[...]discursive formations
the teacher vs. trainer
the teacher that asks for your <trms class="trms">intertrms>iority
what kinds of <trms class="trms">poetrms>tic bodies
what cognitive back-up <trms class="trms">systrms>tem he usestn'>?
and so on
(the students) cannot cognize (San'an's program)
forecloser, foreclosing you
distribution of value, action, and non-action in San'an
to discover San'an where it dwells, what kinds of figures and dis<trms class="trms">figurattrms>ions it is <trms class="trms">respontrms>sible for, and what else does it mask culturallytn'>?
we also add on cultural <trms class="trms">anthroptrms>ological tracks to see which cultures or groups-psychologies practice San'an's teachings and in the service of what
(does San'an practice the will to obedience and to <trms class="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listtrms>eningtn'>?)
what (the hell) does he want (from trgt hghlght 1'href='?q=T'>Tarsaa, from her Being)tn'>?!!!
to let the other go
I am talking about
I have to exhaust, frustrate, and abuse my own mystic or non-mystic tendencies and preferences in this
this is kind of a
we are looking for mutations of San'an's work
after he dreams...
the event (‘vaghee’
“tafaroj” (
he is walking the walk,
how does he get through the borders!tn'>?
was it a ‘Road to Canossa’tn'>?
(Humiliation of Canossa, refers to the trek by Emperor Henry IV from Speyer to Canossa Castle in Emilia-Romagna to obtain the revocation of the ex<trms class="trms">communtrms>ication imposed on him by the Pope Gregory VII. He was forced to humiliate himself on his knees waiting for three days and three nights before the entrance gate of the castle, while a blizzard raged in January 1077.)
San'an's event could be that he must encounter the alterity (
in this <trms class="trms">storytrms>
(self-possession is <trms class="trms">suppostrms>ed a primordial property)
-the <trms class="trms">questiontrms> is how let yourself be invested with alterity, without becoming a seed of transcendencetn'>? (San'an let himself but then fails in the second part) by ‘seed of transcendence’ I mean making a <trms class="trms">symtrms>bol that is of a <trms class="trms">symtrms>bol (the basis of power
San'an in the <trms class="trms">storytrms> is shamanistically de-subjectified (by becoming the pig, etc.) instead of becoming hyper-subjectified (game-<trms class="trms">animaltrms>)
if I where trgt hghlght 1'href='?q=T'>Tarsaa I would ask San'an to become the Jinn instead of pig.
(trgt hghlght 1'href='?q=T'>Tarsaa is sighted by him initially on her balcony)
balcony's architectural register
San'an might have been fallen in <trms class="trms">lovtrms>e with the balcony, not the girl!
(we see proof of this later when he goes “down” on her)
“hu hu I found a torture device” says San'an when he sees the girl-balcony assemblage
trgt hghlght 1'href='?q=T'>Tarsaa's <trms class="trms">morphtrms>ology
trgt hghlght 1'href='?q=T'>Tarsaa is a defferent kind of mediatized body, not that of woman on the television, which produces a wasted body in front of the trgt hghlght 1'href='?q=T'>TV
what kind of hostility is she performing -or making availabletn'>?
she doesn't accept his marriage proposal
is there a woman hidden under the concept of trgt hghlght 1'href='?q=T'>Tarsaatn'>?
which toxicities or <trms class="trms">horrortrms>s the-woman-of-the-house in the <trms class="trms">storytrms> of San'an conceals precisely with the figure of trgt hghlght 1'href='?q=T'>Tarsaatn'>?
-she is autonomous and emancipated
-San'an is of course another legendary non-feminist <trms class="trms">posittrms>ion
-it's a masculinist <trms class="trms">storytrms> after all, in its plot
medieval <trms class="trms">narrattrms>ives of woman's image relating to the so-called sexual self-respect
a comparative <trms class="trms">literatrms>ry note on trgt hghlght 1'href='?q=T'>Tarsaa's framework and other female protagonist/antagonists
in
preserving the ‘good object’
who is doing it and what is the good object fortn'>?
(the missing good object, forever)
trgt hghlght 1'href='?q=T'>Tarsaa <trms class="trms">demandtrms>s him to drink and not to get drunk
San'an's pig-phobia
introducing the pig in a <trms class="trms">birdtrms>'s <trms class="trms">storytrms>
(Hoo<trms class="trms">poetrms> convincing the Nightingale, Nightingale convincing the ...)
the way of the pig
how earthly we are, we, creatures of earth, how <trms class="trms"><trms class="trms"nttrm="metaph,metamorph,metabol,metal">metatrms>phystrms>ics forecloses us
(simile
scanning through the scandalous moments in San'an...
I want to be German everyday
de-<trms class="trms">systrms>tem or to desist, nondialectical negativity
‘<trms class="trms">Integrtrms>ieren’ is <trms class="trms">transittrms>ive <trms class="trms">verbtrms>, has a virtual object or project
I am in Ausländerbehörde, the op<trms class="trms">posittrms>e of hospitalitytn'>?
I have to stop talking op<trms class="trms">posittrms>e <trms class="trms">rhetortrms>ic. but this was not an antithesist op<trms class="trms">posittrms>e, it was a logical op<trms class="trms">posittrms>e
violences of the encounter
San'an's <trms class="trms">lovtrms>e-<trms class="trms">storytrms>, ist nicht das trgt hghlght 1'href='?q=T'>Tristan und Isolde
‘watch your back’ is the o<trms class="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigtrms>in of sur<trms class="trms">veiltrms>lance
I hope I am not <trms class="trms">intertrms>rupting here!
killing it and <trms class="trms">lovtrms>ing it completely
so we are working (fine-tuning) on phantom noises, parasite e<trms class="trms">missiontrms>s, we have a sound-track here
we want to be aware of where we speak from, what kind of other sonic layers are somehow offering themselves, or coughing in (‘sorfe’
to point out the static, dormant, inert, ambient
and I like to hand myself over
how flowers make sense
(in
(
the <trms class="trms">rhetortrms>ic of desire in San'an, how is it (<trms class="trms">techntrms>ologically
how are things turned on or turned off in San'antn'>? etc.
<trms class="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigtrms>ht at the moment that he is allegedly at an e<trms class="trms">missiontrms> of a dream/call, we are dealing (or working) with (the essence of) <trms class="trms">techntrms>ology, there is a mitten, trans-mitten, transmitting, e<trms class="trms">missiontrms>, etc.
(how is he revealed to experience the call of a more primal truthtn'>? the girl)
(
in the <trms class="trms">storytrms> we are shifting to ‘send’, this doesn't mean that there is a sovereign subject or some <trms class="trms">sorttrms> of powerful ‘self’ <trms class="trms">respontrms>sible or at the o<trms class="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigtrms>in of the productive behavior (or accomplishment) of San'an.
(
destiny, destination, schicken, Schicksal, etc.
that is another kind of relatedness
you can no longer talk about the subject or object
is one in full possession of oneselftn'>? one doesn't belong to oneself or anybody else
(why) am I in<trms class="trms"nttrm="cluster,club">clutrms>ding in my speech a <trms class="trms">rhetortrms>ic of faltering, self-sabotage, and hesitationtn'>?
should I edit it outtn'>? edit out the “I am not sure,” those self-canceling moments from my expressiontn'>?
(my) thoughts deserve elegant expressions
<trms class="trms">translattrms>ion of this is very unstable
(<trms class="trms">accordtrms>ing to Hölderlin)
we arrive at the truth / the moment that the truth or Das Wahre emerges / the moment it closing in on us, is when we have to say goodbye
(these are rather ‘stances,’ than ‘<trms class="trms">questiontrms>s’)
how the <trms class="trms">poetrms>t-
blast has a sense of destruction to it, and destruction is good and necessary, it clears away what is al<trms class="trms"nttrm="already,spread">readtrms>y dead and hanging around burdening your being. blast is not a devastation, devastation promises no futurity
-who are you destroyed bytn'>?
whom am I addressing heretn'>? but more importantly, who or what is addressing me here (in a non-<trms class="trms">presentrms>t way)tn'>?
San'an/girl/pig assemblage
(what is girl in San'an <trms class="trms">storytrms>tn'>? what is <trms class="trms">animaltrms> in San'an <trms class="trms">storytrms>tn'>?)
San'an <trms class="trms">storytrms>, as a scenography of sexual <trms class="trms">differentrms>ce, and ironization (to make ironic in appearance or effect) of <trms class="trms">questiontrms> and answer, Q&As in
there is a dramaturgy of repudiation (when the students ask and blame
...and an idealization of the self, and not the object
basically here, I am opening a
...full path of an another Dasein
how far we are from the Dionysian Athenian festivaltn'>? Lenaia, a dramatic/comic competition of theatrical plays; coming from those of aristocrats and wine-mixing rituals, also where
the concept of
(trgt hghlght 1'href='?q=T'>This is also the central theme of the <trms class="trms">storytrms> of Moses and Khidr, in which Moses as follower/student becomes the Malaamatgar thing. trgt hghlght 1'href='?q=T'>This attitude of Khidr or San'an is provoking their audience to go beyond any version of fixation
how San'an is over or not over the <trms class="trms">materitrms>al and his boner direction or erection is towards which psychoanalytically accessible phallustn'>?
His students are following him backward!tn'>?
“Authentic disciple of four hundred men, were regressed (zurückschreiten) on a journey with him.”
we should always ask where this text comes from.
I try not to pre-program what is going to happen.
in the Shams Group music video, the soldiers in the video are having the little-
<trms class="trms"><trms class="trms"nttrm="metaph,metamorph,metabol,metal">metatrms>phystrms>ical strongholds
to keep partnership with the self, so that there can be <trms class="trms">intertrms>locution
(is this a possible ethicstn'>?
what one does to be in consonant with what one is capable of.
(then what is voweltn'>?) vowel switches tracks and resonations
...penetrative grasp of a text, discovery and recreative apprehension of it life-forms, is impossible to paraphrase or <trms class="trms">systrms>tematize.
...temporal and local settings of one's text. (to master ittn'>?)
to <trms class="trms"nttrm="already,spread">readtrms> X, is <trms class="trms">literatrms>lly, to ‘prepare’ to <trms class="trms"nttrm="already,spread">readtrms> X
in certain civilizations there comes epochs in which syntax stiffens...
Changing landscape of fact
words, the guardians of meanings, are not immortal.
note on <trms class="trms">histotrms>ry
to <trms class="trms"nttrm="already,spread">readtrms>
What <trms class="trms">materitrms>al reality has <trms class="trms">histotrms>ry out of <trms class="trms">languagetrms>tn'>?
...to remind you that everything is the condition of madness.
(protest against “was”
we are at a tense <trms class="trms">pasttrms> and a <trms class="trms">pasttrms> tense
..the landscape <trms class="trms">compostrms>ed by the <trms class="trms">pasttrms> tense, the semantic organization of re<trms class="trms">memtrms>brance... is styled and <trms class="trms">codtrms>ed <trms class="trms">differentrms>tly by cultures.
trgt hghlght 1'href='?q=T'>The <trms class="trms">verbtrms>al icon made up of all successive <trms class="trms">translattrms>ions of <trms class="trms">Greektrms> <trms class="trms">literatrms>ture and philosophy has oriented fundamental movements in Islamic feelings
My <trms class="trms">translattrms>ion of classics is not out of a vital compulsion for immediacy or precise echo. I am not trying to build my own resonant <trms class="trms">pasttrms>. Myth of the ‘true <trms class="trms">pasttrms>’... <trms class="trms">differentrms>t perspectives can co-exist and b<trms class="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurtrms>
the <trms class="trms"><trms class="trms"nttrm="metaph,metamorph,metabol,metal">metatrms>phystrms>ics of the insult, in San'an <trms class="trms">storytrms>
I am <trms class="trms">intertrms>ested in the conventions in which texts can be <trms class="trms"nttrm="already,spread">readtrms>, in which a semantic statement can be carried over into someone's own idiom. I am teaching how to re<trms class="trms"nttrm="already,spread">readtrms> texts of
I think we have civilization because (we have learned) ‘to <trms class="trms">translattrms>e out of time’
übertr<trms class="trms">agentrms>,
handing down thought <trms class="trms">narrattrms>ive,
something that also depends on transfer of meaning in
San'an's sudden <trms class="trms">intertrms>est in the woman/<trms class="trms">childtrms> (trgt hghlght 1'href='?q=T'>Tarsaa could also be a young boy) reminds us the uniquely vulnerable and creative condition of the <trms class="trms">childtrms>hood
privileged inferiority (of both <trms class="trms">childtrms> and woman)
we are dealing with both <trms class="trms">intertrms>course and discourse
how his voice will change after San'an actually gets the girltn'>?
...<trms class="trms">communtrms>ication like breathing is subject to obstruction and homicidal breakdowns, under stress of hatred, of boredom, or of sudden panic, great gaps open ...that their previous understanding had been based on a trivial pidgin which had left the heart of meaning untouched.
What is the female speech in San'antn'>?
-the breakdowns and <trms class="trms">translattrms>ions in San'an <trms class="trms">storytrms>.
-trgt hghlght 1'href='?q=T'>The sexual <trms class="trms">translattrms>ion and breakdown of <trms class="trms">lingutrms>istic exchange in San'an <trms class="trms">storytrms>.
...having an ‘ear’ for contrasting pressures of sexual discourse or identity
in San'an, man and woman, each respective experience of Eros and <trms class="trms">languagetrms> had set them desperately apart.
In whose idiom, male or female, one can grasp (only) falsehood or menacetn'>?
my performance, cor<trms class="trms">respontrms>ding to my level of <trms class="trms">literatrms>cy, and a private thesaurus, part of my subconscious and personal <trms class="trms">memtrms>ories, and using the singular and irreducibly <trms class="trms">specifitrms>c ensemble of somatic and psychological identity.
this is not a formal hard-<trms class="trms"nttrm="knowledge,Knowledge">edgetrms>d <trms class="trms">lingutrms>istic relegation, rather a <trms class="trms"><trms class="trms"nttrm="metaph,metamorph,metabol,metal">metatrms>phystrms>ical speculation
Cultures (during
my <trms class="trms">translattrms>ion of
think about the <trms class="trms">presentrms>ce of <trms class="trms">intertrms>preters in the building site
Only if men could use <trms class="trms">languagetrms> without perusing meaning to the forbidden <trms class="trms"nttrm="knowledge,Knowledge">edgetrms> of the absolute.
‘a <trms class="trms">poetrms>tic <trms class="trms">vocabulartrms>y of concepts’
‘connections or af<trms class="trms">finittrms>ies’
pursuit of an <trms class="trms">intertrms>-<trms class="trms">lingutrms>a for philosophic discourse
towards a general theory of significant sign
Can we correlate the Persian syntax with the <trms class="trms"><trms class="trms"nttrm="metaph,metamorph,metabol,metal">metatrms>phystrms>ical ambience, <trms class="trms">intertrms>nal divisions, and lyric bias of Persian peopletn'>?
the <trms class="trms">languagetrms>-matrix
<trms class="trms">languagetrms>, informed by energies proper to itself, more comprehensive and timeless than any who makes use of it...
discourse (die Rede) would not be muffled by the ground
jede Sprache ist ein Versuch
(
<trms class="trms">differentrms>t <trms class="trms">languagetrms>s penetrate to <trms class="trms">differentrms>t depths
ok, we are starting with <trms class="trms">languagetrms> from scratch, here
<trms class="trms">Literatrms>turhaus, house has always been a <trms class="trms"><trms class="trms"nttrm="metaph,metamorph,metabol,metal">metatrms>phortrms> for consciousness
how
although we see again and again in Islamic <trms class="trms">socitrms>al order the hierarchical structured <trms class="trms">relationtrms>ships, I like to show the otherwise in mystic stances, and argue that the model doesn't remain static normative from the master-disciple to the <trms class="trms">authortrms>ity and dependence lock, that the master-disciple <trms class="trms">relationtrms>ship doesn't affirm the divine order.
and San'an is also against <thdf class='thdf'>the notion thatthdf> Sufi man is without the need of a feminine principle.
we are <trms class="trms">presentrms>ted with will of the trgt hghlght 1'href='?q=T'>Tarsaa, the destination of San'an, and the <trms class="trms">poetrms>tic re<trms class="trms">presentrms>tation is feminine. the female image is strong. although at the end it has to give up
trgt hghlght 1'href='?q=T'>The trgt hghlght 1'href='?q=T'>Tarsaa is su<trms class="trms">pervtrms>ising San'an's diet, sleep, and speech
tradition
(ein Akt der Erinnerung basiert auf einer Hervorspringen-Effekt der gemeinsamen Kenntnisse)
-there is a sequence (where is the individual terms within ittn'>?)
-my <trms class="trms">storytrms>telling is about
the performance of ‘stop’ in San'an
sign-functions that cannot be stopped
the master-pupil lock
‘locken’ is also to <trms class="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurtrms>e, seduce, etc.
thank you for becoming my students, temporarily
we are not locked, and not necessarily unlocked
what is concealed behind the special effects of the awesome signifier in San'an's <trms class="trms">storytrms>tn'>?
concealed
in
Sufi order
mystic, is one mode of subjectivity emerged in the middle eastern thought
in
and then
what the image of the sinking ship has to do with the anti-clarity movements of the Sufistn'>?
bush
also,
what time is it for San'antn'>?
switching time-zones, from quotidian to <trms class="trms">ontotrms>logical, transcendental to experimental
his jet-lags
exhaustion of <trms class="trms"><trms class="trms"nttrm="metaph,metamorph,metabol,metal">metatrms>phystrms>ics
I am just alerting to a <trms class="trms">relationtrms> to time
(in a nano-structural sense
how much time does it take or took for the San'an's students to hook on to the teacher, to the difficult philosophical program that each teaching brings to beartn'>?
I am introducing myself to you
It was the perfection of whatever I say more.
(Was it she at the shrine of Sheikh for fifty yearstn'>?)
Cherished with the perfect disciple. He was a disciple of Kahn, wow!! (Who is Kahntn'>?!)
Ministry of austerity, day and night; Practiced the <trms class="trms">scietrms>nce of offspringing. Discovering the (secrets that are) revealed.
But Hajj (
trotzdem, in greatness and strong <trms class="trms">authortrms>ities, her illness and frailty found him. And he correctly found the tail—people's de<trms class="trms">finittrms>ions of joy and sorrow—an idol in the <trms class="trms">worldtrms> of <trms class="trms">scietrms>nce.
Although the Qibla (
Betty would prostrate on durability. (Who is Bettytn'>?).
He woke up to the <trms class="trms">worldtrms> as a lifesaver, and said, “Alas!” this time, “Joseph has succeeded to fallen well.”
From behind he felt a difficult way.
“I do not know going from this sad life” John said “that if I left the faith.” Not a ton on all the ground.
Where is such Qibla
While it cut the <trms class="trms">posittrms>ion of the Qibla, it became for him a clear path to justice, and stayed in the Qibla
trgt hghlght 1'href='?q=T'>The punishment be upon him in arboreal (baumig, grotn'>?artig), period.
trgt hghlght 1'href='?q=T'>The master grew suddenly old. “With my
Go now! trgt hghlght 1'href='?q=T'>The early Going.
Authentic disciple of four hundred men, were regressed on a journey with him; Would go to the ends of the Ka'ba (
trgt hghlght 1'href='?q=T'>Time, variable, filter
It turned out to be an awesome perspective—a girl sitting on the landscape. (trgt hghlght 1'href='?q=T'>This is trgt hghlght 1'href='?q=T'>Tarsaa -
In Ra hundred knowl<trms class="trms"nttrm="knowledge,Knowledge">edgetrms> Allah spirit. trgt hghlght 1'href='?q=T'>The sphere of Jamal Hassan trgt hghlght 1'href='?q=T'>Tower. It was sunny but she envied sun-shots. Yellow coy <trms class="trms">lovtrms>ers in him. Here, heart of the hair of a dead <trms class="trms">lovtrms>er, around her hair gripping the <trms class="trms">imagitrms>nation. Here, pomegranate lives on the <trms class="trms">beasttrms> that pees in Ra.
Saba (
Leaving it wrinkled up a trait. Both eyes was int<trms class="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigtrms>ued <trms class="trms">lovtrms>ers. Both eyebrows to arch, was good. Comments on Valentine's Day because he flocked. John, the coquetry, with his arch ‘flocked,’ was closed on May—eyebrow <trms class="trms"nttrm="search">archetrms>d. Kurdish, she collected hundreds of human lives that would follow the twists of hair.
LOL, it was thirsty. Feed the hungry <trms class="trms">worldtrms>!
“N has thousands of labels,” said he, because of the lack of his mouth. trgt hghlght 1'href='?q=T'>That said, if it was not any of her mouth.
Such eye needle-like mouth around the midst of package. Simin (
Joseph chewed hundreds of thousands of heart with blood. First in what he overthrew
Burqa (
trgt hghlght 1'href='?q=T'>Then a hundred dead in their hair.
Although the Sheikh was far in advance, (Betty will <trms class="trms">lovtrms>e this
Sheikh's faith and christian purchase!tn'>? God bless scandal! <trms class="trms">Lovtrms>ing that christian girl is going to be difficult.
When the disciples saw this meadow
Gave him very good advice, no treatment.
<trms class="trms">Lovtrms>e turbulent was keyboard command. Aroma therapy to treat paintn'>?! It was still day to night long.
From eye view, his mouth remained open, because of dark night in black <trms class="trms">poetrms>try, because it was hidden under the sin of unbelief.
Each LED erupted the night. Old moons came out of it. His <trms class="trms">lovtrms>e that night was one hundred more. trgt hghlght 1'href='?q=T'>The hearts of the <trms class="trms">worldtrms> took their time together. trgt hghlght 1'href='?q=T'>The soil took over and broke mourning. Not a dream, not a trail. “Lord of the day!,” said he, “Do not burn candles or fairies. At night I was in great austerity. Such a burning pile did not sleep. trgt hghlght 1'href='?q=T'>The liver bloods to the heart, and not backward. Such a pile of Kill and Burn! Hindi night, burn and kill my day! In<trms class="trms"nttrm="cluster,club">clutrms>ding in the blood of the night of <trms class="trms">wondertrms>...”
trgt hghlght 1'href='?q=T'>The head remained steeped in blood.
Every moment of the evening that passes was ‘a percentage’ of ambush;
Day and night, he was fighting liver.
Day and night I was in fever.
“trgt hghlght 1'href='?q=T'>Tonight I am his day. I paid for the day, for this made my night. trgt hghlght 1'href='?q=T'>Tonight will be a day or <trms class="trms">pasttrms>e. God would not be burning candles.” Or <trms class="trms">pasttrms>e this ambush several signs. Ambush until the Day of Judgment. trgt hghlght 1'href='?q=T'>The shames in the curtains. trgt hghlght 1'href='?q=T'>The night is long and black as her hair. Hundred people <trms class="trms">intertrms>cepted him. trgt hghlght 1'href='?q=T'>Tonight, of melancholy, <trms class="trms">lovtrms>e will burn. (Wait to pull down the skirt.) Resolve a wake or help me in his <trms class="trms">lovtrms>e! “Where is the <trms class="trms">scietrms>nce in my mind that was beforetn'>?” Or to bring in more reasontn'>?
Wisdom and patience go go go, sweethearts! trgt hghlght 1'href='?q=T'>This is what <trms class="trms">lovtrms>e is, what pain does is this.
Companions
(
Because he did not speak work, that was the end of treatment.
Woman wave the curtain hearts blood-glucose.
What comes to your meeting un<trms class="trms">foldtrms>s... Leave days, with golden shield. Hinduism night to cast the razor head. Proud the other day. It was like a sea of light absorbing Fountain Creek.
Sheikh quiet in alley of the building, working with street dogs. Stayed on the ground and sat released. Such was the-hair-in-the-mouth. Finished up closeness day and night in his dormitory.
He waited for the sun.
Became ill.
(Soil was the idol bed in his dormitory.)
Made a journa<trms class="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listtrms> of herself, “What patrol!” said Sheikh restless, who have drunk of the wine of idolatry.
christians meeting in dormitories.
Sheikh confessed to the Other, “Each blow brought a frenzy.” Sheikh asked him, “Do you see the tonguetn'>? trgt hghlght 1'href='?q=T'>Therefore stolen hearttn'>? Open heart or make me! I need perspective! Several prayers!”
Cute and proud of the passage
“John commands thee, although you will still die of lips.” “...of lips and my losses and profits.” Kuwait was the destination and to me. Do not twist the hair in shit! trgt hghlght 1'href='?q=T'>The shit in my eyes is not drunk.
(Heart on fire, seen as clouds from the top
“Without you, my life<trms class="trms">worldtrms> begs the center of you. Like rain that clouds the eye, without you, I eye the eye. Devil has seen the stay in mourning, the sighting of view—grief remains.”
I saw there was not one inch. I did not like the blood of the wine on the lives of the poor man.
He kicked several men's conquests. I refuse waiting time.
trgt hghlght 1'href='?q=T'>There was
Power is on the ground, my life.
I survive rates of cheap dirt.
“Some moan on power, in the opener, but I blow to the self-confidant ‘now.’”
Sunny
Gordon went under to earn some. Yes, it is lost, from the head down.
I burned the ground. Fire burned the universal soul.
Flowers left at the foot of your <trms class="trms">lovtrms>e. Your enthusiasm on the left hand. trgt hghlght 1'href='?q=T'>The dream of my life
Said the girl from the age of idiocy, “Construction camphor and shroud now!” Because not attuned to cufftn'>?
“Patrol, not going to the gametn'>?! In determination I am better than you! When will you find the kingdomtn'>?! Because you will not find b<trms class="trms"nttrm="already,spread">readtrms>.”
Sheikh said to him “tell another hundred thousand. I do not work but with your grief.”
<trms class="trms">Lovtrms>er, young or old, impact on every heart that will <trms class="trms">lovtrms>e her.
if you are the women, you must have four cards
And the other threetn'>? I do not know.
What is this that you said to trgt hghlght 1'href='?q=T'>The Other/Girltn'>?
He did not paint his sweetheart. He does not <trms class="trms">lovtrms>e a flavor more than her's. Sheikh said to him that “if I command petty lives the circle of hair on throat...” Said, “Rise and come and drink wine!” Like to drink winetn'>?
trgt hghlght 1'href='?q=T'>They took Sheikh to the late magi (a pre-Zoroastrian form of priesthood) as disciples came in screaming...
“Fire!” “<trms class="trms">Lovtrms>e him!” “trgt hghlght 1'href='?q=T'>Take the water!” etc.
(trgt hghlght 1'href='?q=T'>Tarsaa takes over this time, and did not mind a bit of intelligence, off the tail.)
Following his assistant, drinking, and the use of their work
trgt hghlght 1'href='?q=T'>The circle of her hair in his ears.
Notes of proximity hundred ballads in <trms class="trms">religtrms>ion.
Professor was too much <trms class="trms">memtrms>orizing the Qur'an. He went on to claim he was bragging
Sheikh, because he was drunk, not forced to <trms class="trms">lovtrms>e, he was a passionate kind of sea of life.
I saw these in the hands of the drunk fetish.
-Because of the Sheikh, hearts and hands could eat
Until then that suddenly he asked her neck
Bless was not compatible with <trms class="trms">Lovtrms>e. <trms class="trms">Lovtrms>e makes retention (
“If you follow me, you're unbeliever. With my hand on my neck. Will not hang around here, you followtn'>?!”
Sheikh's <trms class="trms">lovtrms>e have happened to have no enoughs. It happens to be the heart of neglect.
He was drunk at the time. A breath of her head did not exist intoxicated. trgt hghlght 1'href='?q=T'>The foot and the hand could not implement themselves and exposed him
(Operating harvest, very old, be<trms class="trms">wildtrms>ered as Sheikh's compass.)
(trgt hghlght 1'href='?q=T'>The old and young <trms class="trms">lovtrms>e. Who can be <trms class="trms">presentrms>ttn'>?)
Said his girl “this time, my man! Previously you were raw in <trms class="trms">lovtrms>e, with wishing patrols; now baked well as a goat, done!”
trgt hghlght 1'href='?q=T'>The news came close to christians, that ‘Sheikh took his soul!’ may he rest in peace.
It was not conscious pagan.
So looked drunk, drunk worshiped idols. Enough! Center of Khomr! People who leave the <trms class="trms">religtrms>ion
Nearness was struggling to open the year Secret sea wave was in my heart.
Chest particle seek <trms class="trms">lovtrms>e from ambush.
Ka'ba gave birth to Don
It was all a bit too much.
Who are you going to get metn'>?
Contact your building, because it is the principle.
I was connected to hope.
Contact finds trgt hghlght 1'href='?q=T'>The Familiar.
Open the old! Girl said, “Heyyy ‘captured,’ my cabin is expensive and very poor for you! Gold and silver should know about me. When the wireless gold separates the fibers of the head, the sun shall be a person. Wait and be a Man!”
Sheikh said, “A tall cypress wire! trgt hghlght 1'href='?q=T'>To the head! trgt hghlght 1'href='?q=T'>Testament has no good. But you do not have one beautiful Negar (
trgt hghlght 1'href='?q=T'>The sequel came because Sheikh, man, hell burned that month of her pain, said an unfinished ‘ever’. “I now keep racing pigs a year.” A year has passed, both together. trgt hghlght 1'href='?q=T'>To share in the joys and sorrows of life.
Sheikh's commands will give pigs a year. In hundred pig's anywhere, around dead pigs. You're a nobody, so that's no suspicion.
He was an old-enough risk.
Meal, that comes out of head's trip. If you are aware of their pig-finals
If you step on the path of forbidding the working-man, (both Betty and nose pig hundred thousand,) catch pigs!
Idols burning trgt hghlght 1'href='?q=T'>The ‘Why’ of <trms class="trms">Lovtrms>e.
Sheikh shows notorious <trms class="trms">lovtrms>e.
...also unable so, center of John unable to stay down. Because it caught him, of his help. He fled as ‘trgt hghlght 1'href='?q=T'>The Bad.’
In sadness he took over the territory. (Was helping Among the chest.) Sheikh was al<trms class="trms"nttrm="already,spread">readtrms>y at work, loose
What is the command that must be said in secrettn'>?
We stayed at the Ka'ba's sit.
Sheikh's speech of my life was filled with pain. “Want to go anywhere soontn'>?” asked me, “I'm late, girl!” John increases all my fears.
(Both were inspired by my grief. )
Friends return, to what it will be. If they ask of us, <trms class="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigtrms>ht. From wandering to where is commonplace. Blood filled his eyes and mouth full of venom. Remained in the mouth of the dragon. Reza does not have any infidel in the <trms class="trms">worldtrms>.
Ironically, old Islam is christian in her hair away.
He was a master of reason and <trms class="trms">religtrms>ion.
His hair became ring in his throat.
“If someone is blaming me, tell him ‘Falls in this period are far. In such period, note the dead!’”
No one is safe from deception and d<trms class="trms"nttrm="danger,stranger">angertrms>, the pigs!
Insomuch that cried trgt hghlght 1'href='?q=T'>The Fellowship of Sadness!, the pain of living-shit shift dead.
Eventually they opened the Ka'ba.
John remained in the burning.
trgt hghlght 1'href='?q=T'>Their Sheikh in Rome alone. (<trms class="trms">Datatrms> for the christian faith.)
trgt hghlght 1'href='?q=T'>Then, the astonisheds with life, each one is hiding in the corner.
trgt hghlght 1'href='?q=T'>To assist Ka'ba, Sheikh hit it in the chest.
Devotion was in the hands of the thumb.
Enough was enough.
Open the Sheikh all the time!
When disciples heard these <trms class="trms">storiestrms>, they surprised. And moan broke out on their gold.
Shame wind, was the last of this assistance.
“Could be <trms class="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Rigtrms>ht and Loyaltn'>? Since its establishment are around the Sheikh's hand, around should be a closed sentence.
Should not be deliberately cut. trgt hghlght 1'href='?q=T'>Tarsaa was the sentence.
trgt hghlght 1'href='?q=T'>This is not to help and agree! You hypocrites!
Each is sweetheart to his sweetheart.
If pagan man should become the fai<trms class="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurtrms>e, can be sweetheart in the hundreds of thousands.
As was Sheikh whale on the palate, in<trms class="trms"nttrm="cluster,club">clutrms>ding the Name and Shame
Late Sheikh worked on that vision.
He opened one by one, got centered. Because seeing Sheikh's benefit was our help, Sheikh send us return soon. We all looked back on his sentence.” Mystery <trms class="trms">storytrms>...
Any one of the range of the Other is elevated.
When trgt hghlght 1'href='?q=T'>The <trms class="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Rigtrms>ht restlessly see you
If you avoid the Sheikh himself, what was ‘open’ from trgt hghlght 1'href='?q=T'>The-<trms class="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Rigtrms>httn'>?”
When they heard spokens, of their frustration, a ton of pre-heads.
In<trms class="trms"nttrm="cluster,club">clutrms>ding the Arabs, were leaving hidden day and night, on the <trms class="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigtrms>ht of every one hundred thousand.
Sometimes the pleading shit works lamentation.
As the half-witted shepherd days, anyone official, not eating, not sleeping at night, in<trms class="trms"nttrm="cluster,club">clutrms>ding the half-witted.
Night's half-witted days neither b<trms class="trms"nttrm="already,spread">readtrms> nor water.
trgt hghlght 1'href='?q=T'>The people cry out “Clean!” Ferris was the hard-knock fusion. (Clan's ups and downs.) In<trms class="trms"nttrm="cluster,club">clutrms>ding
And there, before finally boiled down the line, in pray
Half-witted henchmen cleaning after opening night,
(have gone behind his back privately.)
Wind dawn, musk times earnings.
Was discovered
On his <trms class="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigtrms>ht shade the sun. One hundred <trms class="trms">worldtrms> dedicated to her hair.
He was walking and smiling.
Harvest was lost!
It is disciple who saw it from a search, “Nabiollah, stuck my hand! Guide-Moon
Mustafa said so loud, “I got out Sheikh to the s<trms class="trms">traptrms>. trgt hghlght 1'href='?q=T'>Thanks to the activities of their work, with the Sheikh's tail
trgt hghlght 1'href='?q=T'>The man was intoxicatingly joy.
His roar was vibrant.
Among his companions was aware and determination of the reward that went with people weeping and demon.
As far as was Pig-Sheikh, Sheikh saw the fire
trgt hghlght 1'href='?q=T'>The bell around the time was broken through, hats thrown together. Also addressed the christian heart.
Sheikh's companions observed him from afar
trgt hghlght 1'href='?q=T'>The inability from the head to the ground.
Sometimes when the cloud bloody tears, when John's sweet fire curtains burned the shit. trgt hghlght 1'href='?q=T'>The regret in his body burned blood.
Secrets of the Qur'an's wisdom, were washed from head to head, in<trms class="trms"nttrm="cluster,club">clutrms>ding throwing re<trms class="trms">memtrms>ber, of ignorance and misery.
trgt hghlght 1'href='?q=T'>To his own, wept in prostration. Also had goals for blood-stained eyes. Embarrassment was lost in sweat.
Left in grief and joy, before he went wandering all;
trgt hghlght 1'href='?q=T'>The following day, <thdf class='thdf'>thanks tothdf> John reject all,
Sheikh said that, “Having a secret, may be open before the sun is out. Infidelity arose from the meeting of Ra and faith, Roman pagan God-worship, sea wave suddenly passed out.
You want to work the <trms class="trms">intertrms>cession of the Apostletn'>? trgt hghlght 1'href='?q=T'>This time <thdf class='thdf'>thanks tothdf> the <trms class="trms">worldtrms>.”
What a sugar <trms class="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigtrms>ht now! God's grace in the sea, the sun shall obviously know he will turn black. Repentance knows that with several of sin, ignite the fire of his repentance.
Must also in<trms class="trms"nttrm="cluster,club">clutrms>de his burns.
I make <trms class="trms">storytrms> short, its place
Saw it after, the christian girl, to sleep
Cleared that is him.
He was in you
trgt hghlght 1'href='?q=T'>That is, along being with his ‘<trms class="trms">intertrms>ceptor,’ be more of these ‘<trms class="trms">intertrms>cepted.’”
Because the christian girl was sleeping, she felt the light of the sun.
What a pain in her heart arose!- and the pain of <trms class="trms">lovtrms>ing it. Fire.
Hands on his heart, the heart of hand, her restless soul did not know what was inside her eggs.
Failed and the absence of a tail, see herself in the <trms class="trms">wondertrms>s of the universe.
Where a <trms class="trms">worldtrms> that way, one must be dumb, the way of no tongue. It took all cute -and cheerfulness, like of a rain, collapsed.
Bellowed garment gave run-out.
trgt hghlght 1'href='?q=T'>The soil over the blood ran.
With the painful and incapa<trms class="trms">citatrms>ting person, followed the Sheikh and his disciples running.
Also ran bleeding cloud.
Following the footsteps of the running, him in the desert and plains, from which must be passed by.
Welcomed helpless and confused. Welcomed her rubbing face in the dirt.
Said, “O God, work! Private parts of any work left.
I ran man's way because of you. You on me, that I was never aware.
trgt hghlght 1'href='?q=T'>The boiling sea. I did not take my poor. Dean agreed, stuck my hands. Nobody does not help us.”
Sheikh was told from within of that girl christian, “Not familiar with our port, she fell this time on our way.
Go back before it pop idol! And tune up your paid companion.”
Sheikh while returning like wind, opened disciples’ salt
“What's the new single and had repented and several moretn'>?! Once again, ‘<trms class="trms">lovtrms>e you’tn'>? Much you repenttn'>?!”
Sheikh told of his girl, leaving dead each that hear it.
Sheikh and his companions came days after opening, till it was the ‘smooth’ (trgt hghlght 1'href='?q=T'>Tarsaa) was.
When he saw the yellow gold, lost in rounds, <trms class="trms">intertrms>cepted her coma. Clean bare feet and torn clothes.
trgt hghlght 1'href='?q=T'>The men on the ground, for example. Give it a month since his Sheikh bet his epileptic sore.
Because it takes months in epileptic sleep. Sheikh growth of water.
It looked like the journa<trms class="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listtrms> Sheikh. trgt hghlght 1'href='?q=T'>Tears fell like a cloud of spring.
His promises. In his own hands and feet. Said “you burned my soul. I can no longer burn in the curtains of repentance, to be aware. Supply now Islam! (to be <trms class="trms">intertrms>cepted)
He launched the Sheikh of Islam. Fellowship bubbling sentence rejected.
Because it was the idol of the people exposed.
San'an, because he was the last governor, heard tasteful faith in the heart.
She was restless taste faith.
“My patience was Sheikh's vault.” Said, “I do not have any patience at parting.
Saddle go full family. Sheikh, Hajj, Pilgrimage, <trms class="trms">worldtrms>, I will be as brief as speech, my poor... rather than an adversarial amnesty and not...”
trgt hghlght 1'href='?q=T'>This said in the hands of John, and was half dead. Her sun was hidden under cloud. Sweet life of girl parted, hesitated.
She followed a drop in the ocean.
trgt hghlght 1'href='?q=T'>The sea was actually open.
In<trms class="trms"nttrm="cluster,club">clutrms>ding the <trms class="trms">worldtrms>, it goes like the wind. He went and we all go.
Saddle such fall much in the way of <trms class="trms">lovtrms>e. trgt hghlght 1'href='?q=T'>This person is conscious, knows that <trms class="trms">lovtrms>e. Anything said may be <trms class="trms">intertrms>cepted.
Mercy, despair, deceit, and securely.
trgt hghlght 1'href='?q=T'>This can hear the secrets of the soul, Nasibat (
and mud reliance should not be heard. War was the heart and soul of
each tail hard. Dirge in that mourning was hard.
his mental hygiene, through strange theological appartouses, is not standing intrusions and pollutants of the middle ages trans-<trms class="trms">religtrms>iousity and cross-boundry encounters between the dislikes and those who differ in sexuality.
his hygiene is polluted
but in a peotic reappropriative act of
main title
“Four Eastern Cartographies of En<trms class="trms">traptrms>ment”
video
“<trms class="trms">Writtrms>ing on Chaos - A trgt hghlght 1'href='?q=T'>Terminal Intimacy”
performance
“trgt hghlght 1'href='?q=T'>The Reward of trgt hghlght 1'href='?q=T'>The Victim - trgt hghlght 1'href='?q=T'>Towards <trms class="trms">Poetrms>tic Extremism”
image assemblage wallpaper
“Bad trgt hghlght 1'href='?q=T'>Temper - Apocalyptic Climates of End<trms class="trms"nttrm="danger,stranger">angertrms>ed Subjectivity”
delvi
delphi
dilated
dionysian ecotone for performance
defp
dionysian epitom studies for performing ecotone
desfpe
artistic research center for <trms class="trms">materitrms>al epitom studies
arcfmes
(art)mes
eccentric center of/for <trms class="trms">materitrms>al and performance studies
(eco)maps
dionysian epitom for <trms class="trms">materitrms>al and performance studies
demaps
eccentric center of/for epitomized <trms class="trms">materitrms>al studies
ecfem
cologne center for <trms class="trms">socitrms>al research
ccsr
ecotone
epitom
parc
performance and research center
cream
center for research in <trms class="trms">epistemtrms>ology and <trms class="trms">mattertrms>
this proposal gathers <trms class="trms">literatrms>ry forces from the speculative insights of
by <trms class="trms">travetrms>rsing the domains of revolutionary ideology, avant-garde <trms class="trms">literatrms>ture, new-wave cinema, extremist thought, and protests from the limitless <trms class="trms">imagitrms>native reservoir of their political, <trms class="trms">poetrms>tic, spiritual, and <trms class="trms">aesthettrms>ic predecessors
mobile within a speculative/sug<trms class="trms">gesttrms>ive milieu, this project is <trms class="trms">intertrms>ested in examining <trms class="trms">literatrms>ry sites such as Kelile-o Demne's <trms class="trms">communtrms>al forms of fragile human cohabitation (11th century political/bestial <trms class="trms">fabletrms>),
this form of half-di<trms class="trms">gesttrms>ive omnivorous work is <trms class="trms">situtrms>ated in a larger <trms class="trms">trajecttrms>ory of creative investigations, which i have been busy with under “<trms class="trms">storytrms>telling,” are dealing with the <trms class="trms">questiontrms>s of conditions in which non-antagonistic critical encounters between ordered conventions of knowing and chaotic textuality/<trms class="trms">imagitrms>nation is possible. to take the mind where it does not belong. to the rogue arsenals of middle eastern reservoir of <trms class="trms">imagitrms>nation and its locatable mimicries. to its repetitive scaf<trms class="trms">foldtrms>ings, fugitive <trms class="trms">trajecttrms>ories, its performances of fatal experience of the text. to unload its corrosive textualities and let them run their acids across one another. this project is <trms class="trms">intertrms>ested in both the unleashing and the pleasure of watching the text die.
part of the dis<trms class="trms">posittrms>ion of this proposal is also the sug<trms class="trms">gesttrms>ion that the two collaborators of this project,
My work has been about
“Four Masks of an Eastern Post<trms class="trms">moderntrms>ism”
insurgent, <trms class="trms">poetrms>t, mystic, sectarian
| | | |
chaos, violence, illusion, silence
for the collaborative part of sharjah project, i like to propose four “masks” (or “rotational avatars”) of subjective anarchy, that are few among many existential prototypes and subjectivity constellations of eastern post<trms class="trms">moderntrms>ism, as collaborative sites of encounter with four (or less and not necessarily individual) artists/participants.
installation
speculative objects (
between research, <trms class="trms">socitrms>al critique, speculative theory, and artistic production
resistance to <trms class="trms">moderntrms>ism, and revolutionary <trms class="trms">agentrms>cy
otherless individuation
eternal war
killer's freedom
(<trms class="trms">affecttrms>ive) overreaction
will to chaos (
fugitive post<trms class="trms">moderntrms> map of escape from the grasp of the experience of the <trms class="trms">moderntrms>ist <trms class="trms">phenomentrms>on
|
<trms class="trms">respontrms>ses to <trms class="trms">histotrms>rical events of atrocity and <trms class="trms">transittrms>ion
mystical, criminal, mercenary, revolutionary edifice
a<trms class="trms">morphtrms>ous, obscure, versatile (thinker/<trms class="trms">writtrms>ers)
conceptual axes/<trms class="trms"nttrm="search">archetrms>types of
sunken tranquility, relaxed self-annihilation, ascetic r<trms class="trms">enunctrms>iation of <trms class="trms">materitrms>al (
neomystial <trms class="trms">trajecttrms>ories of new-wave
& exile space
will to extremity
(apocalyptic <trms class="trms">writtrms>ing)
breakaway modality
(annihilatic temptation to) convert the text into a closed circle
(sect's threats of) forbidden power, moral ambiguity, collective <trms class="trms">denstrms>ity(/destiny)
![system cosmology hierarchy matter being planet Venus Mars Luna moon [source: Eudes Picard]](images/ajayeb/0007.jpg "--> t
system cosmology hierarchy matter being planet Venus Mars Luna moon
[source: Eudes Picard]")
contributions/<trms class="trms">respontrms>ses of
(from the middle eastern front) to (the issues of)
anticultural visionaries
extreme
(<trms class="trms">poetrms>tic extremism
-affliction, existence thriving in the wound
(assumptions of) inevitability
fanatical <trms class="trms">respontrms>ses to the evolving storm
cyclopean protocols of extremity
the cyclopean organ (of doing/thinking)
|
|
....three brothers