[...]ols are dominated by form

virtual velocities
objective ="trms">world
="trms">geometric reasoning

industrial revolution, a revolution operating on ="trms">matter
one takes force or produces it

="large lg2" stl="font-size:110%"> ="trms">matter transformed by fire
Turner saw  the introduction of fiery ="trms">matter into culture

an axis of (roaring) fire

="trms">matter is no longer left in the prison of diagram, fire desolves it, makes it vibrant, tremble, oscillate, makes it explode into clouds.

New ="trms">matter ='lgc'>==> new ="trms">world

fire delivers one from the ice='strcls'>***

steam engine triumphs over forced immobility, inertia

the cut of the reference

product of furnace, the cold product of fusion

old-style riddle

navigate between two pronouns

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properly formed ="trms"nttrm="cluster,club">cluster (of letters)='lgc'> = standardization

standard compromises the non-essential, or inessential, those without meaning

what is a logician ="trms">interested in='qstn'>?
Form ='lgc'>--> pathology

misguided ="trms">sciences

if static is accidental, background noise is essential to ="trms">communication

pathology
spocken='lgc'>: stammering, mispronounciation, regiomil accents, dysphonia, cacophony
="trms">technical='lgc'>: background noise, jamming, static, cut-off, hyteresis, various ="trms">interruptions

to ="trms">communicate oraly (in performance work with ="frds scrmbld"nttrm="Alice,Shariati">Ali ) is to risk losing meaning in noise.

A successful ="trms">communication is the ex="trms">="trms"nttrm="cluster,club">clusion of the third man, the demon, the ="trms">interference.

Mathematics has triumphed so well over noise

the (un)logical beginning of logic

to render a form independent of its ="trms">="trms">empirical realization ='lgc'>--> universal
drawing a square on sand, i evoke an idea, i eliminate the ="trms">="trms">empirical, de="trms">materialise reasoning
(what is re="trms">materialised reasoning='qstn'>? ="trms">aesthetic form..='qstn'>?)

the inevitable fact of the ="trms">historical existence of mathematics
(math's ="trms">historicity)

(a ="trms">different word for every yesterday)

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... one had a discourse which often con="trms"nttrm="cluster,club">cluded either with the ="trms">cosmos in general or with the organic life in particular.
19th century

negentropic islands in entropic sea, pockets of order in rising entropy, crystal de="trms">positions sunk in ashes, diamond in the rough

organism='lgc'> = meaning ='lgc'>+ direction

organism combines ="trms">memory, invariance, plan, message, loss, redundancy, etc
it is old, mortal, and transmiter of new cycle

تو نیکی میکن و در دجله انداز
to niki mikono dar dejle andaz...
(organism='qstn'>?) is a quasi stable turbulence that a flow produces, the eddy closed upon itself for an instance, which finds its balance in the middle of the current and appears to move upstream, but is in fact undone by the flow and re-formed else where.

Man is one at high temperatures

from the information point of view there is a tremendous background noise

the noise of a complex to which a receptor is linked

this unconsciousness

(no one can call that) information is fortunate

there must be noise in pleasure and information in pain (='qstn'>?!)
='lgc'>---hmmm we can't know this properly='qstn'>?

Find in ="nms">ajayeb, operating functions='lgc'>:
transformations,
fixations,
energy displacements,
movements of observer,
ambiguity functions,
freudian slip,
exploits of signs,
exploits of energy,

(="nms">ajayeb is defined by its resistance to ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors in a ="trms">system of ="trms">language)

یک کلاغ چهل کلاغ yek kalagh chel kalagh is precisely noise in a trans="trms">mission ="trms">system along a given circuit from one element to another. From a point of view outside the ="trms">system ambiguity must be added to increase the ="trms">system's complexity

theory of change (in sign)

what are the unconsciousnesses of ="trms">integration='qstn'>?

(many) ="trms">interlocking (black) boxes

obstacles do organise, noise becomes dialect
they come crashing at our feet
in the forms of eros and death
like surf at the ="trms"nttrm="knowledge,Knowledge">edge of the beach

unconscious is the last black observer of chance

aging, is a process we understand as the drifting of information into background noise

عجایب المخلوقات ="nms">="nms">ajayeb al makhlughat, anamnesis, ="trms">memory, and everything ="trms">imaginable

body creates ="trms">language from information and noise

one who utters ="trms">language, is the receiver at the end chain, the final observer. But the initial dispatcher is (always) unknown.

Ajayeb, make='qstn'>? a chance-program couple
to perform both='lgc'>:
="lsts lst1">•i am submerged in (its) signal exchanges
="lsts lst1">•i observe its global set of exchanges

introspection veers off into experience

as ="ppl">Freud, who started from energy models of thermodynamics, has intuited, everything occurs by a dynamic of ="trms">language, the subsequent development of thermodynamics into information theory.

Knowl="trms"nttrm="knowledge,Knowledge">edge is always linked to an observer

we are drifting towards noise and black depths of the universe...
knowl="trms"nttrm="knowledge,Knowledge">edge is at most the reversal of drifting, that strange conversion of times, always paid for by additional drift; but this is complexity itself, which was once called being

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Auguste Comte says='lgc'>: in light of previous experience we must acknowl="trms"nttrm="knowledge,Knowledge">edge that impossibility determining, by direct ="trms">measurement, most of the heights and distances we like to know.

="ppl">Thales, ="trms">geometry as ruse
construction of summary

operation of application
use of metrics
in applied ="trms">sciences

(often) ="trms">measurement is the essential element of application,
but primary in the touch (sensory)

practice ='lgc'><='lgc'>--> ruse ='lgc'><='lgc'>--> theory
we need a ‘ruse’ to go from practice to theory
(mathematics='qstn'>? Is this why young philosophers are ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lured into math='qstn'>?)

the length my body cannot reach, sun, horizon, the far side of the river

="trms">greek idea of theorize='lgc'>: see
sight='lgc'>: by “placing” ="trms">measurement, ="trms">measurement by sighting
="trms">greek='lgc'>:
vision is tactile without contact
="ppl">Descartes knew this better than anyone

inaccessible (is at times) accessible to vision

the ruler (the mode notion of module) has been placed accurately on the thing

="large lg3" stl="font-size:112%"> the eye is a witness of covering-over

to ="trms">measure is to relate
but, the ‘="trms">relation’ implies a transporting, of the ruler

(we are with this) at the realm of the accessible (='lgc'>=/= ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics='qstn'>?)

in the realm of inaccessible, vision must take care of displacement

="large lg4" stl="font-size:111%"> The goal is either civil or astronomical
civil ='lgc'>=/=='qstn'>? astronomical

to ask the object in motion to provide a constant flow of information about the object at rest.

="ppl">Thales stops time to ="trms">measure space
time freeze in order to perceive
eternity of mathematical figure

how ="trms">geometry came to the ="trms">Greeks='qstn'>?
="lsts lst1">•a practical genesis='lgc'>: build a reduced model, have a notion of module, bring the distant to the immediate.
="lsts lst1">•a senatorial genesis='lgc'>: organize a visual re="trms">presentation of that which defies physical contact.
="lsts lst1">•a civil or ="trms">epistemological genesis='lgc'>: take astronomy as a starting point, reverse the ="trms">question of the gnomon.
="lsts lst1">•a genesis that is either conceptual or esthetic='lgc'>: erase time in order to ="trms">measure and master space.

exchange of the stable and the variant

="large lg5" stl="font-size:154%"> in a culture with oral tradition, ="trms">story takes the place of schema, and theater equates intuition.

In ="ppl">Thales ="trms">story, the schema is the invariant of the tale instead of the tale being the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of the schema. To teach the theorem is to tell the pseudo-myth of the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin ='lgc'>=/= mythical tales being the dramatization of content
="ppl">Thales theorem is itself anecdotal in ="trms">relation to the invariable concept that it expresses its own genre='lgc'>: that of similarity='strcls'>***

from a practice he gets another practice


which messages, and how, answers and ="trms">questions was covered over the centuries by the scenography of shadow-light op="trms">position='qstn'>?
="ppl">Descartes ="trms">story='lgc'>: perspectival ="trms">geometry, theory of shadows.
="ppl">Plato's ="trms">story='lgc'>: the sun of the same, the other and ="trms">="trms">empirical object, cast shadow on shaded surface, similarity, the cave of re="trms">presentation.
The tales of o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin='qstn'>? ='lgc'>--> o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of a ="trms">techn[...]