[...]ore of you, hides from me.
Said the girl from the age of idiocy, “Construction camphor and shroud now!” Because not attuned to cufflss='qstn'>?
“Patrol, not going to the gamelss='qstn'>?! In determination I am better than you! When will you find the kingdomlss='qstn'>?! Because you will not find blss="trms"nttrm="already,spread">read.”
Sheikh said to him “tell another hundred thousand. I do not work but with your grief.”
lss="trms">lss='trgt hghlght 1'href='?q=L'>Lover, young or old, impact on every heart that will lss="trms">love her.
if you are the women, you must have four cards<lgc clss='lgc'>:lgc>
<lstsrd clss="lstsrd">1. false prostrates before idols
lstsrd> <lstsrd clss="lstsrd">2. burn into Qur'an
lstsrd> <lstsrd clss="lstsrd">3. see drinking-alcohol
lstsrd> <lstsrd clss="lstsrd">4. observe the faith
lstsrd> (Sheikh's speech got possession of alcohol)
And the other threelss='qstn'>? I do not know.
What is this that you said to The Other/Girllss='qstn'>?<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>Hands should be washed of parcels of Islamlss='qstn'>?
He did not paint his sweetheart. He does not lss="trms">love a flavor more than her's. Sheikh said to him that “if I command petty lives the circle of hair on throat...” Said, “Rise and come and drink wine!” lss='trgt hghlght 1'href='?q=L'>Like to drink winelss='qstn'>?<lgc clss='lgc'>--lgc>Come in roaring!

They took Sheikh to the late magi (a pre-Zoroastrian form of priesthood) as disciples came in screaming...
“Fire!” “lss="trms">lss='trgt hghlght 1'href='?q=L'>Love him!” “Take the water!” etc.
(Tarsaa takes over this time, and did not mind a bit of intelligence, off the tail.)
Following his assistant, drinking, and the use of their work<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>because there was a wine, lss="trms">love, and sweetheart<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>it was one hundred thousand. Sheikh saw tooth as the opponent. Pomegranate Sheikh see his smiling trick, fire of passion in his life. Flood bloody hand. The will of the winds and lss="trms">writing.
The circle of her hair in his ears.
Notes of proximity hundred ballads in lss="trms">religion.
Professor was too much lss="trms">memorizing the Qur'an. He went on to claim he was bragging<lgc clss='lgc'>--lgc>recalled from ls clss='strcls'>*ls>lss="trms">memory<lgc clss='lgc'>--lgc>the reasons that wine pumped away, Khomr (خمر), whatever that means. Clean slate blasted his conlss="trms">science<lgc clss='lgc'>--lgc>lss="trms">lss='trgt hghlght 1'href='?q=L'>Love the lss="trms">Beast! The general went to be cleared.
Sheikh, because he was drunk, not forced to lss="trms">love, he was a passionate kind of sea of life.
I saw these in the hands of the drunk fetish.
lss="prgrph">-Because of the Sheikh, hearts and hands could eatls clss='strcls'>*ls>
Until then that suddenly he asked her neck <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> “Oh man! Claimed in lss="trms">love, not meaningful, only if you lss="trms">love walking on hard assets, lss="trms">religion bending the hair of assets, such Zolf (زلف) does not walk in disbelievers. lss="trms">lss='trgt hghlght 1'href='?q=L'>Love do not come lightly.”
Bless was not compatible with lss="trms">lss='trgt hghlght 1'href='?q=L'>Love. lss="trms">lss='trgt hghlght 1'href='?q=L'>Love makes retention (حافظه) blasphemy.
“If you follow me, you're unbeliever. With my hand on my neck. Will not hang around here, you followlss='qstn'>?!”
Sheikh's lss="trms">love have happened to have no enoughs. It happens to be the heart of neglect.
He was drunk at the time. A breath of her head did not exist intoxicated. The foot and the hand could not implement themselves and exposed him<lgc clss='lgc'>:lgc> a person—he was a christian.
(Operating harvest, very old, belss="trms">wildered as Sheikh's compass.)
(The old and young lss="trms">love. Who can be lss="trms">presentlss='qstn'>?)
<lgc clss='lgc'><lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc><lgc clss='lgc'>--lgc>lgc>It followed the devastation of lost and drunk. Drunk, and was gone because of lost lss="trms">love. I call that lss="trms">skilled impatient. What do you want me to saylss='qstn'>?! The pagan consciousness burn the Qur'an's idol, drunk drunk!lss='qstn'>?
Said his girl “this time, my man! Previously you were raw in lss="trms">love, with wishing patrols; now baked well as a goat, done!”


The news came close to christians, that ‘Sheikh took his soul!’ may he rest in peace.
ls clss='strcls'>*ls>The late Sheikhls clss='strcls'>*ls> was drunk-around and was then said to be around the squares. Fire knocked at the door and was working on. ls clss='strcls'>***ls>Heart released the lss="trms">religion itself.ls clss='strcls'>***ls> Ka'ba not to mentioned to the Sheikh; (after several years of good faith.) christian girl will lss="trms">love his work.
It was not conscious pagan.
So looked drunk, drunk worshiped idols. Enough! Center of Khomr! People who leave the lss="trms">religion<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>without doubt this is the mother of all vices. Sheikh said that “the girl remained a sweetheart. All that has been said and what remains, Khomr ate!” Worship the idol of lss="trms">love! I saw one inch of lss="trms">love, and so Sheikh (would be exposed.)
Nearness was struggling to open the year Secret sea wave was in my heart.
Chest particle seek lss="trms">love from ambush.
Ka'ba gave birth to Don lss="frds scrmbld">Juan's lss="trms">love<lgc clss='lgc'>:lgc> prominent wander unseen lss="trms">love.
It was all a bit too much.
Who are you going to get melss='qstn'>?
Contact your building, because it is the principle.
I was connected to hope.
Contact finds The Familiar.
ls clss='strcls'>*ls>Find a burn in The Separation!
Open the old! Girl said, “Heyyy ‘captured,’ my cabin is expensive and very poor for you! Gold and silver should know about me. When the wireless gold separates the fibers of the head, the sun shall be a person. Wait and be a Man!”
Sheikh said, “A tall cypress wire! To the head! Testament has no good. But you do not have one beautiful Negar (نگار). Finally, keep hands off these practices. Each tail of another type of tail. It had your blood without you. I was working on you. It was lss="trms">intercepted. ...were in lss="trms">love with each<lgc clss='lgc'>:lgc> Infidelity and Islam and loss and profit. You wait a few days. You did not like that with me. The friends turned against me, enemies of my soul. ‘He is such and such,’ because I am. Die was not me and not die, because I am. I'm an excellent lss="trms">nature<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>with you in Hell without you in Heaven.”


<lrg clss="large lg2" stl="font-size:111%"> The sequel came because Sheikh, man, hell burned that month of her pain, said an unfinished ‘ever’. “I now keep racing pigs a year.” A year has passed, both together. To share in the joys and sorrows of life.
Sheikh's commands will give pigs a year. In hundred pig's anywhere, around dead pigs. You're a nobody, so that's no suspicion.
He was an old-enough risk.
<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>This risk is within each person.
Meal, that comes out of head's trip. If you are aware of their pig-finals<lgc clss='lgc'>:lgc> a hard excuse, that the Ra-man is final.
If you step on the path of forbidding the working-man, (both Betty and nose pig hundred thousand,) catch pigs!
Idols burning The ‘Why’ of lss="trms">lss='trgt hghlght 1'href='?q=L'>Love.
Sheikh shows notorious lss="trms">love.

lrg>
...also unable so, center of John unable to stay down. Because it caught him, of his help. He fled as ‘The Bad.’
In sadness he took over the territory. (Was helping Among the chest.) Sheikh was allss="trms"nttrm="already,spread">ready at work, loose<lgc clss='lgc'>:lgc> “Today we are going to open the Ka'ba.”
What is the command that must be said in secretlss='qstn'>?
<lsts clss="lsts lst1">•Or all the time, because you're christians.
lsts> “We, scandal of his altar. We, dislike such you, alone. Around us you are like barbarism. You also fail to your vision.” Saddle earth, early escape without you.
We stayed at the Ka'ba's sit.
Sheikh's speech of my life was filled with pain. “Want to go anywhere soonlss='qstn'>?” asked me, “I'm late, girl!” John increases all my fears.
(Both were inspired by my grief. )
Friends return, to what it will be. If they ask of us, lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right. From wandering to where is commonplace. Blood filled his eyes and mouth full of venom. Remained in the mouth of the dragon. Reza does not have any infidel in the lss="trms">world.
Ironically, old Islam is christian in her hair away.
He was a master of reason and lss="trms">religion.
His hair became ring in his throat.
“If someone is blaming me, tell him ‘Falls in this period are far. In such period, note the dead!’”
No one is safe from deception and dlss="trms"nttrm="danger,stranger">anger, the pigs!


Insomuch that cried The Fellowship of Sadness!, the pain of living-shit shift dead.
Eventually they opened the Ka'ba.
John remained in the burning.
Their Sheikh in Rome alone. (lss="trms">Data for the christian faith.)
Then, the astonisheds with life, each one is hiding in the corner.
To assist Ka'ba, Sheikh hit it in the chest.
Devotion was in the hands of the thumb.
Enough was enough. lss='at'>@“You were not aware of the sheikhlss='qstn'>?! Sheikh's Ka'ba was (because of) the trip! As a disciple of Sheikh you return insteadlss='qstn'>?!”
lss='at'>@“But Sheikh's deserted house was empty!” Open disciple of Sheikh asked.
Open the Sheikh all the time!
lss='at'>@“What happened to him was the center of a tiger. How much weight she came to head himlss='qstn'>? christians ‘hair to hair’ is the way of faith in him. ls clss='strcls'>*ls>lss="trms">lss='trgt hghlght 1'href='?q=L'>Love loses hair and tattoos forever. (Overall<lgc clss='lgc'>:lgc> the arrest of his obedience.) Pork watches him around the middle of the frame, although much on lss="trms">religion pursued our sheikh, ancient knowllss="trms"nttrm="knowledge,Knowledge">edge is anew.”


When disciples heard these lss="trms">stories, they surprised. And moan broke out on their gold.
lss='at'>@The disciple said “In loyalty neither male nor female, disabled men have a hundred thousand sweetheart and one day to work. If you were his friends, to Sheikh, why did not help him advancedlss='qstn'>?!”
Shame wind, was the last of this assistance.
“Could be lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Right and lss='trgt hghlght 1'href='?q=L'>Loyallss='qstn'>? Since its establishment are around the Sheikh's hand, around should be a closed sentence.
Should not be deliberately cut. Tarsaa was the sentence.
This is not to help and agree! You hypocrites!
Each is sweetheart to his sweetheart.
If pagan man should become the failss="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure, can be sweetheart in the hundreds of thousands.
As was Sheikh whale on the palate, inlss="trms"nttrm="cluster,club">cluding the Name and Shame<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>lss="trms">lss='trgt hghlght 1'href='?q=L'>Love the bad name of the base user! lss='at'>@They said an inch longer, “Previously we mentioned many times with him, Its determination to have me with him, the joys and sorrows of our soul. Sell and buy piety scandal! Boy, abolish lss="trms">religion and christians!
lss='trgt hghlght 1'href='?q=L'>Late Sheikh worked on that vision.
He opened one by one, got centered. Because seeing Sheikh's benefit was our help, Sheikh send us return soon. We all looked back on his sentence.” Mystery lss="trms">story...
lss='at'>@After, said it disciple to companions, “If you were to work on further<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>but not the lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right place for you<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>in-lss="trms">presence is your head-to-your-feet. The lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to petition, to have in advance.
Any one of the range of the Other is elevated.
When The lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Right restlessly see you<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>Sheikh's extradition.
If you avoid the Sheikh himself, what was ‘open’ from The-lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Rightlss='qstn'>?”


When they heard spokens, of their frustration, a ton of pre-heads.
lss='at'>@He said, “now what profit from this shamelss='qstn'>?! There is work, soon rise up!” lss='at'>@“It should be our lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Right's portals. Pour soil in our petitions. We wear the shirt, all the papers. -In the end we all to our Sheikh.”


Inlss="trms"nttrm="cluster,club">cluding the Arabs, were leaving hidden day and night, on the lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right of every one hundred thousand.
Sometimes the pleading shit works lamentation.
As the half-witted shepherd days, anyone official, not eating, not sleeping at night, inlss="trms"nttrm="cluster,club">cluding the half-witted.
Night's half-witted days neither blss="trms"nttrm="already,spread">read nor water.
The people cry out “Clean!” Ferris was the hard-knock fusion. (Clan's ups and downs.) Inlss="trms"nttrm="cluster,club">cluding<lgc clss='lgc'>:lgc> wore the black of mourning.
And there, before finally boiled down the line, in pray<lgc clss='lgc'>:lgc> throw shooting target!


Half-witted henchmen cleaning after opening night,
(have gone behind his back privately.)
Wind dawn, musk times earnings.
Was discovered<lgc clss='lgc'>--lgc>on the manifest lss="trms">world<lgc clss='lgc'>--lgc>Mustafa came to see, like a moon, in two black hair.
On his lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right shade the sun. One hundred lss="trms">world dedicated to her hair.
He was walking and smiling.
Harvest was lost!
It is disciple who saw it from a search, “Nabiollah, stuck my hand! Guide-Moon<lgc clss='lgc'>--lgc>from whatever deity; my Sheikh was the way that we lost the view.”
Mustafa said so loud, “I got out Sheikh to the slss="trms">trap. Thanks to the activities of their work, with the Sheikh's tail<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>in advance. Among the late Sheikh and lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Right, it was round a very black dust, ls clss='strcls'>*ls>since a very long time.ls clss='strcls'>*ls> He took the dust of the road among the darkness. However, I do not lss="trms">intercede night. He will publish on time. It is now the Ra dust, refused to repent. I am certain that the percentage of the universe of sin spit up a repentance off the way. The wave becomes woman, and wipes away the sin of man and woman.”


The man was intoxicatingly joy.
His roar was vibrant.
Among his companions was aware and determination of the reward that went with people weeping and demon.
As far as was Pig-Sheikh, Sheikh saw the fire<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>among the well-known restlessness.
The bell around the time was broken through, hats thrown together. Also addressed the christian heart.
Sheikh's companions observed him from afar<lgc clss='lgc'>--lgc>saw themselves. (He was wearing the garments of shame.)
The inability from the head to the ground.
Sometimes when the cloud bloody tears, when John's sweet fire curtains burned the shit. The regret in his body burned blood.
Secrets of the Qur'an's wisdom, were washed from head to head, inlss="trms"nttrm="cluster,club">cluding throwing relss="trms">member, of ignorance and misery.
To his own, wept in prostration. Also had goals for blood-stained eyes. Embarrassment was lost in sweat.


lss='trgt hghlght 1'href='?q=L'>Left in grief and joy, before he went wandering all;
The following day, lss='thdf'>thanks to John reject all,
Sheikh said that, “Having a secret, may be open before the sun is out. Infidelity arose from the meeting of Ra and faith, Roman pagan God-worship, sea wave suddenly passed out.
You want to work the lss="trms">intercession of the Apostlelss='qstn'>? This time lss='thdf'>thanks to the lss="trms">world.”
What a sugar lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right now! God's grace in the sea, the sun shall obviously know he will turn black. Repentance knows that with several of sin, ignite the fire of his repentance.
Must also inlss="trms"nttrm="cluster,club">clude his burns.


I make lss="trms">story short, its place<lgc clss='lgc'>:lgc> Sheikh will open robe.
<lsts clss="lsts lst1">•Went with his companions toward the Hejaz.
lsts>
Saw it after, the christian girl, to sleep<lgc clss='lgc'>:lgc> in the sun beside him<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>the lss="trms">language<lgc clss='lgc'>:lgc> “Then walk with Sheikh's center after this time. That is his lss="trms">religion, her soil. Off Evil!
Cleared that is him.
He was in you<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>no lss="trms">tropes. In fact, I lss="trms">intercepted him open. The released body, to drive his way. Because it was the way you view the way.
That is, along being with his ‘lss="trms">interceptor,’ be more of these ‘lss="trms">intercepted.’”


Because the christian girl was sleeping, she felt the light of the sun.
What a pain in her heart arose!- and the pain of lss="trms">loving it. Fire.
Hands on his heart, the heart of hand, her restless soul did not know what was inside her eggs.
Failed and the absence of a tail, see herself in the lss="trms">wonders of the universe.
Where a lss="trms">world that way, one must be dumb, the way of no tongue. It took all cute -and cheerfulness, like of a rain, collapsed.
Bellowed garment gave run-out.
The soil over the blood ran.
With the painful and incapalss="trms">citating person, followed the Sheikh and his disciples running.
Also ran bleeding cloud.
Following the footsteps of the running, him in the desert and plains, from which must be passed by.
Welcomed helpless and confused. Welcomed her rubbing face in the dirt.
Said, “O God, work! Private parts of any work left.
I ran man's way because of you. You on me, that I was never aware.
The boiling sea. I did not take my poor. Dean agreed, stuck my hands. Nobody does not help us.”

Sheikh was told from within of that girl christian, “Not familiar with our port, she fell this time on our way.
Go back before it pop idol! And tune up your paid companion.”
Sheikh while returning like wind, opened disciples’ salt<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>inlss="trms"nttrm="cluster,club">cluding the head of what was open.
“What's the new single and had repented and several morelss='qstn'>?! Once again, ‘lss="trms">love you’lss='qstn'>? Much you repentlss='qstn'>?!”
Sheikh told of his girl, leaving dead each that hear it.


<lrg clss="large lg10" stl="font-size:108%"> Sheikh and his companions came days after opening, till it was the ‘smooth’ (Tarsaa) was.
When he saw the yellow gold, lost in rounds, lss="trms">intercepted her coma. Clean bare feet and torn clothes.
The men on the ground, for example. Give it a month since his Sheikh bet his epileptic sore.
Because it takes months in epileptic sleep. Sheikh growth of water.
It looked like the journalss="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list Sheikh. Tears fell like a cloud of spring.
His promises. In his own hands and feet. Said “you burned my soul. I can no longer burn in the curtains of repentance, to be aware. Supply now Islam! (to be lss="trms">intercepted)
He launched the Sheikh of Islam. Fellowship bubbling sentence rejected.
Because it was the idol of the people exposed. l clss="ppl">Rail>n tears, the woman waves in between.
San'an, because he was the last governor, heard tasteful faith in the heart.
She was restless taste faith.
“My patience was Sheikh's vault.” Said, “I do not have any patience at parting.
Saddle go full family. Sheikh, Hajj, Pilgrimage, lss="trms">world, I will be as brief as speech, my poor... rather than an adversarial amnesty and not...”
This said in the hands of John, and was half dead. Her sun was hidden under cloud. Sweet life of girl parted, hesitated.
She followed a drop in the ocean.
The sea was actually open.


Inlss="trms"nttrm="cluster,club">cluding the lss="trms">world, it goes like the wind. He went and we all go.
Saddle such fall much in the way of lss="trms">love. This person is conscious, knows that lss="trms">love. Anything said may be lss="trms">intercepted.
Mercy, despair, deceit, and securely.
This can hear the secrets of the soul, Nasibat (نصیبت) cannot be won without balls. This is certainly the heart and soul, must be heard. Water
and mud reliance should not be heard. War was the heart and soul of
each tail hard. Dirge in that mourning was hard.

<lrg clss="large lg1" stl="font-size:144%"> lrg>lbrkr stl="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................lbrkr>lrg>

<lgc clss='lgc'>=================lgc>

lrg>lbrkr stl="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................lbrkr>

his mental hygiene, through strange theological appartouses, is not standing intrusions and pollutants of the middle ages trans-lss="trms">religiousity and cross-boundry encounters between the dislikes and those who differ in sexuality.
his hygiene is polluted
but in a peotic reappropriative act of l clss="ppl">Attarl> this will operate in another iteration to produce a more radical transcendence; still again a vital encounter with lss="trms">religious pollution is avoided

lrg>

<lgc clss='lgc'>[lgc>my teacher and prosecutor <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> malamat, San'an students<lgc clss='lgc'>]lgc>

lrg>lbrkr stl="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................lbrkr>

<lgc clss='lgc'>[lgc>title<lgc clss='lgc'>]lgc>
main title<lgc clss='lgc'>:lgc>
“Four Eastern Cartographies of Enlss="trms">trapment”

video<lgc clss='lgc'>:lgc>
“lss="trms">Writing on Chaos - A Terminal Intimacy”

performance<lgc clss='lgc'>:lgc>
“The Reward of The Victim - Towards lss="trms">Poetic Extremism”

image assemblage wallpaper<lgc clss='lgc'>:lgc>
“Bad Temper - Apocalyptic Climates of Endlss="trms"nttrm="danger,stranger">angered Subjectivity”



delve
delvi
delphi

<lrg clss="large lg10" stl="font-size:132%"> dilated

dionysian ecotone for performance
defp

dionysian epitom studies for performing ecotone
desfpe

artistic research center for lss="trms">material epitom studies
arcfmes
(art)mes

eccentric center of/for lss="trms">material and performance studies
(eco)maps

dionysian epitom for lss="trms">material and performance studies
demaps

eccentric center of/for epitomized lss="trms">material studies
ecfem

cologne center for lss="trms">social research
ccsr

<lrg clss="large lg6" stl="font-size:115%"> ecotone
epitom

parc
performance and research center

cream
center for research in lss="trms">epistemology and lss="trms">matter

lrg>lbrkr stl="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................lbrkr>

ls clss='strcls'>***ls>sharjah projectls clss='strcls'>***ls>

<lgc clss='lgc'>[lgc>general approach of the project:<lgc clss='lgc'>]lgc>

<lrg clss="large lg10" stl="font-size:124%"> this proposal gathers lss="trms">literary forces from the speculative insights of l clss="ppl">Jason Bahbak l clss="ppl">Mohagheghl>l> (on ‘radical modes of resistance’) and l clss="ppl">Edouard l clss="ppl">l clss="ppl">Glissantl>l>l> (on ‘modest modes of resistance’) in order to perform a ‘slider’ between hostile and relaxed patterns of “contact” and “nothingness” that has been rotating throughout the lss="trms">past century in the Middle East. the performance of a knowllss="trms"nttrm="knowledge,Knowledge">edge-lss="trms">zoom in the hypnotic effects, nondialogue, nonlss="trms">narrative, and radical exile spaces that have emerged in eastern postlss="trms">modernism to reverse and supersede the lss="trms">question of lss="trms">modernity.

by lss="trms">traversing the domains of revolutionary ideology, avant-garde lss="trms">literature, new-wave cinema, extremist thought, and protests from the limitless lss="trms">imaginative reservoir of their political, lss="trms">poetic, spiritual, and lss="trms">aesthetic predecessors<lgc clss='lgc'>--lgc>this projects examines a Middle Eastern navigation of identity (via the concept of the ‘mask’) and its particular modest/hostile modes of resistance (via the concept of the ‘text’). visiting sites such as<lgc clss='lgc'>:lgc> subversive epitomes of charismatic lss="trms">authority undertaking a lss="trms">poetic lss="trms">articulation, when chaotic lss="trms">imagination makes contact with nothingness, the will to chaos, and inscription of fatality in lss="trms">literature-as-moral-transaction.


<lgc clss='lgc'>[lgc>pressure points:<lgc clss='lgc'>]lgc>

mobile within a speculative/suglss="trms">gestive milieu, this project is lss="trms">interested in examining lss="trms">literary sites such as Kelile-o Demne's lss="trms">communal forms of fragile human cohabitation (11th century political/bestial lss="trms">fable), l clss="ppl">Rumil>'s simulation of nonexistence (13th century production of lss="trms">schizo-darvish), l clss="ppl">Hafezl>'s engineering lss="trms">lss="trms"nttrm="metaph,metamorph,metabol,metal">metaphor-factory (14th century lss="trms">imaginal faculty of extreme lss="trms">presence), Hedayat's Buf Koor the Shelley's Frankenstein's lss="trms">monster favorate lss="trms">book (20th century forms of rlss="trms">enunciation), Amir Naderi and Forough Farrokhzad films (20th century strategies of withdrawal), Jala Al Ahmad and lss="frds scrmbld"nttrm="Alice,Shariati">Ali Shariati lss="trms">writings (20th century fatal concepts of the outside), <lgc clss='lgc'>[lgc>lss="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list to be modified<lgc clss='lgc'>]lgc>


<lgc clss='lgc'>[lgc>background:<lgc clss='lgc'>]lgc>

this form of half-dilss="trms">gestive omnivorous work is lss="trms">situated in a larger lss="trms">trajectory of creative investigations, which i have been busy with under “lss="trms">storytelling,” are dealing with the lss="trms">questions of conditions in which non-antagonistic critical encounters between ordered conventions of knowing and chaotic textuality/lss="trms">imagination is possible. to take the mind where it does not belong. to the rogue arsenals of middle eastern reservoir of lss="trms">imagination and its locatable mimicries. to its repetitive scaflss="trms">foldings, fugitive lss="trms">trajectories, its performances of fatal experience of the text. to unload its corrosive textualities and let them run their acids across one another. this project is lss="trms">interested in both the unleashing and the pleasure of watching the text die.
lrg>
part of the dislss="trms">position of this proposal is also the suglss="trms">gestion that the two collaborators of this project, lss="frds scrmbld">Jassem and lss="frds scrmbld">Foad, are invested in those notions in their practice. lss="frds scrmbld">Foad Farahani's lss="trms">poem “farar” enacting contemporary artistic formations and lss="trms">past-compound-mask, and lss="frds scrmbld">Jassem Hindi transnational lss="trms">poetic lss="trms">agency, are both artists with acute appetite for chaotic lss="trms">imagination. Their instinct for the fusion of nothingness and lss="trms">excess, appearance and disappearance, creation and destruction, is at once carved and unpacked in the lss="trms">literary-lss="trms">poetic mosaics of their work<lgc clss='lgc'>:lgc> lss="frds scrmbld">Foad's use of middle-persian mystic sensibilities and lss="frds scrmbld">Jassem's combination of intensive encounter with the lss="trms">poetics of apocalypse and acid textuality.

My work has been about<lgc clss='lgc'>:lgc> learning/training in the lss="trms">crafts of noticing little lss="trms">traps of lss="trms">semiotic and lss="trms">material trans-lss="trms">species cohabiting, lss="trms">mutual coproduction of economics, lss="trms">ecology, lss="trms">affect-studies, lss="trms">lss="trms"nttrm="metaph,metamorph,metabol,metal">metaphysical household studies, and understanding of the orders of the lss="trms">natural and human lss="trms">world, in the particular lss="trms">history/lss="trms">story of the East. in my projects i take lss="trms">history as the overlapping tracks and traces and many tranjectories of lss="trms">world-making, human and nonhuman. the textual performance of this project is in the effects of lss='mywrk'>my research and practice with the lss="trms">questions of globalism and inlss="trms">heritance<lgc clss='lgc'>:lgc> difficult lss="trms">translational spaces, lss="trms">communicative nonunderstanding, lss="trms">relational lss="trms">aesthetics, and the lss="trms">differential sites of lss="trms"nttrm="already,spread">reading. and i use performative lss="trms">lectures<lgc clss='lgc'>:lgc> a lss="trms">material practice, hybrid in digital manual tactile operations of speaking.

lrg>lbrkr stl="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................lbrkr>

“Four Masks of an Eastern Postlss="trms">modernism”

insurgent, lss="trms">poet, mystic, sectarian
    |       |       |        |
chaos, violence, illusion, silence

<lsts clss="lsts lst1">•(sectarianism) apocalyptic lss="trms">writing
lsts> <lsts clss="lsts lst1">•(lss="trms">poetic) will to chaos
lsts> <lsts clss="lsts lst1">•(mystic) exile space
lsts> <lsts clss="lsts lst1">•(insurgent's) otherless subjectivity
lsts>

یاغی
شاعر
نوچه
زاهد


<lrg clss="large lg22" stl="font-size:106%"> <lgc clss='lgc'>[lgc>performative lss="trms">methodology<lgc clss='lgc'>]lgc>
for the collaborative part of sharjah project, i like to propose four “masks” (or “rotational avatars”) of subjective anarchy, that are few among many existential prototypes and subjectivity constellations of eastern postlss="trms">modernism, as collaborative sites of encounter with four (or less and not necessarily individual) artists/participants.

<lsts clss="lsts lst1">•collaborators’ masks<lgc clss='lgc'>:lgc> chaos, violence, illusion, silence / (yaghi یاغی, sha'er شاعر, noche نوچه, zahed زاهد)<lgc clss='lgc'>--lgc>each endeavoring to discern the lss="trms">ontological possibilities and lss="trms">aesthetic lss="trms">imaginations of four theoretically-worked dislss="trms">positions that l clss="ppl">Jason Bahbak l clss="ppl">Mohagheghl>l> puts forward<lgc clss='lgc'>:lgc> insurgent, lss="trms">poetic, mystical, sectarian modes of consciousness, operating within multiple terrains of human and inhuman experiences of the middle east.
lsts> <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> masks (the above mentioned four masks are accompanied by four “performative epitomes”)<lgc clss='lgc'>:lgc> the exile, the lss="trms">animal, the shadow, the machine, (the lss="trms">monster, the thing, the contagion, the mirror image)

lrg>lbrkr stl="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................lbrkr>

installation<lgc clss='lgc'>:lgc>
speculative objects (<lgc clss='lgc'>~/=lgc> lss="trms">anthropological objects) <lgc clss='lgc'>--lgc>to<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> quasi objects
between research, lss="trms">social critique, speculative theory, and artistic production <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> politics of relss="trms">presentation

<lrg clss="large lg3" stl="font-size:112%"> lrg>lbrkr stl="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................lbrkr>lrg>

<lgc clss='lgc'>[lgc>ls clss='strcls'>*ls><lgc clss='lgc'>]lgc>insurgent<lgc clss='lgc'>:lgc>
resistance to lss="trms">modernism, and revolutionary lss="trms">agency
<lgc clss='lgc'><==lgc> exhaustive dislss="trms">integration of belief-structures in lss="trms">modernity
otherless individuation
eternal war
killer's freedom
(lss="trms">affective) overreaction


<lrg clss="large lg4" stl="font-size:111%"> <lgc clss='lgc'>[lgc>ls clss='strcls'>*ls><lgc clss='lgc'>]lgc>lss="trms">poet<lgc clss='lgc'>:lgc>
will to chaos (<lgc clss='lgc'>--lgc>a type of consciousness that perceive the catastrophic-apocalyptic hint at each turn)
<lgc clss='lgc'><==lgc> cataclysmic time of lss="trms">modernism (<lgc clss='lgc'><<lgc clss='lgc'>--lgc>lgc> great lss="trms">social disorder<lgc clss='lgc'>:lgc> prison, exile, censorship, etc. <lgc clss='lgc'>[lgc><lgc clss='lgc'>==>lgc> Hedayat, l clss="ppl">Shamlul>, Forough, Nima's tone of aggression <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> a proto-sectarian space<lgc clss='lgc'>:lgc> secret lss="trms">societies, iconoclastic lss="trms">trajectories, ls clss='strcls'>*ls>the compartmentalized and esoteric lss="nms">iranian avant-garde with lss="trms">aesthetic devices of<lgc clss='lgc'>:lgc> unity, isolation, subversion<lgc clss='lgc'>]lgc>)
fugitive postlss="trms">modern map of escape from the grasp of the experience of the lss="trms">modernist lss="trms">phenomenon
|
lss="trms">responses to lss="trms">historical events of atrocity an[...]