthed) react through a spatial and temporal generativity ='lgc'>='lgc'>--> body='lgc'>: ="trms">inter- and ="trms">intra-th="trms"nttrm="already,spread">readings of many ="trms">sensuous vectors that relay like the spider in its web ='lgc'>='lgc'>~= cities, web-builders
='strcls'>*center of her web='lgc'> = her touch ="trms">world='strcls'>*
="prgrph">-moves quickly, even uncannily, there/then not, sill/in motion, unsettling/reassuring (seems to ="trms">trap only dust)
='strcls'>*lived-web='lgc'> = optic skin, a resounding connective tissue
(spider's capacities to) create, ="trms">syncopate, improvise
(spider and me in the appartment) we resonate in ="trms">relation to our ="trms">different movements and processes

='lgc'>[='strcls'>*='lgc'>]="trms">trap='lgc'>: a mouth, a mode of utterance, the “O” curve of lips and throat that sounds out and names the apprehension of being ="trms">embodied
='lgc'>='lgc'>--> ='strcls'>***="trms">positionality ='lgc'>='lgc'>~/= ="trms">situatedness='lgc'> = to be ="trms">trapped='strcls'>*** (to speak and receive ranges of ="trms">sensuous input from one's environment) ='lgc'>='lgc'>--> ='strcls'>*our bodies are not endlessly available to intentionality='strcls'>*

='lgc'>[='strcls'>*='lgc'>]="trms">articulation='lgc'>: speaking oneself into culture and ="trms">history, but also creating a site, a gap, making room in cultural and political fabrications, and finding a tempo, a beat


="lsts lst1">•utopic in="trms">="trms"nttrm="cluster,club">clusion (sexual, national, racial)
="lsts lst1">•='strcls'>*sexuality ="trms">imagined as political promise='strcls'>* (radical force of nonnormative sexuality) ='lgc'>[='lgc'>=/= (for ="ppl">Freud) sex is regressive='lgc'>]
="lsts lst1">•trans='lgc'>: energetic and fantastic space between objects

(racial, economic) ='strcls'>**divisions='lgc'> = dependencies='strcls'>**

(="ppl">Lyotard='lgc'>: we must) construct the anatomy of poly="trms">morphous ="trms">perversion, un="trms">fold the immense ="trms">membrane of libidinal body ='lgc'>=/= ="trms">system of parts

irreverent intimacies


thresholding='lgc'>: an intensity that must be exceeded for reaction to occur
“here is my home, i am freshly aware that my body is a threshold, an entry between rooms”

limits (of my body)='lgc'> = energized zones


sadomasochism stitches


='strcls'>*carnal improvisation='strcls'>* ='lgc'><='lgc'>-- paradigm of performance art in europe (='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to karaoke in KHM, role of my body as medium in the circuit of trans="trms">missions, ="trms">poetically ="trms">imagine the shape of a new pattern)


="trms">past="trms">present='lgc'>: an always ="trms">present ="trms">past in the ="trms">present

='strcls'>*patterns longer than lived experience='strcls'>*

='lgc'>[='strcls'>*='lgc'>]="trms">history='lgc'>: libidinal tracings, ="trms">erotogenic intensities, psychical cartographies


='lgc'>{ porosity='lgc'> = ="trms">poiesis ='lgc'>}='lgc'>='lgc'>--> collapse the boundary between the ="trms">embodied self ='lgc'>+ its ="trms">world ='lgc'>+ others ='lgc'>='lgc'>==> con="trms">situte a ="trms">specific place


="lsts lst1">•puberty='lgc'> = the fantasy that this dis="trms">figuration will make me more myself
="lsts lst1">•teenager='lgc'> = you spend hours before the refracting reflection of your transmutating ='strcls'>*body='lgc'> = your most intimate other='strcls'>* ='lgc'>='lgc'>--> enact boundaries, sometimes ="trms">lovingly, but also brutally


(senses are) reactive to the ="trms">sensual abundance of the ="trms">world but limited by ="trms">affected perceptual milieus


='lgc'>[='strcls'>*='lgc'>]texture='lgc'>: residue of un="trms"nttrm="metaph,metamorph,metabol,metal">metabolized and ="trms"nttrm="metaph,metamorph,metabol,metal">metabolized sensations of animate forces ='lgc'>='lgc'>--> emergence of bodiliness (='lgc'><='lgc'>-- ="ppl">="ppl">Hayward's ="trms">rhetoric)

="trms">transitional body='lgc'> = textural body

="large lg74" stl="font-size:122%"> architecture='lgc'>: the most binding part of the ="trms">communal rhythm

appearance ='lgc'>='lgc'>~= metonymic
appearance allows her to emerge ="trms">situationally as a woman, a gendered neighbor, a ="trms">historical subject


(being under the influence of the moon='lgc'>:) enfleshing elements of your (celestial) environment within yourself and expressing parts of yourself back into the (terrestrial ="trms">social) environment


identification='lgc'>: “i am like you='lgc'> = i know you” ='lgc'>='lgc'>==> resolve the divide of ="trms">difference

(let's not make that kind of garden again ='lgc'>='lgc'>-->) in="trms">="trms"nttrm="cluster,club">clusion in Adam's nameable Eden of belonging (='lgc'>=/= ="nms">Cinderella's trans="trms">bestiary)

cross-="trms">species rejoiners
mended spiderwebs


error is (still a kind of) expression


human='lgc'>: com="trms">posites of ="trms">zoo-intensities, animated movements, bio-="trms">differentials


(i always felt like this) my perceptions are refracted through psychic forces
="trms">anxious
uncertain
="trms">paranoid
“is everyone staring at the ="trms">morphing ‘it’ that is me”


(understanding of art in contemporary european performance ='lgc'>='lgc'>-->) art='lgc'> = intensifying bodily substance, to resonate otherwise, to feel ="trms">different corpo(realities) through zones of ="trms">transition and ="trms">intervention, provocation='lgc'> = ="trms">responses to our ='strcls'>*capacities to resonate='strcls'>*


...medicalization, recognition, subjectification, ="trms">instrumentalization, and ="trms">responsiveness being with ='trgt hghlght 1'href='?q=animal'>animals

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

what does the maze mean for the rat='qstn'>?
what a maze can mean='qstn'>?

experimental psychology ='lgc'>='lgc'>--> subjects conform most often to the expectations of their experimenters ='lgc'>[='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> they are ='strcls'>*artifactual='strcls'>*='lgc'>]
="prgrph">-='strcls'>*the ="trms">scientists think that the subject ="trms">respond to the ="trms">question that is posed to them, but the subject in fact ="trms">respond to another ="trms">question='strcls'>* ='lgc'>='lgc'>-->='lgc'>{="trms">question that is addressed to them='lgc'> = protocol to which they are submitted='lgc'>}='lgc'>='lgc'>--> they can take a ="trms">position in ="trms">relation to what is proposed to them in ="trms">scientific research ='lgc'>[='lgc'>=/= ="nms">Cinderella's mice subject='lgc'>]

='thdf'>the idea that (='thdf'>the ='thdf'>assumption that) their subjects could be influenced by what the ="trms">scientist was looking for ='lgc'>='lgc'>==> the experimenters tried most often to camouflage the real ="trms">questions guiding their research
="prgrph">-='thdf'>the ='thdf'>assumption that the subjects do not do what they do because the experimenter asked then to do so, but for more abstract and more general reasons ='lgc'>='lgc'>==> “="trms">ecological validity”
="prgrph">-='strcls'>*the subjects most of the time not only predict what the experimenter expects of them but they comform to it='strcls'>*
="prgrph">-='lgc'>[they ="trms">responded to='lgc'>] the way in which they ="trms">interpreted that which was expected of them (='lgc'><='lgc'>-- just because they are nice people.) “when the subjects were asked why they did all this ='lgc'>[absurd tedious repetitive='lgc'>] work without objecting and without posing other ="trms">questions, they ="trms">responded that they had thought that is was a test of endurance. and they obeyed because a ="trms">scientist asked then to”

="trms">difference between hypnotized subjects and “normal” experimental subjects

='strcls'>*the ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure utilized to mask the expectations='strcls'>* (in psychology, far from resolving the problem)

="large lg46" stl="font-size:117%"> organization of the research ='lgc'>='lgc'>--> ="trms">scientist distributes expertise in a very a="trms">symmetrical manner


what a maze can mean='qstn'>? ='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> ='strcls'>**="trms">translating what happens to rats in terms of meaning='strcls'>**
(drawing on Uexküll's theory of Umwelt) ='lgc'>='lgc'>--> open up for the ='trgt hghlght 1'href='?q=animal'>animal the ="trms">question of point of view

a concrete or lived Umwelt ='lgc'>='lgc'>==> the ='trgt hghlght 1'href='?q=animal'>animal endowed with sensory organs ="trms">different from our own, cannot perceive the same ="trms">world as we do

='lgc'>{='strcls'>**perception='lgc'>: an act of creation ='lgc'>=/= a form of reception='strcls'>**='lgc'>}='lgc'>='lgc'>--> the ='trgt hghlght 1'href='?q=animal'>animal ='strcls'>**fills its environment with perceptual objects='strcls'>**, it constructs its environment by ='strcls'>*peopling='strcls'>* it with perceptual objects (='lgc'>=/= perceive passively)
='strcls'>*the activity of perception='lgc'> = an activity that confers meaning='strcls'>*='lgc'> = only that which has meaning is perceived, only that which can be perceived (='lgc'>='lgc'>~= is important of the organism) is ='strcls'>*="trms">accorded a meaning='strcls'>* (='lgc'>='lgc'>~= ="trms">accordance)
="lsts lst1">•butterfly lives in a ="trms">world of luminous intensities and of odors
="lsts lst1">•tick lives in a ="trms">world of butyric acid released by the sebaceous follicles of mammals
="lsts lst1">•spider lives in a ="trms">world of...
="lsts lst1">•rat lives in a ="trms">world of...
="lsts lst1">•

for a spider='qstn'>?
for a rat='qstn'>?
time, space, place, path, way, house, odor, enemy,,, ='lgc'>='lgc'>--> each event (in the perceived ="trms">world) “signified” which is not perceived except in that it signifies ='lgc'>='lgc'>==> ='strcls'>***='trgt hghlght 1'href='?q=animal'>animal='lgc'> = subject='lgc'> = a “lender” of meaning='strcls'>***

='lgc'>[='strcls'>*='lgc'>]subject='lgc'>: that which ="trms">accords meaning

the object is constituted in action (the ='trgt hghlght 1'href='?q=animal'>animal never enters into a ="trms">relation with an object as such) ='lgc'>='lgc'>--> meaning does not emerge from the object='lgc'> = objects are not alone in having meaning ="trms">accorded to them

Umwelt='lgc'>: an environment of ="trms">relations

no ='trgt hghlght 1'href='?q=animal'>animal can be neutral of another (in the environment) ='lgc'><='lgc'>--if='lgc'>-- it can be seen to be ="trms">accorded a meaning

='strcls'>***strange ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lures ='lgc'>==make=possible='lgc'>='lgc'>==> types of research='strcls'>***

="nms">Cinderella to the mice ='lgc'>: al="trms"nttrm="failure,blur,plur,lurk,tallur,slur">luring producer of ="trms">sociality (="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure='lgc'>: enticement for meaning) ='lgc'><='lgc'>== ='strcls'>*="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lures are frequently required in order to convey the meanings of an ='trgt hghlght 1'href='?q=animal'>animal='strcls'>*

a human can take on the meaning of ='strcls'>*="trms">socius='strcls'>* (comrade, friend, ally)
a human can learn what a ="trms">socius means in the like of a jackdaw (to be taken for a ="trms">material ="trms">socius)
='lgc'>='lgc'>--> ‘as="trms">sociating with'='lgc'> = carry out various activities together

you want to be taken by somebody from another ="trms">species for a ="trms">material ="trms">socius (that is also why people have pets) ='lgc'>=/= pray


meanings are not fixed once and for all, flowing from elementary needs of the organism='lgc'>: meanings are flexible, can apply to other beings, extend to unforseen ="trms">situations, change, and even invent and create new ="trms">relational uses (='lgc'><='lgc'>-- this is what i experience in ="trms">translational working with meanings in ="trms">farsi ="trms">literate in my ="trms">lectures)


(="nms">Cinderella asking) when observing rats, what can produce the activity of ="trms">translating their behaviors in terms of meanings='qstn'>?


one confuses the term “examine” with that of “neutralize” ='lgc'>='lgc'>--> (Watson, ="trms">scientist) removed the rat's eyes, olfactory bulb, and whikers, which are essential to the sense of touch in rats, before throwing it into the exploration of the maze...
='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> if the ="trms">world had probably lost all meaning for this de-sensed rat, the rat itself had lost all meaning for its experimenter (if it ever had one for him)
="prgrph">-this is the goal of the procedure='lgc'>: search out the lowest common denominator, the left-over, the automation, the behavior that from one ="trms">species to another will render all organisms commensurable تناسب پذير ='lgc'>[='lgc'><='lgc'>-- no!!!!='lgc'>]

the tacit ='thdf'>assumption that an ='trgt hghlght 1'href='?q=animal'>animal could ever enter into a ="trms">relationship with an object is false ='lgc'><='lgc'>--Uexküll='lgc'>-- (to have in mind) to study the most ="trms">different kinds of ='trgt hghlght 1'href='?q=animal'>animals in their ="trms">relations to a maze


="large lg22" stl="font-size:135%"> her attic, ="nms">Cinderella in the universe of meanings

an ="trms">epistemological problem ='lgc'>='lgc'>--> it is not straightforward to enter into the subjective universe of an ='trgt hghlght 1'href='?q=animal'>animal in ="trms">interrogating it through an experimental dis="trms">positive thought up by a human

="large lg14" stl="font-size:101%"> ='lgc'>[dis="trms">positif='lgc'>: referring to machines and devices. as philosophical concept that has been drawn upon by ="ppl">Deleuze, ="ppl">="ppl">Foucault, ="ppl">Althusser, ="ppl">Agamben, and many others, has been rendered as “="trms">apparatus”, ="trms">social ="trms">apparatus='lgc'>]

maze ='lgc'>='lgc'>--> what this particular experimental dis="trms">positive can mean for a rat='qstn'>? how can this ='strcls'>*="trms">traversing='strcls'>* come to be, from the point of view of the rat (Uexküll calls “familiar path”)='qstn'>? how rats in pretending to ="trms">respond to the ="trms">questions of the behaviorists ="trms">respond in fact to another ="trms">question='qstn'>?
="prgrph">-behaviorist's ="trms">question='lgc'>: what is the abstract ="trms">relation of a being, whatever it may be (that which the behaviorists call an organism) to a ="trms">natural object='qstn'>?

why do rats always touch the walls as they go along them='qstn'>? ='lgc'>--="nms">Cinderella='lgc'>='lgc'>-->
="lsts lst1">•they are haptophiles, they like to touch
="lsts lst1">•they inscribe the course of their route in their bodies in the form of lines, curves, and turns, or even roughness, textures, sensations of cold or humidity
="lsts lst1">•letting itself be marked by the space
='lgc'>--="ppl">="ppl">Despret='lgc'>='lgc'>--> what do we know about what the body of a rat can sense='qstn'>?

='strcls'>***(from) the why of caused ='lgc'>--to='lgc'>='lgc'>--> entering into the regime of meanings='strcls'>***

the rat does not ="trms">respond to the ="trms">question of learning, he ="trms">responds to the ="trms">question of ='strcls'>*an architecture that constitute the ="trms">world for him='strcls'>*

(how='qstn'>?) the “='trgt hghlght 1'href='?q=animal'>animal's own ="trms">world” can (with difficulty) in="trms"nttrm="cluster,club">clude the human observer as an observer

...the maze can ="trms">authorize neither the ="trms">question of the “familiar path” nor that of the meaning of the wall


artifactual='lgc'>: the ="trms">situation where the being who is ="trms">interrogated ="trms">responds to a ="trms">different ="trms">question than the one the ="trms">scientist poses to her

hypothesis of the existence of an artifact ='lgc'>='lgc'>==> the possibility of taking into account the fact that the ='trgt hghlght 1'href='?q=animal'>animal would have a point of view on the ="trms">situation


(to take ="trms">measure of) what one's ="trms">anxiety prompts (in the course of research)='lgc'>:
="lsts lst1">•expanding the ="trms">imagination
="lsts lst1">•paralyzing the ="trms">imagination ='lgc'>='lgc'>==> injection of more control


="trms">sciences that mobilize the beings that ="trms">respond to it

each experiment indicates not only the manner in which the ='trgt hghlght 1'href='?q=animal'>animals generally experience the procedures ='lgc'>--but='lgc'>='lgc'>--> the way in which each of the ='trgt hghlght 1'href='?q=animal'>animals lives them as a function of the perception that it has of them, as a function of what it expects

(="ppl">="ppl">Despret affirming that) there is no ='strcls'>*artifact='strcls'>* unless there is ='strcls'>*="trms">generalization='strcls'>*

='strcls'>*the time of the experimental dis="trms">positive='strcls'>* is not the same since it is set within a provisional and short time (five days if testing, cor="trms">responding to the work week) while ='strcls'>*the time of the farm='strcls'>* is a time of accumulated ="trms">memories and experience
="prgrph">-the ="trms">memory of the food eaten before
='at'>#="nms">Cinderella

it expects something else ='lgc'><='lgc'>== what one gives it is not the sole cause involved


='trgt hghlght 1'href='?q=animal'>animals certainly ="trms">respond to a ="trms">question, but it is not the one we pose to them
='strcls'>*the rese="trms"nttrm="search">archers compartmentalize the research; the ='trgt hghlght 1'href='?q=animal'>animals to not stop prompting them to decompartmentalize it='strcls'>* ='heart'>♥

(always) the artifact ='lgc'>--constitutes='lgc'>='lgc'>--> the object of critique


='trgt hghlght 1'href='?q=animal'>animals do not judge an ='strcls'>*abstract ="trms">situation='strcls'>*, but a ="trms">situation offered to them ='strcls'>*as it is offered='strcls'>* to them

(="nms">Cinderella's) reciprocal habituation ='lgc'>='lgc'>--> ='trgt hghlght 1'href='?q=animal'>animal itself actively takes the ="trms">questions and the ="trms">presence of the rese="trms"nttrm="search">archer into consideration
to negate the condition of research ='lgc'>='lgc'>--> exchange judgment and opinions (='lgc'>+ ="trms">mutually ="trms">affect one another)

why is ‘="trms">interest’ a bad motive, in this frame='qstn'>?
="prgrph">-because the ='trgt hghlght 1'href='?q=animal'>animal must be ="trms">interested in other things besides the human being, it must continue to live its life as a goat or a sheep ='lgc'>--='not'>✕='lgc'>='lgc'>--> “the good ='trgt hghlght 1'href='?q=animal'>animal='lgc'>: the ='trgt hghlght 1'href='?q=animal'>animal ="trms">responds to her observer”


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="ppl">Singh ='lgc'>+ Dave ='lgc'>='lgc'>--> ordinary ="trms">affects of killing (='trgt hghlght 1'href='?q=animal'>animal) ='lgc'>='lgc'>--> ="trms">anthropology of ethics ='lgc'>=/= ="ppl">Agamben's killablity (linked with sovereignty)='lgc'>: ="trms">routinized emotionally in="trms">different production of bare life (capacity to decide which bodies can be killed, without the killing counting either as homicide or as a sacrifice)

normative moral claims

(Laidlaw, ="ppl">="ppl">Foucault) ethical life='lgc'>: reflexive practice of freedom ='lgc'>--humanistic='lgc'>='lgc'>-->
="lsts lst1">•traditions of virtuous conduct
="lsts lst1">•changing practices of self-="trms">fashioning
="lsts lst1">•="trms">affective dis="trms">positions='lgc'>: compassion, devotion
="lsts lst1">•(altruistic ="trms">question of) how ought to one live='qstn'>?
='lgc'>=/=
what is the mode of a killing='qstn'>?
what is the mood accompanying that killing='qstn'>?
='lgc'>+ ethical repercussions (if any) there of, even of they are not prescribed or proscribed in state or in customary law


='strcls'>*to ="trms">write nonmorally about ='lgc'>[='strcls'>*='lgc'>]ethics='lgc'>: a mode of relatedness, even if the ="trms">relation is as ephemeral as a mood that may escape ="trms">measure or description, lying somewhere between mourning and in="trms">difference
='lgc'>[='lgc'>=/= to have an a ="trms">priori moral ="trms">code based on which we might justify (or predict ahead) our emotional ="trms">responses to particular killing ='lgc'>='lgc'>~= what constitutes a good life or death='lgc'>]

(mourning ='lgc'>=/= in="trms">difference)

concept ='lgc'>+ reality of ='trgt hghlght 1'href='?q=animal'>animals ='lgc'>+ ="trms">anthropology of India

everyday ="trms">affects (while witnessing or executing the death of ='trgt hghlght 1'href='?q=animal'>animals)
doubts and pleasures
cruelties and in="trms">differences
chicken shops
decimated forests of central India


moods='lgc'>:
="lsts lst1">•ambivalence
="lsts lst1">•cruelty and pleasure
="lsts lst1">•senses of devastation

modes and moods of ="trms">specific commercial and ritual occurrences (in ="nms">Tehran)

='lgc'>='lgc'>--> ='strcls'>***how does (and does not) killability shade into vitality='qstn'>?='strcls'>***

what does it mean for ='trgt hghlght 1'href='?q=animal'>animals to be alive in a severely depleted habitat='qstn'>?

(what it means to be alive in contemporary ="nms">Tehran='qstn'>?)

profane='lgc'>: a ="trms">routine, ritual, process that does not in itself invoke a sacred purpose or value

="prgrph">-how would we ="trms">measure the distance between the poles of the profane and sacred in terms of the mood and intention surrounding the ritual of killing='qstn'>?
="prgrph">-what is the mood sounding the sacrificial death='qstn'>? (veneration='qstn'>?)

='trgt hghlght 1'href='?q=animal'>animal sacrifice has a long ="trms">history in textual and oral forms of Hinduism (as do arguments against it)

آرامش قصاب
butcher's easy hospitality
slow time of sadism

='at'>#="trms">story
tribe of bonded laborer decide not to sacrifice ='trgt hghlght 1'href='?q=animal'>animals. “what is the use of someone's untimely death causing another='qstn'>?” (and because goats are expensive nowadays). one summer all the brothers get together and call the deity. he possessed my father's brother's son. we said='lgc'>: “baba, we won't give you a goat. eat us if you must.” the spirit began to get angry. he said if i accept this for you, then others will do the same. (after negotiation) he accepted only from one person and not others. the issue is still unresolved.

="trms">religiously infused con="trms">science
banality of secular cruelty
long-standing intimacy between violence and the sacred

='at'>#="trms">story
Nitin is jinn and no jinn wants to marry their daughter to someone who sells chicken for a living. Nitin has debilitating nightmares about dying chickens.
="lsts lst1">•poultry industry
="lsts lst1">•cage-free farming


(there is no “irreducible” ="trms">ontological gap, disjuncture of temporality, ="trms">ontological un="trms">translatability, between='lgc'>:)
time of ="trms">history/capital ='lgc'>='lgc'>~= time of the gods/ritual

both ritual and capital ='lgc'>--involve='lgc'>='lgc'>--> exchange ="trms">relations ='lgc'>='lgc'>==> unpre="trms">dictable forms of movement (across domains)

="lsts lst1">•(show of being halal) re="trms">citation of kalma with the first ="trms">bird and the last, assuming comprehensive coverage for the ones who fall between
="lsts lst1">•Skylard s="trms">laughterhouse building hospitals and temples
='lgc'>='lgc'>--> emotional, ritual, commercial traffic across sacred and profane

="trms">consumption of neighboring ="trms">species


='strcls'>*cruelty as play='strcls'>*
(a less cultivated form of pleaser='qstn'>?)

deadended ="trms">bird
ceased-but-not-killed mouse
not dead, not killed, but not quite a being either

the power to turn ='trgt hghlght 1'href='?q=animal'>animals into things, as of they were never anything else

recognition of playful actually ='lgc'>--="ppl">Singh='lgc'>='lgc'>--> ethics of immanent ="trms">obligation

(='lgc'>[='strcls'>*='lgc'>]collaboration='lgc'>: ="trms">interrupt each other's train of thought)


(dramatization of) agonistic intimacy ='lgc'>: a ="trms">relationship of proximity and violence between neighboring ="trms">social groups (the body of neighboring ="trms">species)
='lgc'>--Taussig='lgc'>='lgc'>--> ritual violence (the most stunning prop is the human='lgc'>: the all too profane body with its various appendages, fluids, undulating surfaces, ="trms">folds, exists, entrances)
='lgc'>--="ppl">Veena='lgc'>='lgc'>--> sacrificial violence ='lgc'>: dramatization of one's own inevitable death (there is a certain ="trms">anxiety around violence that is ="trms">integral to ='strcls'>*the ="trms">imagination of an ethical life='strcls'>* in Hindu texts and practices)
='lgc'>--="frds">Sina='lgc'>='lgc'>--> gamer video of ="trms">zoo

condition of ="trms">viscerality
a condition of being ransomed to death

Venna ='lgc'>='lgc'>--> a major theological transformation (a critique of violence) in a nonmessianic nonsoteriological sense رستگاری شناختی in South Asia took place with the Mahabharata

='strcls'>*cruelty ='lgc'>=/= violence='strcls'>*

="lsts lst1">•the feeling of noncruilty expressed in the unpre="trms">dictable attachments, at times across ="trms">species (companionship) in the Mahabharata (="ppl">Veena) ='lgc'>[in ="ppl">Attar='qstn'>? in Kelile and Demne='qstn'>?='lgc'>]
="lsts lst1">•companionable thinking (Cavell)
="lsts lst1">•com="trms">mission ="trms">species (="ppl">="ppl">Haraway)
='lgc'>--='not'>✕='lgc'>='lgc'>--> ="ppl">Singh's agonistic intimacy='lgc'>:
="lstsrd">1. companionship may also involve forms of ="trms">mutual violence
="lstsrd">2. violence inevitability (in af="trms">finity or animus) does not remove a consideration of the mode of violence from the sphere of the ethical ='lgc'>='lgc'>--> we must make space for the consideration of='lgc'>:
="lsts lst2">◦cruelty
="lsts lst2">◦="trms">differential vulnerability
="lstsrd">3. certain forms of companionable noncruilty may also breed accompanying forms of cruelty
="lstsrd">4. within conditions of death and cruelty ='strcls'>*it is not always clear what noncruilty might be='strcls'>*


a ="trms">bird cursing (="trms">presently taking root that will someday come to fruition) a human who is stubbornly injuring when need not, or تو نیکی می‌کن و در دجله انداز
(myth) asks us to think about cycles of violence
how an act never exists in isolation
chaos theory, the effect might come later

informal epic subplots ="trms">narrated in improvised forms


which ritual laments are available for massive ="trms">ecological shifts
...the death of others
...s="trms">cene of loss (='lgc'>='lgc'>~/= milieu)
='lgc'>}='lgc'><='lgc'>--="ppl">Singh='lgc'>-- virtue, piety, self-="trms">fashioning do not help to work through this (='at'>@="nms">apass)


devastation ='lgc'>='lgc'>==> cohabitation (of ="trms">species that were apart before)


Kelile and Demne ='lgc'>='lgc'>--> agonistics can be comic (even if repercussions of tragic) ='lgc'>='lgc'>--> mood of violence


“everything has to die”
="trms">question of ="trms">routinized ritual or commercial production of killable bodies and of things ceasing to ="trms">matter

='trgt hghlght 1'href='?q=animal'>animals don't die in villages, they could only be killed

="trms">anthropology of ethics
what is to kill='qstn'>?
what is to kill well='qstn'>?
what is to ber killed='qstn'>?
what is to be killable='qstn'>?

can we speak of a quality of death='qstn'>?

(="ppl">Veena, Cavell, Harraway's) ‘companion’ is not a resolution to ethical quandaries of human-='trgt hghlght 1'href='?q=animal'>animal ="trms">relations


culpability of homicide ='lgc'><='lgc'>='lgc'>--> veneration of sacrifice

life ='lgc'>=/= ="trms">zoo ='lgc'>=/= bios

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retro='lgc'>: (a post="trms">modern sensibility firmly rooted in the ="trms">present) appropriating ='lgc'>[use ='lgc'>+ exploit, pick ='lgc'>+ mix='lgc'>] the ="trms">aesthetics (aspects) of the ="trms">past while not longing for its return ='lgc'>=/= nostalgia='lgc'>: a mode of resistance against the ="trms">present

retro='lgc'>: a mode of ="trms"nttrm="already,spread">reading, an attitude towards the ="trms">past without emotional attachment

ironic ="trms">consumption...


="large lg42" stl="font-size:109%"> ... ='lgc'>=/= how adults might perceive the political context

dissident discourse
(audience looking for) counter regime messages

='strcls'>*nostalgia ='lgc'>+ nationalism within a postcolonial Europe='strcls'>*
Europe's repressed imperial ="trms">history ='lgc'>='lgc'>--> longing for the divided Europe of the Cold War ='lgc'>='lgc'>--> post="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list nostalgia (in television ='lgc'>[='lgc'>='lgc'>--> cultural ="trms">memory='lgc'>])

="trms">past='lgc'>: retro comedy

comedy='lgc'>: retrospective re="trms">presentation

(comedy does not='qstn'>?) antagonize its audience ='lgc'>='lgc'>~= build a ="trms">memory conflict
='lgc'>[='strcls'>*='lgc'>]comedy='lgc'>: strive for reconciliation (by focusing on the everyday life of its colorful characters)

the good soldier Svejk ='lgc'>='lgc'>--> good-="trms">natured side of czech national identity

self-congratulatory ="trms">narrative ='lgc'><='lgc'>-- (when you think you are always) morally on the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right side
='at'>@="nms">apass

(tv series) forging resistance-based (national or individual) ="trms">memory


the way in which a ="trms">society understands its own ="trms">past ='lgc'>='lgc'>--> through culture (not a ="trms">matter for politicians and legislative ="trms">measures alone) that particular ="trms">narratives about the ="trms">past are kept alive and help to structure understandings of the ="trms">present

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strolling='lgc'>: walking in the city ='lgc'>='lgc'>--> sense of belonging to the city
walking in 19th century (starting with England) ='lgc'>='lgc'>--> something for the lower class
='lgc'>--later='lgc'>='lgc'>--> walking became a middle class pursuit (something you do in your garden ='lgc'>='lgc'>==> parks for walking)
city walking ='lgc'>='lgc'>--> claiming step by step parts of the city ='lgc'>='lgc'>--> practice of belonging ='lgc'>[='lgc'>~ sense of place (in ="trms">history='lgc'> = nationalism) of certainty ='lgc'>+ comfort='lgc'>] ='lgc'>='lgc'>--> belonging is an individual imperative (something that is created by the individual on the ground) ='lgc'>[='lgc'>='lgc'>~/=='qstn'>? a ="trms">category of ex="trms">="trms"nttrm="cluster,club">clusion='lgc'>]

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="trms"nttrm="danger,stranger">anger='lgc'>: an expression by which the observer perceives as if something ='strcls'>*happened to the person who is angry='strcls'>* (a passive experience, not something that the person did)

intuition='lgc'> = recognition

="lsts lst1">•="trms">memory is really bad at re="trms">membering ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">lists
="lsts lst1">•="trms">memory is really good at re="trms">membering routes through space
="lsts lst1">•(humans are good at re="trms">membering) ="trms">agent-thinking ='lgc'>=/= abstract notions


='strcls'>*="trms"nttrm="danger,stranger">anger ='lgc'>==reveals='lgc'>='lgc'>==> ="trms">world='strcls'>*

="trms"nttrm="danger,stranger">anger ='lgc'>='lgc'>==> makes you ungly ='lgc'>='lgc'>==> prompts action
='lgc'>[the strange connection of='lgc'>: action ='lgc'><='lgc'>='lgc'>--> ugliness='lgc'>]

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post="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list nostalgia='lgc'>: ="trms">relational expression of a heterogeneous set of desires that operate in an ="trms">intercultural ="trms">network

Imre

western European longing for the divided Europe of the Cold War ='lgc'>='lgc'>--> Europe’s repressed imperial ="trms">history


two ="trms">different modes of re="trms">membering='lgc'>:
="lsts lst1">•="trms">history ='lgc'>='lgc'>--> official, public and professional modes (as="trms">sociated with com="trms">memoration and musealization)
="lsts lst1">•="trms">memory ='lgc'>='lgc'>--> unofficial, popular and private modes (frequently as="trms">sociated with nostalgia and ="trms">consumerism)

="trms">literary and cinematic texts that foreground some form of preoccupation with the ="trms">past


="prgrph">-television (amnesiac qualities) has been accused of undermining ="trms">memory and perpetuating a sense of ephemerality and transience ='lgc'>--='not'>✕='lgc'>='lgc'>--> ='strcls'>*television is also a powerful mnemonic tool='strcls'>*

='strcls'>***television is both amnesiac ='and'>& mnemonic='strcls'>*** ='lgc'>='lgc'>--> tv's propensity to resonate in ="trms">different temporalities at once

television='lgc'>: a vehicle for the transformation of and a source of information about the quotidian ='lgc'>~ primary generator of collective ="trms">memory ='lgc'>[='lgc'><='lgc'>-- this is now ="trms">social media, In="trms">stagram TikTok='lgc'>]

="trms">historical drama
pseudo documentary
period drama series
='lgc'>='lgc'>--> providing the viewers with a “useable ="trms">past” that is always related to and relevant to the concerns of the ="trms">present


in the post="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list region, the ="trms">past has especially sensitive nerve endings in the ="trms">present

national regimes ='and'>& individual citizens alike have tried to revive usable paradigms of identity from ="trms">past periods (to clear away or at least cover up the ="trms">historical debris left behind)

television as a massive archaeological site

poly="trms">morphic, undefinable identity with tentacles in several fields that makes television (and popular ="trms">internet media) so confusing

(to understand who has stakes) in keeping ="trms">history and ="trms">memory practices separate and in minimizing the role of television and other popular media


(="trms">internet popular media) television's messy status as a medium

="trms">communist parties ='lgc'>='lgc'>--> mould television to standardize citizens's everyday domestic life rhythms
="lsts lst1">•cheerleading docu="trms">fictions
="lsts lst1">•educational quiz shows
="lsts lst1">•uplifting entertainment such as theatrical broadcasts of Russian and European classics
="lsts lst1">•doctored news
="lsts lst1">•limited advertising
="lsts lst1">•domestically produced dramatic series focused firmly on the romanticized ="trms">historical ="trms">past

='lgc'>{projective ideals ='lgc'>=/= actual experiential realities of ="trms">socialism='lgc'>}='lgc'>='lgc'>==> layer of ironic distance between ='lgc'>[media (television) and its viewers='lgc'>]

(1990s following the Soviet empire's dis="trms">integration ='lgc'>='lgc'>-->) ironic overidentification ='lgc'>='lgc'>==> nostalgia
='lgc'>--Imre='lgc'>='lgc'>--> evasion of television allows for nostalgia to be misframed and misappropriated as a sentiment that marks the end of ="trms">socialism ='lgc'>[temporally and clearly demarcates backward-looking post="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list populations from forward-looking (Western) observers='lgc'>]
='lgc'>-='lgc'>-='lgc'>='lgc'>--> takes into account television's (and ="trms">internet ="trms">social media) relevance to collective ="trms">memory

post-X nostalgia='lgc'>: a near-="trms">visceral yearning for the false sense of safety derived from the ="trms">memory of X (fetishistically attached to public personas or ="trms">consumer products of the ="trms">past)


nostalgia='lgc'>: an ="trms">interpretive framework ='lgc'>}='lgc'><='lgc'>-- ='strcls'>**sense of intimate ="trms">sociality disrupted by the collapse of a centralized ="trms">system of governance and the influx of globalization='strcls'>**

nostalgia is a discourse (that is not ="trms">specific to Eastern Europe) populations disappointed with and un="trms">="trms">equipped to deal with the advent of ="trms">market democracy


there are more than one way of (content of) longing

television='lgc'>: a medium whose chief mode of operation is in reruns, recombinations, circulating formats and generic adaptations that constantly ="trms">interweave national, regional and global scales ='lgc'>='lgc'>~= digital ="trms">social media

(Imre > Boyer) to trace nostalgia back to the intellectual o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigins of European cultural nationalisms

...diverse and contradictory sentiments that make us see European cultures conjoined in ="trms">mutual ="trms">relationships of dependence, rather than separation

(Imre ='lgc'>='lgc'>-->) ='strcls'>*nostalgia as something by de="trms">finition national at its core='strcls'>*

nostalgia ='lgc'>--foreground='lgc'>='lgc'>--> coexistence of ="trms">different temporalities in the ="trms">present

post="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list nostalgia in Romania is similar in structure to late ="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list nostalgia of the 1980s in Hungary

manage feelings of dislocation ='lgc'>='lgc'>==> longing for national homes
='lgc'>='lgc'>~='lgc'>~='lgc'>='lgc'>--> preference for ="trms">literature and high art as expressions of what has been identified as cultural nationalism (“national tradition='lgc'> = tradition invested in high art”) ='lgc'>+ perceived illegitimacy of popular cultural production and ="trms">consumption (concealed by the allegedly rebellious “dissident” status of intellectuals) ='lgc'>==organize='lgc'>='lgc'>==> the contents of collective ="trms">memory


Imre ='lgc'>='lgc'>--> racialized underpinnings of allegedly “pure” ="trms">aesthetic judgments


inherently nostalgic and pre-="trms">modern post="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list population ='lgc'><='lgc'>='lgc'>==> Western Europe as the epicentre of progressive ="trms">scientific ="trms">modernity


television's capacity for personalization and ="trms">narrativization

='strcls'>*demi="trms">world of popular culture='strcls'>*
television’s dominant ="trms">position within the domestic environment and its special appeal to an emotionally available female or feminine ="trms">consumer ='lgc'>='lgc'>--> television='lgc'>: the mass medium of the ="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list period ='lgc'>--pose='lgc'>='lgc'>--> the d="trms"nttrm="danger,stranger">anger of a passive mindless ="trms">consumption of ="trms">formulaic ="trms">narratives (a d="trms"nttrm="danger,stranger">anger that has been ascribed to women’s inferior psycho="trms">social needs and tastes ='lgc'>=/= cerebral ="trms">modernist masculinity of art) ='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ="ppl">Baxstrom's realizing the witch


Western European cultural nationalisms

='thdf'>the notion of nostalgic and pre="trms">modern post="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list population ='lgc'>='lgc'>==> Western Europe as the epicentre of progressive ="trms">scientific ="trms">modernity

="large lg10" stl="font-size:125%">
West’s fanning of East European nostalgia ='lgc'>='lgc'>--> a post-imperial ="trms">symptom='lgc'> = (expression of a growing Western European awareness that) ="trms">modernity is p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurinodal rather than centred in European metropolitan headquarters


(postimperial European dimension of) ='strcls'>*cultural nationalism ='lgc'><='lgc'>~÷='lgc'>+='lgc'>-> nostalgia='strcls'>*
...utopian national rebirth scenarios for a united Germany ='lgc'>='lgc'>--> (promoted by intellectual artists) the bad idea that suppression of German nationalism ='lgc'>==open='lgc'>='lgc'>==> influx of American audio-visual culture (that muat be resisted in order to preserve and nourish German culture in its purest ="trms">literary manifestation)
= logocentric return to the ethos of German Romanticism ='lgc'>[Kulturnation ='lgc'>='lgc'>--> certain cultural identity ='lgc'>='lgc'>--> cliche-ridden elitist racist implications='lgc'>] ='lgc'>+ new nationalism ='lgc'>=/= results of Western ="trms">integration over the last forty years


aspirational ="trms">narrative (of nation...)

postimperial power dynamic='lgc'>:
="lsts lst1">•western rese="trms"nttrm="search">archer ='lgc'>='lgc'>--> has the political capital to afford studying popular media
="lsts lst1">•eastern rese="trms"nttrm="search">archer ='lgc'>='lgc'>--> has to faithfully fulfill the role to re="trms">present their national culture (elite achievement)


(Bourdon >Imre) the most obvious European commonality ='lgc'>='lgc'>--> ='strcls'>**a focus on high culture='strcls'>**


national ="trms">specificities of ="trms">memory ="trms">systems developed around television

="large lg62" stl="font-size:128%">
nostalgia machine
="lsts lst1">•Putin ='lgc'>='lgc'>--> TV programming to a ="trms">literary Soviet ="trms">heritage
="lsts lst1">•Hungarian FIDESZ ='lgc'>='lgc'>--> ="trms">children’s channel of ="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list ="trms">children’s programmes
="lsts lst1">•showcase oeuvre of popular performers from the ="trms">past
="lsts lst1">•rerunning vintage highbrow content='lgc'>: old films, television series and documentaries
="lsts lst1">•popular music's capacity to call up depoliticized ="trms">affective ="trms">memories
="lsts lst1">•commercials (='lgc'>--t="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigger='lgc'>='lgc'>--> post="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list nostalgia)
="lsts lst1">•
='lgc'>}='lgc'>='lgc'>--> depoliticized reminiscences ='lgc'>='lgc'>==> an image of (="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list) ="trms">sociality as a ="trms">natural connecting glue among citizens gathered around the warm glow of their favourite singers and cabaret actors

FIDESZ='lgc'> = alarming racism ='lgc'>+ anti-Semitism ='lgc'>+ drastic neoliberal economic restructuring ='lgc'>='lgc'>--> television='lgc'> = ="trms">interfaces of official state nationalism ='lgc'>+ commercial purposes of a nostalgia industry


(ghost of ="trms">dictators in) humorous commercial context='lgc'>:
="lsts lst1">•Tito in post-Yugoslav republic commercials (as anti-capita="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list and anti-commercia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list hero)
="lsts lst1">•Ceausescu in commercials in Romania (old footage of him walking his dog in car tires ads)
="lsts lst1">•
='lgc'>}='lgc'>--Imre='lgc'>='lgc'>--> (blending) ='strcls'>*top-down ="trms">history lessons='strcls'>* ='lgc'>+ the work of ='strcls'>*popular ="trms">memory='strcls'>* ='lgc'>='lgc'>==> punctuate contemporary continuities with the ="trms">communist regime that are taboo in official ="trms">narratives but prevalent in popular perceptions of ="trms">history
(='lgc'>==Georgescu='lgc'>='lgc'>==> counter-="trms">memory ='lgc'><='lgc'>-- does it assist coming to terms with the ="trms">past, processing the paralyzing ="trms">past and the humiliating ="trms">present of globalization coupled with reactionary state control)

="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list advertising (='lgc'>='lgc'>--> promoted products and services that had not competition in the absence of a real ="trms">market) ='lgc'>==now='lgc'>='lgc'>==> a sense of awkwardness (absurdity of an era) ='lgc'>='lgc'>--> an oxymoron ='lgc'>='lgc'>==> (the ads’) appeal ='lgc'>==guarantee='lgc'>='lgc'>==> the authenticity of re="trms">membering ='lgc'>+ ="trms">mutual recognition (among ="trms">members of the nostalgic ="trms">community) ='lgc'>-='lgc'>-='lgc'>='lgc'>--> ='strcls'>*longing for a bond ="trms">specific to an elusive era='strcls'>*


(for late ="trms">socialism ='lgc'>--Imre='lgc'>='lgc'>-->) ='lgc'>[='strcls'>*='lgc'>]nostalgia='lgc'>: a popular and essential compensatory ="trms">gesture to make up for the loss of a contradictory temporality
='lgc'>+
a mode of continuity with an era that was al="trms"nttrm="already,spread">ready nostalgic for the unrealized transformative potential (of real ="trms">socialism)


(Yurchak's) ='strcls'>*frozen ="trms">present='strcls'>*='lgc'> = the time of nostalgia
='lgc'>}='lgc'><='lgc'>== late ="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list culture itself lived in a nostalgic mode, at a certain ironic, knowing distance from what it was ="trms">supposed to be ="trms">according to the ="trms">memories of the heroic 40s-50s and the remnants of ="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list propaganda ='lgc'>='lgc'>--> ='strcls'>*a familiar ironic mode of experiencing ="trms">history vicariously='strcls'>* (in a way that is experienced in the ="trms">imagination through the actions of another person)


(looking at televisual nostalgia ='lgc'>='lgc'>-->) late ="trms">socialism ='lgc'>='lgc'>==> an ="trms">affect ='and'>& ="trms">epistemology that can only access the “authentic” through contra="trms">diction ambivalence self-reflective irony
='lgc'><='lgc'>--Holdsworth='lgc'>-- expression of ="trms">present ="trms">anxieties about ="trms">history and ="trms">memory in general

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

___='lgc'>[notes ="nms">Tehran 2023='lgc'>]___

="large lg30" stl="font-size:119%"> ="trms">semiotics='lgc'>: study of the differnce between “what you say ='lgc'>='lgc'>~/= what they understand”

(my fundamentals='lgc'>:)
='strcls'>*sharing ='lgc'>=/= ="trms">communicating='strcls'>*


آشپز دیو سپید
it is said that the White Div had a cook ='lgc'>='lgc'>--> exploring the ="trms">cosmology of Div (in Shahnameh) with food, hunting for eating, ="trms">bestiary, cooking ="trms">technology, taste
(inspired by anime JYfdfDU9JUY)
='at'>#short ="trms">story='lgc'>: narrartor describes the ="trms">story after the defeat of the White Div (Div-e Sefid) by Rostam. “rather than worring about the kingsmen X, he was more ="trms">interested in what is for dinner...”. there is another being. a baby ="nms">hayula (non-formity)... what other beings Div hunts for meat='qstn'>? (="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list, ="trms">bestiary) “he would think about the next hunt X and get ex="trms">cited about the kabab of X...”  “immediately asked for more”

dungeons and dragons ='lgc'>='lgc'>--> a non-cartographic space, there are no maps and one only learns by dying many times
dungeon has nothing to do with the medieval prison, it is a deterritorialized habitat, defined precisely by not having a map (or guide) ='lgc'>='lgc'>--> are we in a dungeon='qstn'>?

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

journalism='lgc'>: professional discursive pursuit (of truth, of propaganda, etc.)
='lgc'>=/= journalism='lgc'>: proximity to the event ='lgc'>+ the risks that that entails

(Ghazzi's notion of) ='strcls'>*="trms">affective proximity='strcls'>* ='lgc'>: (a mode of consideration, a way) to make sense of local media practitioners’ reporting and witnessing of suffering in their country
='lgc'>='lgc'>--> a media practitioner ='lgc'>=/= the event they are re="trms">presenting and participating in
="trms">affective proximity ='lgc'>: what locals navigate to reconcile their emotional and ="trms">embodied entanglement within events in their country ='lgc'>=/= discursive

='strcls'>*emotional labour='strcls'>* of media practices of local reporters and witnesses

what the word “revolution” mediates (in Syria, ="nms">Iran, etc.) ='lgc'>[='lgc'>~/='qstn'>?= civil war='lgc'>]
="lstsrd">1. an indication of commitment to a desired goal
="lstsrd">2. an identity marker based on a ="trms">past-oriented lament over what was sought but not achieved

study of ="trms">affect and emotion in global news ='lgc'>--(contextualized within)='lgc'>='lgc'>--> unequal power ="trms">relations (='lgc'>='lgc'>==> journa="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic roles ='and'>& modes ofre="trms">presentaiton)

user-generated-content
political economy of global war reporting
living with violence

journalism ='lgc'><='lgc'>--='qstn'>?='lgc'>-='lgc'>='lgc'>--> ="trms">affect

="trms">affective proximity
='lgc'>==shape='lgc'>='lgc'>==> the boundaries of journ0alism and activism
='lgc'>='lgc'>--> captures the feeling of being close to violence='lgc'>:
="lsts lst1">•fear for one's life and that of others
="lsts lst1">•having to deal emotionally logistically with deaths of ="trms">loved ones (escape, exile) ='lgc'>[='lgc'>='lgc'>--> ='thdf'>that is why we need an ='strcls'>*="trms">anthropology of the exile='strcls'>*='lgc'>]
='lgc'>}='lgc'>='lgc'>--> living-in-violence ='lgc'>=/= encounter, exposure

(Ghazzi is too fast in favoring “="trms">affective proximity ='lgc'>=/= western rationalism”, as an ="nms">iranian I am more exposed to an ='strcls'>*="trms">affective jurnalism='strcls'>* ='lgc'>[='lgc'>='lgc'>~= activism='lgc'>: politically motivated and highly emotive role='lgc'>] ='lgc'>=/= journalism as a ="trms">modernist and rationa="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list institution)
“activism ='lgc'>='lgc'>~= jurnalism” ='lgc'>='lgc'>='lgc'>~=> they need to='lgc'>:
="lstsrd">1. project authenticity and emotion ="trms">onto news ="trms">narratives
="lstsrd">2. act as objective witnesses able to produce truthful accounts

(more and more i feel the ="nms">iranians need for ‘activism ='lgc'>=/= jurnalism’ ='lgc'>='lgc'>--> what one wants to happen ='lgc'>=/= understanding what is happening)='lgc'>='lgc'>--> ="trms">epistemology ='lgc'>[the ="trms">question of how one makes sense of one's practices ='lgc'>='lgc'>--> in the case of Syria (also ="nms">Iran)='lgc'>: ='strcls'>*="trms">affective proximity to violence='strcls'>* ='lgc'>='lgc'>==> sense='lgc'>]

...negotiating the distance of mediation when viewers and producers in the Global North are witnessing the suffering of others

(in ="nms">Iran) activism ='lgc'>+ art='lgc'> = the human body as tool, medium, ="trms">symbol, ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphor

='lgc'>[='strcls'>*='lgc'>]="trms">affect='lgc'>: circulation ='lgc'>+ stickiness of emotion (="trms">onto and between bodies, texts, objects, experiences) (="ppl">Ahmed)

journalism='lgc'> = re="trms">present ='lgc'>+ ="trms">narrate

(the ‘trick’ of) relying on the ='strcls'>*outsourcing of emotional labour='strcls'>* to non-journa="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">lists (by='lgc'>:)
="lsts lst1">•having them express their emotions
="lsts lst1">•having the journa="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list describe them

(Ghazzi conceptualising the emotional field in journalism ='lgc'>='lgc'>-->) ='strcls'>***unequal power ="trms">relations ='lgc'>='lgc'>==> emotioal labor='strcls'>***

proximity (='lgc'>='lgc'>--> what i heard so much when i went back to ="nms">iran='lgc'>: to ke inja insti nemiduni تو که اینجا نیستی نمیدونی)

='strcls'>*="trms">aesthetic of authenticity='strcls'>* in news reports (='lgc'><='lgc'>-- mobile phones)
political economy of foreign reporting
politics of hope (with an ambition to inspire all Syrians to rebel)
...emotional attachment to political goals


='strcls'>*revolution='lgc'>: the event that changes people's lives and in ="trms">relation to which they locate themselves politically
="lsts lst1">•conflict in Syria began as an uprising, it ended up an ="trms">international war, which in 2020 appears to have mostly con="trms"nttrm="cluster,club">cluded in the favour of the regime ='lgc'>=/= revolution
="lsts lst1">•the word “revolution” means something else to activists in Syria (how the meanings projected on the term changed in ="trms">accordance to circumstances)
="lsts lst2">◦(most of the time, artists and activists) ='strcls'>****use a word to galvanise their emotions and bodies='strcls'>**** and inspired them to take actions they would not have ="trms">imagined to pursue ='lgc'>[use of words ='lgc'>='lgc'>--> what people hope ='lgc'>=/= descriptive='lgc'>]
="lsts lst2">◦word (for example “revolution”)='lgc'>: a marker of an ='strcls'>*inward-looking description='strcls'>* of belonging to a broad political ="trms">community defined by op="trms">position
="lsts lst1">•“the revolution” ='lgc'>='lgc'>--> ="trms">affectively ="trms">consumed the pursuit of truth
="lsts lst1">•an identity-marker (based on a political orientation) ='lgc'>='lgc'>--> an inward-looking signifier to mark who one is ='lgc'>+ what political ="trms">community they belong to ='lgc'>[='lgc'>='lgc'>--> a politics of what one had wanted ='lgc'>=/= describe what one observes='lgc'>]
="lsts lst1">•(revolution='lgc'>:) personified and humanised as a well-meaning political ="trms">agent (that sometimes strays from its goals by committing errors)
="lsts lst1">•motivating people to get involved in activism
="lsts lst1">•

(Said's Orientalism ='lgc'>='lgc'>-->) subaltern others (are typically considered) living within a constant state of violence ='lgc'><='lgc'>-- much older Western regime of re="trms">presentation perceived them as culturally close to violence

(Ghazzi > ="ppl">Badiou >) some events are felt as ="trms">historic as they galvanise the energies of political actors who ="trms">imagine themselves as ‘mounting the ="trms">stage of ="trms">history’ ='lgc'>--Koselleck='lgc'>='lgc'>--> acts of information dissemination are engulfed by the event and are aimed at bridging the temporal distance between the desired and experienced ='lgc'>='lgc'>==> “journalism ='lgc'>='lgc'>~= activism”

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

collective ="trms">memory ='lgc'>='lgc'>--> ="trms">historical victimhood ='lgc'>='lgc'>--> consolidating power
(="trms"nttrm="metaph,metamorph,metabol,metal">meta-="trms">history ='lgc'>='lgc'>-->) a view of ="trms">history as a series of junctures where good fought evil ='lgc'>==Ghazzi='lgc'>='lgc'>==> ="trms">historical victimhood

global rise of popu="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list politics ='lgc'>='lgc'>==> ="trms">tropes of self-victimisation
="lsts lst1">•revolutionary
="lsts lst1">•resistance
="lsts lst1">•nationalism
="lsts lst1">•populism
="lsts lst1">•neo-fascism
='lgc'>}='lgc'>='lgc'>--> operationalize victimhood (by whom / against whom)

one is wronged, targeted, injured (by the elite, the media, external enemies)
="lsts lst1">•self='lgc'> = true underdog ='lgc'>='lgc'>--> victim
="lsts lst1">•opponents='lgc'> = inauthentic adversary ='lgc'>='lgc'>--> oppressor
= homogeneous ='lgc'>+ antagonistic
='lgc'>--="ppl">Laclau='lgc'>='lgc'>--> chain of equivalence='lgc'>: (from) corruptions ='lgc'>=/= o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigins ='lgc'>--to='lgc'>='lgc'>--> traitors ='lgc'>=/= patriots ='lgc'>--to='lgc'>='lgc'>--> intruders ='lgc'>=/= natives ='lgc'>--to='lgc'>='lgc'>--> faithless ='lgc'>=/= faithful ='lgc'>--to='lgc'>='lgc'>--> ='strcls'>*sub="trms">mission  ='lgc'>=/= heroism='strcls'>* and ...
='lgc'>}= ='strcls'>*populism='strcls'>* (political dialectic)

(="trms">storytelling)
="lsts lst1">•the ="trms">question of ='strcls'>*what='strcls'>* a ="trms">society re="trms">members ='lgc'>='lgc'>-->='lgc'>{highly ="trms">formulaic plot structures ='lgc'>--for='lgc'>='lgc'>--> ="trms">narrating the ="trms">past='lgc'>}
="lsts lst1">•the ="trms">question of ='strcls'>*how='strcls'>* a ="trms">society re="trms">members ='lgc'>='lgc'>-->='lgc'>{powerful actors push for particular kinds of ="trms">story forms that shape the ways they tell all ="trms">stories='lgc'>}

zigzag structures of a rise and fall and/or fall and rise of the nation
='lgc'>='lgc'>--> future dramatically takes one of two routes='lgc'>: (in the direction of) either a golden age or the dark ages
='lgc'>}='lgc'>--Ghazzi='lgc'>='lgc'>--> forked ="trms">historical consciousness ='lgc'>: (an understanding ='and'>& speaking of) “="trms">history='lgc'> = a series of junctures scattered across time”


(the problem is) ='strcls'>***="trms">historical consciousness='strcls'>*** ='lgc'>='lgc'>--> orientational
“bestows upon actuality a temporal direction, an orientation that can guide action intentionally by the ="trms">agency of ="trms">historical ="trms">memory” (Rüsen)
="lstsrd">1. make ="trms">specific references to ="trms">historic events (compare them to the ="trms">present ='lgc'>[='lgc'>==guide='lgc'>='lgc'>==> political action='lgc'>])
="lstsrd">2. ='strcls'>*making references to “="trms">history” at large='strcls'>*

='lgc'>[='strcls'>*='lgc'>]zigzag ="trms">memory structure='lgc'>: deploy mnemonic spins to reframe ="trms">historic events
="lsts lst1">•establish equivalent between the ="trms">present and the ="trms">past ='lgc'>[='lgc'>--!='lgc'>='lgc'>--> (fundamentally despotic='qstn'>?) ="trms">technique that i also use in ="trms">lecture performances='lgc'>]


="large lg18" stl="font-size:109%"> ="trms">authoritarian populism


(="ppl">Hegelian) ='lgc'>[='strcls'>*='lgc'>]action='lgc'>: pursue one aspect of ="trms">history ='lgc'>+ breaking away from away from another
="lstsrd">1. (="trms">modern) revolutionary='lgc'>: telling a new ="trms">story, (='lgc'>--popu="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list='lgc'>='lgc'>--> focus on) ='strcls'>*ex="trms">="trms"nttrm="cluster,club">clusionary politics='strcls'>*, once the leader is in power the objective is to prolong ='thdf'>the idea of ="trms">historic juncture ='lgc'>--justify='lgc'>='lgc'>--> continued ex="trms">="trms"nttrm="cluster,club">clusion

popu="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list ='lgc'>--="ppl">Laclau='lgc'>='lgc'>--> (invocation of)
="lsts lst1">•people='lgc'> = empty signifier
="lsts lst1">•leader='lgc'> = ="trms">embodiment of people's ="trms">agency

='strcls'>***="trms">rhetoric of resentment='strcls'>*** ='lgc'>='lgc'>--> victimhood
='lgc'>[='strcls'>*='lgc'>]resentment='lgc'>: an emotional-moral framework ='lgc'>--aim='lgc'>='lgc'>--> continuously regenerate the felt intensities ='lgc'>--under="trms">write='lgc'>='lgc'>--> ="trms">demands for revenge ='lgc'>+ lamentations (of victimhood)


='strcls'>***nationalism ='lgc'>='lgc'>==> populism='strcls'>***

(many countries) national identity (& militancy) is ="trms">intertwined with='lgc'>:
="lsts lst1">•="trms">narrative of self-victimization ='lgc'>--
="lsts lst1">•invocation of trauma

victorious victimhood ='lgc'>==fuels='lgc'>='lgc'>==> aggressive militancy
for example ='lgc'>='lgc'>--> Israel='lgc'>: nothing counts as evidence as one's own empowerment, one is always under threat, if Israel cannot maintain the omnipotent ="trms">position that its victory offered (1967) it would be under existential threat

anticolonial nationalism (or postcolonial populism)
="lsts lst1">•="trms">past injury (“We have been oppressed” ='lgc'>='lgc'>==> “re-empower ourselves again”)
="lsts lst1">•decades after independence ='lgc'>--still='lgc'>='lgc'>--> fixated on the anticolonial moment ='lgc'>='lgc'>==> perpetuate a sense of victimhood ='lgc'>}='lgc'>='lgc'>--> to mask ="trms">authoritarianism

victimhood
="lsts lst1">•Hindu nationalism ='lgc'>='lgc'>--> re="trms">formulated ="trms">history from a focus on colonialism and postcolonial nation-building into a ="trms">narrative of victimhood that blames ="trms">historic Muslim invasions for the decline of Hindu civilisation and nationhood
="lsts lst1">•China ='lgc'>='lgc'>--> re="trms">formulated its school ="trms">history text="trms">books to stress victimhood and humiliation through ='thdf'>the idea of China's “100 years of humiliation” in reference to Western and Japanese invasions
="lsts lst1">•United States ='lgc'>='lgc'>--> nationalism often takes the shape of antipathy to government that is enmeshed with an ideology of liberal individualism
="lsts lst1">•
='lgc'>}='lgc'>='lgc'>--> ='strcls'>***logic of empowerment='strcls'>*** (='lgc'>--permeate='lgc'>='lgc'>--> economies of visibility)


='strcls'>***="trms">memory ="trms">narrative='strcls'>***


="nms">iran ='lgc'>='lgc'>--> shohada شهدا martyrs of ="nms">iran-iraq war ='lgc'>='lgc'>--> after the war became the picture of collective victimhood (“heroes='lgc'> = us”)

Erdogan's speech
“we have been tested by fire” (='lgc'>--='qstn'>?='lgc'>='lgc'>--> Siavash's fire trial is popu="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list='qstn'>?)
='lgc'>='lgc'>~= “we have been tested by enemy”
='lgc'>='lgc'>~= “evil forces”


(from) populism ='lgc'>--to='lgc'>='lgc'>--> neofascism
(from) generic ="trms">rhetoric of an unidentified enemy ='lgc'>--to='lgc'>='lgc'>--> ="trms">articulation of an identifiable foe (who is met with political violence)

="trms">authoritarian state ="trms">apparatus ='lgc'>[= political ="trms">system ='lgc'>+ culture ='lgc'>+ institutions ='lgc'>+ ='qstn'>?='lgc'>] ='lgc'>--allow='lgc'>='lgc'>--> smoother way of operationalisation of ="trms">narratives (about the d="trms"nttrm="danger,stranger">angers of adversaries)
="prgrph">-exactly what kind of state ="trms">apparatus we have in ="nms">iran='qstn'>?


="trms">historical victimhood ='lgc'>='lgc'>--> resurgent popu="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list discourse
="lsts lst1">•people have been enduring victimhood for too long
="lsts lst1">•fateful junctures throughout ="trms">history
="lsts lst1">•authentic great path
="lsts lst1">•urgency of message
="lsts lst1">•

animating ="trms">rhetoric with self-victimhood ='lgc'>==produce='lgc'>='lgc'>==> divisions (men ='lgc'>=/= women, us ='lgc'>=/= enemy, etc.)



ex="trms">="trms"nttrm="cluster,club">clusionary politics ='lgc'><='lgc'>-- homogeneous ="trms">community (='lgc'>=/= alien intrusion, outside forces, immigrants, minorities, etc.)

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="large lg54" stl="font-size:118%">
Kundera
is humor ="trms">modern='qstn'>?
='strcls'>*humor is not ancient='strcls'>* (='qstn'>?!)
“whatever humor touches it ambiguites”
humor='lgc'> = ambiguitor

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globalization ='lgc'>=/= cold war
globalization ='lgc'>=/= enlightenment (“universal humanism ='lgc'>+ rationalized tech ='lgc'>='lgc'>==> freedom for all”)

cold war='lgc'> = a meaningfull ="trms">relation between ideology ='and'>& power ='lgc'>[='lgc'>==give='lgc'>='lgc'>==> orientation ='lgc'>+ identity ='lgc'>='lgc'>--> normative approach to global ="trms">phenomena='lgc'>]
geopolitc ='lgc'>+ ideologic borders
='lgc'>=/=
globalization ='lgc'>='lgc'>--> completly ="trms">different political behaivor (de="trms">finitions of national goals, friend and enemy, etc.) ='lgc'>='lgc'>--> p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lura="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list democracy (="trms">differences ='lgc'>+ contrasts) ='lgc'>=/= ="trms">social democracy (erasing ="trms">differences)

globalization='lgc'> = attitude حالت ='lgc'>=/= meaning
='lgc'>[cold war='lgc'>: “="trms">world ='lgc'>='lgc'>~= (a ="trms">sort of) problem” ='lgc'>='lgc'>--> behaviors had='lgc'>] meaning ='lgc'>='lgc'>==> (base for) power

cold war='lgc'>: war ='lgc'>='lgc'>==> identities
globalization='lgc'>: conflits ='lgc'>='lgc'>=/=> identities

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two points
="lsts lst1">•artistic research='lgc'>: a form of art that uses knowl="trms"nttrm="knowledge,Knowledge">edge as its main medium
="lsts lst1">•artistic research has no ="trms">relation to the unknown (='lgc'>=/= an idea of research im in which one faces something unknown or new therefore needs to research)
="lsts lst1">•='mywrk'>my work (in general) has been about the critique of engineering (the talent of engineering)

="brkr">
the fossil of fire goes back before the ="trms">wild-life

the ="trms">history of fire related to the ="trms">history of forest

In the 1950s, government officials in Sierra Juarez of Oaxaca='lgc'>--in southern Mexico='lgc'>--blamed forest destruction upon the local indigenous ="trms">communities. Fire, as a ="trms">symbol of disorder, became the target of state control and the subject of a state-sponsored discourse of environmental degradation. ='lgc'>[...='lgc'>] Fire suppression frequently has been part of state policies of ="trms">social control. ='lgc'>[...='lgc'>] The vision of fire as destructive, part of the state ="trms">narrative ='lgc'>[...='lgc'>] How has the ="trms">memory of the traditional use of fire by indigenous ="trms">communities been suppressed='qstn'>? ='lgc'>[...='lgc'>]State political myth has obscured ="trms">community ="trms">memories of fire as a force in the forest, and as a tool for human use. ='lgc'>[...='lgc'>] Why the indigenous ="trms">communities of the Sierra Juarez no longer talk about the long-term ="trms">history of their forests. Clearly, the ="trms">communities ="trms">internalized parts of the state-sponsored degradation discourse. (However, discourse analysis is not enough; it is all too easy to treat discourse as a monolithic structure[...]