[...]lss='trgt hghlght 1'href='?q=L'>Loyallss='qstn'>? Since its establishment are around the Sheikh's hand, around should be a closed sentence.
Should not be deliberately cut. Tarsaa was the sentence.
This is not to help and agree! You hypocrites!
Each is sweetheart to his sweetheart.
If pagan man should become the failss="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure, can be sweetheart in the hundreds of thousands.
As was Sheikh whale on the palate, inlss="trms"nttrm="cluster,club">cluding the Name and Shame<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>lss="trms">lss='trgt hghlght 1'href='?q=L'>Love the bad name of the base user! lss='at'>@They said an inch longer, “Previously we mentioned many times with him, Its determination to have me with him, the joys and sorrows of our soul. Sell and buy piety scandal! Boy, abolish lss="trms">religion and christians!
lss='trgt hghlght 1'href='?q=L'>Late Sheikh worked on that vision.
He opened one by one, got centered. Because seeing Sheikh's benefit was our help, Sheikh send us return soon. We all looked back on his sentence.” Mystery lss="trms">story...
lss='at'>@After, said it disciple to companions, “If you were to work on further<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>but not the lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right place for you<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>in-lss="trms">presence is your head-to-your-feet. The lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to petition, to have in advance.
Any one of the range of the Other is elevated.
When The lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Right restlessly see you<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>Sheikh's extradition.
If you avoid the Sheikh himself, what was ‘open’ from The-lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Rightlss='qstn'>?”


When they heard spokens, of their frustration, a ton of pre-heads.
lss='at'>@He said, “now what profit from this shamelss='qstn'>?! There is work, soon rise up!” lss='at'>@“It should be our lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Right's portals. Pour soil in our petitions. We wear the shirt, all the papers. -In the end we all to our Sheikh.”

<lrg clss="large lg2" stl="font-size:111%">
Inlss="trms"nttrm="cluster,club">cluding the Arabs, were leaving hidden day and night, on the lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right of every one hundred thousand.
Sometimes the pleading shit works lamentation.
As the half-witted shepherd days, anyone official, not eating, not sleeping at night, inlss="trms"nttrm="cluster,club">cluding the half-witted.
Night's half-witted days neither blss="trms"nttrm="already,spread">read nor water.
The people cry out “Clean!” Ferris was the hard-knock fusion. (Clan's ups and downs.) Inlss="trms"nttrm="cluster,club">cluding<lgc clss='lgc'>:lgc> wore the black of mourning.
And there, before finally boiled down the line, in pray<lgc clss='lgc'>:lgc> throw shooting target!
lrg>

Half-witted henchmen cleaning after opening night,
(have gone behind his back privately.)
Wind dawn, musk times earnings.
Was discovered<lgc clss='lgc'>--lgc>on the manifest lss="trms">world<lgc clss='lgc'>--lgc>Mustafa came to see, like a moon, in two black hair.
On his lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right shade the sun. One hundred lss="trms">world dedicated to her hair.
He was walking and smiling.
Harvest was lost!
It is disciple who saw it from a search, “Nabiollah, stuck my hand! Guide-Moon<lgc clss='lgc'>--lgc>from whatever deity; my Sheikh was the way that we lost the view.”
Mustafa said so loud, “I got out Sheikh to the slss="trms">trap. Thanks to the activities of their work, with the Sheikh's tail<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>in advance. Among the late Sheikh and lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Right, it was round a very black dust, ls clss='strcls'>*ls>since a very long time.ls clss='strcls'>*ls> He took the dust of the road among the darkness. However, I do not lss="trms">intercede night. He will publish on time. It is now the Ra dust, refused to repent. I am certain that the percentage of the universe of sin spit up a repentance off the way. The wave becomes woman, and wipes away the sin of man and woman.”


The man was intoxicatingly joy.
His roar was vibrant.
Among his companions was aware and determination of the reward that went with people weeping and demon.
As far as was Pig-Sheikh, Sheikh saw the fire<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>among the well-known restlessness.
The bell around the time was broken through, hats thrown together. Also addressed the christian heart.
Sheikh's companions observed him from afar<lgc clss='lgc'>--lgc>saw themselves. (He was wearing the garments of shame.)
The inability from the head to the ground.
Sometimes when the cloud bloody tears, when John's sweet fire curtains burned the shit. The regret in his body burned blood.
Secrets of the Qur'an's wisdom, were washed from head to head, inlss="trms"nttrm="cluster,club">cluding throwing relss="trms">member, of ignorance and misery.
To his own, wept in prostration. Also had goals for blood-stained eyes. Embarrassment was lost in sweat.


lss='trgt hghlght 1'href='?q=L'>Left in grief and joy, before he went wandering all;
The following day, lss='thdf'>thanks to John reject all,
Sheikh said that, “Having a secret, may be open before the sun is out. Infidelity arose from the meeting of Ra and faith, Roman pagan God-worship, sea wave suddenly passed out.
You want to work the lss="trms">intercession of the Apostlelss='qstn'>? This time lss='thdf'>thanks to the lss="trms">world.”
What a sugar lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right now! God's grace in the sea, the sun shall obviously know he will turn black. Repentance knows that with several of sin, ignite the fire of his repentance.
Must also inlss="trms"nttrm="cluster,club">clude his burns.


I make lss="trms">story short, its place<lgc clss='lgc'>:lgc> Sheikh will open robe.
<lsts clss="lsts lst1">•Went with his companions toward the Hejaz.
lsts>
Saw it after, the christian girl, to sleep<lgc clss='lgc'>:lgc> in the sun beside him<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>the lss="trms">language<lgc clss='lgc'>:lgc> “Then walk with Sheikh's center after this time. That is his lss="trms">religion, her soil. Off Evil!
Cleared that is him.
He was in you<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>no lss="trms">tropes. In fact, I lss="trms">intercepted him open. The released body, to drive his way. Because it was the way you view the way.
That is, along being with his ‘lss="trms">interceptor,’ be more of these ‘lss="trms">intercepted.’”


Because the christian girl was sleeping, she felt the light of the sun.
What a pain in her heart arose!- and the pain of lss="trms">loving it. Fire.
Hands on his heart, the heart of hand, her restless soul did not know what was inside her eggs.
Failed and the absence of a tail, see herself in the lss="trms">wonders of the universe.
Where a lss="trms">world that way, one must be dumb, the way of no tongue. It took all cute -and cheerfulness, like of a rain, collapsed.
Bellowed garment gave run-out.
The soil over the blood ran.
With the painful and incapalss="trms">citating person, followed the Sheikh and his disciples running.
Also ran bleeding cloud.
Following the footsteps of the running, him in the desert and plains, from which must be passed by.
Welcomed helpless and confused. Welcomed her rubbing face in the dirt.
Said, “O God, work! Private parts of any work left.
I ran man's way because of you. You on me, that I was never aware.
The boiling sea. I did not take my poor. Dean agreed, stuck my hands. Nobody does not help us.”

Sheikh was told from within of that girl christian, “Not familiar with our port, she fell this time on our way.
Go back before it pop idol! And tune up your paid companion.”
Sheikh while returning like wind, opened disciples’ salt<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>inlss="trms"nttrm="cluster,club">cluding the head of what was open.
“What's the new single and had repented and several morelss='qstn'>?! Once again, ‘lss="trms">love you’lss='qstn'>? Much you repentlss='qstn'>?!”
Sheikh told of his girl, leaving dead each that hear it.


Sheikh and his companions came days after opening, till it was the ‘smooth’ (Tarsaa) was.
When he saw the yellow gold, lost in rounds, lss="trms">intercepted her coma. Clean bare feet and torn clothes.
The men on the ground, for example. Give it a month since his Sheikh bet his epileptic sore.
Because it takes months in epileptic sleep. Sheikh growth of water.
It looked like the journalss="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list Sheikh. Tears fell like a cloud of spring.
His promises. In his own hands and feet. Said “you burned my soul. I can no longer burn in the curtains of repentance, to be aware. Supply now Islam! (to be lss="trms">intercepted)
He launched the Sheikh of Islam. Fellowship bubbling sentence rejected.
Because it was the idol of the people exposed. l clss="ppl">Rail>n tears, the woman waves in between.
San'an, because he was the last governor, heard tasteful faith in the heart.
She was restless taste faith.
“My patience was Sheikh's vault.” Said, “I do not have any patience at parting.
Saddle go full family. Sheikh, Hajj, Pilgrimage, lss="trms">world, I will be as brief as speech, my poor... rather than an adversarial amnesty and not...”
This said in the hands of John, and was half dead. Her sun was hidden under cloud. Sweet life of girl parted, hesitated.
She followed a drop in the ocean.
The sea was actually open.


Inlss="trms"nttrm="cluster,club">cluding the lss="trms">world, it goes like the wind. He went and we all go.
Saddle such fall much in the way of lss="trms">love. This person is conscious, knows that lss="trms">love. Anything said may be lss="trms">intercepted.
Mercy, despair, deceit, and securely.
This can hear the secrets of the soul, Nasibat (نصیبت) cannot be won without balls. This is certainly the heart and soul, must be heard. Water
and mud reliance should not be heard. War was the heart and soul of
each tail hard. Dirge in that mourning was hard.

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<lgc clss='lgc'><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc>=lgc>

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his mental hygiene, through strange theological appartouses, is not standing intrusions and pollutants of the middle ages trans-lss="trms">religiousity and cross-boundry encounters between the dislikes and those who differ in sexuality.
his hygiene is polluted
but in a peotic reappropriative act of l clss="ppl">Attarl> this will operate in another iteration to produce a more radical transcendence; still again a vital encounter with lss="trms">religious pollution is avoided



<lgc clss='lgc'>[lgc>my teacher and prosecutor <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> malamat, San'an students<lgc clss='lgc'>]lgc>

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<lgc clss='lgc'>[lgc>title<lgc clss='lgc'>]lgc>
main title<lgc clss='lgc'>:lgc>
“Four Eastern Cartographies of Enlss="trms">trapment”

video<lgc clss='lgc'>:lgc>
“lss="trms">Writing on Chaos - A Terminal Intimacy”

performance<lgc clss='lgc'>:lgc>
“The Reward of The Victim - Towards lss="trms">Poetic Extremism”

image assemblage wallpaper<lgc clss='lgc'>:lgc>
“Bad Temper - Apocalyptic Climates of Endlss="trms"nttrm="danger,stranger">angered Subjectivity”



delve
delvi
delphi

dilated

dionysian ecotone for performance
defp

dionysian epitom studies for performing ecotone
desfpe

artistic research center for lss="trms">material epitom studies
arcfmes
(art)mes

eccentric center of/for lss="trms">material and performance studies
(eco)maps

dionysian epitom for lss="trms">material and performance studies
demaps

eccentric center of/for epitomized lss="trms">material studies
ecfem

cologne center for lss="trms">social research
ccsr

ecotone
epitom

parc
performance and research center

cream
center for research in lss="trms">epistemology and lss="trms">matter

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ls clss='strcls'>***ls>sharjah projectls clss='strcls'>***ls>
lrg>
<lgc clss='lgc'>[lgc>general approach of the project:<lgc clss='lgc'>]lgc>

this proposal gathers lss="trms">literary forces from the speculative insights of l clss="ppl">Jason Bahbak l clss="ppl">Mohagheghl>l> (on ‘radical modes of resistance’) and l clss="ppl">Edouard l clss="ppl">l clss="ppl">Glissantl>l>l> (on ‘modest modes of resistance’) in order to perform a ‘slider’ between hostile and relaxed patterns of “contact” and “nothingness” that has been rotating throughout the lss="trms">past century in the Middle East. the performance of a knowllss="trms"nttrm="knowledge,Knowledge">edge-lss="trms">zoom in the hypnotic effects, nondialogue, nonlss="trms">narrative, and radical exile spaces that have emerged in eastern postlss="trms">modernism to reverse and supersede the lss="trms">question of lss="trms">modernity.

by lss="trms">traversing the domains of revolutionary ideology, avant-garde lss="trms">literature, new-wave cinema, extremist thought, and protests from the limitless lss="trms">imaginative reservoir of their political, lss="trms">poetic, spiritual, and lss="trms">aesthetic predecessors<lgc clss='lgc'>--lgc>this projects examines a Middle Eastern navigation of identity (via the concept of the ‘mask’) and its particular modest/hostile modes of resistance (via the concept of the ‘text’). visiting sites such as<lgc clss='lgc'>:lgc> subversive epitomes of charismatic lss="trms">authority undertaking a lss="trms">poetic lss="trms">articulation, when chaotic lss="trms">imagination makes contact with nothingness, the will to chaos, and inscription of fatality in lss="trms">literature-as-moral-transaction.


<lgc clss='lgc'>[lgc>pressure points:<lgc clss='lgc'>]lgc>

mobile within a speculative/suglss="trms">gestive milieu, this project is lss="trms">interested in examining lss="trms">literary sites such as Kelile-o Demne's lss="trms">communal forms of fragile human cohabitation (11th century political/bestial lss="trms">fable), l clss="ppl">Rumil>'s simulation of nonexistence (13th century production of lss="trms">schizo-darvish), l clss="ppl">Hafezl>'s engineering lss="trms">lss="trms"nttrm="metaph,metamorph,metabol,metal">metaphor-factory (14th century lss="trms">imaginal faculty of extreme lss="trms">presence), Hedayat's Buf Koor the Shelley's Frankenstein's lss="trms">monster favorate lss="trms">book (20th century forms of rlss="trms">enunciation), Amir Naderi and Forough Farrokhzad films (20th century strategies of withdrawal), Jala Al Ahmad and lss="frds scrmbld"nttrm="Alice,Shariati">Ali Shariati lss="trms">writings (20th century fatal concepts of the outside), <lgc clss='lgc'>[lgc>lss="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list to be modified<lgc clss='lgc'>]lgc>


<lgc clss='lgc'>[lgc>background:<lgc clss='lgc'>]lgc>

this form of half-dilss="trms">gestive omnivorous work is lss="trms">situated in a larger lss="trms">trajectory of creative investigations, which i have been busy with under “lss="trms">storytelling,” are dealing with the lss="trms">questions of conditions in which non-antagonistic critical encounters between ordered conventions of knowing and chaotic textuality/lss="trms">imagination is possible. to take the mind where it does not belong. to the rogue arsenals of middle eastern reservoir of lss="trms">imagination and its locatable mimicries. to its repetitive scaflss="trms">foldings, fugitive lss="trms">trajectories, its performances of fatal experience of the text. to unload its corrosive textualities and let them run their acids across one another. this project is lss="trms">interested in both the unleashing and the pleasure of watching the text die.

part of the dislss="trms">position of this proposal is also the suglss="trms">gestion that the two collaborators of this project, lss="frds scrmbld">Jassem and lss="frds scrmbld">Foad, are invested in those notions in their practice. lss="frds scrmbld">Foad Farahani's lss="trms">poem “farar” enacting contemporary artistic formations and lss="trms">past-compound-mask, and lss="frds scrmbld">Jassem Hindi transnational lss="trms">poetic lss="trms">agency, are both artists with acute appetite for chaotic lss="trms">imagination. Their instinct for the fusion of nothingness and lss="trms">excess, appearance and disappearance, creation and destruction, is at once carved and unpacked in the lss="trms">literary-lss="trms">poetic mosaics of their work<lgc clss='lgc'>:lgc> lss="frds scrmbld">Foad's use of middle-persian mystic sensibilities and lss="frds scrmbld">Jassem's combination of intensive encounter with the lss="trms">poetics of apocalypse and acid textuality.

My work has been about<lgc clss='lgc'>:lgc> learning/training in the lss="trms">crafts of noticing little lss="trms">traps of lss="trms">semiotic and lss="trms">material trans-lss="trms">species cohabiting, lss="trms">mutual coproduction of economics, lss="trms">ecology, lss="trms">affect-studies, lss="trms">lss="trms"nttrm="metaph,metamorph,metabol,metal">metaphysical household studies, and understanding of the orders of the lss="trms">natural and human lss="trms">world, in the particular lss="trms">history/lss="trms">story of the East. in my projects i take lss="trms">history as the overlapping tracks and traces and many tranjectories of lss="trms">world-making, human and nonhuman. the textual performance of this project is in the effects of lss='mywrk'>my research and practice with the lss="trms">questions of globalism and inlss="trms">heritance<lgc clss='lgc'>:lgc> difficult lss="trms">translational spaces, lss="trms">communicative nonunderstanding, lss="trms">relational lss="trms">aesthetics, and the lss="trms">differential sites of lss="trms"nttrm="already,spread">reading. and i use performative lss="trms">lectures<lgc clss='lgc'>:lgc> a lss="trms">material practice, hybrid in digital manual tactile operations of speaking.

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“Four Masks of an Eastern Postlss="trms">modernism”

insurgent, lss="trms">poet, mystic, sectarian
    |       |       |        |
chaos, violence, illusion, silence

<lsts clss="lsts lst1">•(sectarianism) apocalyptic lss="trms">writing
lsts> <lsts clss="lsts lst1">•(lss="trms">poetic) will to chaos
lsts> <lsts clss="lsts lst1">•(mystic) exile space
lsts> <lsts clss="lsts lst1">•(insurgent's) otherless subjectivity
lsts>

یاغی
شاعر
نوچه
زاهد

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<lgc clss='lgc'>[lgc>performative lss="trms">methodology<lgc clss='lgc'>]lgc>
for the collaborative part of sharjah project, i like to propose four “masks” (or “rotational avatars”) of subjective anarchy, that are few among many existential prototypes and subjectivity constellations of eastern postlss="trms">modernism, as collaborative sites of encounter with four (or less and not necessarily individual) artists/participants.

<lsts clss="lsts lst1">•collaborators’ masks<lgc clss='lgc'>:lgc> chaos, violence, illusion, silence / (yaghi یاغی, sha'er شاعر, noche نوچه, zahed زاهد)<lgc clss='lgc'>--lgc>each endeavoring to discern the lss="trms">ontological possibilities and lss="trms">aesthetic lss="trms">imaginations of four theoretically-worked dislss="trms">positions that l clss="ppl">Jason Bahbak l clss="ppl">Mohagheghl>l> puts forward<lgc clss='lgc'>:lgc> insurgent, lss="trms">poetic, mystical, sectarian modes of consciousness, operating within multiple terrains of human and inhuman experiences of the middle east.
lsts> <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> masks (the above mentioned four masks are accompanied by four “performative epitomes”)<lgc clss='lgc'>:lgc> the exile, the lss="trms">animal, the shadow, the machine, (the lss="trms">monster, the thing, the contagion, the mirror image)

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installation<lgc clss='lgc'>:lgc>
speculative objects (<lgc clss='lgc'><lgc clss='lgc'>~lgc>/=lgc> lss="trms">anthropological objects) <lgc clss='lgc'>--lgc>to<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> quasi objects
between research, lss="trms">social critique, speculative theory, and artistic production <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> politics of relss="trms">presentation

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<lgc clss='lgc'>[lgc>ls clss='strcls'>*ls><lgc clss='lgc'>]lgc>insurgent<lgc clss='lgc'>:lgc>
resistance to lss="trms">modernism, and revolutionary lss="trms">agency
<lgc clss='lgc'><<lgc clss='lgc'>==lgc>lgc> exhaustive dislss="trms">integration of belief-structures in lss="trms">modernity
otherless individuation
eternal war
killer's freedom
(lss="trms">affective) overreaction


<lgc clss='lgc'>[lgc>ls clss='strcls'>*ls><lgc clss='lgc'>]lgc>lss="trms">poet<lgc clss='lgc'>:lgc>
will to chaos (<lgc clss='lgc'>--lgc>a type of consciousness that perceive the catastrophic-apocalyptic hint at each turn)
<lgc clss='lgc'><<lgc clss='lgc'>==lgc>lgc> cataclysmic time of lss="trms">modernism (<lgc clss='lgc'><<lgc clss='lgc'>--lgc>lgc> great lss="trms">social disorder<lgc clss='lgc'>:lgc> prison, exile, censorship, etc. <lgc clss='lgc'>[lgc><lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> Hedayat, l clss="ppl">Shamlul>, Forough, Nima's tone of aggression <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> a proto-sectarian space<lgc clss='lgc'>:lgc> secret lss="trms">societies, iconoclastic lss="trms">trajectories, ls clss='strcls'>*ls>the compartmentalized and esoteric lss="nms">iranian avant-garde with lss="trms">aesthetic devices of<lgc clss='lgc'>:lgc> unity, isolation, subversion<lgc clss='lgc'>]lgc>)
fugitive postlss="trms">modern map of escape from the grasp of the experience of the lss="trms">modernist lss="trms">phenomenon
|
lss="trms">responses to lss="trms">historical events of atrocity and lss="trms">transition
mystical, criminal, mercenary, revolutionary edifice
alss="trms">morphous, obscure, versatile (thinker/lss="trms">writers)
conceptual axes/lss="trms"nttrm="search">archetypes of<lgc clss='lgc'>:lgc> power, hostility, banishment, solitude, desire, sacrifice


<lgc clss='lgc'>[lgc>ls clss='strcls'>*ls><lgc clss='lgc'>]lgc>mystic<lgc clss='lgc'>:lgc>
sunken tranquility, relaxed self-annihilation, ascetic rlss="trms">enunciation of lss="trms">material (<lgc clss='lgc'>=/=lgc> postlss="trms">modernism's obsession with speed, with lss="trms">narcissistic lss="trms">technologies, hyper-lss="trms">materialism)
neomystial lss="trms">trajectories of new-wave lss="nms">iranian cinema filmic style <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> hypnotic effect <lgc clss='lgc'>=/=lgc> audition, dialogue, lss="trms">narrative
& exile space


<lgc clss='lgc'>[lgc>ls clss='strcls'>*ls><lgc clss='lgc'>]lgc>sectarian<lgc clss='lgc'>:lgc>
will to extremity
(apocalyptic lss="trms">writing)
breakaway modality
نوچه پروری noche-parvary's effective radars and tactics of attunement, detection, lss="trms">narration
(annihilatic temptation to) convert the text into a closed circle
(sect's threats of) forbidden power, moral ambiguity, collective lss="trms">density(/destiny)

lrg>lbrkr stl="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................lbrkr>

<lgc clss='lgc'>[lgc>this project works with:<lgc clss='lgc'>]lgc>

<lgc clss='lgc'>[lgc><lgc clss='lgc'>]lgc>
contributions/lss="trms">responses of<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst1">•radical leaders (Jala Al Ahmad, lss="frds scrmbld"nttrm="Alice,Shariati">Ali Shariati, Khomeini) <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> ideological suspicion towards models of machinism and lss="trms">cosmopolitanism in the lss="trms">modern age
lsts> <lsts clss="lsts lst1">•intellectual forerunners (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> sectarian)
lsts> <lsts clss="lsts lst1">•lss="trms">literary icons (textual innovations of Hedayat, l clss="ppl">Shamlul>, Akhavan, Baraheni) <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> ls clss='strcls'>*ls>lss="trms">poetic violencels clss='strcls'>*ls> and its apocalyptic tendencies <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> that the declared east is plunged into a catastrophic epoch <lgc clss='lgc'>==lgc>freed<lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> a “will to chaos”
lsts> <lsts clss="lsts lst1">•artistic visionaries (Naderi, Forough, lss="nms">iranian new-wave cinema neomystical) <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> strategies of withdrawal, aims of disappearance, lss="trms">situated in obscure elsewheres of auditory and visual landscape
lsts> <lgc clss='lgc'>}lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> lss='at'>#ideology lss='at'>#lss="trms">literature lss='at'>#mysticism lss='at'>#sectarianism
(from the middle eastern front) to (the issues of)<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst2">◦post-lss="trms">historical instant
lsts> <lsts clss="lsts lst2">◦catastrophic resistance
lsts> <lsts clss="lsts lst2">◦creative lss="trms">imagination
lsts>  <lgc clss='lgc'>}lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> issues of<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst3">◾lss="trms">technology
lsts> <lsts clss="lsts lst3">◾relss="trms">presentation
lsts> <lsts clss="lsts lst3">◾globalization
lsts> <lsts clss="lsts lst3">◾colonialism
lsts>   <lgc clss='lgc'>+lgc><lgc clss='lgc'>}lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> drastic relss="trms">interpretations of<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst4">◽time and being
lsts> <lsts clss="lsts lst4">◽death
lsts> <lsts clss="lsts lst4">◽pain
lsts> <lsts clss="lsts lst4">◽transcendence
lsts> <lsts clss="lsts lst4">◽victory
lsts> <lsts clss="lsts lst4">◽blood
lsts>
<lgc clss='lgc'><lgc clss='lgc'>~lgc><lgc clss='lgc'>~lgc>lgc>(lss="trms">modernity is an extremist epoch)<lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> mithridatic approaches
anticultural visionaries
extreme <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> resistance-fighter/ideological lss="trms">dictator, artistic forerunner/experimental thinker, lss="trms">different constellations of desire
ls clss='strcls'>***ls>mithridatism مهردارو mehr-daru<lgc clss='lgc'>:lgc> ls clss='strcls'>*ls>lss="trms">internalization of toxicityls clss='strcls'>*ls> (the gradual inlss="trms">gestion of lethal substances so as to gain immunity) <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> an archaic protective tactic, an ancient model of defense, (subterranean practice of pirates, alchemists, cult leaders, shamans, guerrilla columns, spies, lss="trms">paranoid kings's ls clss='strcls'>*ls>logic of encounterls clss='strcls'>*ls>)
(lss="trms">poetic extremism <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc>) mithridatic<lgc clss='lgc'>:lgc> dispensing fragmented verses, aphorisms, and engravings of the atrocity; invitation and unleashing of the malevolence itself, to seduce oblss="trms">literation;
lss="prgrph">-affliction, existence thriving in the wound
(assumptions of) inevitability <lgc clss='lgc'>+lgc> anticipation <lgc clss='lgc'>+lgc> projection <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> mithridatic remedy (in ideological lss='and'>& lss="trms">literary lss="trms">apparatuses)<lgc clss='lgc'>:lgc> “swallowing partial glances of the extinction of lss="trms">society, actuality, and being itself” (l clss="ppl">Mohagheghl>) <lgc clss='lgc'>[lgc>a form of traininglss='qstn'>? for continuationlss='qstn'>?<lgc clss='lgc'>]lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> the lss="trms">poet asking us to fasten our reeling gazes to the objects of damage and derangement (lss='at'>@lss="frds scrmbld"nttrm="Alice,Shariati">Ali ) <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> (extremist<lgc clss='lgc'>:lgc>) thought and expression have taken the shape of a ls clss='strcls'>*ls>meteorological devicels clss='strcls'>*ls>, forecasting seasons of pestilence and mutilation <lgc clss='lgc'>[lgc><lgc clss='lgc'><<lgc clss='lgc'>--lgc>lgc> my whole work has been against that<lgc clss='lgc'>]lgc>

fanatical lss="trms">responses to the evolving storm <lgc clss='lgc'>[lgc><lgc clss='lgc'>=/=lgc> the fool (the one whose cognitive defend-lss="trms">system is down), the lss="trms">joker (figure of the always problematic, with its speculative sense for potent tie between meaning and bodies), the cheerleader (porpoising lss="trms">socially deviant, corrupting forerunner), the sleep-walker (moving in anachronistic temporality, in non-explicit non-intentional acting), the eros (weaker than the problem it tries to solve), the queer (optically lss="trms">dense and less elegant kind of corporality in our encounters), the rabbit-chaser (detouring off the lss="trms">ontological lss="trms">anxiety of humanity's enigmatic destination)<lgc clss='lgc'>]lgc>



cyclopean protocols of extremity <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> narrowest vision (immensified)
the cyclopean organ (of doing/thinking) <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> ‘oracle<lgc clss='lgc'> = lgc>explosive device’
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<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> wisdom <lgc clss='lgc'>+lgc> rage
<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> boundless confined
<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> precision <lgc clss='lgc'>+lgc> enormity
<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> lss="trms">nature <lgc clss='lgc'>+lgc> lss="trms">technology
<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> betrayal <lgc clss='lgc'>+lgc> devotion
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....three brothers سه برادر
<lgc clss='lgc'><lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>-lgc><lgc clss='lgc'>[lgc>they were said to have primordial understanding, having monitored the building of creation itself<lgc clss='lgc'>--lgc>yet this brings no consolation تسلى, no spiritual lss="trms">composure ارامش, only chronic infuriation, such that they remain at once eternal and impatient<lgc clss='lgc'>]lgc>
<lgc clss='lgc'><lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>-lgc><lgc clss='lgc'>[lgc>they are gargantuan, immortal, and among the rarest exceptions to be released from the underlss="trms">world after the great defeat of the chthonic orders, and yet brought back to the surface to dwell among/away from men and the new gods in hard labor on a faraway island, discharged from one hell only to find another imprisonment<lgc clss='lgc'>]lgc>
<lgc clss='lgc'><lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>-lgc><lgc clss='lgc'>[lgc>they alone can swing the hammers that form mountains, bedrock, ocean floors, tectonic plates, seisamic, yet there is such insane detail even within their most jagged strokes, a punishing lss="trms">symbiosis of the minuscule and the colossal<lgc clss='lgc'>]lgc>
<lgc clss='lgc'><lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>-lgc><lgc clss='lgc'>[lgc>they are the initial inventors of the earth's lss="trms">wild proportions, yet now are condemned to serve as apprentices to a lesser artisan-lss="trms"nttrm="metaph,metamorph,metabol,metal">metallss="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurgist god lss="trms">interested only in functional architecture and lss="trms">instrumentalized objects<lgc clss='lgc'>]lgc>
<lgc clss='lgc'><lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>-lgc><lgc clss='lgc'>[lgc>they are traitors to the new line of lss="trms">anthropolss="trms">morphic gods, having fought against their false ascent, and thus still fiercely loyal to the old titanic lss="trms">codes, even in their captivity and forced collusion, forever scarred by the robbery perpetrated against the older deities, able to picture the drainage ditches into which the others are now outcast, such that each episode of mastication and uproar is hurled like a psychic bomb intended to free this discarded confederation<lgc clss='lgc'>]lgc>

isolationism <lgc clss='lgc'>+lgc> monumentality

(teratological formations in lss="trms">modernity)

inner contemplation / evacuation

attunement to the nothing
athleticism of stillness

<lgc clss='lgc'>[lgc>lss="trms">interiority (feels the need tolss='qstn'>?) stretch out into exteriority:<lgc clss='lgc'>]lgc> (to transfer) personal self-contained oblivion <lgc clss='lgc'>--lgc>lss="trms">onto<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> universal plane

(lss="frds scrmbld">Setareh's event<lgc clss='lgc'>:lgc>) one part shadow, one part mist, one part smoke and mirrors ls clss='strcls'>*ls>.ls clss='strcls'>*ls>.ls clss='strcls'>*ls>.

...one part strategic essentialism, one part deconstructive smokescreen

part amateur, part pseudo-scholar, part civil servant, part serial killer

part vigilante, part crusader, part cult lss="trms">member, part thug


a site for hermeticism (recession from humans) <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> elevation



<lgc clss='lgc'>[lgc>inoperative lss="trms">community <lgc clss='lgc'>=/=lgc><lgc clss='lgc'>]lgc> ls clss='strcls'>*ls>lss="trms">excessive lss="trms">communityls clss='strcls'>*ls>, where players must remain mesmerized, enchanted, and vigilant
lrg>
sectarian <lgc clss='lgc'><<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc>lgc> full charismatic lss="trms">authority <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc>lss='qstn'>? morshed (<lgc clss='lgc'>=/=lgc> “pseudo-autonomous passivity”)
مرشد <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> with its own matrix of study<lgc clss='lgc'>:lgc> hypnotic exchange <lgc clss='lgc'>[lgc>it requires ecstatic projection, not scholarly detachment<lgc clss='lgc'>]lgc>
lrg>
ISIS <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> scaflss="trms">foldings of invisible subjugations, highly performative site

ls clss='strcls'>***ls>how does one make the lss="trms">memory <lgc clss='lgc'>[lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> lss="frds scrmbld">Hoda<lgc clss='lgc'>]lgc>, the shadow <lgc clss='lgc'>[lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> lss="frds scrmbld">Ehsan<lgc clss='lgc'>]lgc>, the lss="trms">ancestor <lgc clss='lgc'>[lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> lss="frds">Sina<lgc clss='lgc'>]lgc> speak across generationslss='qstn'>?ls clss='strcls'>***ls>


the riotous, the militant, the deranged <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> they have suspicions <lgc clss='lgc'><lgc clss='lgc'><lgc clss='lgc'>ld>~ld>lgc>=lgc>>lgc> lss='qstn'>?

(sectarian mode of) ls clss='strcls'>*ls>lss="trms"nttrm="already,spread">reading<lgc clss='lgc'>:lgc> to entertain the same mania, drunkenness, cruelty, or absurd temperament that engendered the very lss="trms">materialization of that text <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> apocalyptic significance (<lgc clss='lgc'>~lgc> master-disciple lss="trms">relationship)<lgc clss='lgc'>--lgc>San'an<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> an excursion into the otherlss="trms">worldly
lss="prgrph">-cryptic terminologies
lss="prgrph">-cosmic ideas
<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> ‘knowing’ becomes a high-stake transaction, one's own identity, future, and self-consciousness hangs in the balance (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> i can recognize this extremism in myself)

(an issue with lss="nms">iranian artists<lgc clss='lgc'>:lgc>) the pursuit to become the echo of a profound legacyls clss='strcls'>***ls>(!!)

ls clss='strcls'>***ls>echo becomingls clss='strcls'>***ls> <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> (l clss="ppl">Mohagheghl>'s tone<lgc clss='lgc'>:lgc>) in an epoch that runs entirely on hollow lss="trms">spectacles of meaning and simulations of depth <lgc clss='lgc'><<lgc clss='lgc'>--lgc>lgc> lss="trms">aesthetic

(since declared by Western theory itself, and i agree toolss='qstn'>?) it is obsolete to speak of “legitimate/authentic knowllss="trms"nttrm="knowledge,Knowledge">edges <lgc clss='lgc'>=/=lgc> mythic doctrines” <lgc clss='lgc'>}lgc><lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> the lss="trms">question then becomes<lgc clss='lgc'>:lgc>
ls clss='strcls'>*ls>which phantom-sphere is more arresting, more lss="trms">aesthetically philosophically attractivelss='qstn'>?ls clss='strcls'>*ls> (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> phantomology, l clss="ppl">Avitall>) <lgc clss='lgc'>~lgc>/lss='qstn'>?= ls clss='strcls'>*ls>which archive remains on fire throughoutlss='qstn'>?ls clss='strcls'>*ls> (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> the concern of many of my peers in lss="nms">apass. why archive has become a predominant topic and practice<lgc clss='lgc'>:lgc> lack of master signifier <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> archiving as one remaining meaningful thing to do, that there is nothing meaningful to be done <lgc clss='lgc'>[lgc><lgc clss='lgc'><<lgc clss='lgc'>--lgc>lgc> that is my source of disagreement with archive-discourse, because it lss="trms">matters that there is something to be done now<lgc clss='lgc'>]lgc>)


(taking) high doses of impulse and reason

ls clss='strcls'>**ls>adapting old tales to new territories of experiencels clss='strcls'>**ls> (<lgc clss='lgc'><<lgc clss='lgc'>--lgc>lgc> we need to permanently work this, lss="trms"nttrm="already,spread">read it, and so on)

lrg>
exceedingly well-versed fever-dreams of l clss="ppl">Rumil>
his intellectual-bodily lss="trms">gesture
its innovative proportions
his typology of lss="trms">communication/education (in Majales-e Sab'e مجالس سبعه)
remote plane of calculation


<lsts clss="lsts lst1">•magnetic power of the sectarian voice (<lgc clss='lgc'>=/=lgc> “the weak cult of lss="trms">modern inevitability” <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> a lss="trms">formula of alienation, insularity انزوا, inlss="trms">difference)
lsts> <lsts clss="lsts lst1">•freedom to choose the all-engulfing one thing (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> ISIS) <lgc clss='lgc'>=/=lgc> countervailing delss="trms">finitions of freedom<lgc clss='lgc'>:lgc> the freedom of inlss="trms">finite mediocritized choices (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> lss="trms">consumerism)
lsts>

(lss="frds scrmbld">Elen's struggle to gauge her place in the existential game)


<lrg clss="large lg10" stl="font-size:104%"> my critical rant


ls clss='strcls'>*ls>build the raftls clss='strcls'>*ls> <lgc clss='lgc'><<lgc clss='lgc'>--lgc>lgc> a lss="trms">poetic strategy (<lgc clss='lgc'><<lgc clss='lgc'>--lgc>lgc> i do this too, to go beyond the postcolonial aftermath)


tale of the “lss="trms">symptom of a plague” (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> tale of “where we stand”) <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> (a concealed need for) ls clss='strcls'>***ls>immunityls clss='strcls'>***ls> (<lgc clss='lgc'>=/=lgc> toxication)
‘reality principle’ of lss="frds scrmbld"nttrm="Alice,Shariati">Ali , lss="nms">apass

“the eastern postlss="trms">modernism arrives at the doorstep of the western philosophical outlook as a foreigner” -l clss="ppl">Mohagheghl>
<lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> a ls clss='strcls'>*ls>privileged semantic lss="trms">heritagels clss='strcls'>*ls> <lgc clss='lgc'>--lgc>suglss="trms">gesting<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> an oclss="trms"nttrm="cluster,club">cluded alternative <lgc clss='lgc'>--lgc>from<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> a shrouded/shredded resource ریزریزشده <lgc clss='lgc'>[lgc><lgc clss='lgc'>==lgc>lss='qstn'>?<lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> my reparative lss="trms"nttrm="already,spread">readings (of lss="nms">ajayeb). this is something i should be careful about<lgc clss='lgc'>:lgc> to give the lss="nms">iranian semantic lss="trms">heritage lss="trms">density and texture, and not privileging it, not to give it a “voice” or “awareness"<lgc clss='lgc'>]lgc>

(lss="frds scrmbld">Mona's dislss="trms">position<lgc clss='lgc'>:lgc>) the assassin<lgc clss='lgc'> = lgc>the lss="trms">spectator

(for lss="frds scrmbld"nttrm="Alice,Shariati">Ali ) truth has a dead body, (deranged, tortured, raped)

(oriental)<lgc clss='lgc'>[lgc>ls clss='strcls'>*ls><lgc clss='lgc'>]lgc>exotic<lgc clss='lgc'>:lgc> commingling of ls clss='strcls'>***ls>lss="trms">excess lss='and'>& absencels clss='strcls'>***ls> <lgc clss='lgc'><lgc clss='lgc'>ld>~ld>lgc>=lgc> the third lss="trms">world (middle eastern) becomes all that EU renounces<lgc clss='lgc'>:lgc> the indecent, unrefined savage whose raw delirium stood as an offense to your elegance but somehow still enchanting a disenchanted earth

<lgc clss='lgc'>[lgc>ls clss='strcls'>*ls><lgc clss='lgc'>]lgc>eurocentrism<lgc clss='lgc'>:lgc> ls clss='strcls'>*ls>carving a mirror into your presumed beginningsls clss='strcls'>*ls> (so it is displaces in elsewheres, as the effect of the mirror <lgc clss='lgc'><lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>>lgc> lss='gtrw'>go to the discussion of mirror in my amazon project)
<lgc clss='lgc'>[lgc>an lss="trms">imaginary mechanism of cutting off what the superego perceives as bad or good aspects of oneself (weakness or power) and projecting them lss="trms">onto someone else “over there” where they can be condemned, punished, praised, or endorsed (<lgc clss='lgc'>--lgc>mirror<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> relates to imageslss='qstn'>? <lgc clss='lgc'>=/=lgc>lss='qstn'>? introjection<lgc clss='lgc'>:lgc> process of lss="trms">symbolic identification <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> relates to signifiers)<lgc clss='lgc'>]lgc>

lss="nms">iran has become the global instantiation of madness

ls clss='strcls'>***ls>dispossessed of lss="trms">sublimity and excised from the lss="trms">world-lss="trms">historical process <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> ls clss='strcls'>*ls>lss="trms">ontological vacancyls clss='strcls'>*ls> <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> Taliban extremism, achieving the lss="trms">mutual exercise of the death drive and the pleasure principlels clss='strcls'>***ls>(lss='qstn'>?!) <lgc clss='lgc'><lgc clss='lgc'>~lgc>->lgc><lgc clss='lgc'>{lgc>rage of the id <lgc clss='lgc'>+lgc> libidinal appetite<lgc clss='lgc'>}lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> never-ending allegory of loss and primal innocence

margin sedimented its own center


making my own white noise

lrg>
masochistic <lgc clss='lgc'>+lgc> melancholic<lgc clss='lgc'> = lgc>lss='qstn'>?


infantilizing and self-contained forms of play masquerading itself as autonomy
(lss="trms">fashion makes such lss="trms">monsters<lgc clss='lgc'>:lgc>) “self-hating winners of the game”
lrg>

<lgc clss='lgc'>[lgc>civilizational taxonomies<lgc clss='lgc'>]lgc>
of globalss="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list division of labor
of democracy (<lgc clss='lgc'>+lgc> its negational counterpart <lgc clss='lgc'>[lgc><lgc clss='lgc'>~lgc> third lss="trms">world<lgc clss='lgc'>]lgc> <lgc clss='lgc'><<lgc clss='lgc'>--lgc>lgc> to be very careful about it, i like to develop a bit of lss="trms">paranoia for it)

<lrg clss="large lg6" stl="font-size:116%"> (in the alterity of ‘the textual’ someone else might be living)

<lgc clss='lgc'>[lgc>(who/why does thatlss='qstn'>? <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc>) lss="trms">translation of<lgc clss='lgc'>]lgc> a familiar topography <lgc clss='lgc'>--lgc>into<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> an lss="trms">ontological modality

state of non-temporality (<lgc clss='lgc'><<lgc clss='lgc'>--lgc>lgc>lss='qstn'>?<lgc clss='lgc'>--lgc> majaz lss='at'>@lss="frds scrmbld">Hoda) <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> no more locked in the imperishable antagonism of<lgc clss='lgc'>:lgc> lss="trms">interiority lss='and'>& exteriority, lss="trms">presence lss='and'>& absence <lgc clss='lgc'>}lgc><lgc clss='lgc'>--lgc>(lss="frds scrmbld">Hoda's)<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> extravagant paradox of ls clss='strcls'>*ls>proximity lss='and'>& distancels clss='strcls'>*ls>
<lgc clss='lgc'>==lgc>lss='not'>✕<lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> derivative subjectivity


architects of the law (that lss="frds scrmbld">Elen is against)


(lss="trms">fable of the) “despotism of the oriental way-of-life”


existential homogenization

traumatic lss="trms">obligation

disjointed <lgc clss='lgc'>+lgc> cyclical (mind) <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> lss='qstn'>? ...

the (faint) whisper of “no more.”


disarray


artificial becomes set in stone as the lss="trms">natural

bankrupt master-discourse

explode text lss='and'>& life into...


horizon of textual expression

lrg>lbrkr stl="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................lbrkr>

lss='thdf'>the idea of chaos for the experience of lss="trms">writing and thought

<lgc clss='lgc'>[lgc>ls clss='strcls'>*ls>the lss="trms">world as a wholels clss='strcls'>*ls>, inexhaustible <lgc clss='lgc'>+lgc> urgent <lgc clss='lgc'>+lgc> unmastered (abundance of self-creation/destruction) <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> totalitarian stimulus <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc><lgc clss='lgc'>]lgc> chaos<lgc clss='lgc'>:lgc> <lgc clss='lgc'>[lgc><lgc clss='lgc'><lgc clss='lgc'>ld>~ld>lgc>=lgc>lss='qstn'>?! hegemonic will to mastery<lgc clss='lgc'>]lgc>
<lsts clss="lsts lst1">•lss="trms">poetic lss="trms">imagination (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> an art that ventures and wins chaos)
lsts> <lsts clss="lsts lst1">•insurgent mind-set (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> that every man is surrounded, oppressed, and penetrated by chaos <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> l clss="ppl">Heideggerl> wants to live <lgc clss='lgc'>=/=lgc> insurgent's reflex in middle eastern anticontext, ls clss='strcls'>*ls>eastern revolutionary ethosls clss='strcls'>*ls>, “thinking of struggle<lgc clss='lgc'> = lgc>dialectical”, no revolutionary lss="trms">intersubjectivity <lgc clss='lgc'>[lgc><lgc clss='lgc'><lgc clss='lgc'>ld>~ld>lgc>=lgc> otherless subjectivity<lgc clss='lgc'>]lgc>)
lsts>
Apollonian hyper-rational retreat from the void
Ascetic immensified retreat from the lss="trms">world

self-willed experience of the lss="trms"nttrm="knowledge,Knowledge">edge allowed to guide forward

(l clss="ppl">Nietzschel>'s Zarathustra's chaotic temperament<lgc clss='lgc'>:lgc>) “one must still have chaos in oneself to be able to give birth to a dancing star.”

“chaos"<lgc clss='lgc'> = lgc> what (western) lss="trms">modernity has left (in east)
(lss='thdf'>that is why terminologies of “nomadism” can hardly be appropriated in middle east<lgc clss='lgc'>--lgc>they are chaotic, not nomadic)


<lgc clss='lgc'>[lgc>idioms of resistance<lgc clss='lgc'>]lgc> <lgc clss='lgc'><lgc clss='lgc'><lgc clss='lgc'>~lgc><lgc clss='lgc'>~lgc>lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc>lgc> intoxicating sense of power

<lrg clss="large lg18" stl="font-size:110%"> (anti-,) “being-against”<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst1">•in lss="trms">modernity<lgc clss='lgc'>:lgc> a direct/dialectical oplss="trms">position of forces
lsts> <lsts clss="lsts lst1">•in postlss="trms">modernity<lgc clss='lgc'>:lgc> an oblique/diagonal stance
lsts> <lsts clss="lsts lst1">•today<lgc clss='lgc'>:lgc> “alternatives within"<lgc clss='lgc'> = lgc>an imperial device that works well ‘in itself’ but not ‘for itself’ <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> trans-lss="trms">systemic reality
lsts>
...to believe in an outsider subjectivity capable of alss="trms">historical lss="trms">imagination

(inflated dislss="trms">positions of) triumphalism and alarmist nightmare


lss="trms">communist (l clss="ppl">Marxl>ist silhouette) and liberatory combatants of the 20th century, intellectuals persecuted and exiled in the course of anti-fascist struggles, freedom-fighters of the anti-colonial/anti-imperialss="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list wars <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> nostalgic portrait of the contemporary militant
(l clss="ppl">Nietzschel>, l clss="ppl">Kafkal>, l clss="ppl">Bataillel>, l clss="ppl">l clss="ppl">Foucaultl>l>, l clss="ppl">Artaudl>, l clss="ppl">Baudrillardl>, l clss="ppl">Serresl>, D<lgc clss='lgc'>+lgc>G, etc.) continental thinkers architects of masks<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst1">•the overhuman (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> l clss="ppl">Nietzschel>)
lsts> <lsts clss="lsts lst1">•the supplicant
lsts> <lsts clss="lsts lst1">•the deviant (or barbarian <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> l clss="ppl">l clss="ppl">Foucaultl>l>)
lsts> <lsts clss="lsts lst1">•the body-without-organs (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> D<lgc clss='lgc'>+lgc>G)
lsts> <lsts clss="lsts lst1">•the criminal
lsts> <lsts clss="lsts lst1">•the lss="trms">schizoid
lsts> <lsts clss="lsts lst1">•the headless lss="trms">monstrosity (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> l clss="ppl">Bataillel>)
lsts> <lgc clss='lgc'>[lgc>(an exilic) postcolonial intelligentsia<lgc clss='lgc'>]lgc>


<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc><lgc clss='lgc'>{lgc>l clss="ppl">Nietzschel> and l clss="ppl">Artaudl>'s familiar persuasive lss="trms">authority, similar exuberant phraseology, and motifs in extremis <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> ‘cruelty,’ l clss="ppl">Artaudl> wanted to “reject form and inlss="trms">cite chaos.” antipsychological violent physical determination (a cruel yet necessary act upon the lss="trms">spectator) to shatter the false reality (theatre/art as a place where the lss="trms">spectator/actor is ls clss='strcls'>*ls>exposedls clss='strcls'>*ls> <lgc clss='lgc'>[lgc><lgc clss='lgc'>=/=lgc> “protected"<lgc clss='lgc'>]lgc>) <lgc clss='lgc'>=/=lgc> (lss="trms">aesthetic) distance (<lgc clss='lgc'><lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>>lgc> lss='gtrw'>go to ‘distance lss="trms">matters’); this is the paradigm in lss="nms">iran's theatre and performance slss="trms">cene, where the audience are to be engulfed and physically lss="trms">affected by the show, ‘to be lss="trms">trapped and powerless’ as a theatrical value is an l clss="ppl">Artaudl>ian tradition.
lss="prgrph">-delirium<lgc clss='lgc'>:lgc> he wanted to deliberately become/stay mad <lgc clss='lgc'>[lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> lss="frds scrmbld">Jassem, lss="frds scrmbld">Sana's lss="trms">methodology, the state of horrible energy<lgc clss='lgc'>]lgc> in order to heal/strengthened
lss="prgrph">-ecstatic loss of the self, hermetic elements in his works, and lss='thdf'>the idea of the “complete actor,” whirlpool of feelings and lunatic expressions, counter-force from the act of lss="trms">gesture, (and from his teacher Dullin) emphasis on lss="trms">mime, gymnastics, improvisation, voice production, and various exercises intended to heighten sensory perception, all reminds me of my own theatre training with Reza in jome class.<lgc clss='lgc'>}lgc>


(demonizing) the vital concept of the outside(r)


<lrg clss="large lg3" stl="font-size:110%"> untrustworthy lss="trms">epistemic climate <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> patterns of smoothness/coarseness
lrg>
militant negotiations of desire

(Dabashi's vertical-horizontal colonialism<lgc clss='lgc'>:lgc>)
the third lss="trms">world subject<lgc clss='lgc'>:lgc>
<lstsrd clss="lstsrd">1- marginalized by enlightenment discourse
lstsrd> <lstsrd clss="lstsrd">2- lss="trms">materialy exploited undlstsrd>[...]