[...]y detailed, active, partial way of organizing worlds... [Haraway, SK]

...................................

lecture khm Luis
trans or cross ecological movement, from amazon to shahname, because i like it and i care for thoses ecologies.
and because we can't keep clean. i love to talk about clean and dirt. maybe some other time. if we can say anything about the world is that it is dirty and excessive and lunetic. literally lunar. the moon. if you think your bio and biology is not scheduled by moon or lunar forces think again.
do i need a bit of ego to sustain this skin-encapsulated organism (pointing to myself. this is another pointi dance)
tech interface amaz div device literature

...................................

[Avital]

in the conflict of rhetorics, the victory never goes to any but the third language. The task of this language is to release the prisoners: to scatter the signifieds, the catechisms

to enter areas of conflict [...] fragile zone where non-knowledge dominates knowledge

Self-dissolving and regathering, the subject became linked to the possibility of a new autonomy, and opium illuminated in this case (Baudelaire, though under De Quincey’s influence, was to use it differently) an individual who finally could not identify with his ownmost autonomy but found himself instead subjected to heroic humiliation in the regions of the sublime. Opium became the transparency upon which one could review the internal conflict of freedom, the cleave of subjectivity where it encounters the abyss of destructive jouissance.

mapping the body as an intensive conflictual site

scenography and rhetoric of armed conflict

(Avital on) the maternal trace in the technological revealing from Heidegger to the Bushies


the readers and nonreader

the scene of the proto-pedagogy (involves only two persons): The master and pupil together produce an allegory of being struck, enlightened


(for Levinas:) expérience =/= épreuve
•experience --> a knowing of which the self is master is always said
•épreuve (text, trial, proof) --> the idea of life and of a critical ‘verification’ which overflows the self of which it is only the ‘scene’ ~~> a test site in which the self is placed at absolute risk, life submitted to incessant probes, find themselves subjected to the rigors of the épreuve


conflict's another logic of rigor in certain types of non-Western practices (such as Zen and yogic teachings)

the pupil is led to an inner experience without interiority, to understanding without cognition, without a history ==> subjectivity

the Zen pupil, often a wanderer, listens differently, stilling herself to consider the sonic eventfulness of growing grass

...understanding no longer crowns the end of a labored process of appropriation =/= Western narratives of testing



going after the grail or attempting to reach a metaphysically-laden Castle

...cannot be properly located or possessed

the inaction hero


(?are we accustomed) to viewing the test as a way of mobilizing courage

The Sphinx marks the porous boundary between Western and Eastern domains of questioning and tells of bodies menaced by pulverization: should the riddle not be solved, either the questioner or the questioned must go. Passing the test is a matter of survival of the species for Oedipus, as it is for the interspecial dominatrix of the riddle: la Sphinx dissolves when the young man offers the correct answer.
=/= koan

...................................

My performance here is maybe a form of prayer or invocation[8] not simply to be read as a mere theoretical and discursive statement, and is intended to be a table of digital curses. To reopen the agency of curse in a cultural style that I have come to encounter, it might produce a different but not necessarily better speculative difficulty in discussing about the virtual. A curse[9] (according to Iranian-Islamic mixture of traditions in the milieus of promising and swearing,) is basically a networking function with both mechanical and interventionist properties that translate desire into performance—an intersubjective textual momentum that run virtually into the real world and it may (or may not) run down its target. Much like rumor, curse is contagious and reproductive but unlike the publicity of rumorous velocities, curse insists on secrecy at the same time harvesting its powers for revealing. The reality of the ‘curse’ is ‘assumed’ mostly and that is the virtual nature of this relation (with the materialities of the world that curse inscribes on) that I am interested in.


Curse systematically works with names, to be more accurate, with the notion of the “proper name”[10] invested in the idea of an automatic function that shifts ‘name’ to ‘agency’, virtual to concrete. That is if one knows the proper name, one could raise all actual agencies that act with real consequences—slogans in politics may rely on this typical power of cursing. In the Amazon I was not looking for the proper name of nature, neither theological nor analytical nor the supposed accidental. That means (looking for ways) critically not to be real.


An extended concept of cursing enters visuality in the gaze of the evil eye.[11] The malevolent glare who stamps upon by staring at an accidental moment of encounter in the evil eye, brings together the narrative of the random traveler who casts a gaze in another world of virtual and visual agency, and emphasises the randomness and hideousness of looking. The transaction between the eyes in the evil eye goes both ways to posses both the beholders. The target of the evil eye is always missed[ar] due to the internal conflict of perception and will. The intersection of visions is feared and programmed in the modalities of material talisman and culturally protective performances for the subject from meeting the other’s gaze. But the evil eye is precisely so powerful and real because of its ability to name the uncanny event of encounter. “Nothing is wholly obvious without becoming enigmatic.”[12]


[Serres]

does experimentation, in art science, excludes subjectivity? More the importance of experiment on self. Returning the aim back to knowledge, instead of the division of knowledge. Our subjectivity is not an illusion to be overcomed, but that is another part of reality.

Displacement on the space of myth. Myth informs science.

To know is to navigate between local fragments of space , to reject techniques of classification and separation, to implement a philosophy of transport to counter the dogmatism of united and systematic knowledge.

...the itinerary traces the transmission, transformation, and multiplication of messages through diverse spaces of communication.

The spatial language of the writing of the world, geography, language of paths, movements, marks the moment of passage towards a new epistemology.

World is the space of your inscription, scientists. To read and to journey are the one and same act.

Fantastic flow of myth. The sacred and the religious words are spoken at the same time and in the same breath as those of science and of journeys.

Two speakers, united against the phenomenon of interference and confusion. Who's stake is in interrupting communication? The above interlocutors are on the same side, far from the dialogical game.

Demin includes himself in the circuit, blurs the message, renders it unintelligible, and exactly by that assures transmission. Parasite produces by the way of disorder a more complex order.

..penetrative grasp of a text, discovery and recreative apprehension of it life-forms, is impossible to paraphrase or systematize.

..temporal and local settings of one's text. (to master it?)

to read X, is literally, to ‘prepare’ to read X

in certain civilizations there comes epochs in which syntax stiffens...
Changing landscape of fact
unexamined smiles
worn tropes
words, the guardians of meanings, are not immortal.
Metaphysical scandal
note on history: past is a language construct, that the past tense of the verb is the sole guarantor of history.
Dialectics as a method of intellectual chase.
Who first told a joke?
Certain languages are inhospitable to new metaphors.
Language-act
to read: is to restore all that one can of the immediacies of value and intent in which speech actually occurs.

my original repetition
we re-enact in our educated consciousness

in what sense does unperformed music exist?

The same ground, when using the ‘speculative instruments’, the critic, editor, actor, and reader stand on.

When we read or hear any language statement from the past, we translate.

Encode and decode “message”, misleading operative models of translation between different languages and even within a single language.

One treason in translation: words rarely show any outward mark of altered meaning, they body forth their history only in a fully established context.

What material reality has history out of language? --the tasavof verbal linguistic tradition

silence knows no history...?

...to remind you that everything is the condition of madness.

“Tense Past”

..the landscape composed by the past tense, the semantic organization of remembrance... is styled and coded differently by cultures. --miniature illustrating San'an?

The verbal icon made up of all successive translations of Greek literature and philosophy has oriented fundamental movements in Islamic feelings --Farabi, Mirdamad, etc.

My translation of classics is not out of a vital compulsion for immediacy or precise echo. I am not trying to build my own resonant past. Myth of the ‘true past’...  different perspectives can co-exist and blur

the metaphysics of the insult, in San'an story

i am interested in the conventions in which texts can be read, in which a semantic statement can be carried over into someone's own idiom. I am teaching how to reread texts of Attar and so forth.

We have civilization because (we have learned) ‘to translate out of time’

übertragen,
handing down thought narrative,
something that also depends on transfer of meaning in space.

Languages conceal and internalize more, perhaps, than they convey outwardly.

Speech-act is most expressive of status and power--when a peer is in earshot. (something that i have been trying to undermine in my lectures)

...calculated to guard some coherence of inner life (while wounding outward)

(motions of) menace and non-information (in top down dialogues)
monosyllables of the oppressed and polysemy of the upper class (the capacity of the same word to mean different things, such differences characterises the language of ideology.)

fracture of words and the maltreatment of grammatical norms, by children, they are a exploited and rebellious class, the child seeks to keep the world open to his own, by refusing to accept the rules of grown-up speech.

Lear note: surrounded by incomprehensible or hostile reality, the child breaks off verbal contact. He seems to choose silence to destroy his imagined enemy. Like murderous Cordelia, children know that silence can destroy another human being.

The multitudinous existence of child has left comparatively few archives.

...the uniquely vulnerable and creative condition of the childhood

privileged inferiority (of both child and woman)

intercourse and discourse

feminine use of subjunctive, in European languages, give a characteristic vibrato to material facts and relations. ... They multiply the facets of reality, they strengthen the adjective to allow it an alternative nominal status.

...obtuse resistant fabric of the world

in every known culture, men have accused women of being garrulous, of wasting words with lunatic prodigality.
The chattering, ranting, gossiping female, the tattle, the scold, the toothless crone her mouth wind-full of speech, is older than fairy-tales.

...men's delight in women's voice when their register is sweet and low.

the change in men's voice, the crowding of cadence, the heightened fluency triggered by sexual excitement. And how men's speech flattens, how it's intonations dull after orgasm.

The motif of the woman or maiden who says very little, in whom silence is a counterpart to chasteness and sacrificial grace, lends a unique pathos to Antigone or Oerepidus..

fabric of obligation, different for men and women within the same community

linguistically programmed conceptualizations vs. biologically determined apprehensions of sense data

...lady Macbeth negates the fierce reality of Macbeth vision

...communication like breathing is subject to obstruction and homicidal breakdowns, under stress of hatred, of boredom, or of sudden panic, great gaps open ...that their previous understanding had been based on a trivial pidgin which had left the heart of meaning untouched.

What is the female speech in San'an?

By far the greater proportion of art and historical record has been left by men. The process of ‘sexual translation’ or of the breakdown of linguistic exchange (is seen, almost invariably, from a male focus.)

-the breakdowns and translations in San'an story.
-The sexual translation and breakdown of linguistic exchange in San'an story.

How, when, and who can see or render the genius of women's speech and see the crisis of imperfect or abandoned translations (from both sides)?

...having an ‘ear’ for contrasting pressures of sexual discourse or identity

in San'an, man and woman, each respective experience of eros and language had set them desperately apart.

In whose idiom, male or female, one can grasp (only) falsehood or menace?

...as declaimer of my own stifled, tongue

any model if communication is a model of translation, of transfer of significance. No two localities use words and syntax to signify exactly the same things, to send identical signals (of valuation and inference).
[the matrix space tries to create that assurance of identical signals, the electronic, digital space, grid, systematic, node based-- but linguistic storytelling is not]

In performance, corresponding to my level of literacy, and a private thesaurus, part of my subconscious and personal memories, and using the singular and irreducibly specific ensemble of somatic and psychological identity.

Getting out of one's own dictionary of private remembrance, in old age.

A study of translation is a study of language

the ideal of a totally personal voice, of a unique ‘fit’ between an individual's expressive means and his world-image, perused by the poets.

Only when we reflect on it, when we lift the facts from the misleading context of the obvious, that the possible strangeness, the possible ‘unnaturalness’ of the human linguistic order strikes us.

I am interested in this pluralist framework we are living in since the inception of recorded history.
...
It is not a formal hard-edged linguistic relegation, rather a metaphysical speculation

(making a ‘language atlas’?)
constructs of universals / transformational grammars: that have nothing of substance to say about the prodigality of language atlas

my interest in the ajayeb is due to the traces it provides into verbal literacy, a living vulgar language, rather than a dead structure such as mantegh al teir Attar (Mantiq-ut-Tayr).

..vanishing languages and people, their history and morphological structures uncharted, dim into the oblivion, each takes with it a storehouse of consciousness.

An image of man as a language animal of implausible variety and waste.

Cultures (during Attar's?) seem to expend on their vocabulary and syntax acquisitive energies and ostentations entirely lacking in their material lives.
[very interesting point regarding the language of mysticism, Attar and others.]

language riches seem to act as compensatory mechanisms. (having 60 different words in Shahnameh for signifying ‘horse’, doesn't necessitates the material variety of horse in the ancient Iranian culture?)
--starving bands of Amazonian Indians may lavish on their condition more verb tenses than could Plato.

Is my language, or lack of speaking certain languages, a powerful obstacle to the material and social progress of me?
--withering inward by language barriers. Linguistically atomized

interaction of physical and spiritual agencies...
The nominalist mechanism of creation: each time man spoke he re-enacted, he mimed.

(...the early forms and feelings of consciousness in human ancestral pasts)

my reading or performance includes scrutinising configuration of letters and inverting words.

Bad translations communicate too much, limited to what is non-essential in the fabric of the original, missing the bond of meaning.

If translation is a form, then the condition of translatability must be ontologically necessary to certain works.

Metaphysics of translation

translation is profoundly philosophic, ethical, and magical. It imports source of life. Alchemy, must retain a vital strangeness and ‘otherness’.

My translation, an interlinear version of the script, a virtual archetype of translation

obsessive awareness of the opaqueness of language, Kafka's continuous parable on the impossibility of genuine human communication. The impossibility of not writing, the impossibility of writing in German, of writing differently.

Presence of interpreters in the building site, Kafka, literature house

in Kafka, great wall = mosaic law ?

Only if men could use language without perusing meaning to the forbidden edge of the absolute.

Alpha & Aleph

...is certain to encompass ‘some terrible meaning’ in one of its secret languages

‘a poetic vocabulary of concepts’
‘connections or affinities’
pursuit of an inter-lingua for philosophic discourse

not to contemplate a mechanical transcription of the original

history, the mother of truth.
To define history not as an inquiry into reality, but as it's origin.
Menard, William James

translator's ‘mysterious duty’

if needed, i am anyone

language mysticism studies

...primitive seek expression through ‘imaginative universals’, this rapidly acquired a ‘infinite particularity’

it is only by means of essentially poetic recreation or translation of a given language-world that the new science of myth and history can hope to retrace the growths of consciousness

in apass, inventing a science of myth and history, towards a general theory of significant sign.

Corruption of language and decline of body politics?

Can we correlate the Persian syntax with the metaphysical ambience, internal divisions, and lyric bias of Persian people?

A pivot point must inform and relate

...the shaping agencies of intellect.
Speech is poiesis and human linguistic articulation is centrally creative.

The language-matrix

language, informed by energies proper to itself, more comprehensive and timeless than any who makes use of it...

There is a phenomenon of linguistic Entfremdung inseparable from the creative genius of the word. (Humboldt)

...conjectures with prophetic brilliance

discourse (Rede) would not be muffled by the ground---we walk erect

jede Sprache ist ein Versuch---trial
(Humboldt)
different languages penetrate to different depths

Literaturehaus, hause has always been a metaphor for consciousness

cryptotypr : categories of semantic organization
which translates the underlying metaphysics of a language into its overt or surface grammar.

...understanding of those deep-seated dynamics of meaning, of chosen and significant form, (that make up a culture)

it is exceedingly difficult for an outsider to, operating inevitably within the world-frame of his own tongue, to penetrate to the active symbolic depths of a foreign tongue.
---we reach for the bottom and stir up further darkness.

..a careful philosophically and poetically disciplined observation

beautifully logical (discrimination) about: causation, action, result
dynamic or energetic quality, directness of experience.
(these words for Shabnam?)
...all matters of the function of thinking
(why do i want to bring to her, to Shabnam, the quintessence of the rational?)

‘the inner music of meaning’

the german tenderness
german tender---zart

(in Shabnam's poetry : the clash between ‘mental’ and ‘psychic’ codes of recognition)

the villain is outside the law (of exchange)

...the court of words---in ikhvano safa animals demonstration
...when the market of life has closed down

faith and substitution of meaning

how can i tear you from your vows, and not myself use vows?
The faiths that are sworn (before every exchange or change)

a word for a woman bound by another sacred word --> breaking your oaths---in the age of ... (message to the tribalist, the son)

Don Juan: yesterday you gave me your word to come to dine with me.
A beautiful woman: yes where must i go?
Don Juan: give me your hand.

                         a madman /
outside the law of reason, a dog  /
outside the law of man, a devil /
outside the law of god, a...

The hypocrite pays in appearance

devil dubing/subtitling the society of reasonable men
..mad dogs

law directs the circulation of goods. What does it mean for an object oriented thought?
Law directs the circulation of goods, women, promise; of representations, insults, jests

i, as the text of sina, will show you that...

An ordering relation is irreflexive, antisymmetric, and transitive

sequential to consequential
(the concern of narrative)
order of reason (one order among many other sequences)
reason has immense consequences, so does aesthetics

betterable better : finding a stronger one---Kelileh Demneh
the case is of a maximum
the tree of the “better”
a whole forest hidden by a single tree
‘possibility’ is always the higher point on the tree

if you kill me now, my time freezes and its order disappears.
(said sheep to the wolf)
relative relations and absolute limit; he is the master of future

where do you come from? : this is of your clan : irreversible genealogical tree : complete model of kinship (for the ordered structure)

the idea of non-destruction is strange in nature, as if there is a notion of construction in nature, establishes a responsibility.
Care, claims to have suffer

at the end; you are the cause, i am the effect.

Perfect, is free of the psychologism of hypocrisy
•hypocrisy comes from the word to judge

stable structures and dialectical processes are inseparable
(each choice associated with a location on the tree)

(best) reason always permits a winning game (?)

might into right and obedience into duty, that is transforming force into factual necessity, by the stronger. Obedience into law. This is Rousseau

means to have access to the inaccessible

the exact sciences the optimal relationship from subject to object, conceived since the classical ages

A slave who, while sleeping, dreams that he is free
(put to the order of slave, a slave presenting a project to his master)

leipniz and Descartes, posit a maximum and minimum strategy in an ordered space.

The universal quantifactor : constant repetition of all, always, never, absolutely, etc. --> “i shall always follow this path.”

“perfect” signifies “optimal”

quantification of a relationship followed to its limits.
The process quantified, the tactics maximised

(“result:” instead of “-->” (“arrows”) in my writing? )

‘to know nature is a game’
experiment is also a game?
With win or lose possibilities, in which there exists a guaranteed winning strategy.
Game is the model of all exact knowledges.

...................................

The Ur-Supe, the original state of life, the marine mixture, the primal liquid state, prebiotic soup, the physiochemical condition for the origin of living beings

a mother emerges from a mother

the earth is in labor, a labor of metamorphosis, transformation, production, generation

beneath the anecdotes and pathos, the text mobilizes with great precision certain findings of rational mechanics

(ice and fire) is only relatively cold

vocabulary =? Model of precision

centers are breasts
periodic breasts

last science transcends the first

reservoir exists for the circulation

two notions structurally stable in encyclopedia: circulation & reservoir

elements + operation =/= structure

analysing a text in terms of encyclopedia, i need to answer two questions: what is reservoir? What is circulation?

question regarding iranian literature reservoir: what is the reservoir? Where is the reservoir? What are its configurations?
(the last question syntactically proposes also the possibility of reconfiguration)
Is it metaphorical? Is it closed?
What is its plan? How it transports according to this plan? What are the circulating elements? What is stable there? What are the transformations when it transports?

Reservoir is libidinal*
capital, quantity of energy, constancy of force,

what can be applied to the pattern of circulations?
(of vocabulary, value, money, desire, etc.)
what blocks circulation? Who or what governs it?

In answering, you reconstruct (the entire set of what you consider interpretive)

application: strategy of conformity
explication: archaic and vague approximation

it is not necessary to introduce methods to read a text: the method is in the text. The text is its own criticism, its own explication, its own application.

Texts that operate = texts that are operated on ==> there are just texts
(there is no dichotomy in the operation)

technologies concerning heat, thermodynamics, shocked the traditional world and shaped the one we are now working in.
...theories concerning processes of transformation.
...stages of alchemical initiations, archaic figure of fire,

How to make the history of science as effective as science itself?

...................................

suddenly science falls silent and mythology speaks

transsubstantiation

the astronomer falls in ==> the truth comes out
(ask maryam's astronomer: what disconnects the connected?)

throw the key to the text

for classification, connection is at stake, space is at stake

the formal invariant is something like a transport

what is worse for classification?

non-connections that are at stake

we shall never be free of space

fire, and transcendental subject

accidents of space (at work upon the multiplicity of spatial varieties

what is the program of topology?

My body lives in as many spaces as the group (the society) has formed.
The euclidian house, the street and its networks, open/closed garden, closed space of the sacred, school and its fix points and social varieties, complex ensemble of flow charts, those of language, of factory of family, of political party, and so forth.

..my body is plunged in the intersection of this multiplicity

culture : constructing precise and particular connections between such spatial varieties --> “original intersection”

topology; culture connects and joints, art delinks and disconnects
(the law of incest prohibition connects the disconnected)

pure --> untainted --> separated, enclosed

the discourse of rationality replacing the mythical text --> art becomes science --- the realization of a project is left to reason

siyavosh/sohrab is one of the descendants of disseminated spaces, of catastrophic separation of the continuous

when Rostam recognises the mark of his son, Ferdosi giving a version of recognition scene, connects --> Oedipus
the son, the mother
-we can recognise a typological space: the same and the other: the separated
-the space of the world is described requiring connection
-family tree
-parts are to be joined
-rostam and sohrab, siyavosh and sudabeh, cannot be composed to form a single homogeneous space. (rostam and siyavosh do that)

the presuppose that before discourse there existed a mutual policy of unrelated spaces ~ chaos
-the object or the target of (cultural) discourse is to connect
-to transform a chaos of separate spatial varieties into a space of communication
-scatered members, re-membered
-incoherent chaos, reformulated in the common space of transport when it is reconstructed

Kelileh
...she is the signatory of the discourse
...she mimes the progress and delays of Demneh

ajayeb, a time when transport and itinerary were only myth


transport ~/=? transfer
-transport is a unitary space where transfer is *always possible (like money)
-transfer is only a possibility

so, we must find the word or construct a conditional logos that *already works to connect the crevices which run across the spatial chaos of disconnect varieties, the *proto-worker of space*, the weaver in the topology of nodes

separations by sudden stoppage
•is this a myth?

a worker of the single space
(we are not)

euclidian space of every possible displace
(what are the displaces and displacements in Ajayeb? Be specific)

(proliferating multiplicities of) unlinked morphologies

(fire text)
to practice dichotomy (and its connected paths) one must know that its clefts follow and overlap the ancient mythical narrative (in which worlds are torn ...)


when geometry is born myth falls silent

(the ancient journey) from islands to catastrophes, from passage to fault, from bridge to well, from relay to labyrinth

the original function

the “new space” is always universal

the space of reason is universal, within it there are no more encounters

one can walk on two or four or three legs ----> how the earth is measured
(before entering the Ajayeb website asking that question?)

(a dangerous) flock of chaotic morphologies
(is this subdued or maintained in Ajayeb?)

(i am also more interested in) the aged Europe asleep beneath the mantle of reason and measure

(Leibniz said that one should listen to) old wives’ tales***

The Old Wives’ Tales

...................................

recapitulation
appropriation
=/= fabrication
creation

what are the ‘forces in motion’ in Ajayeb? What are:
Instruments of leverage,
machines,
producers of forces,
for packing,
for transporting,
as source,
as origine,


the applied geometry of our relation to the world

tools are dominated by form

virtual velocities
objective world
geometric reasoning

industrial revolution, a revolution operating on matter
one takes force or produces it

matter transformed by fire
Turner saw  the introduction of fiery matter into culture

an axis of (roaring) fire

matter is no longer left in the prison of diagram, fire desolves it, makes it vibrant, tremble, oscillate, makes it explode into clouds.

New matter ==> new world

fire delivers one from the ice***

steam engine triumphs over forced immobility, inertia

the cut of the reference

product of furnace, the cold product of fusion

old-style riddle

navigate between two pronouns

...................................

properly formed cluster (of letters) = standardization

standard compromises the non-essential, or inessential, those without meaning

what is a logician interested in?
Form --> pathology

misguided sciences

if static is accidental, background noise is essential to communication

pathology
spocken: stammering, mispronounciation, regiomil accents, dysphonia, cacophony
technical: background noise, jamming, static, cut-off, hyteresis, various interruptions

to communicate oraly (in performance work with Ali ) is to risk losing meaning in noise.

A successful communication is the exclusion of the third man, the demon, the interference.

Mathematics has triumphed so well over noise

the (un)logical beginning of logic

to render a form independent of its empirical realization --> universal
drawing a square on sand, i evoke an idea, i eliminate the empirical, dematerialise reasoning
(what is rematerialised reasoning? aesthetic form..?)

the inevitable fact of the historical existence of mathematics
(math's historicity)

(a different word for every yesterday)

...................................

... one had a discourse which often concluded either with the cosmos in general or with the organic life in particular.
19th century

negentropic islands in entropic sea, pockets of order in rising entropy, crystal depositions sunk in ashes, diamond in the rough

organism = meaning + direction

organism combines memory, invariance, plan, message, loss, redundancy, etc
it is old, mortal, and transmiter of new cycle

تو نیکی میکن و در دجله انداز
to niki mikono dar dejle andaz...
(organism?) is a quasi stable turbulence that a flow produces, the eddy closed upon itself for an instance, which finds its balance in the middle of the current and appears to move upstream, but is in fact undone by the flow and re-formed else where.

Man is one at high temperatures

from the information point of view there is a tremendous background noise

the noise of a complex to which a receptor is linked

this unconsciousness

(no one can call that) information is fortunate

there must be noise in pleasure and information in pain (?!)
---hmmm we can't know this properly?

Find in ajayeb, operating functions:
transformations,
fixations,
energy displacements,
movements of observer,
ambiguity functions,
freudian slip,
exploits of signs,
exploits of energy,

(ajayeb is defined by its resistance to metaphors in a system of language)

یک کلاغ چهل کلاغ yek kalagh chel kalagh is precisely noise in a transmission system along a given circuit from one element to another. From a point of view outside the system ambiguity must be added to increase the system's complexity

theory of change (in sign)

what are the unconsciousnesses of integration?

(many) interlocking (black) boxes

obstacles do organise, noise becomes dialect
they come crashing at our feet
in the forms of eros and death
like surf at the edge of the beach

unconscious is the last black observer of chance

aging, is a process we understand as the drifting of information into background noise

عجایب المخلوقات ajayeb al makhlughat, anamnesis, memory, and everything imaginable

body creates language from information and noise

one who utters language, is the receiver at the end chain, the final observer. But the initial dispatcher is (always) unknown.

Ajayeb, make? a chance-program couple
to perform both:
•i am submerged in (its) signal exchanges
•i observe its global set of exchanges

introspection veers off into experience

as Freud, who started from energy models of thermodynamics, has intuited, everything occurs by a dynamic of language, the subsequent development of thermodynamics into information theory.

Knowledge is always linked to an observer

we are drifting towards noise and black depths of the universe...
knowledge is at most the reversal of drifting, that strange conversion of times, always paid for by additional drift; but this is complexity itself, which was once called being

...................................

Auguste Comte says: in light of previous experience we must acknowledge that impossibility determining, by direct measurement, most of the heights and distances we like to know.

Thales, geometry as ruse
construction of summary

operation of application
use of metrics
in applied sciences

(often) measurement is the essential element of application,
but primary in the touch (sensory)

practice <--> ruse <--> theory
we need a ‘ruse’ to go from practice to theory
(mathematics? Is this why young philosophers are lured into math?)

the length my body cannot reach, sun, horizon, the far side of the river

greek idea of theorize: see
sight: by “placing” measurement, measurement by sighting
greek:
vision is tactile without contact
Descartes knew this better than anyone

inaccessible (is at times) accessible to vision

the ruler (the mode notion of module) has been placed accurately on the thing

the eye is a witness of covering-over

to measure is to relate
but, the ‘relation’ implies a transporting, of the ruler

(we are with this) at the realm of the accessible (=/= metaphysics?)

in the realm of inaccessible, vision must take care of displacement

The goal is either civil or astronomical
civil =/=? astronomical

to ask the object in motion to provide a constant flow of information about the object at rest.

Thales stops time to measure space
time freeze in order to perceive
eternity of mathematical figure

how geometry came to the Greeks?
•a practical genesis: build a reduced model, have a notion of module, bring the distant to the immediate.
•a senatorial genesis: organize a visual representation of that which defies physical contact.
•a civil or epistemological genesis: take astronomy as a starting point, reverse the question of the gnomon.
•a genesis that is either conceptual or esthetic: erase time in order to measure and master space.

exchange of the stable and the variant

in a culture with oral tradition, story takes the place of schema, and theater equates intuition.

In Thales story, the schema is the invariant of the tale instead of the tale being the origin of the schema. To teach the theorem is to tell the pseudo-myth of the origin =/= mythical tales being the dramatization of content
Thales theorem is itself anecdotal in relation to the invariable concept that it expresses its own genre: that of similarity***

from a practice he gets another practice


which messages, and how, answers and questions was covered over the centuries by the scenography of shadow-light opposition?
Descartes story: perspectival geometry, theory of shadows.
Plato's story: the sun of the same, the other and empirical object, cast shadow on shaded surface, similarity, the cave of representation.
The tales of origin? --> origin of a technology? Of an optics? Of a geometry?

The ruse of applied mathematics

cultural settings of an architect and an expert builder...

Descartes followed by Descartes

archaic forms of pre-mathematics that run through history

(thinking with geometry must be careful because of its roots in engineering and ruse)

Plato's cave: even flat wall bright, light creates a shaded area; my knowledge is limited to these two shadows. And it is only a shadow of knowledge.
Conclusion of the story of confrontation with solid objects, compact volumes, objective indefinite unknowns.

recognizing the object by its shadow => geometry* (-- transparency and emptiness. the world they constitute is thoroughly knowable)
or
i allow a kernel of shadow within the object --> history of science: the solid always envelopes something that can be rendered explicit***

radical negation of interior shadows

pyramid is itself fire, sun passes through it


Plato kills the hen that laid the golden eggs
“the future of the square and the diagonal is decided as much on the sand where we describe them through the language that names them as it is decided in the sky of ideas.”
the realism of transparent idealities is still immersed in a philosophy of representation.
Iconography is replaced by scenography

the shadowless theatre
the inevitable realism is (still) an idealism

without shadow ~= without secret

kernel of an implicit science: what are the relationships of a technique, (with) of a myth, (with) of a communication.. ?

The idealities implicit in technology --> mobilized in representation
(--> dramatized by myth) : obscure articulation of rigorous knowledge (--> totality of human activity)

the birth of beauty never stops
.
.the eternal geometer

(mathematical science's) sudden fits

...................................

on defeat:
the original power: ‘victorious’ [--> mastery is (so far presented as) victorious]
=/= a song to the pleasures of life, a guilt-free knowledge
-choosing between springtime or plague
[--> “phenomenology of defeat"]


-(can we) be and think (, stay, come from, or arrive) on the side of the *retreat* (whether strategic or historically mandated) ? (@Leo)
retreat --> (re)trace ...{is about the traces of things that are left that need to be read, condition of research practice, but never coming with a full-on truth-telling logos, rather stay in the twilight(ment) and not the blinding sun of an enlightenment}--> learning from Derrida and Avital
-when things start getting internalized --> ‘depressive position’ --> you can manage your relations to the ‘good object’ --> integration [=/~-> the twin-other: melancholia] [=/= when everyone is out to get you --> schizophrenic paranoid position]
...dealing with what we are left with, the reminiscence, die Reste, and so on
(Rousseauian, Heidegger also,) there is too much action, let's back off, let's retreat, let's listen to what the retreat is...
-retreat not as a military tactic, which means you are doing it in order to win something

---->[the story of writing]
within the artist world [artist as a creative being who inscribe on the world and in the world] (including apass) “writing” is internalized as the ‘bad object’
always considered secondary, excremental مدفوعى, the sign of something lacking: if you were in the real space of action, of being, you wouldn't need to write
-(for artists) writing distressed as an activity
-[the question remains] who holds the phallus? (in a converstaion and elsewhere) (=/= being open to being)
-taking dictations, an abjected position
writing is always linked to modalities of #retreat, evacuation, nonpresence
(am i associated with ecriture?) ==> being persecuted (on some level), there is something unbearable about the retreat ----> panic of the political
-let's inhabit an understander of retreat and what it involves, and, taking the responsibility of leaving your post. [we learn from what Kafka(‘s architecture of decision) surveils and marks for us > Avital --> where we are speaking/speeding from? and what is the architecture from which language emerges? is it a textual ventilator? or things are threatening to fixate?]

how Iran named its Iran-Iraq war? Défense sacrée, the Holy Defense, دفاع مقدس, (and many other names)
how did we “have” an experience---after the war? (much less an adventure or an adventurous encounter with history pumped up with meaning and sense-making and productive futurity)

to tabulate

ok, i am refering to things that don't come up as part of the master discourse, things that don't come up as something we can assimilate (جذب) or appropriate



towards the gaze --> a theatrical gesture : to see everything serenely (in quiet contemplation) --> to be (at last) free from the Gods

(those who believe that) there is only transcendence, (that transcendence is all there is)
(this is also the common mistake in reading Iranian old mystic literature)

cruel hallucinations

laws criss-cross the world

...for i am a slave of science

the chain of orders : the new is born of the old =/= angle (interrupts the stoic chain, the chain of cause and effect)

extermination and determination
laws of identity, repetition, and information-free
death at the end of entropy --> sequence of events (from the point of view of plague narrative --> the law is the plague + the reason is the fall [--> everything falls to zero])
the same ~=?! non-being

drops of knowledge

physics of the military*
•sheets of atoms
•well-ordered arranges
•in columns
•the learned science of the teachers
•the structure of division
•Heraclitean physics of war
•chain of reason
•the knowledge of ranks
-

(in nature?) animals are born from flows
animals born from fluid mechanics

the infinite cylinder of parallel consequences, trains of reason rain down in torrent:
•contact space travel, doctor strange kick trip, lucy time travel, matrix clock scene
what is the analogy with the concrete model? In each case
what is the order of the world that is explained by visible phenomenon in each of these cinematic scenes?
The beginning of vortex
causality
perspective
body

(what are?) models in ajayeb:
concretes, quasi-concretes, laws, equations,
vortices, turbulent clouds,
random dispersions,
flows, disequilibrias,
packs, alliances, conventions,
struggles with nature, alliances,
downhills, slopes,
content, norms, results,

the model and theory are both necessitarians
(how can this be explained materially?)

(what is the opposite of ‘people’?)

“physics”: the global contract (=/= global conflict; promise of physics), the general scheme of things (that scientists agree on)

flow did not follow (the general theorem of mechanics)

[@Sana] (why is it important) to describe flow in all its concrete complexity (--> Freud describes psychological flow in his work on libido)
----> formation of living systems

#the mindful stochastic knowledge of phenomenas#

Sohrevardi's work on the soul out of the tangible realm
(if your house or town is on an ocean the chosen model is a fluid one =/= polyhedron crystal) --> how would Sohrevardi choose a model? What would he think of fluid systems? [--> The Solids of...]
what are his rigorous bodies?

in Sohrevardi the *order* is of the ...[?] {of the world? Of the street? Of the code? Laboratory? Of the operative? Civil? Logical? Social? Scholastic?

more phenomenological ~=?(&?) less measured
(the river of phenomena is physics)

they put (ajayeb's) nature outside nature, (placing it in the subject, and so on)
which facts “are” the foundation of materialism?
-(the idea they says) classical knowledge deserves classical philosophy

(#?%$@x*!!!---->) if there are monsters here, go elsewhere(!)

what? / how? --> by contract or by strategy?

the ‘question’ is always consequential, never naive or frivolous

we need? workers (=/= generals)
we need? contracts (=/= strategy)
(how can i understand my “strategies” and my “contracts” ?! contractual agreements that i use or depend on or produce in my research and work with ajayeb, and in relation to the others in my performances--{my vocabulary, thinking with me, (un)learning with me, etc}--and even prior to the event of our encouter, the binding transferential contract in relation to the one who speaks) ~~--> (and issuing its) betrayal
strategy --(always? [should?] ends with)-->? contract; (for example, making peace treaty after war)
[]

{*strategy, “art of generals,” from French stratégie, from Greek strategia “office or command of a general,” from strategos “general,” from stratos “multitude, army, expedition,” literally “that which is spread out” (--> “structure”) + agos “leader,” from agein “to lead” (--> “act”).}

(strategy/contract/...)

***science is conditioned but unconditional***
(Serres:) science is conditioned by postulates or by decisions that are generally social, cultural, or historical in nature, which form it and orient it
--(nevertheless)--> sci is universal and free from contract #science-story
“I can't think of a mountain, a border, or a date which makes the agreement of scientists and everyone else relative on these points.”
-they say sci is conditioned but not determined


conditions that do not determine the contents of what they condition
(mathematics?)
but they determine the map of what they condition : the schema of its relations --> the topology of science; the clay remains the same but the shape changes

Fluid Mechanics can be a basis for biology (--> constitution of living being) or for a [...]