[...] ='and'>& polemical ="trms">relationship='lgc'>}

first, sacred is located elsewhere, placed outside the ="trms">world, then ="trms">Nature is born objectively ='lgc'>='lgc'>--> in the new contract, the exact word can be spoken
...but a new crisis make it start over again
="prgrph">-the sacred is formed by (this) catastrophic and repetitive dynamic

ruse (kalak کلک, che kalake khubi چه کلک خوبی)='lgc'>: the “laws” of ="trms">nature a projection of a (usually political) constitution on the ="trms">world; to give a status of a ="trms">natural necessity to arbitrary power
ruse ='lgc'>~ reason='lgc'>='lgc'>---the dominance of the here and now

="large lg2" stl="font-size:110%"> no one is better endowed by ="trms">nature for trickery than a ="trms">Greek. These masters invented dichotomy, separation, and partition. ... They invented the theory of the ="trms">specificity of various realms (='lgc'>~ ="trms">cosmology='qstn'>?)

their divisions and clarifications ='lgc'>==> “we today have the weak and awkward fancy to ="trms"nttrm="already,spread">read the ="trms">world as polysemic and out of ="trms">sync”, polytomy ='lgc'>{from ="trms">Greek='lgc'>: πολυ-, poly-, “many” and σῆμα, sêma, “sign” ='lgc'>==> multiple semes or se="trms">memes and thus multiple senses. ='lgc'>='lgc'>---(soft/hard) polysemous ="trms">ontologies='lgc'>='lgc'>---(polytomy ='lgc'>=/= homonymy اشتراک لفظی ,یک لفظ ='lgc'>=/= synonymy یک معنی‌)='lgc'>}  ='lgc'>='lgc'>~='lgc'>='lgc'>--> the awareness of any ="trms"nttrm="metaph,metamorph,metabol,metal">metabasis to another genre, “discrete” (='lgc'>='lgc'>--> 3D apps today)

(="trms">Greek) mathematic ='lgc'>=/= illusionist
“if there is a separate field in which no one can keep cards up their sleeves without being resoundingly defeated, it is de="trms">finitely mathematics.” (="ppl">Serres)

="trms">Greeks theory of segments in the re="trms">presentation of distinct ="trms">worlds ='strcls'>*** (when one uses ="trms">greek ="trms">technologies today, which ="trms">worlds are rendered distinct='qstn'>?)
mathematics, myth, medicine, theory of exchange, ...

="ppl">Serres's field trip

(="ppl">="ppl">Lucretius and our answer to the) what is a living thing='qstn'>?
="lsts lst1">•! a thing in equilibrium and disequilibrium, a flow, a vortex, heat, etc
="lsts lst1">•atomist physics




what ‘abundance’ means for ="frds scrmbld">Juan='qstn'>?
For me='qstn'>? for ="ppl">Sa'di in golestan...='qstn'>?
abundance is when it seems the artist hasn't put limitations on the flow of signs and meanings.
='at'>#my basic ="trms">methods(='qstn'>?)='lgc'>: abundancies, adjacencies,
='lgc'>='lgc'>~-/='qstn'>?='lgc'>='lgc'>--> simplest complex, simplex (concern of comparative topology) ='lgc'>='lgc'>~= the stable ="trms">network of com="trms">positions

my ="nms">ajayeb hypertext, what is there the ="trms">specific ‘law of putting together letters’ (='lgc'>[and atoms='qstn'>?='lgc'>] to produce a text)='qstn'>? That means the ="trms">question of ="trms">Greekness and syntax ="trms">technology, and my reworking ="trms">articulated
="lsts lst1">•alphabetical proto cloud (="ppl">Serres) ='lgc'>--='qstn'>?='lgc'>='lgc'>--> without law, random
="lsts lst1">•what are the laws of ‘good combination’ that i am reworking or resisting or acquiring or answering to, in my ="nms">ajayeb hypertext='qstn'>? (how com="trms">position is reproduced='qstn'>?)
='lgc'>='lgc'>--> (the law ="trms">enunciates ='lgc'>[تلفظ کردن ,مژده دادن='lgc'>] the federated,) ='strcls'>* the law repeats the fact ='lgc'>=/= the ‘things’ of ="nms">ajayeb are (still) in the process of being formed (='lgc'>='lgc'>--> the morality of ="trms"nttrm="already,spread">reading that i am working on)
(in the facts of the law there is no space between things and ="trms">language is reduced to zero)
="prgrph">-="trms">language and things are born together with the very same process (="ppl">Serres - Hermes.) ='lgc'>='lgc'>--> stable gathering of elements
="lsts lst1">•="nms">ajayeb's version of the ="trms">network of primordial elements in ="trms">communication with each other

my ="trms">interest in the devil is in the details of my makings (and others)
='lgc'>='lgc'>--> to touch details that establishes a direct contact

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

“Venus states the foedus, the contract, as an ego contiugo vos, Venus assembles the atoms, like the compounds. She is not transcendental like the other gods, but immanent in this ="trms">world, the being of ="trms">relation. Venus is identical to ="trms">relation.”

Aphrodite governs

guarantee of repetition

parallel paths

pseudo returns

“Time itself would be nothing without objects ="trms">situated in space ='lgc'>[...='lgc'>] the clock that ="ppl">="ppl">Lucretius placed ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right in the middle of ="trms">nature cannot mark ="ppl">Newtonian time; as the clock is the totality of things, between their birth and death, it marks a ="ppl">Bergsonian, that is, thermodynamic, time='lgc'>--an irreversible and irrevocable time, marked like the endless flow of atoms, flowing, running, crumbling, (coulant, courant, croulant) toward their downfall and death. Things have weight='lgc'>: they fall, seeking their peaceful rest. Fluid, they flow; hot, they cool off. Downfall, death, dispersal; breaks, dichotomies, atoms. Atomic flow is residual ='lgc'>: the background of being, white noise. This ="trms">world set adrift never to return is bestrewn, here and there, at indefinet times and in indefinet places, with pockets, where vortices are born in pseudo returns. Clocks appear with these objects ='lgc'>[='lgc'>=/= the universal absolute time standing outside ="trms">contingency of everything else='lgc'>], spiraling, shifting clocks which from their moment of birth begin to mark the time of death. The ="ppl">Lucretian ="trms">world is globally entropic, but negatively entropic in certain swirling pockets. Conjunction is negative entropy; the complex thus formed counts the quantity of information set adrift. The event which barely occurs and almost immediately dis="trms">integrates minimally resists the irreversible flow, carrying little information. ="ppl">Newtonian time, which is reversible, marks resistance to the irrevocable. It is absent from these ="trms">sorts of physics, and ='thdf'>that is why our forefathers were unable to ="trms">imagine that ="ppl">Lucretian physics ever existed, with the possible exception of ="ppl">Bergson, who thrived on it. Irreversible time is the master here ='lgc'>: the physics of things resists it in spots, but in the flow of the drift; ="trms">history follows, barely a ripple in the flow. ="trms">History flows around physics.” (="ppl">Serres - Hermes p.116)

...events are all of the ="trms">socio-political order

(if ="trms">science or physics or ="trms">episteme classifies things, what classifies physics='qstn'>?)
what classifies what='qstn'>?
="trms">Question of epidemiology

slave='lgc'>: ="trms">material object
master='lgc'>: spatial object

="ppl">Serres='lgc'>: ="ppl">="ppl">Lucretius='lgc'>: dichotomies are ="trms">symptoms of better-connected ="trms">material things
="lsts lst1">•="trms">history ="trms">symptom of ="trms">nature
="lsts lst1">•time ="trms">symptom of ="trms">symptoms

“Mars is only an accident of stable Venus, a temporary relief outside the assembled convention. Mars passes, badly connected.”
Mars is only in ="trms">transit

a penis captive

(like ="ppl">="ppl">Lucretius, do I need to distinguish, in ="nms">ajayeb) the conjunctional, contractual, stable links, (and projections of the constitution of political order='qstn'>?)
what are ="nms">ajayeb's unstable ="trms">historical contracts='qstn'>? ='lgc'>='lgc'>--> ="trms">historical ="trms">contingencies ='lgc'>--='qstn'>?='lgc'>-- “there would be nothing without the existence of the former, which quickly disappears around them”

that which disappears from de="trms">finition, reappears ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorically

the small amount of linkage between events

(with ="trms">translation we might ask='lgc'>: with/by what are you ="trms">translating='qstn'>? ='lgc'>='lgc'>--> input and output of the ="trms">translation cannot be known in advance)

ataraxia='lgc'>: the absence of trouble, peace of the garden (='lgc'>=/= soul made of atoms, unstable) a moral state ='lgc'>==> a physical state
(='lgc'>=/= aporia)
="lsts lst1">•not perturbed,
="lsts lst1">•the term was also used to describe the ideal mental state for soldiers entering battle. ='lgc'>[='lgc'>='lgc'>-->='qstn'>? the image of the ideal soldier='lgc'>: Keanu Reeves kind of coolness in The Matrix film, (the machines are made in the image of the emotional ones.) at the end of the first film, we have an ="trms">aesthetics (of in="trms">different and silent='lgc'>:) transcendence ='lgc'>+ perfect warrior='lgc'>], ='lgc'>[another theory is that the freedom from emotional attachment was developed since early middle ages for merchants in order to (in a meddieval sense) ='strcls'>*trade='strcls'>* ='lgc'>=/= melancholic introspective contemplative efforts of faith='lgc'>]
='lgc'>='lgc'>='lgc'>---='lgc'>='lgc'>---='lgc'>[apatheia='lgc'>: eradicating the tendency to react emotionally or egotistically to external events, ='lgc'>~ equanimity, ='lgc'>=/= in="trms">difference='strcls'>*='at'>@="frds scrmbld">Sven; (metriopatheia='lgc'>: men between the ="trms">excess and deficiency of emotions;) a form of ="trms">response to the ="trms">world='qstn'>? ='lgc'>]
='at'>@="frds scrmbld">Sven='lgc'>:
="lsts lst1">•="trms">inter="trms">difference ='lgc'>[open ="trms">systems between or among (in)="trms">differences='qstn'>?='lgc'>] ='lgc'>='lgc'>--> ="trms">interin="trms">difference ='lgc'>='lgc'>--> entering ="trms">differences, enter in diff
="lsts lst1">•="trms">intra="trms">difference ='lgc'>[closed ="trms">system inside or within (in)="trms">differences='qstn'>?='lgc'>]


="trms">Nature is rivers and whirl winds

streaming of mortality

="trms">Greek preference of ‘fall’ over ‘="trms">transition’='lgc'>:
things arrive and occur and only crumble and dis="trms">integrate for a unique ="trms">figurative case='strcls'>*

="trms">symptom, a ="trms">natural object, ="trms">materialism

="large lg14" stl="font-size:134%"> ='lgc'>{the ="trms">intersection of independent ="trms">causal chains ='lgc'>==> river rise of chance occurrence='lgc'>}

='at'>@="frds scrmbld">Seba's new planet ="trms">story workshop ='and'>& ='at'>@="frds scrmbld">Sana='lgc'>: what generate things, spinning the wheel, streaming flow, cascades (global fluidity of local solids,) ='strcls'>*principles of heat='strcls'>* (that make ="trms">worlds and bodies,) the ='strcls'>*state of disequilibrium='strcls'>* (of the ="trms">world ='lgc'>[for ="frds scrmbld">Seba='lgc'>] ='and'>& of the soul ='lgc'>[for ="frds scrmbld">Sana='lgc'>])
='strcls'>***what is the name of dist="trms"nttrm="disturban">urbance='qstn'>?
(i have been proposing ="frds scrmbld">Sana to mix physics and psychology)

what are moral mortals linked to='qstn'>?

anguish and ="trms">anxiety (in the absence of God, after the death of God)

='at'>#archive
thermodynamic time='lgc'>:
“...we have to mark irreversible time on the clock. It ticks away. Irreversibly, marking degradation. The things that were formed in the hollows of the vortices lose their atoms little by little in the downstream flow. ='lgc'>[...='lgc'>] time of heat, weight and flow.” (="ppl">Serres)
(="trms">Greek idea of) ="trms">history is only the ="trms">translation or trans="trms">position of this ="trms">material principle.
='lgc'>='lgc'>--> (thermodynamic principle of) archive='lgc'>: hollow man up to the erosion of irreversible time
="prgrph">-vector of the progressive civilization going up stream (in the tropic river)
in archive invariability is global ='lgc'>=/= irreversibility ='and'>& chance
(='lgc'>[i am more ="trms">interested in the='lgc'>] obstacles in front of the) well-founded “conjoined ="trms">world”

="trms">system statue

that which can be touched and tested

constant general random invariabilities in primordial path of ="trms">matter

(='strcls'>**="ppl">Serres='lgc'>:) morality='lgc'> = physics
(='lgc'>='lgc'>--> the image of physical collision and ="trms">causality simulation ='lgc'>='lgc'>--> morality)
='lgc'>='lgc'>--> what is then the image of the ="trms">CG artist in the ="trms">world='qstn'>? The wise man in and of the ="trms">world, friend of the ="trms">world, extended to the global universe='lgc'>:
='strcls'>*this is an important moment in ="trms">Greek Wisdom, man is not an str="trms"nttrm="danger,stranger">anger but at home in ="trms">world, (a dist="trms"nttrm="disturban">urbance a vortex in turbulent ="trms">nature,) in contract with Venus ='lgc'>=/= (breaking the contract,) man is str="trms"nttrm="danger,stranger">anger, fallen from sky, he hates things and fight against them, environment is an enemy ='lgc'>='lgc'>--> martial ="trms">neurosis from ="ppl">Plato to ="ppl">Descartes to Bacon to us

='strcls'>***hatred of objects at the root of knowl="trms"nttrm="knowledge,Knowledge">edge='strcls'>***


messages exchanged='lgc'>:
="lsts lst1">•I, you, he, we, they,
="lsts lst1">•this, here, ecce,
="lsts lst1">•here is the thing itself


man='lgc'>: the one who subordinates every object to ="trms">relations among subjects.

(the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of) theater is submerged in ="trms">animality ='lgc'>: “politics and theater are merely mammalian”
="prgrph">-in comedy and tragedy there is only a ="trms">question of human ="trms">relations and there is never an object as such

(="ppl">Hobbes='lgc'>:) “man is wolf to other men"='lgc'> = man is a subject to objects

='strcls'>*the discovery of the object='strcls'>*
(that there is such a thing as) object is an old o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal political ="trms">relation tale
="prgrph">-a ="trms">scientific invention='qstn'>? ='lgc'>='lgc'>-->='lgc'>{always ask, what are the objects and subjects of ='lgc'>[(pre)="trms">historic='lgc'>] ="trms">science='qstn'>?='lgc'>}

='strcls'>*** “Aphrodite-pleasure is born of the ="trms">world and the waters. Mars is in the forum and in the armed crowd. Reduce your ="trms">relations to a minimum and bring your objects to the fore. Reduce the ="trms">intersubjective to a minimum and the objective to the maximum. With your back turned on politics, study physics.  ='lgc'>[...='lgc'>]  Forget the sacred, that means='lgc'>: forget the violence that founds it and forget the ="trms">religious which links men to each other. Consider the object, objects, ="trms">nature.”
="ppl">Serres='strcls'>*

...nevertheless the plague returns and there is violence

sacred ='lgc'>='lgc'>--> division of space ='lgc'>='lgc'>--> temple ='lgc'>='lgc'>--> inside ='and'>& outside ='lgc'>='lgc'>--> a dichotomized space ='lgc'>='lgc'>--> a boolean ="trms">geometry, a two-valued ="trms">ontology ='lgc'>='lgc'>--> inside ='lgc'>: ="trms">religious , outside ='lgc'>: profane ='lgc'>='lgc'>--> inside ='lgc'>: ="trms">matter , outside ='lgc'>: void ='lgc'>='lgc'>-->='qstn'>? Atom

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

="large lg10" stl="font-size:131%"> O="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of ="trms">geometry, construction of ="trms">geometric idealities, establishment of the first proofs, a ="trms">Greek (or Egyptian priest) miracle
='lgc'>--="ppl">Serres='lgc'>='lgc'>--> this is the same as asking='lgc'>: how one passed from one ="trms">language to another, from one type of ="trms">writing to another='qstn'>?

='strcls'>**we are always dealing with many ="trms">languages='strcls'>**

one of my contracts='lgc'>: agreement on what is noise.
I never truly made an agreement with my audience on what we might collectively agree about noise and ="trms">interference.
="lsts lst1">•mode of ="trms">communication, meaning-making, ="trms">language, ="trms">transference, transformation,
="lsts lst1">•what is the ="trms">intersection of our repertoire='qstn'>? (in ="nms">apass, particularly; each of our ="trms">mimetic preoccupations, dynamics of our violences, our mathematical sites, drawings on sand, modifiers, etc.)
='lgc'>==> dialogue

mathematics='lgc'>: (="trms">presents itself as) a ="trms">communication maximally purged of noise

HRN='lgc'>: human ="trms">relation-noise
='lgc'>=/= ="trms">geometry


die agonal


to which degrees ='mywrk'>my work on ="nms">ajayeb aligns or depends on the “new ="trms">language” of the inexhaustible discourse of mathematics as inherented from the ="trms">Greek ="trms">geometry into the ="trms">modern culture='qstn'>?

What are the inaugural ="trms">relation of the ="trms">geometric (metrological) ideogram to the ="trms">CG='qstn'>? And to the Egyptian priest='qstn'>?
What is compared, modeled, simulated='lgc'>:
="lsts lst1">•flood
="lsts lst1">•fires
="lsts lst1">•celestial fire
="lsts lst1">•catastrophes
="lsts lst1">•violence of the elements
="lsts lst1">•


="nms">ajayeb='lgc'>: doxographies (, legends and allegories) ="trms">composed in ="trms">natural ="trms">language (='qstn'>?)
='lgc'>=/= (the problem of) how to duplicate the cube ='lgc'>='lgc'>---,='lgc'>{thematized object of the complete ="trms">intersubjective ="trms">relation='lgc'>}
='lgc'>='lgc'>~=='qstn'>? alogon ='lgc'>=/= logos='lgc'>: proportion, ="trms">measured ="trms">relation, discourse;
alogon prohibits speaking

crisis and recast, ="trms">questions of archive


="frds scrmbld">Luisa, ="frds scrmbld">Foad
(the space of the ="trms">relation between) experience ='and'>& abstract ='lgc'>='lgc'>--> between sense ='and'>& purity
(an inquiry line for ="frds scrmbld">Luisa='lgc'>: try to figure out the status of pure ='lgc'>[which is impure='qstn'>? when ="trms">history changes='lgc'>])

my allegorical covers

meaning of='lgc'>:
="lsts lst1">•non-disproportion
="lsts lst1">•nonviolence

="ppl">Socrates='lgc'>: you are in crisis because you are ignorant of ="trms">geometry

even='lgc'>: same
odd='lgc'>: other

برهان خلف borhane kholf, irrationality of the absurd

the irrational is ="trms">mimetic


='lgc'>=======================


“before-after” temporality ="trms">narrative

="ppl">Serres's ="trms">fabulous work on the effects of the style in ="trms">science
='lgc'>='lgc'>--> styles profile from (a ="trms">sort of) stability ='strcls'>*** -they inspire disciplines and furtilize fields of research, they seizes what is at stake in ="trms">sciences

who believes that the passage from local to global is always possible='qstn'>?!
="ppl">="ppl">Lucretius answer is immediately “no”

="large lg14" stl="font-size:133%"> in ="nms">apass each of us is somehow busy with the critique of unidimensional platitude characteristics of our milieus. / Is that the global notion in our rese="trms"nttrm="search">arches='qstn'>?

I want to take it up, maybe fulfill, and modify the project sketched out in ="nms">="nms">ajayeb al makhlughat 10 centuries ago.

='at'>#my ="trms"nttrm="already,spread">reading act with ="nms">ajayeb is like the practice of pencil monoprint on paper on a relief surface. The patterns of ="trms"nttrm="already,spread">reading emerge as the pencil moves gently across the paper, pressing down or not. The paper, pencil, pressure, movement, the object behind, the touch of three elements, ="trms">interactive ="trms">interfacial patterns of ="trms"nttrm="already,spread">reading="trms">writing with ="nms">ajayeb's textual corpus='strcls'>*


” ='lgc'>[...='lgc'>] the industrialized ="trms">world is frequently condemned to considering the concrete universe as its re="trms">presentation.”
="ppl">="ppl">Stengers ='lgc'>+ P="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigogine

(='qstn'>?what do we have that helps us give up ='thdf'>the idea of a) rational ="trms">nature of the real
observation ='lgc'>==> ="trms">generalization
="trms">measurement ='lgc'>==> precision

which precisions can be achieved by other than ="trms">measurement='qstn'>?

How not to ="trms">travel through the universe like free and self-determined gods='qstn'>? (='at'>#magicians)

="ppl">="ppl">Stengers > ="ppl">Leibniz ='at'>@="frds scrmbld">Luisa='lgc'>: “movement is produced within a full ="trms">world, an ="trms">interdependent ="trms">world in which nothing can happen that has not been made possible by the state of the set of bodies ="trms">according to a harmony that determines and checks at every moment the un="trms">folding of the ="trms">different movements.”


the full and compact ="trms">nature, version of ="nms">ajayeb

='mywrk'>my work in ="nms">apass is on a theory of transformation among ="trms">languages (not about the best point of view ='lgc'>='lgc'>=/=> ="trms">system ="trms">integrated ='lgc'>='lgc'>=/=> ="trms">trajectories calculated)='lgc'>:
="lsts lst1">•="nms">ajayeb's ="trms">natural ="trms">language
="lsts lst1">•="trms">system ="trms">language of ="trms">differential logic
="lsts lst1">•english grammar and syntax
="lsts lst1">•organic and ="trms">intersubjective space of my peers
="lsts lst1">•old ="trms">farsi
="lsts lst1">•="trms">animal
="lsts lst1">•


“speak of” ="trms">science
“speak about” ="trms">science
“speak” ="trms">science
“speak” ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics

="large lg3" stl="font-size:111%"> speaking the ="trms">language of dynamics


what is still at stake in ="trms">science='lgc'>: the description of a ="trms">world of processes

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................
="large lg4" stl="font-size:110%">
="ppl">Lezra
In the European ="trms">imaginary, the public struggle over the “better” word makes the city (the polis) ='at'>@="nms">apass

="brkr">
="ppl">Derrida[...]