[...]c, time='lgc'>--an irreversible and irrevocable time, marked like the endless flow of atoms, flowing, running, crumbling, (coulant, courant, croulant) toward their downfall and death. Things have weight='lgc'>: they fall, seeking their peaceful rest. Fluid, they flow; hot, they cool off. Downfall, death, dispersal; breaks, dichotomies, atoms. Atomic flow is residual ='lgc'>: the background of being, white noise. This ="trms">world set adrift never to return is bestrewn, here and there, at indefinet times and in indefinet places, with pockets, where vortices are born in pseudo returns. Clocks appear with these objects ='lgc'>[='lgc'>=/= the universal absolute time standing outside ="trms">contingency of everything else='lgc'>], spiraling, shifting clocks which from their moment of birth begin to mark the time of death. The ="ppl">Lucretian ="trms">world is globally entropic, but negatively entropic in certain swirling pockets. Conjunction is negative entropy; the complex thus formed counts the quantity of information set adrift. The event which barely occurs and almost immediately dis="trms">integrates minimally resists the irreversible flow, carrying little information. ="ppl">Newtonian time, which is reversible, marks resistance to the irrevocable. It is absent from these ="trms">sorts of physics, and ='thdf'>that is why our forefathers were unable to ="trms">imagine that ="ppl">Lucretian physics ever existed, with the possible exception of ="ppl">Bergson, who thrived on it. Irreversible time is the master here ='lgc'>: the physics of things resists it in spots, but in the flow of the drift; ="trms">history follows, barely a ripple in the flow. ="trms">History flows around physics.” (="ppl">Serres - Hermes p.116)

...events are all of the ="trms">socio-political order

(if ="trms">science or physics or ="trms">episteme classifies things, what classifies physics='qstn'>?)
what classifies what='qstn'>?
="trms">Question of epidemiology

slave='lgc'>: ="trms">material object
master='lgc'>: spatial object

="ppl">Serres='lgc'>: ="ppl">="ppl">Lucretius='lgc'>: dichotomies are ="trms">symptoms of better-connected ="trms">material things
="lsts lst1">•="trms">history ="trms">symptom of ="trms">nature
="lsts lst1">•time ="trms">symptom of ="trms">symptoms

="large lg2" stl="font-size:111%"> “Mars is only an accident of stable Venus, a temporary relief outside the assembled convention. Mars passes, badly connected.”
Mars is only in ="trms">transit

a penis captive

(like ="ppl">="ppl">Lucretius, do I need to distinguish, in ="nms">ajayeb) the conjunctional, contractual, stable links, (and projections of the constitution of political order='qstn'>?)
what are ="nms">ajayeb's unstable ="trms">historical contracts='qstn'>? ='lgc'>='lgc'>--> ="trms">historical ="trms">contingencies ='lgc'>--='qstn'>?='lgc'>-- “there would be nothing without the existence of the former, which quickly disappears around them”

that which disappears from de="trms">finition, reappears ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorically

the small amount of linkage between events

(with ="trms">translation we might ask='lgc'>: with/by what are you ="trms">translating='qstn'>? ='lgc'>='lgc'>--> input and output of the ="trms">translation cannot be known in advance)

ataraxia='lgc'>: the absence of trouble, peace of the garden (='lgc'>=/= soul made of atoms, unstable) a moral state ='lgc'>==> a physical state
(='lgc'>=/= aporia)
="lsts lst1">•not perturbed,
="lsts lst1">•the term was also used to describe the ideal mental state for soldiers entering battle. ='lgc'>[='lgc'>='lgc'>-->='qstn'>? the image of the ideal soldier='lgc'>: Keanu Reeves kind of coolness in The Matrix film, (the machines are made in the image of the emotional ones.) at the end of the first film, we have an ="trms">aesthetics (of in="trms">different and silent='lgc'>:) transcendence ='lgc'>+ perfect warrior='lgc'>], ='lgc'>[another theory is that the freedom from emotional attachment was developed since early middle ages for merchants in order to (in a meddieval sense) ='strcls'>*trade='strcls'>* ='lgc'>=/= melancholic introspective contemplative efforts of faith='lgc'>]
='lgc'>='lgc'>--='lgc'>--='lgc'>--='lgc'>[apatheia='lgc'>: eradicating the tendency to react emotionally or egotistically to external events, ='lgc'>~ equanimity, ='lgc'>=/= in="trms">difference='strcls'>*='at'>@="frds scrmbld">Sven; (metriopatheia='lgc'>: men between the ="trms">excess and deficiency of emotions;) a form of ="trms">response to the ="trms">world='qstn'>? ='lgc'>]
='at'>@="frds scrmbld">Sven='lgc'>:
="lsts lst1">•="trms">inter="trms">difference ='lgc'>[open ="trms">systems between or among (in)="trms">differences='qstn'>?='lgc'>] ='lgc'>='lgc'>--> ="trms">interin="trms">difference ='lgc'>='lgc'>--> entering ="trms">differences, enter in diff
="lsts lst1">•="trms">intra="trms">difference ='lgc'>[closed ="trms">system inside or within (in)="trms">differences='qstn'>?='lgc'>]


="trms">Nature is rivers and whirl winds

="large lg1" stl="font-size:125%"> streaming of mortality

="trms">Greek preference of ‘fall’ over ‘="trms">transition’='lgc'>:
things arrive and occur and only crumble and dis="trms">integrate for a unique ="trms">figurative case='strcls'>*

="trms">symptom, a ="trms">natural object, ="trms">materialism

='lgc'>{the ="trms">intersection of independent ="trms">causal chains ='lgc'>==> river rise of chance occurrence='lgc'>}

='at'>@="frds scrmbld">Seba's new planet ="trms">story workshop ='and'>& ='at'>@="frds scrmbld">Sana='lgc'>: what generate things, spinning the wheel, streaming flow, cascades (global fluidity of local solids,) ='strcls'>*principles of heat='strcls'>* (that make ="trms">worlds and bodies,) the ='strcls'>*state of disequilibrium='strcls'>* (of the ="trms">world ='lgc'>[for ="frds scrmbld">Seba='lgc'>] ='and'>& of the soul ='lgc'>[for ="frds scrmbld">Sana='lgc'>])
='strcls'>***what is the name of dist="trms"nttrm="disturban">urbance='qstn'>?
(i have been proposing ="frds scrmbld">Sana to mix physics and psychology)

what are moral mortals linked to='qstn'>?

anguish and ="trms">anxiety (in the absence of God, after the death of God)

='at'>#archive
thermodynamic time='lgc'>:
“...we have to mark irreversible time on the clock. It ticks away. Irreversibly, marking degradation. The things that were formed in the hollows of the vortices lose their atoms little by little in the downstream flow. ='lgc'>[...='lgc'>] time of heat, weight and flow.” (="ppl">Serres)
(="trms">Greek idea of) ="trms">history is only the ="trms">translation or trans="trms">position of this ="trms">material principle.
='lgc'>='lgc'>--> (thermodynamic principle of) archive='lgc'>: hollow man up to the erosion of irreversible time
="prgrph">-vector of the progressive civilization going up stream (in the tropic river)
in archive invariability is global ='lgc'>=/= irreversibility ='and'>& chance
(='lgc'>[i am more ="trms">interested in the='lgc'>] obstacles in front of the) well-founded “conjoined ="trms">world”

="trms">system statue

that which can be touched and tested

constant general random invariabilities in primordial path of ="trms">matter

(='strcls'>**="ppl">Serres='lgc'>:) morality='lgc'> = physics
(='lgc'>='lgc'>--> the image of physical collision and ="trms">causality simulation ='lgc'>='lgc'>--> morality)
='lgc'>='lgc'>--> what is then the image of the ="trms">CG artist in the ="trms">world='qstn'>? The wise man in and of the ="trms">world, friend of the ="trms">world, extended to the global universe='lgc'>:
='strcls'>*this is an important moment in ="trms">Greek Wisdom, man is not an str="trms"nttrm="danger,stranger">anger but at home in ="trms">world, (a dist="trms"nttrm="disturban">urbance a vortex in turbulent ="trms">nature,) in contract with Venus ='lgc'>=/= (breaking the contract,) man is str="trms"nttrm="danger,stranger">anger, fallen from sky, he hates things and fight against them, environment is an enemy ='lgc'>='lgc'>--> martial ="trms">neurosis from ="ppl">Plato to ="ppl">Descartes to Bacon to us

='strcls'>***hatred of objects at the root of knowl="trms"nttrm="knowledge,Knowledge">edge='strcls'>***


messages exchanged='lgc'>:
="lsts lst1">•I, you, he, we, they,
="lsts lst1">•this, here, ecce,
="lsts lst1">•here is the thing itself


="large lg3" stl="font-size:110%"> man='lgc'>: the one who subordinates every object to ="trms">relations among subjects.

(the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of) theater is submerged in ="trms">animality ='lgc'>: “politics and theater are merely mammalian”
="prgrph">-in comedy and tragedy there is only a ="trms">question of human ="trms">relations and there is never an object as such

(="ppl">Hobbes='lgc'>:) “man is wolf to other men"='lgc'> = man is a subject to objects

='strcls'>*the discovery of the object='strcls'>*
(that there is such a thing as) object is an old o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal political ="trms">relation tale
="prgrph">-a ="trms">scientific invention='qstn'>? ='lgc'>='lgc'>-->='lgc'>{always ask, what are the objects and subjects of ='lgc'>[(pre)="trms">historic='lgc'>] ="trms">science='qstn'>?='lgc'>}

="large lg4" stl="font-size:110%"> ='strcls'>*** “Aphrodite-pleasure is born of the ="trms">world and the waters. Mars is in the forum and in the armed crowd. Reduce your ="trms">relations to a minimum and bring your objects to the fore. Reduce the ="trms">intersubjective to a minimum and the objective to the maximum. With your back turned on politics, study physics.  ='lgc'>[...='lgc'>]  Forget the sacred, that means='lgc'>: forget the violence that founds it and forget the ="trms">religious which links men to each other. Consider the object, objects, ="trms">nature.”
="ppl">Serres='strcls'>*

...nevertheless the plague returns and there is violence

sacred ='lgc'>='lgc'>--> division of space ='lgc'>='lgc'>--> temple ='lgc'>='lgc'>--> inside ='and'>& outside ='lgc'>='lgc'>--> a dichotomized space ='lgc'>='lgc'>--> a boolean ="trms">geometry, a two-valued ="trms">ontology ='lgc'>='lgc'>--> inside ='lgc'>: ="trms">religious , outside ='lgc'>: profane ='lgc'>='lgc'>--> inside ='lgc'>: ="trms">matter , outside ='lgc'>: void ='lgc'>='lgc'>-->='qstn'>? Atom

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

="large lg5" stl="font-size:168%"> O="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of ="trms">geometry, construction of ="trms">geometric idealities, establishment of the first proofs, a ="trms">Greek (or Egyptian priest) miracle
='lgc'>--="ppl">Serres='lgc'>='lgc'>--> this is the same as asking='lgc'>: how one passed from one ="trms">language to another, from one type of ="trms">writing to another='qstn'>?

='strcls'>**we are always dealing with many ="trms">languages='strcls'>**

one of my contracts='lgc'>: agreement on what is noise.
I never truly made an agreement with my audience on what we might collectively agree about noise and ="trms">interference.
="lsts lst1">•mode of ="trms">communication, meaning-making, ="trms">language, ="trms">transference, transformation,
="lsts lst1">•what is the ="trms">intersection of our repertoi[...]