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what is a logician interested in?
Form --> pathology
misguided sciences
if static is accidental, background noise is essential to communication
pathology
spocken: stammering, mispronounciation, regiomil accents, dysphonia, cacophony
technical: background noise, jamming, static, cut-off, hyteresis, various interruptions
to communicate oraly (in performance work with Ali ) is to risk losing meaning in noise.
A successful communication is the exclusion of the third man, the demon, the interference.
Mathematics has triumphed so well over noise
the (un)logical beginning of logic
to render a form independent of its empirical realization --> universal
drawing a square on sand, i evoke an idea, i eliminate the empirical, dematerialise reasoning
(what is rematerialised reasoning? aesthetic form..?)
the inevitable fact of the historical existence of mathematics
(math's historicity)
(a different word for every yesterday)
...................................
... one had a discourse which often concluded either with the cosmos in general or with the organic life in particular.
19th century
negentropic islands in entropic sea, pockets of order in rising entropy, crystal depositions sunk in ashes, diamond in the rough
organism = meaning + direction
organism combines memory, invariance, plan, message, loss, redundancy, etc
it is old, mortal, and transmiter of new cycle
تو نیکی میکن و در دجله انداز
to niki mikono dar dejle andaz...
(organism?) is a quasi stable turbulence that a flow produces, the eddy closed upon itself for an instance, which finds its balance in the middle of the current and appears to move upstream, but is in fact undone by the flow and re-formed else where.
Man is one at high temperatures
from the information point of view there is a tremendous background noise
the noise of a complex to which a receptor is linked
this unconsciousness
(no one can call that) information is fortunate
there must be noise in pleasure and information in pain (?!)
---hmmm we can't know this properly?
Find in ajayeb, operating functions:
transformations,
fixations,
energy displacements,
movements of observer,
ambiguity functions,
freudian slip,
exploits of signs,
exploits of energy,
(ajayeb is defined by its resistance to metaphors in a system of language)
یک کلاغ چهل کلاغ yek kalagh chel kalagh is precisely noise in a transmission system along a given circuit from one element to another. From a point of view outside the system ambiguity must be added to increase the system's complexity
theory of change (in sign)
what are the unconsciousnesses of integration?
(many) interlocking (black) boxes
obstacles do organise, noise becomes dialect
they come crashing at our feet
in the forms of eros and death
like surf at the edge of the beach
unconscious is the last black observer of chance
aging, is a process we understand as the drifting of information into background noise
عجایب المخلوقات ajayeb al makhlughat, anamnesis, memory, and everything imaginable
body creates language from information and noise
one who utters language, is the receiver at the end chain, the final observer. But the initial dispatcher is (always) unknown.
Ajayeb, make? a chance-program couple
to perform both:
•i am submerged in (its) signal exchanges
•i observe its global set of exchanges
introspection veers off into experience
as Freud, who started from energy models of thermodynamics, has intuited, everything occurs by a dynamic of language, the subsequent development of thermodynamics into information theory.
Knowledge is always linked to an observer
we are drifting towards noise and black depths of the universe...
knowledge is at most the reversal of drifting, that strange conversion of times, always paid for by additional drift; but this is complexity itself, which was once called being
...................................
Auguste Comte says: in light of previous experience we must acknowledge that impossibility determining, by direct measurement, most of the heights and distances we like to know.
Thales, geometry as ruse
construction of summary
operation of application
use of metrics
in applied sciences
(often) measurement is the essential element of application,
but primary in the touch (sensory)
practice <--> ruse <--> theory
we need a ‘ruse’ to go from practice to theory
(mathematics? Is this why young philosophers are lured into math?)
the length my body cannot reach, sun, horizon, the far side of the river
greek idea of theorize: see
sight: by “placing” measurement, measurement by sighting
greek:
vision is tactile without contact
Descartes knew this better than anyone
inaccessible (is at times) accessible to vision
the ruler (the mode notion of module) has been placed accurately on the thing
the eye is a witness of covering-over
to measure is to relate
but, the ‘relation’ implies a transporting, of the ruler
(we are with this) at the realm of the accessible (=/= metaphysics?)
in the realm of inaccessible, vision must take care of displacement
The goal is either civil or astronomical
civil =/=? astronomical
to ask the object in motion to provide a constant flow of information about the object at rest.
Thales stops time to measure space
time freeze in order to perceive
eternity of mathematical figure
how geometry came to the Greeks?
•a practical genesis: build a reduced model, have a notion of module, bring the distant to the immediate.
•a senatorial genesis: organize a visual representation of that which defies physical contact.
•a civil or epistemological genesis: take astronomy as a starting point, reverse the question of the gnomon.
•a genesis that is either conceptual or esthetic: erase time in order to measure and master space.
exchange of the stable and the variant
in a culture with oral tradition, story takes the place of schema, and theater equates intuition.
In Thales story, the schema is the invariant of the tale instead of the tale being the origin of the schema. To teach the theorem is to tell the pseudo-myth of the origin =/= mythical tales being the dramatization of content
Thales theorem is itself anecdotal in relation to the invariable concept that it expresses its own genre: that of similarity***
from a practice he gets another practice
which messages, and how, answers and questions was covered over the centuries by the scenography of shadow-light opposition?
Descartes story: perspectival geometry, theory of shadows.
Plato's story: the sun of the same, the other and empirical object, cast shadow on shaded surface, similarity, the cave of representation.
The tales of origin? --> origin of a technology? Of an optics? Of a geometry?
The ruse of applied mathematics
cultural settings of an architect and an expert builder...
Descartes followed by Descartes
archaic forms of pre-mathematics that run through history
(thinking with geometry must be careful because of its roots in engineering and ruse)
Plato's cave: even flat wall bright, light creates a shaded area; my knowledge is limited to these two shadows. And it is only a shadow of knowledge.
Conclusion of the story of confrontation with solid objects, compact volumes, objective indefinite unknowns.
recognizing the object by its shadow => geometry* (-- transparency and emptiness. the world they constitute is thoroughly knowable)
or
i allow a kernel of shadow within the object --> history of science: the solid always envelopes something that can be rendered explicit***
radical negation of interior shadows
pyramid is itself fire, sun passes through it
Plato kills the hen that laid the golden eggs
“the future of the square and the diagonal is decided as much on the sand where we describe them through the language that names them as it is decided in the sky of ideas.”
the realism of transparent idealities is still immersed in a philosophy of representation.
Iconography is replaced by scenography
the shadowless theatre
the inevitable realism is (still) an idealism
without shadow ~= without secret
kernel of an implicit science: what are the relationships of a technique, (with) of a myth, (with) of a communication.. ?
The idealities implicit in technology --> mobilized in representation
(--> dramatized by myth) : obscure articulation of rigorous knowledge (--> totality of human activity)
the birth of beauty never stops
.
.the eternal geometer
(mathematical science's) sudden fits
...................................
on defeat:
the original power: ‘victorious’ [--> mastery is (so far presented as) victorious]
=/= a song to the pleasures of life, a guilt-free knowledge
-choosing between springtime or plague
[--> “phenomenology of defeat"]
-(can we) be and think (, stay, come from, or arrive) on the side of the *retreat* (whether strategic or historically mandated) ? (@Leo)
retreat --> (re)trace ...{is about the traces of things that are left that need to be read, condition of research practice, but never coming with a full-on truth-telling logos, rather stay in the twilight(ment) and not the blinding sun of an enlightenment}--> learning from Derrida and Avital
-when things start getting internalized --> ‘depressive position’ --> you can manage your relations to the ‘good object’ --> integration [=/~-> the twin-other: melancholia] [=/= when everyone is out to get you --> schizophrenic paranoid position]
...dealing with what we are left with, the reminiscence, die Reste, and so on
(Rousseauian, Heidegger also,) there is too much action, let's back off, let's retreat, let's listen to what the retreat is...
-retreat not as a military tactic, which means you are doing it in order to win something
---->[the story of writing]
within the artist world [artist as a creative being who inscribe on the world and in the world] (including apass) “writing” is internalized as the ‘bad object’
always considered secondary, excremental مدفوعى, the sign of something lacking: if you were in the real space of action, of being, you wouldn't need to write
-(for artists) writing distressed as an activity
-[the question remains] who holds the phallus? (in a converstaion and elsewhere) (=/= being open to being)
-taking dictations, an abjected position
writing is always linked to modalities of #retreat, evacuation, nonpresence
(am i associated with ecriture?) ==> being persecuted (on some level), there is something unbearable about the retreat ----> panic of the political
-let's inhabit an understander of retreat and what it involves, and, taking the responsibility of leaving your post. [we learn from what Kafka(‘s architecture of decision) surveils and marks for us > Avital --> where we are speaking/speeding from? and what is the architecture from which language emerges? is it a textual ventilator? or things are threatening to fixate?]
how Iran named its Iran-Iraq war? Défense sacrée, the Holy Defense, دفاع مقدس, (and many other names)
how did we “have” an experience---after the war? (much less an adventure or an adventurous encounter with history pumped up with meaning and sense-making and productive futurity)
to tabulate
ok, i am refering to things that don't come up as part of the master discourse, things that don't come up as something we can assimilate (جذب) or appropriate
towards the gaze --> a theatrical gesture : to see everything serenely (in quiet contemplation) --> to be (at last) free from the Gods
(those who believe that) there is only transcendence, (that transcendence is all there is)
(this is also the common mistake in reading Iranian old mystic literature)
cruel hallucinations
laws criss-cross the world
...for i am a slave of science
the chain of orders : the new is born of the old =/= angle (interrupts the stoic chain, the chain of cause and effect)
extermination and determination
laws of identity, repetition, and information-free
death at the end of entropy --> sequence of events (from the point of view of plague narrative --> the law is the plague + the reason is the fall [--> everything falls to zero])
the same ~=?! non-being
drops of knowledge
physics of the military*
•sheets of atoms
•well-ordered arranges
•in columns
•the learned science of the teachers
•the structure of division
•Heraclitean physics of war
•chain of reason
•the knowledge of ranks
-
(in nature?) animals are born from flows
animals born from fluid mechanics
the infinite cylinder of parallel consequences, trains of reason rain down in torrent:
•contact space travel, doctor strange kick trip, lucy time travel, matrix clock scene
what is the analogy with the concrete model? In each case
what is the order of the world that is explained by visible phenomenon in each of these cinematic scenes?
The beginning of vortex
causality
perspective
body
(what are?) models in ajayeb:
concretes, quasi-concretes, laws, equations,
vortices, turbulent clouds,
random dispersions,
flows, disequilibrias,
packs, alliances, conventions,
struggles with nature, alliances,
downhills, slopes,
content, norms, results,
the model and theory are both necessitarians
(how can this be explained materially?)
(what is the opposite of ‘people’?)
“physics”: the global contract (=/= global conflict; promise of physics), the general scheme of things (that scientists agree on)
flow did not follow (the general theorem of mechanics)
[@Sana] (why is it important) to describe flow in all its concrete complexity (--> Freud describes psychological flow in his work on libido)
----> formation of living systems
#the mindful stochastic knowledge of phenomenas#
Sohrevardi's work on the soul out of the tangible realm
(if your house or town is on an ocean the chosen model is a fluid one =/= polyhedron crystal) --> how would Sohrevardi choose a model? What would he think of fluid systems? [--> The Solids of...]
what are his rigorous bodies?
in Sohrevardi the *order* is of the ...[?] {of the world? Of the street? Of the code? Laboratory? Of the operative? Civil? Logical? Social? Scholastic?
more phenomenological ~=?(&?) less measured
(the river of phenomena is physics)
they put (ajayeb's) nature outside nature, (placing it in the subject, and so on)
which facts “are” the foundation of materialism?
-(the idea they says) classical knowledge deserves classical philosophy
(#?%$@x*!!!---->) if there are monsters here, go elsewhere(!)
what? / how? --> by contract or by strategy?
the ‘question’ is always consequential, never naive or frivolous
we need? workers (=/= generals)
we need? contracts (=/= strategy)
(how can i understand my “strategies” and my “contracts” ?! contractual agreements that i use or depend on or produce in my research and work with ajayeb, and in relation to the others in my performances--{my vocabulary, thinking with me, (un)learning with me, etc}--and even prior to the event of our encouter, the binding transferential contract in relation to the one who speaks) ~~--> (and issuing its) betrayal
strategy --(always? [should?] ends with)-->? contract; (for example, making peace treaty after war)
[]
{*strategy, “art of generals,” from French stratégie, from Greek strategia “office or command of a general,” from strategos “general,” from stratos “multitude, army, expedition,” literally “that which is spread out” (--> “structure”) + agos “leader,” from agein “to lead” (--> “act”).}
(strategy/contract/...)
***science is conditioned but unconditional***
(Serres:) science is conditioned by postulates or by decisions that are generally social, cultural, or historical in nature, which form it and orient it
--(nevertheless)--> sci is universal and free from contract #science-story
“I can't think of a mountain, a border, or a date which makes the agreement of scientists and everyone else relative on these points.”
-they say sci is conditioned but not determined
conditions that do not determine the contents of what they condition
(mathematics?)
but they determine the map of what they condition : the schema of its relations --> the topology of science; the clay remains the same but the shape changes
Fluid Mechanics can be a basis for biology (--> constitution of living being) or for a technology of the inert (--> theory of ship building).
...crazy!
Education is conducted by duce
method ~=? path
strategy is not only a form of dynamics or energetics but first of all a topology*
the master pays no attention to the content
murder (increases) along the chain
...if one is the master of justice
freed from violence, he goes forward unnamed
-against the mechanisms of Mars (or moon) , we now let things to come to being as objects, outside the mechanisms that regulate our unregulated violence
-sacred forms a field of knowledge --of-->{intersubjective & polemical relationship}
first, sacred is located elsewhere, placed outside the world, then Nature is born objectively --> in the new contract, the exact word can be spoken
...but a new crisis make it start over again
-the sacred is formed by (this) catastrophic and repetitive dynamic
ruse (kalak کلک, che kalake khubi چه کلک خوبی): the “laws” of nature a projection of a (usually political) constitution on the world; to give a status of a natural necessity to arbitrary power
ruse ~ reason---the dominance of the here and now
no one is better endowed by nature for trickery than a Greek. These masters invented dichotomy, separation, and partition. ... They invented the theory of the specificity of various realms (~ cosmology?)
their divisions and clarifications ==> “we today have the weak and awkward fancy to read the world as polysemic and out of sync”, polytomy {from Greek: πολυ-, poly-, “many” and σῆμα, sêma, “sign” ==> multiple semes or sememes and thus multiple senses. ---(soft/hard) polysemous ontologies---(polytomy =/= homonymy اشتراک لفظی ,یک لفظ =/= synonymy یک معنی)} ~--> the awareness of any metabasis to another genre, “discrete” (--> 3D apps today)
(Greek) mathematic =/= illusionist
“if there is a separate field in which no one can keep cards up their sleeves without being resoundingly defeated, it is definitely mathematics.” (Serres)
Greeks theory of segments in the representation of distinct worlds *** (when one uses greek technologies today, which worlds are rendered distinct?)
mathematics, myth, medicine, theory of exchange, ...
Serres's field trip
(Lucretius and our answer to the) what is a living thing?
•! a thing in equilibrium and disequilibrium, a flow, a vortex, heat, etc
•atomist physics
what ‘abundance’ means for Juan?
For me? for Sa'di in golestan...?
abundance is when it seems the artist hasn't put limitations on the flow of signs and meanings.
#my basic methods(?): abundancies, adjacencies,
~-/?--> simplest complex, simplex (concern of comparative topology) ~= the stable network of compositions
my ajayeb hypertext, what is there the specific ‘law of putting together letters’ ([and atoms?] to produce a text)? That means the question of Greekness and syntax technology, and my reworking articulated
•alphabetical proto cloud (Serres) --?--> without law, random
•what are the laws of ‘good combination’ that i am reworking or resisting or acquiring or answering to, in my ajayeb hypertext? (how composition is reproduced?)
--> (the law enunciates [تلفظ کردن ,مژده دادن] the federated,) * the law repeats the fact =/= the ‘things’ of ajayeb are (still) in the process of being formed (--> the morality of reading that i am working on)
(in the facts of the law there is no space between things and language is reduced to zero)
-language and things are born together with the very same process (Serres - Hermes.) --> stable gathering of elements
•ajayeb's version of the network of primordial elements in communication with each other
my interest in the devil is in the details of my makings (and others)
--> to touch details that establishes a direct contact
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“Venus states the foedus, the contract, as an ego contiugo vos, Venus assembles the atoms, like the compounds. She is not transcendental like the other gods, but immanent in this world, the being of relation. Venus is identical to relation.”
Aphrodite governs
guarantee of repetition
parallel paths
pseudo returns
“Time itself would be nothing without objects situated in space [...] the clock that Lucretius placed right in the middle of nature cannot mark Newtonian time; as the clock is the totality of things, between their birth and death, it marks a Bergsonian, that is, thermodynamic, time--an irreversible and irrevocable time, marked like the endless flow of atoms, flowing, running, crumbling, (coulant, courant, croulant) toward their downfall and death. Things have weight: they fall, seeking their peaceful rest. Fluid, they flow; hot, they cool off. Downfall, death, dispersal; breaks, dichotomies, atoms. Atomic flow is residual : the background of being, white noise. This world set adrift never to return is bestrewn, here and there, at indefinet times and in indefinet places, with pockets, where vortices are born in pseudo returns. Clocks appear with these objects [=/= the universal absolute time standing outside contingency of everything else], spiraling, shifting clocks which from their moment of birth begin to mark the time of death. The Lucretian world is globally entropic, but negatively entropic in certain swirling pockets. Conjunction is negative entropy; the complex thus formed counts the quantity of information set adrift. The event which barely occurs and almost immediately disintegrates minimally resists the irreversible flow, carrying little information. Newtonian time, which is reversible, marks resistance to the irrevocable. It is absent from these sorts of physics, and that is why our forefathers were unable to imagine that Lucretian physics ever existed, with the possible exception of Bergson, who thrived on it. Irreversible time is the master here : the physics of things resists it in spots, but in the flow of the drift; history follows, barely a ripple in the flow. History flows around physics.” (Serres - Hermes p.116)
...events are all of the socio-political order
(if science or physics or episteme classifies things, what classifies physics?)
what classifies what?
Question of epidemiology
slave: material object
master: spatial object
Serres: Lucretius: dichotomies are symptoms of better-connected material things
•history symptom of nature
•time symptom of symptoms
“Mars is only an accident of stable Venus, a temporary relief outside the assembled convention. Mars passes, badly connected.”
Mars is only in transit
a penis captive
(like Lucretius, do I need to distinguish, in ajayeb) the conjunctional, contractual, stable links, (and projections of the constitution of political order?)
what are ajayeb's unstable historical contracts? --> historical contingencies --?-- “there would be nothing without the existence of the former, which quickly disappears around them”
that which disappears from definition, reappears metaphorically
the small amount of linkage between events
(with translation we might ask: with/by what are you translating? --> input and output of the translation cannot be known in advance)
ataraxia: the absence of trouble, peace of the garden (=/= soul made of atoms, unstable) a moral state ==> a physical state
(=/= aporia)
•not perturbed,
•the term was also used to describe the ideal mental state for soldiers entering battle. [-->? the image of the ideal soldier: Keanu Reeves kind of coolness in The Matrix film, (the machines are made in the image of the emotional ones.) at the end of the [...]