[...]br />
O2 build-up in the Earth's atmosphere. Red and green lines represent the range of the estimates while time is measured in billions of years ago (Ga).
Stage 1 (3.85-2.45 Ga)
Stage 2 (2.45-1.85 Ga)
Stage 3 (1.85-0.85 Ga)
Stages 4 and 5 (0.85-present)
history of life is tight to hisory of oxygen
Aerobic metabolism is more efficient than anaerobic pathways
Abiogenesis
Study of zircons has found that liquid water must have existed as long ago as 4.4 Ga, very soon after the formation of Earth
(four elements temporal hierarchy)
earth > water > oxygen(air) > fire
fire media theoretic
(its social practices)
fire, not subordinate, as spectacle comes as means of unification, locus of illusion, generalized apparition
(its general truth) fire untouched by evolution and form binding constrains, is a universal mater, the spectacle of burning flame manifests itself as a positivity out of reach and beyond. the case of fire is different than Deobord spectalcle who speaks
therefore fire specatle is not image, rather social relationship between subjects that are mediated by it
thus the function and phenomenon of separation mediated by fire becomes part and parcel of the unity of the world, from now on
-a new form of the sacred emerged with the discovery of fire's image
-produced new worshipful subjection
the language of the fire as spectacle is composed of signs that talk to Moses, Zaratostra, and others
-in this writing i like to rewind theology and pause at the moment Moses meets Fire in mount sinai, go after some media theoretic specualtions, asking what are the conditions of this (inter)mediated encounter? and what are the consequences of talking to fire? (technicity and affectibilty)
(mount sinai
(
fire's mechanisms of contemplation
(in my preaching here i won't do what christians used to encourage repentence)
it is important not to put fire in abstract opposition to concret stone activity
mystic order
the spectalce of fire reciprocal alienation was part and parcel of human social life and its essence underpinning its relations to the real
diversities and contrasts in looking into the image of flame
what is already in society that fire (spectacle) gives expression? the beyond
(fire, we are) governed by its agenda
-with fire a new brand of storytelling
-taking over life and existence
from vision to wisdom
categories of visulaity took human cognition hostage, gave rise to a
abounding in
-
...allegiance to the frozen
(Rumi's calling) “You must burn!” - this is very selfish
still today in sci-fi we are talking to a technoilogized light (as the messenger of beyond)
fire, transforms the world, not in terms of changing manifest matriality, rather the mind and thinking
fire in its temporal animation renders space fixated, giving the illusion that (visual) animation
the fire spectacle colonizing our participation with the beyond, colonizing the way our flux of senses make tentative contact with the other sides,
(what a stone suggests? the senses that never stop participating, never stop throwing themselves beyond the immediatly visible)
every phase of existence
(all organic beings have been formed on two general laws, according to Darwin
(1) unity of type and (2) conditions of existence
natural selection
embryonic homologies
construct phylogenies
(phylogeny
small genetic changes was not sufficient to generate evolutionary novel structures such as teeth, feathers, cnidocysts or mullusk shells (Goldschmidt, 1940) (
(Waddington then launched into a) critique of
(
(Conley >) Rosolato treats perspective in terms of the origins of sensuous affect
infant's projective activity
The artful sandwich of Rostam-rock-div provides a thinking mode of who-caries-who