[...] globally entropic, but negatively entropic in certain swirling pockets. Conjunction is negative entropy; the complex thus formed counts the quantity of information set adrift. The event which barely occurs and almost immediately disintegrates minimally resists the irreversible flow, carrying little information. Newtonian time, which is reversible, marks resistance to the irrevocable. It is absent from these sorts of physics, and that is why our forefathers were unable to imagine that Lucretian physics ever existed, with the possible exception of Bergson, who thrived on it. Irreversible time is the master here : the physics of things resists it in spots, but in the flow of the drift; history follows, barely a ripple in the flow. History flows around physics.” (Serres - Hermes p.116)

...events are all of the socio-political order

(if science or physics or episteme classifies things, what classifies physics?)
what classifies what?
Question of epidemiology

slave: material object
master: spatial object

Serres: Lucretius: dichotomies are symptoms of better-connected material things
•history symptom of nature
•time symptom of symptoms

“Mars is only an accident of stable Venus, a temporary relief outside the assembled convention. Mars passes, badly connected.”
Mars is only in transit

a penis captive

(like Lucretius, do I need to distinguish, in ajayeb) the conjunctional, contractual, stable links, (and projections of the constitution of political order?)
what are ajayeb's unstable historical contracts? --> historical contingencies --?-- “there would be nothing without the existence of the former, which quickly disappears around them”

that which disappears from definition, reappears metaphorically

the small amount of linkage between events

(with translation we might ask: with/by what are you translating? --> input and output of the translation cannot be known in advance)

ataraxia: the absence of trouble, peace of the garden (=/= soul made of atoms, unstable) a moral state ==> a physical state
(=/= aporia)
•not perturbed,
•the term was also used to describe the ideal mental state for soldiers entering battle. [-->? the image of the ideal soldier: Keanu Reeves kind of coolness in The Matrix film, (the machines are made in the image of the emotional ones.) at the end of the first film, we have an aesthetics (of indifferent and silent:) transcendence + perfect warrior], [another theory is that the freedom from emotional attachment was developed since early middle ages for merchants in order to (in a meddieval sense) *trade* =/= melancholic introspective contemplative efforts of faith]
------[apatheia: eradicating the tendency to react emotionally or egotistically to external events, ~ equanimity, =/= indifference*@Sven; (metriopatheia: men between the excess and deficiency of emotions;) a form of response to the world? ]
@Sven:
•interdifference [open systems between or among (in)differences?] --> interindifference --> entering differences, enter in diff
•intradifference [closed system inside or within (in)differences?]


Nature is rivers and whirl winds

streaming of mortality

Greek preference of ‘fall’ over ‘transition’:
things arrive and occur and only crumble and disintegrate for a unique figurative case*

symptom, a natural object, materialism

{the intersection of independent causal chains ==> river rise of chance occurrence}

@Seba's new planet story workshop & @Sana: what generate things, spinning the wheel, streaming flow, cascades (global fluidity of local solids,) *principles of heat* (that make worlds and bodies,) the *state of disequilibrium* (of the world [for Seba] & of the soul [for Sana])
***what is the name of disturbance?
(i have been proposing Sana to mix physics and psychology)

what are moral mortals linked to?

anguish and anxiety (in the absence of God, after the death of God)

#archive
thermodynamic time:
“...we have to mark irreversible time on the clock. It ticks away. Irreversibly, marking degradation. The things that were formed in the hollows of the vortices lose their atoms little by little in the downstream flow. [...] time of heat, weight and flow.” (Serres)
(Greek idea of) history is only the translation or transposition of this material principle.
--> (thermodynamic principle of) archive: hollow man up to the erosion of irreversible time
-vector of the progressive civilization going up stream (in the tropic river)
in archive invariability is global =/= irreversibility & chance
([i am more interested in the] obstacles in front of the) well-founded “conjoined world”

system statue

that which can be touched and tested

constant general random invariabilities in primordial path of matter

(**Serres:) morality = physics
(--> the image of physical collision and causality simulation --> morality)
--> what is then the image of the CG artist in the world? The wise man in and of the world, friend of the world, extended to the global universe:
*this is an important moment in Greek Wisdom, man is not an stranger but at home in world, (a disturbance a vortex in turbulent nature,) in contract with Venus =/= (breaking the contract,) man is stranger, fallen from sky, he hates things and fight against them, environment is an enemy --> martial neurosis from Plato to Descartes to Bacon to us

***hatred of objects at the root of knowledge***


messages exchanged:
•I, you, he, we, they,
•this, here, ecce,
•here is the thing itself


man: the one who subordinates every object to relations among subjects.

(the origin of) theater is submerged in animality : “politics and theater are merely mammalian”
-in comedy and tragedy there is only a question of human relations and there is never an object as such

(Hobbes:) “man is wolf to other men" = man is a subject to objects

*the discovery of the object*
(that there is such a thing as) object is an old original political relation tale
-a scientific invention? -->{always ask, what are the objects and subjects of [(pre)historic] science?}

*** “Aphrodite-pleasure is born of the world and the waters. Mars is in the forum and in the armed crowd. Reduce your relations to a minimum and bring your objects to the fore. Reduce the intersubjective to a minimum and the objective to the maximum. With your back turned on politics, study physics.  [...]  Forget the sacred, that means: forget the violence that founds it and forget the religious which links men to each other. Consider the object, objects, nature.”
Serres*

...nevertheless the plague returns and there is violence

sacred --> division of space --> temple --> inside & outside --> a dichotomized space --> a boolean geometry, a two-valued ontology --> inside : religious , outside : profane --> inside : matter , outside : void -->? Atom

...................................

Origin of geometry, construction of geometric idealities, establishment of the first proofs, a Greek (or Egyptian priest) miracle
--Serres--> this is the same as asking: how one passed from one language to another, from one type of writing to another?

**we are always dealing with many languages**

one of my contracts: agreement on what is noise.
I never truly made an agreement with my audience on what we might collectively agree about noise and interference.
•mode of communication, meaning-making, language, transference, transformation,
•what is the intersection of our repertoire? (in apass, particularly; each of our mimetic preoccupations, dynamics of our violences, our mathematical sites, drawings on sand, modifiers, etc.)
==> dialogue

mathematics: (presents itself as) a communication maximally purged of noise

HRN: human relation-noise
=/= geometry


die agonal


to which degrees my work on ajayeb aligns or depends on the “new language” of the inexhaustible discourse of mathematics as inherented from the Greek geometry into the modern culture?

What are the inaugural relation of the geometric (metrological) ideogram to the CG? And to the Egyptian priest?
What is compared, modeled, simulated:
•flood
•fires
•celestial fire
[...]