[...]tation of the highly ="trms">technical images recorded by Kinect infrared 3D-scanner/motion-detector. The result of the visualization is a heavily glitchy image, which aims in the performance to link the spatial practice to the perceived and the re="trms">presentational spaces to the lived. Affirming the “un="trms">naturalness” of the image makes it a trans="trms">position of universal means of ="trms">communication='lgc'>--the ="trms">language='lgc'>--that would like to provide a direct, unmediated, and accurate re="trms">presentation of the jungle.
The performance is an engagement with ='thdf'>the notion of companion ="trms">species elaborated by ="ppl">Donna ="ppl">="ppl">Haraway, in an experience of walking in a tropical jungle with a computer in one hand and in the other hand the hand of the human ="trms">child. The work deals with ="trms">questions of the other-space that is mentally filled with projections and projects. The recording of the walking in the rain forest ='lgc'>--as spatial and ="trms">sensual experience='lgc'>-- is thus de="trms">materialized and has acquired a digital character. The ="trms">dense and hot environment of the Amazon is replaced by an abstract graphic structure, thus bringing a new understanding of the locality of the walk. The noise and the randomness of the ="trms">technical coloring the surface of the jungle provoke an ="trms">aesthetic fascination, and an appropriation of the imposible image of the forest.



="trms">Traveling to the Amazon to experience its radical Otherness is a European tradition. It unintentional affirms the ideology of a “state of ="trms">nature” that is ="trms">prior to culture.


="ppl">Lacan='lgc'>: i am led to regard the function of the mirror ="trms">stage as a particular case of the function of the imago, which is to establish a ="trms">relation between the organism and its reality - or, as they say, between the Innenwelt and the Umwelt.

="large lg2" stl="font-size:111%"> This developement is experienced as temporal dialectic that decisively projects the function of the individual into ="trms">history. the mirror ="trms">stage is a drama whose ="trms">internal thrust is precipitated from insufficiency to anticipation - and which manufactures for the subject, caught up in the ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure of spatial identification, the succession of phantasies that extends from a fragmented ="nms">body image to a form of its totality that i shall call orthhopaedic - and, lastly, to ='thdf'>the ='thdf'>assumption of the armour of an alienating identity, which will mark with its ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid structure the subject's entire mental development. thus, to break out of the circle of the Innenwelt into the Umwelt generates the inexhaustible quadrature of the ego's verifications.

="large lg1" stl="font-size:115%"> Electronic Reserve Text='lgc'>: from Jacques ="ppl">Lacan, Ecrits, New York='lgc'>: W. W. Norton, 1977.
The Mirror ="trms">Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience

Delivered at the 16th ="trms">International Congress of Psychoanalysis, Zurich, July 17, 1949

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="ppl">Flusser, ="trms">Gestures - beyond machines (="trms"nttrm="already,spread">reading)


the project investigates the way in which ="frds">Seifee as an artist engages tactics of fieldwork, ="trms">embodiment and ="trms">materiality (in a manner that reveals or instigates processes of knowing).
(In this moment of increasing standardization and specialization regarding how people learn, art is a space for innovative thinking and experimentation outside given frameworks.)


...our ability to share the experience of the habits of the ="trms">world that we discover. (="ppl">Kohn)

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="ppl">Campbell on Harman's philosophy
(problem of) object-oriented ="trms">ontology as ="trms">social theory ='lgc'>[insights of object-orientation mechanically applied to the ="trms">social by Harman, “im="trms">materialism"='lgc'>]
="lsts lst1">•innovative adaptation of ="trms">phenomenology
="lsts lst1">•critique of how objects have been failed by philosophy
="lsts lst1">•insistence upon an ="trms">aesthetic attitude of investigation
='lgc'>--but='lgc'>='lgc'>-->
="lsts lst1">•object-oriented ="trms">social theory lacks the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigor and ="trms">imaginative potential to envision the ="trms">ontology of the ="trms">social
="lsts lst1">•the way object-oriented ="trms">ontology is stuck in a no-man's-land of not-quite-nonhuman-not-quite-human
="lsts lst1">•as ooo enters ="trms">social theory it commits a performative fallacy ='lgc'>='lgc'>--> missing the fundamental starting point of ="trms">social theory='lgc'>: ='strcls'>***objects come into the ="trms">social ="trms">world as expressions of (negotiated, perceptual, political, ="trms">agentic) value='strcls'>*** ='lgc'>[="trms">social theory is fundamentally predicated on the ="trms">socius ='lgc'>='lgc'>--> ="trms">social theory is about the as="trms">sociation between things ='lgc'>=/= homogenous things='lgc'>]
='lgc'>}='lgc'>=/= ="ppl">Campbell's ='strcls'>*posthuman ="trms">relationism='strcls'>*='lgc'>: another form that better understands the ="trms">abyssal point between the non-human and the human


(2007 conference) speculative realism ='lgc'>{antipathy to “human-centred” intellectual traditions='lgc'>} ='lgc'>='lgc'>='lgc'>~=> object-oriented ="trms">ontology

(objectivity ='lgc'>=/= obliqtivity)
Harman's im="trms">materialism='lgc'>: realism without ="trms">materialism ='lgc'>: objects can only ever be captured obliquely

object-oriented ="trms">ontology's development='lgc'>:
="lsts lst1">•characterised by a consistent lament for how post-="ppl">Kantian philosophy in general (Continental philosophy in particular) has abandoned hope of describing objects as objects
="lsts lst1">•the real='lgc'>: absolute autonomy of objects (withdraw from subjects)
="lsts lst2">◦objects='lgc'>: sleeping giants holding their forces in reserve
="lsts lst1">•prefer the ="trms">excess of the ="trms">aesthetic over the reduction by the ="trms">scientific (="trms">materialism's tendency to reduce objects to a primary substratum ='lgc'>='lgc'>==> rendering them susceptible to mathematical capture) ='lgc'>--="ppl">Campbell='lgc'>='lgc'>--> ='strcls'>*="trms">aesthetic foundationalism='strcls'>* ='lgc'>[='lgc'>==engender='lgc'>='lgc'>==> an attitudinal ="trms">response to objects='lgc'>] (='at'>@="nms">apass, this is also a problem in artistic research)='lgc'>:
="lsts lst2">◦="trms">aesthetic appreciation above the reduction of the ="trms">phenomenon achieved by ="trms">science ='lgc'>='lgc'>--> “art (art criticism) is a style that gets us closer to the ="trms">nature of objects” (='lgc'>+ bad ='thdf'>example of Clement Greenberg)
="lsts lst2">◦(to make the invisible deep conditions of objects perceivable) ="trms">prioritize ='strcls'>*allusive style='strcls'>* above ='strcls'>*="trms">literal description='strcls'>*
="lsts lst1">•claims to post-="trms">phenomenological sovereignty
="lsts lst1">•over-mining approach to knowl="trms"nttrm="knowledge,Knowledge">edge production ='lgc'>=/= objects's surplus of reality
="lsts lst2">◦="trms">methodological approach which encounters objects as objects (='lgc'>=/= actor ="trms">network theory's manner of focusing upon an object's effects) ='lgc'>[='lgc'>+ bad ='thdf'>example of Dutch East India Company='lgc'>]='lgc'>--="ppl">Campbell='lgc'>='lgc'>--> object-oriented ="trms">social theory produces a rudimentary ="trms">narrative with no discernible innovation on the level of='lgc'>:
="lsts lst3">◾objects ='lgc'>='lgc'>--> the actors are recognisable companies, personalities, infrastructures
="lsts lst3">◾="trms">relations ='lgc'>='lgc'>--> the major ="trms">symbiotic moments are legal contracts, infrastructure and formative moments in a human's life
="lsts lst3">◾time ='lgc'>='lgc'>--> there is standard chronology from birth to death, with emphasis on human-centric causes and effects
="lsts lst1">•“="trms">social theory='lgc'> = a mode of knowl="trms"nttrm="knowledge,Knowledge">edge production” (='lgc'>=/= a decontextualised reflection of the ="trms">world) ='lgc'>='lgc'>==> withdrawal='lgc'>: a psychological alibi, an ="trms">aesthetic (='lgc'>=/= cognitive concept) ='lgc'>==stimulate='lgc'>='lgc'>==> an attitudinal ="trms">response='lgc'>: humility ='lgc'>[='lgc'>+ passivity='qstn'>?='lgc'>] in the face of overwhelming non-human existence ='lgc'>[='lgc'>~ appeal ='lgc'>==produce='lgc'>='lgc'>==> a paterna="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic-arrogant-="trms">instrumenta="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list attitude to the nonhuman ='lgc'>=/= ='strcls'>*appeal ='lgc'>==foster='lgc'>='lgc'>==> ="trms">responsibility='strcls'>* (a norrnativity that withdrawal cannot) ='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ="ppl">="ppl">Haraway ='lgc'>+ ="ppl">Campbell='lgc'>]

='lgc'>}='lgc'>=/= posthuman ="trms">relationism='lgc'>: rea="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">lists who draw on contemporary advances in disciplines like geology, biology, mathematics and ="trms">neurology to make the case that non-human reality is not a sub-set of human reality ='lgc'>='lgc'>-->
="lsts lst1">•commitment to an object-oriented realism (='lgc'>='lgc'>~= Harman)
="lsts lst1">•occupy an ='strcls'>*="trms">anthropic='strcls'>* event horizon='lgc'>: their ="trms">social analyses occur in the shifting, impossible ground hetween the human and the nonhuman (='lgc'>=/= Harman)
="lsts lst1">•dialectic of object ='strcls'>**withdrawal ='lgc'>+ appeal='strcls'>** (='lgc'>=/= Harman's object withdrawal) ='lgc'>~ ='strcls'>***="trms">interaction between objective withdrawal ='and'>& subjective appeal='strcls'>***

(Moss) earth as making an appeal ='lgc'>--="ppl">Freud='lgc'>='lgc'>--> a ="trms">demand for work
“when the attention of an experienced person is drawn to the ="trms">child's state by this path of discharge, ='lgc'>[the path of discharge='lgc'>] ... acquires a secondary function of the highest importance, that of cornmunicalion
='lgc'>='lgc'>--> initial helplessness of human beings is the primal source of all moral motives
(="trms">child's) creaming and kicking ='lgc'>='lgc'>--> appeal (made by the earth) is a combination of ="trms">demand ='lgc'>+ accusation


contemporary ="trms">social theorists are turning towards objects
='lgc'><='lgc'>==Bennett='lgc'>== object produce a ‘="trms">gestalt shift’ in perception
='lgc'>}='lgc'>==="ppl">Tsing='lgc'>='lgc'>==> (amounts to) a political act ='lgc'><='lgc'>== (turning towards objects) requires us='lgc'>:
="lsts lst1">•to re-divide the ="trms">world
="lsts lst1">•to re-="trms">prioritise matler(s)
="lsts lst1">•to create ="trms">different ="trms">causalities
="lsts lst1">•to follow new ="trms">agencies
="lsts lst1">•to produce new spacetimes
="lsts lst1">•to ="trms">interrupt the ‘mind-lulling ="trms">presence of common sense’
='lgc'>}='lgc'>-='lgc'>-='lgc'>='lgc'>--> acknowl="trms"nttrm="knowledge,Knowledge">edge the importance of traditional ='strcls'>*="trms">social theory='strcls'>* in identifying gross inequalities ='lgc'>+ advocate a posthuman ="trms">relationism that moves ='strcls'>*from critique to production='strcls'>* [...]