[...] real consequences—slogans in politics may rely on this typical power of cursing. In the Amazon I was not looking for the proper name of ="trms">nature, neither theological nor analytical nor the ="trms">supposed accidental. That means (looking for ways) critically not to be real.
An extended concept of cursing enters visuality in the gaze of the evil eye.='lgc'>[11='lgc'>] The malevolent glare who stamps upon by staring at an accidental moment of encounter in the evil eye, brings together the ="trms">narrative of the random ="trms">traveler who casts a gaze in another ="trms">world of virtual and visual ="trms">agency, and emphasises the randomness and hideousness of looking. The transaction between the eyes in the evil eye goes both ways to posses both the beholders. The target of the evil eye is always missed='lgc'>[ar='lgc'>] due to the ="trms">internal conflict of perception and will. The ="trms">intersection of visions is feared and programmed in the modalities of ="trms">material talisman and culturally protective performances for the subject from meeting the other’s gaze. But the evil eye is precisely so powerful and real because of its ability to name the uncanny event of encounter. “Nothing is wholly obvious without becoming enigmatic.”='lgc'>[12='lgc'>]
="brkr">
='lgc'>[="ppl">Serres='lgc'>]
does experimentation, in art ="trms">science, ex="trms"nttrm="cluster,club">cludes subjectivity='qstn'>? More the importance of experiment on self. Returning the aim back to knowl="trms"nttrm="knowledge,Knowledge">edge, instead of the division of knowl="trms"nttrm="knowledge,Knowledge">edge. Our subjectivity is not an illusion to be overcomed, but that is another part of reality.
Displacement on the space of myth. Myth informs ="trms">science.
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To know is to navigate between local fragments of space , to reject ="trms">techniques of classification and separation, to implement a philosophy of transport to counter the dogmatism of united and ="trms">systematic knowl="trms"nttrm="knowledge,Knowledge">edge.
...the itinerary traces the trans="trms">mission, transformation, and multiplication of messages through diverse spaces of ="trms">communication.
The spatial ="trms">language of the ="trms">writing of the ="trms">world, geography, ="trms">language of paths, movements, marks the moment of passage towards a new ="trms">epistemology.
="trms">World is the space of your inscription, ="trms">scientists. To ="trms"nttrm="already,spread">read and to journey are the one and same act.
Fantastic flow of myth. The sacred and the ="trms">religious words are spoken at the same time and in the same breath as those of ="trms">science and of journeys.
Two speakers, united against the ="trms">phenomenon of ="trms">interference and confusion. Who's stake is in ="trms">interrupting ="trms">communication='qstn'>? The above ="trms">interlocutors are on the same side, far from the dialogical game.
Demin in="trms"nttrm="cluster,club">cludes himself in the circuit, b="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurs the message, renders it unintelligible, and exactly by that assures trans="trms">mission. Parasite produces by the way of disorder a more complex order.
..penetrative grasp of a text, discovery and recreative apprehension of it life-forms, is impossible to paraphrase or ="trms">systematize.
..temporal and local settings of one's text. (to master it='qstn'>?)
to ="trms"nttrm="already,spread">read X, is ="trms">literally, to ‘prepare’ to ="trms"nttrm="already,spread">read X
in certain civilizations there comes epochs in which syntax stiffens...
Changing landscape of fact
unexamined smiles
worn ="trms">tropes
words, the guardians of meanings, are not immortal.
="trms">="trms"nttrm="metaph,metamorph,metabol,metal">Metaphysical scandal
note on ="trms">history='lgc'>: ="trms">past is a ="trms">language construct, that the ="trms">past tense of the ="trms">verb is the sole guarantor of ="trms">history.
Dialectics as a ="trms">method of intellectual chase.
Who first told a ="trms">joke='qstn'>?
Certain ="trms">languages are inhospitable to new ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors.
="trms">Language-act
to ="trms"nttrm="already,spread">read='lgc'>: is to restore all that one can of the immediacies of value and intent in which speech actually occurs.
my o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal repetition
we re-enact in our educated consciousness
in what sense does unperformed music exist='qstn'>?
The same ground, when using the ‘speculative ="trms">instruments’, the critic, editor, actor, and ="trms"nttrm="already,spread">reader stand on.
When we ="trms"nttrm="already,spread">read or hear any ="trms">language statement from the ="trms">past, we ="trms">translate.
En="trms">code and de="trms">code “message”, misleading operative models of ="trms">translation between ="trms">different ="trms">languages and even within a single ="trms">language.
One treason in ="trms">translation='lgc'>: words rarely show any outward mark of altered meaning, they body forth their ="trms">history only in a fully established context.
What ="trms">material reality has ="trms">history out of ="trms">language='qstn'>? ='lgc'>--the ="nms">tasavof ="trms">verbal ="trms">linguistic tradition
silence knows no ="trms">history...='qstn'>?
...to remind you that everything is the condition of madness.
“Tense ="trms">Past”
..the landscape ="trms">composed by the ="trms">past tense, the semantic organization of re="trms">membrance... is styled and ="trms">coded ="trms">differently by cultures. ='lgc'>--miniature illustrating San'an='qstn'>?
The ="trms">verbal icon made up of all successive ="trms">translations of ="trms">Greek ="trms">literature and philosophy has oriented fundamental movements in Islamic feelings ='lgc'>--="ppl">Farabi, Mirdamad, etc.
My ="trms">translation of classics is not out of a vital compulsion for immediacy or precise echo. I am not trying to build my own resonant ="trms">past. Myth of the ‘true ="trms">past’... ="trms">different perspectives can co-exist and b="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lur
the ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics of the insult, in San'an ="trms">story
i am ="trms">interested in the conventions in which texts can be ="trms"nttrm="already,spread">read, in which a semantic statement can be carried over into someone's own idiom. I am teaching how to re="trms"nttrm="already,spread">read texts of ="ppl">Attar and so forth.
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We have civilization because (we have learned) ‘to ="trms">translate out of time’
übertr="trms">agen,
handing down thought ="trms">narrative,
something that also depends on transfer of meaning in space.
="trms">Languages conceal and ="trms">internalize more, perhaps, than they convey outwardly.
Speech-act is most expressive of status and power='lgc'>--when a peer is in earshot. (something that i have been trying to undermine in my ="trms">lectures)
...calculated to guard some coherence of inner life (while wounding outward)
(motions of) menace and non-information (in top down dialogues)
monosyllables of the oppressed and polysemy of the upper class (the capacity of the same word to mean ="trms">different things, such ="trms">differences characterises the ="trms">language of ideology.)
fracture of words and the maltreatment of grammatical norms, by ="trms">children, they are a exploited and rebellious class, the ="trms">child seeks to keep the ="trms">world open to his own, by refusing to accept the rules of grown-up speech.
="trms"nttrm="learn,clear,Clearl,Olearius">Lear note='lgc'>: surrounded by incomprehensible or hostile reality, the ="trms">child breaks off ="trms">verbal contact. He seems to choose silence to destroy his ="trms">imagined enemy. Like murderous Cordelia, ="trms">children know that silence can destroy another human being.
The multitudinous existence of ="trms">child has left comparatively few archives.
...the uniquely vulnerable and creative condition of the ="trms">childhood
privileged inferiority (of both ="trms">child and woman)
="trms">intercourse and discourse
feminine use of subjunctive, in European ="trms">languages, give a characteristic vibrato to ="trms">material facts and ="trms">relations. ... They multiply the facets of reality, they strengthen the adjective to allow it an alternative nominal status.
...obtuse resistant fabric of the ="trms">world
in every known culture, men have accused women of being garrulous, of wasting words with lunatic prodigality.
The chattering, ranting, gossiping female, the tattle, the scold, the toothless crone her mouth wind-full of speech, is older than fairy-tales.
...men's delight in women's voice when their register is sweet and low.
the change in men's voice, the crowding of cadence, the heightened fluency t="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riggered by sexual ex="trms">citement. And how men's speech flattens, how it's intonations dull after orgasm.
The motif of the woman or maiden who says very little, in whom silence is a counterpart to chasteness and sacrificial grace, lends a unique pathos to Antigone or Oerepidus..
fabric of ="trms">obligation, ="trms">different for men and women within the same ="trms">community
="trms">linguistically programmed conceptualizations vs. biologically determined apprehensions of sense ="trms">data
...lady Macbeth negates the fierce reality of Macbeth vision
...="trms">communication like breathing is subject to obstruction and homicidal breakdowns, under stress of hatred, of boredom, or of sudden panic, great gaps open ...that their previous understanding had been based on a trivial pidgin which had left the heart of meaning untouched.
What is the female speech in San'an='qstn'>?
By far the greater proportion of art and ="trms">historical record has been left by men. The process of ‘sexual ="trms">translation’ or of the breakdown of ="trms">linguistic exchange (is seen, almost invariably, from a male focus.)
="prgrph">-the breakdowns and ="trms">translations in San'an ="trms">story.
="prgrph">-The sexual ="trms">translation and breakdown of ="trms">linguistic exchange in San'an ="trms">story.
How, when, and who can see or render the genius of women's speech and see the crisis of imperfect or abandoned ="trms">translations (from both sides)='qstn'>?
...having an ‘ear’ for contrasting pressures of sexual discourse or identity
in San'an, man and woman, each respective experience of eros and ="trms">language had set them desperately apart.
In whose idiom, male or female, one can grasp (only) falsehood or menace='qstn'>?
...as declaimer of my own stifled, tongue
any model if ="trms">communication is a model of ="trms">translation, of transfer of significance. No two localities use words and syntax to signify exactly the same things, to send identical signals (of valuation and inference).
='lgc'>[the matrix space tries to create that assurance of identical signals, the electronic, digital space, grid, ="trms">systematic, node based='lgc'>-- but ="trms">linguistic ="trms">storytelling is not='lgc'>]
In performance, cor="trms">responding to my level of ="trms">literacy, and a private thesaurus, part of my subconscious and personal ="trms">memories, and using the singular and irreducibly ="trms">specific ensemble of somatic and psychological identity.
Getting out of one's own ="trms">dictionary of private re="trms">membrance, in old age.
A study of ="trms">translation is a study of ="trms">language
='thdf'>the ideal of a totally personal voice, of a unique ‘fit’ between an individual's expressive means and his ="trms">world-image, perused by the ="trms">poets.
Only when we reflect on it, when we lift the facts from the misleading context of the obvious, that the possible strangeness, the possible ‘un="trms">naturalness’ of the human ="trms">linguistic order strikes us.
I am ="trms">interested in this p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lura="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list framework we are living in since the inception of recorded ="trms">history.
...
It is not a formal hard-="trms"nttrm="knowledge,Knowledge">edged ="trms">linguistic relegation, rather a ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysical speculation
(making a ‘="trms">language atlas’='qstn'>?)
constructs of universals / transformational grammars='lgc'>: that have nothing of substance to say about the prodigality of ="trms">language atlas
my ="trms">interest in the ="nms">ajayeb is due to the traces it provides into ="trms">verbal ="trms">literacy, a living vulgar ="trms">language, rather than a dead structure such as mantegh al teir ="ppl">Attar (Mantiq-ut-Tayr).
..vanishing ="trms">languages and people, their ="trms">history and ="trms">morphological structures uncharted, dim into the oblivion, each takes with it a storehouse of consciousness.
An image of man as a ="trms">language ="trms">animal of implausible variety and waste.
Cultures (during ="ppl">Attar's='qstn'>?) seem to expend on their ="trms">vocabulary and syntax acquisitive energies and ostentations entirely lacking in their ="trms">material lives.
='lgc'>[very ="trms">interesting point regarding the ="trms">language of mysticism, ="ppl">Attar and others.='lgc'>]
="trms">language riches seem to act as compensatory mechanisms. (having 60 ="trms">different words in Shahnameh for signifying ‘horse’, doesn't necessitates the ="trms">material variety of horse in the ancient ="nms">Iranian culture='qstn'>?)
='lgc'>--starving bands of Amazonian Indians may lavish on their condition more ="trms">verb tenses than could ="ppl">Plato.
Is my ="trms">language, or lack of speaking certain ="trms">languages, a powerful obstacle to the ="trms">material and ="trms">social progress of me='qstn'>?
='lgc'>--withering inward by ="trms">language barriers. ="trms">Linguistically atomized
="trms">interaction of physical and spiritual ="trms">agencies...
The nomina="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list mechanism of creation='lgc'>: each time man spoke he re-enacted, he ="trms">mimed.
(...the early forms and feelings of consciousness in human ="trms">ancestral ="trms">pasts)
my ="trms"nttrm="already,spread">reading or performance in="trms"nttrm="cluster,club">cludes scrutinising con="trms">figuration of letters and inverting words.
Bad ="trms">translations ="trms">communicate too much, limited to what is non-essential in the fabric of the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal, missing the bond of meaning.
If ="trms">translation is a form, then the condition of ="trms">translatability must be ="trms">ontologically necessary to certain works.
="trms">="trms"nttrm="metaph,metamorph,metabol,metal">Metaphysics of ="trms">translation
="trms">translation is profoundly philosophic, ethical, and magical. It imports source of life. Alchemy, must retain a vital strangeness and ‘otherness’.
My ="trms">translation, an ="trms">interlinear version of the script, a virtual ="trms"nttrm="search">archetype of ="trms">translation
obsessive awareness of the opaqueness of ="trms">language, ="ppl">Kafka's continuous parable on the impossibility of genuine human ="trms">communication. The impossibility of not ="trms">writing, the impossibility of ="trms">writing in German, of ="trms">writing ="trms">differently.
="trms">Presence of ="trms">interpreters in the building site, ="ppl">Kafka, ="trms">literature house
in ="ppl">Kafka, great wall='lgc'> = mosaic law ='qstn'>?
Only if men could use ="trms">language without perusing meaning to the forbidden ="trms"nttrm="knowledge,Knowledge">edge of the absolute.
Alpha ='and'>& ="frds scrmbld"nttrm="Alex,Alert,Aleph,Alessi">Aleph
...is certain to encompass ‘some terrible meaning’ in one of its secret ="trms">languages
‘a ="trms">poetic ="trms">vocabulary of concepts’
‘connections or af="trms">finities’
pursuit of an ="trms">inter-="trms">lingua for philosophic discourse
not to contemplate a mechanical transcription of the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal
="trms">history, the mother of truth.
To define ="trms">history not as an inquiry into reality, but as it's o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin.
Menard, William James
="trms">translator's ‘mysterious duty’
if needed, i am anyone
="trms">language mysticism studies
...primitive seek expression through ‘="trms">imaginative universals’, this rapidly acquired a ‘in="trms">finite particularity’
it is only by means of essentially ="trms">poetic recreation or ="trms">translation of a given ="trms">language-="trms">world that the new ="trms">science of myth and ="trms">history can hope to retrace the growths of consciousness
in ="nms">apass, inventing a ="trms">science of myth and ="trms">history, towards a general theory of significant sign.
Corruption of ="trms">language and decline of body politics='qstn'>?
Can we correlate the Persian syntax with the ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysical ambience, ="trms">internal divisions, and lyric bias of Persian people='qstn'>?
A pivot point must inform and relate
...the shaping ="trms">agencies of intellect.
Speech is ="trms">poiesis and human ="trms">linguistic ="trms">articulation is centrally creative.
The ="trms">language-matrix
="trms">language, informed by energies proper to itself, more comprehensive and timeless than any who makes use of it...
There is a ="trms">phenomenon of ="trms">linguistic Entfremdung inseparable from the creative genius of the word. (="ppl">Humboldt)
...conjectures with prophetic brilliance
discourse (Rede) would not be muffled by the ground='lgc'>='lgc'>---we walk erect
jede Sprache ist ein Versuch='lgc'>='lgc'>---trial
(="ppl">Humboldt)
="trms">different ="trms">languages penetrate to ="trms">different depths
="trms">Literaturehaus, hause has always been a ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphor for consciousness
cryptotypr ='lgc'>: ="trms">categories of semantic organization
which ="trms">translates the underlying ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics of a ="trms">language into its overt or surface grammar.
...understanding of those deep-seated dynamics of meaning, of chosen and significant form, (that make up a culture)
it is exceedingly difficult for an outsider to, operating inevitably within the ="trms">world-frame of his own tongue, to penetrate to the active ="trms">symbolic depths of a foreign tongue.
='lgc'>='lgc'>---we reach for the bottom and stir up further darkness.
..a careful philosophically and ="trms">poetically disciplined observation
beautifully logical (discrimination) about='lgc'>: ="trms">causation, action, result
dynamic or energetic quality, directness of experience.
(these words for ="frds scrmbld">Shabnam='qstn'>?)
...all ="trms">matters of the function of thinking
(why do i want to bring to her, to ="frds scrmbld">Shabnam, the quintessence of the rational='qstn'>?)
‘the inner music of meaning’
the german tenderness
german tender='lgc'>='lgc'>---zart
(in ="frds scrmbld">Shabnam's ="trms">poetry ='lgc'>: the clash between ‘mental’ and ‘psychic’ ="trms">codes of recognition)
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the villain is outside the law (of exchange)
...the court of words='lgc'>='lgc'>---in ikhvano safa ="trms">animals de="trms">monstration
...when the ="trms">market of life has closed down
faith and substitution of meaning
how can i tear you from your vows, and not myself use vows='qstn'>?
The faiths that are sworn (before every exchange or change)
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a word for a woman bound by another sacred word ='lgc'>='lgc'>--> breaking your oaths='lgc'>='lgc'>---in the age of ... (message to the triba="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list, the son)
Don ="frds scrmbld">Juan='lgc'>: yesterday you gave me your word to come to dine with me.
A beautiful woman='lgc'>: yes where must i go='qstn'>?
Don ="frds scrmbld">Juan='lgc'>: give me your hand.
a madman /
outside the law of reason, a [...]