[...]s it closed='qstn'>?
What is its plan='qstn'>? How it transports ="trms">according to this plan='qstn'>? What are the circulating elements='qstn'>? What is stable there='qstn'>? What are the transformations when it transports='qstn'>?
Reservoir is libidinal='strcls'>*
capital, quantity of energy, constancy of force,
what can be applied to the pattern of circulations='qstn'>?
(of ="trms">vocabulary, value, money, desire, etc.)
what blocks circulation='qstn'>? Who or what governs it='qstn'>?
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In answering, you reconstruct (the entire set of what you consider ="trms">interpretive)
application='lgc'>: strategy of conformity
explication='lgc'>: archaic and vague approximation
it is not necessary to introduce ="trms">methods to ="trms"nttrm="already,spread">read a text='lgc'>: the ="trms">method is in the text. The text is its own criticism, its own explication, its own application.
Texts that operate='lgc'> = texts that are operated on ='lgc'>=='lgc'>=> there are just texts
(there is no dichotomy in the operation)
="trms">technologies concerning heat, thermodynamics, shocked the traditional ="trms">world and shaped the one we are now working in.
...theories concerning processes of transformation.
...="trms">stages of alchemical initiations, archaic figure of fire,
How to make the ="trms">history of ="trms">science as effective as ="trms">science itself='qstn'>?
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suddenly ="trms">science falls silent and mythology speaks
transsubstantiation
the astronomer falls in ='lgc'>=='lgc'>=> the truth comes out
(ask maryam's astronomer='lgc'>: what disconnects the connected='qstn'>?)
throw the key to the text
for classification, connection is at stake, space is at stake
the formal invariant is something like a transport
what is worse for classification='qstn'>?
non-connections that are at stake
we shall never be free of space
fire, and transcendental subject
accidents of space (at work upon the multiplicity of spatial varieties
what is the program of topology='qstn'>?
My body lives in as many spaces as the group (the ="trms">society) has formed.
The euclidian house, the street and its ="trms">networks, open/closed garden, closed space of the sacred, school and its fix points and ="trms">social varieties, complex ensemble of flow charts, those of ="trms">language, of factory of family, of political party, and so forth.
..my body is plunged in the ="trms">intersection of this multiplicity
culture ='lgc'>: constructing precise and particular connections between such spatial varieties ='lgc'>='lgc'>--> “o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal ="trms">intersection”
topology; culture connects and joints, art delinks and disconnects
(the law of incest prohibition connects the disconnected)
pure ='lgc'>='lgc'>--> untainted ='lgc'>='lgc'>--> separated, enclosed
the discourse of rationality replacing the mythical text ='lgc'>='lgc'>--> art becomes ="trms">science ='lgc'>='lgc'>--- the realization of a project is left to reason
siyavosh/sohrab is one of the descendants of disseminated spaces, of catastrophic separation of the continuous
when Rostam recognises the mark of his son, ="ppl">Ferdosi giving a version of recognition s="trms">cene, connects ='lgc'>='lgc'>--> Oedipus
the son, the mother
="prgrph">-we can recognise a typological space='lgc'>: the same and the other='lgc'>: the separated
="prgrph">-the space of the ="trms">world is described requiring connection
="prgrph">-family tree
="prgrph">-parts are to be joined
="prgrph">-rostam and sohrab, siyavosh and sudabeh, cannot be ="trms">composed to form a single homogeneous space. (rostam and siyavosh do that)
the pre="trms">suppose that before discourse there existed a ="trms">mutual policy of unrelated spaces ='lgc'>~ chaos
="prgrph">-the object or the target of (cultural) discourse is to connect
="prgrph">-to transform a chaos of separate spatial varieties into a space of ="trms">communication
="prgrph">-scatered ="trms">members, re-="trms">membered
="prgrph">-incoherent chaos, re="trms">formulated in the common space of transport when it is reconstructed
Kelileh
...she is the signatory of the discourse
...she ="trms">mimes the progress and delays of Demneh
="nms">ajayeb, a time when transport and itinerary were only myth
transport ='lgc'>='lgc'>~/=='qstn'>? transfer
="prgrph">-transport is a unitary space where transfer is ='strcls'>*always possible (like money)
="prgrph">-transfer is only a possibility
so, we must find the word or construct a conditional logos that ='strcls'>*al="trms"nttrm="already,spread">ready works to connect the crevices which run across the spatial chaos of disconnect varieties, the ='strcls'>*proto-worker of space='strcls'>*, the weaver in the topology of nodes
separations by sudden stoppage
="lsts lst1">•is this a myth='qstn'>?
a worker of the single space
(we are not)
euclidian space of every possible displace
(what are the displaces and displacements in Ajayeb='qstn'>? Be ="trms">specific)
(proliferating multiplicities of) unlinked ="trms">morphologies
(fire text)
to practice dichotomy (and its connected paths) one must know that its clefts follow and overlap the ancient mythical ="trms">narrative (in which ="trms">worlds are torn ...)
when ="trms">geometry is born myth falls silent
(the ancient journey) from islands to catastrophes, from passage to fault, from bridge to well, from relay to labyrinth
the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal function
the “new space” is always universal
the space of reason is universal, within it there are no more encounters
one can walk on two or four or three legs ='lgc'>='lgc'>--='lgc'>='lgc'>--> how the earth is ="trms">measured
(before entering the Ajayeb website asking that ="trms">question='qstn'>?)
(a d="trms"nttrm="danger,stranger">angerous) flock of chaotic ="trms">morphologies
(is this subdued or maintained in Ajayeb='qstn'>?)
(i am also more ="trms">interested in) the aged Europe asleep beneath the mantle of reason and ="trms">measure
(="ppl">Leibniz said that one should ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listen to) old wives’ tales='strcls'>***
The Old Wives’ Tales
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recapitulation
appropriation
='lgc'>=/= fabrication
creation
what are the ‘forces in motion’ in Ajayeb='qstn'>? What are='lgc'>:
="trms">Instruments of leverage,
machines,
producers of forces,
for packing,
for transporting,
as source,
as o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigine,
the applied ="trms">geometry of our ="trms">relation to the ="trms">world
tools are dominated by form
virtual velocities
objective ="trms">world
="trms">geometric reasoning
industrial revolution, a revolution operating on ="trms">matter
one takes force or produces it
="trms">matter transformed by fire
Turner saw the introduction of fiery ="trms">matter into culture
an axis of (roaring) fire
="trms">matter is no longer left in the prison of diagram, fire desolves it, makes it vibrant, tremble, oscillate, makes it explode into clouds.
New ="trms">matter ='lgc'>=='lgc'>=> new ="trms">world
fire delivers one from the ice='strcls'>***
steam engine triumphs over forced immobility, inertia
the cut of the reference
product of furnace, the cold product of fusion
old-style riddle
navigate between two pronouns
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properly formed ="trms"nttrm="cluster,club">cluster (of letters)='lgc'> = standardization
standard compromises the non-essential, or inessential, those without meaning
what is a logician ="trms">interested in='qstn'>?
Form ='lgc'>='lgc'>--> pathology
misguided ="trms">sciences
if static is accidental, background noise is essential to ="trms">communication
pathology
spocken='lgc'>: stammering, mispronounciation, regiomil accents, dysphonia, cacophony
="trms">technical='lgc'>: background noise, jamming, static, cut-off, hyteresis, various ="trms">interruptions
to ="trms">communicate oraly (in performance work with ="frds scrmbld"nttrm="Alice,Shariati">Ali ) is to risk losing meaning in noise.
A successful ="trms">communication is the ex="trms">="trms"nttrm="cluster,club">clusion of the third man, the demon, the ="trms">interference.
Mathematics has triumphed so well over noise
the (un)logical beginning of logic
to render a form independent of its ="trms">="trms">empirical realization ='lgc'>='lgc'>--> universal
drawing a square on sand, i evoke an idea, i eliminate the ="trms">="trms">empirical, de="trms">materialise reasoning
(what is re="trms">materialised reasoning='qstn'>? ="trms">aesthetic form..='qstn'>?)
the inevitable fact of the ="trms">historical existence of mathematics
(math's ="trms">historicity)
(a ="trms">different word for every yesterday)
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... one had a discourse which often con="trms"nttrm="cluster,club">cluded either with the ="trms">cosmos in general or with the organic life in particular.
19th century
negentropic islands in entropic sea, pockets of order in rising entropy, crystal de="trms">positions sunk in ashes, diamond in the rough
organism='lgc'> = meaning ='lgc'>+ direction
organism combines ="trms">memory, invariance, plan, message, loss, redundancy, etc
it is old, mortal, and transmiter of new cycle
تو نیکی میکن و در دجله انداز
to niki mikono dar dejle andaz...
(organism='qstn'>?) is a quasi stable turbulence that a flow produces, the eddy closed upon itself for an instance, which finds its balance in the middle of the current and appears to move upstream, but is in fact undone by the flow and re-formed else where.
Man is one at high temperatures
from the information point of view there is a tremendous background noise
the noise of a complex to which a receptor is linked
this unconsciousness
(no one can call that) information is fortunate
there must be noise in pleasure and information in pain (='qstn'>?!)
='lgc'>='lgc'>---hmmm we can't know this properly='qstn'>?
Find in ="nms">ajayeb, operating functions='lgc'>:
transformations,
fixations,
energy displacements,
movements of observer,
ambiguity functions,
freudian slip,
exploits of signs,
exploits of energy,
(="nms">ajayeb is defined by its resistance to ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors in a ="trms">system of ="trms">language)
یک کلاغ چهل کلاغ yek kalagh chel kalagh is precisely noise in a trans="trms">mission ="trms">system along a given circuit from one element to another. From a point of view outside the ="trms">system ambiguity must be added to increase the ="trms">system's complexity
theory of change (in sign)
what are the unconsciousnesses of ="trms">integration='qstn'>?
(many) ="trms">interlocking (black) boxes
obstacles do organise, noise becomes dialect
they come crashing at our feet
in the forms of eros and death
like surf at the ="trms"nttrm="knowledge,Knowledge">edge of the beach
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unconscious is the last black observer of chance
aging, is a process we understand as the drifting of information into background noise
عجایب المخلوقات ="nms">="nms">ajayeb al makhlughat, anamnesis, ="trms">memory, and everything ="trms">imaginable
body creates ="trms">language from information and noise
one who utters ="trms">language, is the receiver at the end chain, the final observer. But the initial dispatcher is (always) unknown.
Ajayeb, make='qstn'>? a chance-program couple
to perform both='lgc'>:
="lsts lst1">•i am submerged in (its) signal exchanges
="lsts lst1">•i observe its global set of exchanges
introspection veers off into experience
as ="ppl">Freud, who started from energy models of thermodynamics, has intuited, everything occurs by a dynamic of ="trms">language, the subsequent development of thermodynamics into information theory.
Knowl="trms"nttrm="knowledge,Knowledge">edge is always linked to an observer
we are drifting towards noise and black depths of the universe...
knowl="trms"nttrm="knowledge,Knowledge">edge is at most the reversal of drifting, that strange conversion of times, always paid for by additional drift; but this is complexity itself, which was once called being
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Auguste Comte says='lgc'>: in light of previous experience we must acknowl="trms"nttrm="knowledge,Knowledge">edge that impossibility determining, by direct ="trms">measurement, most of the heights and distances we like to know.
="ppl">Thales, ="trms">geometry as ruse
construction of summary
operation of application
use of metrics
in applied ="trms">sciences
(often) ="trms">measurement is the essential element of application,
but primary in the touch (sensory)
practice ='lgc'><='lgc'>='lgc'>--> ruse ='lgc'><='lgc'>='lgc'>--> theory
we need a ‘ruse’ to go from practice to theory
(mathematics='qstn'>? Is this why young philosophers are ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lured into math='qstn'>?)
the length my body cannot reach, sun, horizon, the far side of the river
="trms">greek idea of theorize='lgc'>: see
sight='lgc'>: by “placing” ="trms">measurement, ="trms">measurement by sighting
="trms">greek='lgc'>:
vision is tactile without contact
="ppl">Descartes knew this better than anyone
inaccessible (is at times) accessible to vision
the ruler (the mode notion of module) has been placed accurately on the thing
the eye is a witness of covering-over
to ="trms">measure is to relate
but, the ‘="trms">relation’ implies a transporting, of the ruler
(we are with this) at the realm of the accessible (='lgc'>=/= ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics='qstn'>?)
in the realm of inaccessible, vision must take care of displacement
The goal is either civil or astronomical
civil ='lgc'>=/=='qstn'>? astronomical
to ask the object in motion to provide a constant flow of information about the object at rest.
="ppl">Thales stops time to ="trms">measure space
time freeze in order to perceive
eternity of mathematical figure
how ="trms">geometry came to the ="trms">Greeks='qstn'>?
="lsts lst1">•a practical genesis='lgc'>: build a reduced model, have a notion of module, bring the distant to the immediate.
="lsts lst1">•a senatorial genesis='lgc'>: organize a visual re="trms">presentation of that which defies physical contact.
="lsts lst1">•a civil or ="trms">epistemological genesis='lgc'>: take astronomy as a starting point, reverse the ="trms">question of the gnomon.
="lsts lst1">•a genesis that is either conceptual or esthetic='lgc'>: erase time in order to ="trms">measure and master space.
exchange of the stable and the variant
in a culture with oral tradition, ="trms">story takes the place of schema, and theater equates intuition.
In ="ppl">Thales ="trms">story, the schema is the invariant of the tale instead of the tale being the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of the schema. To teach the theorem is to tell the pseudo-myth of the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin ='lgc'>=/= mythical tales being the dramatization of content
="ppl">Thales theorem is itself anecdotal in ="trms">relation to the invariable concept that it expresses its own genre='lgc'>: that of similarity='strcls'>***
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from a practice he gets another practice
which messages, and how, answers and ="trms">questions was covered over the centuries by the scenography of shadow-light op="trms">position='qstn'>?
="ppl">Descartes ="trms">story='lgc'>: perspectival ="trms">geometry, theory of shadows.
="ppl">Plato's ="trms">story='lgc'>: the sun of the same, the other and ="trms">="trms">empirical object, cast shadow on shaded surface, similarity, the cave of re="trms">presentation.
The tales of o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin='qstn'>? ='lgc'>='lgc'>--> o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of a ="trms">technology='qstn'>? Of an optics='qstn'>? Of a ="trms">geometry='qstn'>?
The ruse of applied mathematics
cultural settings of an architect and an expert builder...
="ppl">Descartes followed by ="ppl">Descartes
archaic forms of pre-mathematics that run through ="trms">history
(thinking with ="trms">geometry must be careful because of its roots in engineering and ruse)
="ppl">Plato's cave='lgc'>: even flat wall b="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right, light creates a shaded area; my knowl="trms"nttrm="knowledge,Knowledge">edge is limited to these two shadows. And it is only a shadow of knowl="trms"nttrm="knowledge,Knowledge">edge.
Con="trms">="trms"nttrm="cluster,club">clusion of the ="trms">story of confrontation with solid objects, compact volumes, objective inde="trms">finite unknowns.
recognizing the object by its shadow ='lgc'>=> ="trms">geometry='strcls'>* (='lgc'>-- transparency and emptiness. the ="trms">world they constitute is thoroughly knowable)
or
i allow a kernel of shadow within the object ='lgc'>='lgc'>--> ="trms">history of ="trms">science='lgc'>: the solid always envelopes something that can be rendered explicit='strcls'>***
radical negation of ="trms">interior shadows
pyramid is itself fire, sun passes through it
="ppl">Plato kills the hen that laid the golden eggs
“the future of the square and the diagonal is decided as much on the sand where we describe them through the ="trms">language that names them as it is decided in the sky of ideas.”
the realism of transparent idealities is still immersed in a philosophy of re="trms">presentation.
Iconography is replaced by scenography
the shadowless theatre
the inevitable realism is (still) an idealism
without shadow ='lgc'>='lgc'>~= without secret
kernel of an implicit ="trms">science='lgc'>: what are the ="trms">relationships of a ="trms">technique, (with) of a myth, (with) of a ="trms">communication.. ='qstn'>?
The idealities implicit in ="trms">technology ='lgc'>='lgc'>--> mobilized in re="trms">presentation
(='lgc'>='lgc'>--> dramatized by myth) ='lgc'>: obscure ="trms">articulation of ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigorous knowl="trms"nttrm="knowledge,Knowledge">edge (='lgc'>='lgc'>--> totality of human activity)
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the birth of beauty never stops
.
.the eternal ="trms">geometer
(mathematical ="trms">science's) sudden fits
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on defeat='lgc'>:
the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal power='lgc'>: ‘victorious’ ='lgc'>[='lgc'>='lgc'>--> mastery is (so far ="trms">presented as) victorious='lgc'>]
='lgc'>=/= a song to the pleasures of life, a guilt-free knowl="trms"nttrm="knowledge,Knowledge">edge
="prgrph">-choosing between springtime or plague
='lgc'>[='lgc'>='lgc'>--> “="trms">phenomenology of defeat"='lgc'>]
="prgrph">-(can we) be and think (, stay, come from, or arrive) on the side of the ='strcls'>*retreat='strcls'>* (whether strategic or hi[...]