[...]ion's of life
="prgrph">-monolithic notion of the mind has been challanged by psychology and ="trms">phenomenology
biology has been previously essentially ="trms">zoocentric ='lgc'>='lgc'>--> monolithic notion of the body ='lgc'>='lgc'>--> medically proper ="trms">animal body ='lgc'>=/= if we ="trms">zoom in the living canvas, organisms blend into a pointil="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list landscape in which each dot of paint is also alive ='lgc'>='lgc'>--> ="trms">symbiosis, gaia, prokaryotic sex (omnisexuality)
gaia ='lgc'>='lgc'>--> biosphere und understood not as environmental home but as body (physiological process)
bacterial omnisexuality ='lgc'>='lgc'>--> fluid genetic transfers='lgc'> = sexual
='lgc'>=/= unitary self assumed in the ="trms">zoocentric model
medieval microcosmic
cor="trms">respondences among prokaryotic, eukaryotic, ="trms">zoological and geophysiological (gaian) levels
='lgc'>='lgc'>--> holonomic continuum ='lgc'>='lgc'>--> ='strcls'>*a type of individuality that is spatially and temporally more in="trms">="trms"nttrm="cluster,club">clusive='strcls'>* ='lgc'>[-='mywrk'>my research on ="nms">ajayeb has been more tended on the temporal in="trms">="trms"nttrm="cluster,club">clusivity='lgc'>]
='lgc'>='lgc'>==> (in new biology) ="trms">chimerical body='lgc'>: hybrid of bacterial ="trms">species ='lgc'>--="ppl">Sagan='lgc'>='lgc'>--> like that many headed ="trms">beast, the micro="trms">beast of the ="trms">animal cell combines into one entity bacteria that were o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginally freely living, self-sufficient and ="trms"nttrm="metaph,metamorph,metabol,metal">metabolically distinct
="lsts lst1">•when respirers entered and did not kill but, rather, were incorporated by larger anaerobic archaebacteria
="lsts lst1">•mitochondria are the descendants of bacteria that had be come lodged within the cells of ="trms">animals and plants
="large lg2" stl="font-size:110%">
bacteria ='lgc'>='lgc'>==> eukaryotic cell
(the ="trms">fable of) ='lgc'>[Spencer's='lgc'>] ="trms">animal ="trms">world as a “gladiator's show” ='lgc'>='lgc'>--> evidence for parasitism and competition (='lgc'>~ ="trms">social progress in 19th century)
the grass-green photosynthetic organelles of all plants may be the descendants of a single, ="trms">wildly successful bacterium, now shackled, albeit gently, in its cytoplasmic prison
="prgrph">-="ppl">Sagan
='strcls'>*all cells with nuclei (a unicellular amoeba or amultibillion-cell anaconda) ='lgc'><='lgc'>== orgiastic encounters (eating, infecting, engulfing, feeding on, having sex with and so on) among quite ="trms">different types of bacteria='strcls'>*
(plant cell) ="trms">chimera='lgc'> = protective anaerobic host cell ='lgc'>+ ="trms">internally multiplying photosynthetic bacterium ='lgc'>+ respiring bacteria
="trms"nttrm="metaph,metamorph,metabol,metal">metabolic waste product of the mutation ='lgc'>='lgc'>==> atmospheric oxygen ='lgc'>='lgc'>--> catastrophic ='lgc'>='lgc'>--> energetic catalyst ='lgc'>='lgc'>--> ...
fermenting bacteria (like trolls or elves in a cosmic fairy tale) dwelling underground ='lgc'>='lgc'>--> stromatolite
army of mutants that evolved in the aftermath of the oxygen infusion (the greatest pollution crisis the earth) ='lgc'>='lgc'>==> human beings
="trms">chimerical eukaryotic ="trms">system='lgc'>:
='strcls'>*spirochete='strcls'>* ='lgc'>[...='lgc'>] at the ="trms"nttrm="knowledge,Knowledge">edge of larger cell, sites of leakage supplying a constant flow of food ='lgc'>[...='lgc'>] renounced their former freedom of movement in order to permanently attach ='lgc'>='lgc'>==> a means of locomotion and food acquisition
="lsts lst1">•spirochete and mad talent, lyrical drive, (tubercle patients were orators or grandios liars)
='lgc'>[='strcls'>*='lgc'>]human body='lgc'>: an architectonic compilation of millions of ="trms">agencies of ="trms">chimerical cells
eukaryotic cells leveling cytoplasmic calcium concentrations ='lgc'>='lgc'>==> ='lgc'>[our='lgc'>] calcium phosphate of bone (mineral infrastructure of our bodies)='lgc'>:
because seawater concentrations of calcium are often four orders of magnitude higher than ='lgc'>[one in ten million='lgc'>], ocean-dwelling cells must exude calcium to avoid poisoning. in the full-fathomed sea did the bones of our ="trms">ancestors and the shells of their eukaryote relatives evolve. skeletons dramatize an ancient waste, whispering a ghostly testimony to the useful ="trms">internalization of hazardous waste sites. this givesa good indication of how life within the general economy evolves to deactivate, sacrifice and eventually incorporate the d="trms"nttrm="danger,stranger">angerous ="trms">excesses that accrue from its solar growth. -="ppl">Sagan
='lgc'>='lgc'>--> the body is multiple (even if orchestrated by vicis="trms">situdes and the need for harmony over evolutionary time
='lgc'>='lgc'>--> ='strcls'>*="trms">nature is ="trms">chimerical through and through='strcls'>*
="trms">intraorganismic genetic transfers
='strcls'>*health='lgc'> = ="trms">matter of maintaining an ="trms">ecology ='lgc'>=/= ="trms">matter of defending a unity='strcls'>*
='lgc'>[='strcls'>*='lgc'>]body='lgc'>: ornately elaborated mosaic of microbes in various states of ="trms">symbiosis
the ="trms">fiction of the self
='strcls'>**self is not only corporal but corporate='strcls'>**
="prgrph">-="ppl">Sagan
telescopic ="trms">technologies ='lgc'>='lgc'>==> Earth as a living entity ='lgc'>='lgc'>~= gaia='lgc'>: (a ="trms">species of noble lie) biosphere behaives as a body
="prgrph">-temperature, pH and the distribution of reactive gases have remained extraordinarily stable for hundreds of millions of years
="large lg10" stl="font-size:104%">
="trms">animal body ='lgc'>='lgc'>--> exposed to ="trms">natural selection ='lgc'>=/= living Earth
="lsts lst1">•gaian ="trms">worldview
="lsts lst1">•animism
="lsts lst1">•native Americanism
="lsts lst1">•deep ="trms">ecologism
='lgc'>='lgc'>--> inhabits the ="trms">responsive tissues of a planet-sized complex organism
='lgc'>--threatening='lgc'>='lgc'>--> into the muck of planetary personification New Age joy ='lgc'>[='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to the latest godzilla film industrial apologetics and ="trms">ecological satanism ='lgc'>='lgc'>--> tales of human accountability='lgc'>]
='lgc'>='lgc'>--> ='strcls'>*biocentrism='strcls'>* ='lgc'>[of our time 2019='lgc'>] ='lgc'>='lgc'>='lgc'>~=> noble ="trms">fictions
cross-disciplinary ="trms">science
mytho="trms">poetic
atmospheric chemistry
earth='lgc'>: organized, self-contained look of a live creature, full of information, marvelously ="trms">skilled in handling the sun
="prgrph">-="trms">Lovelock
='lgc'>--depending='lgc'>='lgc'>--> on the forever unfinished and ="trms">eroticized ="trms">nature of human ="trms">symbolization
gaia ='lgc'><='lgc'>== ="trms">narrative ="trms">integration of ="trms">cosmology and morality (='lgc'><='lgc'>-- can we do without it='qstn'>?)
eukaryote made from prokaryotes and of the mesocosmic level of ="trms">animal and plant bod-ies made from reproducing eukaryotes
="large lg6" stl="font-size:105%">
(three billion years ago, the oldest type of sex on the planet='lgc'>:)
bacterial omnisexuality ='lgc'>='lgc'>--> promiscuous='lgc'>: not delimiting sexual exchanges with ="trms">species barriers (='lgc'>+ it needs ="trms">intermediaries such as plasmids or viruses to do so)
='lgc'>='lgc'>--> lateral transfer
omnisexuality='lgc'>: a means of genetically “locking” together once-diverse groups (of prokaryotes)
bacterial crowding ='lgc'>='lgc'>==> life on earth
="large lg18" stl="font-size:108%">
endo="trms">symbiosis='lgc'>: one organism swallow another without di="trms">gesting it ='lgc'>='lgc'>==> o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of new ="trms">species ='lgc'>[<='lgc'>=/= gradual accumulation of mutations='lgc'>]
cancer ='lgc'><='lgc'>== rampant multiplication of the occasionally vampiric mitochondria
bacteria's bodies are so genetically open, that the very concept of ="trms">species falsjfies their character as a unique life form
="ppl">Sagan
this ="trms">zoological “I” ='lgc'>[is open to radical revision='qstn'>?='lgc'>]
model of ="trms">zoocentrism='lgc'>: encased self
(='qstn'>?what are ="nms">ajayeb) ="trms">bestiary's ="trms">aesthetic model of a ="trms">difference (='lgc'>=/=='qstn'>? ="trms">zoocentric model)
='lgc'>--Burgess='lgc'>='lgc'>--> ="trms">interference patterns generated by a series of ="trms">symbiotically living form ='lgc'>='lgc'>==> artist
as an organism's connections to the external envimnment grow, that environment becomes its body ='lgc'>[='lgc'>=/= ="frds">Sina='lgc'>]
snail
snail whose house is carried on his back, the “case” of the “self” has been moved, through an incorporation of what once would have been called inanimate ="trms">matters='lgc'>--organically worked and reworked
="prgrph">-subjective identities always al="trms"nttrm="already,spread">ready und ergoing active (de)com="trms">position
="prgrph">-(="trms">relations of) physiological identity and psychological subjectivity link up
="ppl">Sagan trying to relativize that ="trms">zoocentric bedrock of “self”
="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................
political ="trms">chimeras
chiefs’ talk
fluent in a ="trms">verbal genre
formalized speeches directed either to leaders of other groups (Southern Amazon in multiethnic and multi="trms">lingual ="trms">system of Upper Xingu) or to their own people, depending on the context in which they are delivered
='lgc'>--Guerreiro='lgc'>='lgc'>--> both the chief and his audience are ="trms">symbolically constructed as “paradoxical” subjects characterized by contradictory predicates
="lsts lst1">•='strcls'>*how uncertainty can enact an exchange of perspectives='strcls'>* (through which the identities of the group and the chief are produced)
="large lg1" stl="font-size:145%">
(from a gift-theory perspective) chief='lgc'>: donator of goods and words, and a receiver of spouses ='lgc'><='lgc'>-- unilateral direction ='lgc'>='lgc'>==> “chieftaincy کدخدايى='lgc'>: a place of nonexchange” ='lgc'>[='lgc'>~ signs are deprived of their circulation value ='lgc'>+ reciprocity is denied under the ="trms">demand that ="trms">society make visible the foundations of power, maintaining them under the control of the collective body='lgc'>] ='lgc'>='lgc'>--> ‘creditor ="trms">position of chief’ would imprison power and assume control of the place where it could emerge ='lgc'>=/= ="trms">society of the state
ritual polity
public rituals are the main motor of collective life / ='at'>@="nms">apass
chieftaincy ='lgc'><='lgc'>='lgc'>--> ritual
ritual con="trms">densation='lgc'>: the ="trms">simultaneous enactment of nominally contrary modes of ="trms">relationship='lgc'>:
="lsts lst1">•affirmations of identity are at the same time testimonies of ="trms">difference
="lsts lst1">•displays of ="trms">authority are also de="trms">monstrations of subordination
="lsts lst1">•the ="trms">presence of persons or other beings is at once corroborated and denied
="lsts lst1">•secrets are ="trms">simultaneously dissimulated and revealed
="lsts lst1">•
='lgc'>='lgc'>==> combination of contra="trms">dictions ='lgc'>='lgc'>==> distinctive context of ="trms">communication
ritual efficacy of images and objects
ritual ="trms">relation to mnemonic ="trms">technologies
="trms">relations between images and words
='lgc'>--="ppl">="ppl">Severi='lgc'>='lgc'>--> concept of ="trms">chimera helps (an indigenous mode='qstn'>?) in understanding power and dealing with it
(="ppl">="ppl">Severi and Lagrou ='lgc'>+ Guerreiro)
='lgc'>[='strcls'>*='lgc'>]="trms">chimera='lgc'>: every image that, by designating a p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lural being by means of a single re="trms">presentation, mobilizes its invisible parts, by purely optical means or by a set of inferences
="prgrph">-="trms">chimerical image as="trms">sociates, in a single visual form, indexes from ="trms">different beings (a ="trms">bird and a human being, a serpent and a jaguar, a wolf and a sea lion etc.), provoking a projection by the eye, which gives rise to an image implying at the same time the ="trms">presence of these ="trms">different beings
="prgrph">-evokes something that is implicit or absent to the observer
="prgrph">-="trms">chimerical images ="trms">present a ="trms">specific link between iconic re="trms">presentation (by imitation and convention) and indexical indication (visual, tactile or other) of a ="trms">presence whose mode of existence, especially mental, is not realized ="trms">materially
='lgc'>='lgc'>--> game between='lgc'>:
="lsts lst1">•perception ='and'>& projection
="lsts lst1">•iconic re="trms">presentation ='and'>& indexical indication
='lgc'>='lgc'>==> intensification (of the efficacy of ="trms">chimeric images) ='lgc'>: “capture the eye='lgc'> = capture the ="trms">imagination” ='lgc'>+ ="trms">demand that by projection ='lgc'>[the observer='lgc'>] mentally “complete” the image
indexical signs have a ="trms">causal contiguity (spatiotemporal contiguity) with what they signify
ritual action and artistic creation ='lgc'>--="ppl">="ppl">Severi='lgc'>='lgc'>--> synesthetic
(my ="trms">lecture-performances='qstn'>? ='lgc'>~ ="trms">chimeric image of chiefs’ talk ='lgc'>[khotbe خطبه fluent at combining ="trms">different ="trms">aesthetic resources='lgc'>] ='lgc'>='lgc'>-->) ="trms">linguistic ='lgc'>+ extra="trms">linguistic media in ritual performance (working/producing visual ='lgc'>+ mental images)
='lgc'>='lgc'>--> combining of indexical signs in ="trms">communication acts ='lgc'>='lgc'>==> ="trms">poetry of identities-in-motion (capable of projecting complex images of a nonvisual kind)
='lgc'>[='strcls'>*='lgc'>]image='lgc'>: an abstract portrait of identity ="trms">fashioned out of cumulating patterns of congruence across all manner of indexical signs='lgc'>--in="trms"nttrm="cluster,club">cluding visual ones='lgc'>--that addressees and audiences can ="trms">imaginatively experience, like a hologram
(Silverstein > Guerreiro)
='lgc'>='lgc'>='lgc'>~='lgc'>~='lgc'>='lgc'>--> ='strcls'>***="trms">relation between ="trms">poetics and the production of identities='strcls'>***
="trms">chimerical re="trms">presentation='lgc'>: an art of ambiguity
(="ppl">Strauss's Amazonian ethnology ='lgc'>='lgc'>-->) dualism in perpetual disequilibrium='lgc'>: centripetal forces of centralization ='lgc'>+ centrifugal forces of dispersion
='at'>@="nms">apass ='lgc'>='lgc'>==> “="trms">societies against the state”
complex ="trms">relations between hierarchy and counterhierarchy
(='lgc'>='lgc'>--> ="frds scrmbld">Renan's notion of monologue)
='lgc'>[Clastres's model rooted in Western ="trms">language ideology looking at Amerindian ="trms">language:='lgc'>]
="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">historical bond between ='strcls'>*power ='and'>& speech='strcls'>* cannot be conceived of separately
="lsts lst1">•state ="trms">societies ='lgc'>='lgc'>--> the word is a ‘="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right’ to power (that may be used to command)
="lsts lst1">•="trms">societies against the state ='lgc'>='lgc'>--> the word is a ‘duty’ of the chief (an indigenous leader must be capable of offering ="trms">society the words that it ‘="trms">demands’)
="lsts lst3">◾Amerindian chief='lgc'>: a voice preaching in the ="trms">wilderness (="trms">literally says nothing, a repetition of “edifying discourse”) ='lgc'><='lgc'>-- his speech is not spoken in order to be ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listened to (='lgc'>~ ritualized act ='lgc'>[='lgc'>=/= act of ="trms">communication='lgc'>]) ='lgc'>='lgc'>==> chief's speech is transformed into pure value (='lgc'>='lgc'>~= ="trms">poet's speech for whom words are values before they are signs) ='lgc'>='lgc'>--> (for Clastres) ="trms">language ='lgc'>=/= violence='lgc'>: a facet of coercive power
denotative قوه تفکيک ()
predicative (Dickensian aspect)
referential (the efficacy of its context and meaning depends on something else)
="trms">enunciation (="trms">pragmatic) ='lgc'>='lgc'>==> effects on the ="trms">enunciator ='lgc'>+ audience ='lgc'>='lgc'>~='lgc'>~Silverstein='lgc'>='lgc'>--> ='lgc'>[='strcls'>*='lgc'>]politics='lgc'>: the dynamic arrangement and rearrangement of people as subjects within structures of actual and potential action of all ="trms">sort ='lgc'>--comprises='lgc'>='lgc'>--> ="trms">poetics ='lgc'><='lgc'>== everything experienced as effective practice is formed ="trms">semiotically (='lgc'>~ through sign)
='strcls'>*political oratory ='lgc'>[='lgc'>=/= informing the content of a message='lgc'>] uses ="trms">poetical resources that allow ="trms">interlocutors to have their identities ="trms">mutually constructed by means of indexical signs='strcls'>* (that connect the message's form to extra="trms">linguistic contextual facts) ='lgc'>='lgc'>--> ='strcls'>*message ascribes to me ='lgc'>[='lgc'>=/= message describes my reality='lgc'>]='strcls'>*
="frds scrmbld"nttrm="Alice,Shariati">Ali's use of political oratory in the context of ordinary ="trms">interactions with me ='lgc'>='lgc'>--> i forgot that the ="trms">symbolic procedures that separate ritual speech from ordinary ="trms">interactions are not necessarily intended to mean something
="prgrph">-what was the ="trms">pragmatic conditions that define the kind of ‘="trms">language game’ ="frds scrmbld"nttrm="Alice,Shariati">Ali was playing='qstn'>?
='lgc'>[='strcls'>*='lgc'>]formalization='lgc'>: reduction of combinatory and creative possibilities of ="trms">language by the use of ="trms">formulas, archaic ="trms">vocabulary, syntactic and sty="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic patterns ='lgc'>{='lgc'>='lgc'>--> distancing the
discourse from its semantic content ='lgc'>='lgc'>==> attention to its context and performance ='lgc'>='lgc'>==> effects='lgc'>}
ritual action ='lgc'>--="ppl">="ppl">Severi='lgc'>='lgc'>--> reflexivity='lgc'>: de="trms">finition of its own meaning and effectiveness within the context of ritual ="trms">communication
(='at'>@="nms">apass's) performative and ="trms">poetic structure
='lgc'>[Guerreiro ='lgc'>='lgc'>-->='lgc'>] chief='lgc'> = consanguine kin ابى ='and'>& potentially d="trms"nttrm="danger,stranger">angerous enemy ='lgc'>[='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ="trms">transference='lgc'>]
(chief's fellows's both as ="trms">children ='and'>& prey)
ritual speech ='lgc'>='lgc'>==> ='strcls'>***complex ="trms">enunciator='strcls'>*** ='lgc'>[='lgc'>='lgc'>~= ='at'>#feedback='lgc'>]
ambiguity of duality of ="trms">gestural and ="trms">verbal ='lgc'>[='lgc'>='lgc'>==> exchange of perspectives (='lgc'>=/= exchange of words)='lgc'>] ='lgc'>--='qstn'>?='lgc'>='lgc'>--> paradoxical construction of identities
='lgc'>+
="trms">chimerical re="trms">presentation ='lgc'>='lgc'>--> ="trms">presence of counterparts (of percepted fragmentary signs) to its audience
beautiful and strong body
serene and generous behavior
="trms">linguistic abilities (“made to discourse”)
(we are living with) mythical, ="trms">aesthetic, and ritual elaboration
guiding them with “good speech”
pleasing them by sponsoring rituals
welcome messengers (“made in order to ="trms">greet messengers”)
="trms">relational and possessive
(possessed form of) a="trms">symmetrical ="trms">relationship between a denominated (individualized) person and an un="trms">differentiated collective
agglutinate
="trms">enunciated in the same tone with no pauses to breath
='lgc'>+
expletive ah
='lgc'>+
set of particles
='lgc'>+
deictic ige (evidential ='lgc'>[devaluating='qstn'>?='lgc'>] particle that indicates proximity, ="trms">presence, or existence, fixed to the copula ='lgc'>='lgc'>--> piece of advice='qstn'>?)
expletive and particles with no lexical element ='lgc'>='lgc'>--> self-derogatory forms of speech (the “humbling effect”)
it's common for men to emit long high-pitched and melodic screams as soon as they wake up ='lgc'>='lgc'>==> to wake the whole village up with joy
="trms">present is nothing more than an impoverished form of a previous age idealized as grandiose ='lgc'><='lgc'>-- (chief) to “work on his ="trms">children” like an ="trms">ancestor, he must state that he could never do so
='strcls'>*parallelism='strcls'>*
enchainment of repeated verses and themes ='lgc'>='lgc'>==> the shaman is ="trms">symbolically identified as a paradoxical character (human ='and'>& nonhuman, here ='and'>& there, in the ="trms">present time ='and'>& in the mythic time)
='lgc'>='lgc'>--> transfer properties from one being to another
(formal ='lgc'>=/=) ‘performative parallelism’ between the actual chief and those before him ='lgc'>='lgc'>==> attenuate ="trms">past ='and'>& ="trms">present
="prgrph">-he speaks about ="trms">ancestors, as an ="trms">ancestor (using their ="trms">language), and on ="trms">ancestors’ behalf (since they are gone)
(antonymic affirmation of) “="trms">past ='lgc'>=/= ="trms">present” ='lgc'>='lgc'>='lgc'>~=> shame in the ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listeners ='lgc'>='lgc'>==> act as the ancient chiefs’ own ="trms">children
='lgc'>--="ppl">Austin='lgc'>='lgc'>--> illocutionary force ='lgc'>==gives='lgc'>='lgc'>==> capacity to perform an act in saying something
='strcls'>*hyperbole (contrast) ='lgc'>='lgc'>==> the audience could be ="trms">aesthetically and morally compelled
to act in some way (perlocutionary acts)
that which had once been human (='lgc'>='lgc'>--> mythical human o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of the plant corn)
chief is weakened ='lgc'>='lgc'>==> people tend to be more egoistic ='lgc'>='lgc'>--> “go crazy” ='lgc'>+ forget about their relatives='lgc'> = (the first step in) producing a witch
(="nms">Pir ='lgc'>='lgc'>~= chief's) foundations of kinship='lgc'> = thinking about kin ='lgc'>=/= forgetting kin ='lgc'>:
="lsts lst1">•generating and raising ="trms">children
="lsts lst1">•producing food
="lsts lst1">•avoiding witch="trms">craft
='lgc'>='lgc'>==> fabrication of a collective body of kin
imperfections of the ="trms">present ='lgc'>+ ideal of ="trms">social life ='lgc'>==encourage='lgc'>='lgc'>==> people to behave like kin (='lgc'><='lgc'>-- needs to be actively produced)
='lgc'>[we have to be carefull in art with performances of='lgc'>] words hold within them the ="trms">positive moral and creative element of power; and contain meaningfulness, value, artistry and ="trms">affective mass (='lgc'>='lgc'>--> carrying the weight of an order without appearing as such) ='lgc'>=/= ="trms">authoritarian discourse
='at'>@="frds scrmbld"nttrm="Singa">Inga
='lgc'>='lgc'>--> ='strcls'>***a brief moment, a ="trms">world where the ="trms">difference between chiefs (leader-like speaker, am i like that in my performance ="trms">lectures='qstn'>?) and nonchiefs (="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listeners, his ="trms">children) can be effective='strcls'>***
xxxxxx
="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................
theory (is either)='lgc'>: ='strcls'>*powerful='strcls'>* (accounting for a limited number of features valid for a great number of cases) ='lgc'>{extensionally oriented, for example comparative or statistical analysis='lgc'>} ='lgc'>=/= ='strcls'>*expressive='strcls'>* (accounting for a great number of features belonging to a limited number of cases) ='lgc'>{intentionally oriented, for example clinical case studies='lgc'>}
extensional ='lgc'>='lgc'>--> ="trms">generalizing
‘ethnography ='lgc'>='lgc'>==> reduction of complexity’ ='lgc'>=/= complexity is precisely what characterizes ethnography
="large lg22" stl="font-size:111%">
counterintuitive ='lgc'>==give='lgc'>='lgc'>==> re="trms">presentation its psychological salience
the experience of dreaming is full of counterintuitive re="trms">presentations (rapidly forgotten)
counterintuitive context of ritual ="trms">communication ='lgc'>='lgc'>--> successful propagation of a re="trms">presentation (="trms">memorable)
for example re="trms">citation of shamanistic chants ='lgc'>--construct='lgc'>='lgc'>--> an acoustic mask ='lgc'>=/= convey meaningful message
for ="trms">religion (and ="trms">marketing='qstn'>?) culturally successful re="trms">presentation ='lgc'>: ='strcls'>*a counterintuitive re="trms">presentation ="trms">formulated within counterintuitive conditions of ="trms">communication='strcls'>*
='lgc'>}='lgc'>--="ppl">="ppl">Severi='lgc'>='lgc'>--> we need a more expressive theory of cultural propagation (='lgc'><='lgc'>-- my try in telegram ="trms">bestiary text)
doctrinal (semantic ="trms">memory) and ="trms">imagistic (episodic ="trms">memory) ="trms">religious modes
(how to better be understand the contemporary art's drive to) ='strcls'>*ritual ="trms">communication='strcls'>* ='lgc'>='lgc'>--> performed through both action ='and'>& speech
="lsts lst1">•the context='lgc'>: establishment of a particular form of ="trms">interaction (from a series of contradictory connotations, being two things at the same time ='lgc'>='lgc'>--> ="trms">symbolic transformation) ='lgc'>==construct='lgc'>='lgc'>==> a special identity of the participants
='lgc'>='lgc'>--> xxxx جمع گرایانه ="trms">syncretistic movement ='at'>@="nms">apass (used as an ="trms">instrument of resistance='qstn'>?)
messianism='lgc'> = intense propagation ='lgc'>+ paradoxical identification
='lgc'>='lgc'>--> convert entire populations in a short amount of time
="trms">pragmatics of ="trms">communication ='lgc'>='lgc'>--> appearance of a paradoxical “I” personified by the prophet
(warrior shaman messiah's) contradictory self-de="trms">finition ='lgc'>==able='lgc'>='lgc'>==> ="trms">enunciate paradoxical statements
='lgc'>--="ppl">="ppl">Severi='lgc'>='lgc'>--> to be faithful to the local tradition
Appache ='lgc'>='lgc'>--> op="trms">position to ="frds scrmbld"nttrm="Christianson">Christianity take the firm of conceptualizing ="frds scrmbld"nttrm="Christianson">Christianity as a ="trms">different ="trms">religion
="lsts lst1">•absorbing but not understanding the elements (of ="frds scrmbld"nttrm="Christianson">Christian ="trms">religion) ='lgc'>='lgc'>~= being impressed by ="trms">story ='lgc'>{='lgc'><='lgc'>-- i do this in my artistic work but i don't ask for devotion or trust='lgc'>}
='lgc'>='lgc'>--> using typical ="trms">imagistic ="trms">methods, ritual of dance
the old man Arnold
chant (ritual ="trms">symbolism) ='lgc'>='lgc'>-->
="lsts lst1">•treat illness
="lsts lst1">•accompany rite of passage
="lsts lst1">•impart magical powers
="prgrph">-
(amerindian) shamanism ='lgc'>='lgc'>--> establishes a ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorical link, a set of analogies ='lgc'>='lgc'>~= mystical ="trms">relationships between ritual objects and living being ='lgc'>[='lgc'>='lgc'>--> construct its own truthuniverse, super="trms">natural dimension thought of a possible ="trms">world='lgc'>]
bleeding pearl
parallelism ='lgc'>: (a ="trms">technique of) th="trms"nttrm="already,spread">reading ="trms">verbal images together
='lgc'>[="ppl">="ppl">Severi's early ="trms">interpretation of='lgc'>] tradition (would need to) preserve the text ='lgc'>+ ="trms">instructions to use ='lgc'>--by='lgc'>='lgc'>--> ="trms">verbalizing them (store them in the chant)
Kuna ='lgc'>='lgc'>--> description of the ="trms">position of the speaker (“shaman is now seated there and is saying...”) characterizes the special kind of ="trms">communication (appropriate for ritual changing)
shaman='lgc'>: novel ="trms">sort of ="trms">enunciator (lending his voice to other invisible beings ='lgc'>='lgc'>--> p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lural and contradictory identity)
acoustic mask='lgc'>: a reflexive means to define the ritual identity of the speaker
reflexive application of parallelism
(='at'>@Isabel, how to make ="trms">community without becoming a cult='qstn'>?)
use snake ='lgc'>='lgc'>--> capture the ="trms">imagination of the followers ='lgc'>='lgc'>==> ="trms">authority
="trms">imagistic (iconic mode, sequence of acid) ='lgc'>+ doctrinal (discursive mode, text, prayer)='lgc'> = ="trms">pragmatics context of ="trms">enunciation ='lgc'>='lgc'>==> messianistic ="trms">religion
both paradoxical ='and'>& paralle="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic
new ways to be faithful...
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exhibition-making and preventive conservation ='lgc'>='lgc'>--> inspection and ex="trms">position ='lgc'><='lgc'>-- (="trms">different understandings and use of) ='strcls'>*touch='lgc'> = curatorial='strcls'>*
professionalisation of curating
short-term education
cultural exchange
='at'>@="nms">apass feedback='lgc'>: (terrain of) peer engagement ='lgc'>='lgc'>--> understanding each other’s practices
education, research, ="trms">literacy, management, ="trms">networking, custodianship, audience development
research (overdue) ="trms">relationship with intelligence ='lgc'>--='not'>✕='lgc'>='lgc'>--> ='strcls'>**research='lgc'>: adventure of charismas='strcls'>**
...to be migratory (in thought, praxis, ="trms">community)
...subjectivities without a ="trms">heritage in criticality and art
constraint='lgc'>: a source of self-abundance ='lgc'>--="frds scrmbld">Renan='lgc'>='lgc'>--> suffering and risk='lgc'> = opportunities to hybridize with life
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curating='lgc'>:
="lsts lst1">•nutrition and extension
="lsts lst1">•analysis and transplantation
="lsts lst1">•='lgc'>=/= content ="trms">historicization
="lsts lst1">•='lgc'>=/= ="trms">data
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extraterritoriality
being collocated in all the whispers of the ="trms">world
="trms">wild pollination
artificial breeding
="frds scrmbld">Renan='lgc'>: Institutional work carried by a freelancer, a private individual or a civil servant can improve the publicness of art. It gives confidence to the work of art in public service. This institutionality creates new tasks in art that can be sustained by other practitioners.
='at'>@="nms">apass
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publication of the miracle
='lgc'>[the miraculous in exhibitions ='lgc'>+ self-exhibiting miracles='lgc'>]
="frds scrmbld">Renan's ='strcls'>*exhibitionary ="trms">heritage='strcls'>* of miracles
seeing (risk of sight) ='lgc'>='lgc'>--> passionate misunderstanding, confusion, rejection
cultural engineering of ="trms">anthropology of ="trms">heritage
exhibitionary ="trms">heritage='lgc'>: a scaf="trms">folding that times, locates, and proliferates all that is exhibitionary (like a shower, or rainfall)
curatorial subjectivity
exhibitionary complex
="lsts lst1">•describe the problems of an exhibitionary ="trms">heritage
="lsts lst1">•find solutions to artistic problems in the description of exhibitionary complexes
(the ='thdf'>bad idea of ="trms">interpreting exhibitionary ="trms">heritage as an) exhibitionary solution to problems that are re="trms">presented by the works of art ='lgc'>='lgc'>--> correlate artistic solutions with exhibitionary problems ='lgc'>}='lgc'><='lgc'>--="frds scrmbld">Renan='lgc'>-- ="trms">consumes the links between art, exhibits, and curation ="trms">naturally and atheoretically
creation of art ='lgc'><='lgc'>--='not'>✕='lgc'>='lgc'>--> birth of exhibition
(artistic problem ='lgc'>='lgc'>~/= exhibitionary problem)
...using the concepts and tools of exhibition ="trms">history
the ='thdf'>bad idea of the artistic is conceived in exhibitions ='and'>& the exhibitionary in artworks
postulate ="trms">matter in terms of
="lsts lst1">•errors
="lsts lst1">•="trms">questions
(not necessarily in terms of)
="lsts lst1">•exhibition
="lsts lst1">•artwork
exhibitionary ="trms">heritage of
="lsts lst1">•artistic practices ='lgc'>='lgc'>--> the miracle in ideas/objects
="lsts lst1">•curatorial practices ='lgc'>='lgc'>--> ="trms">categories of the miracle
="lsts lst1">•exhibitionary practices ='lgc'>='lgc'>--> the miraculous as datum of the ="trms">world
miracle can be contained or can burst into the study of traditions and trans="trms">missions
miracle='lgc'> = content ='lgc'>+ form
miraculous ='lgc'>='lgc'>--> surrogate medium of the artistic
(="frds scrmbld">Renan='lgc'>:) how a miracle can turn the hopeful perplexity surrounding Virgin Mary into the relentless exhibitionary ='lgc'>-='lgc'>-='lgc'>='lgc'>--> ='strcls'>*the power of sug="trms">gestion is curatorial='strcls'>* ='lgc'>='lgc'>--> ="trms">materials can be rearranged (or other contents can be shaken off from them ="trms">according to the ="trms">demands of art ="trms">history)
flower showers
an auspicious beginning for a lasting devotion
گلبرگ ='lgc'>='lgc'>--> the petal applied to the body of the sick and invalid, a sacred relic that is progressively distant yet proliferative
problem of the exhibitionary ="trms">heritage ='lgc'>--="frds scrmbld">Renan='lgc'>='lgc'>--> discursify that even miracles can be ="trms">interpreted art ="trms">historically, that they are worthy of belief
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="brkr">
="ppl">Julia ="ppl">Scher (first two weeks of April (1-14.04) and last tw[...]