[...]I do not lss="trms">intercede night. He will publish on time. It is now the Ra dust, refused to repent. I am certain that the percentage of the universe of sin spit up a repentance off the way. The wave becomes woman, and wipes away the sin of man and woman.”


The man was intoxicatingly joy.
His roar was vibrant.
Among his companions was aware and determination of the reward that went with people weeping and demon.
As far as was Pig-Sheikh, Sheikh saw the fire<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>among the well-known restlessness.
The bell around the time was broken through, hats thrown together. Also addressed the christian heart.
Sheikh's companions observed him from afar<lgc clss='lgc'>--lgc>saw themselves. (He was wearing the garments of shame.)
The inability from the head to the ground.
Sometimes when the cloud bloody tears, when John's sweet fire curtains burned the shit. The regret in his body burned blood.
Secrets of the Qur'an's wisdom, were washed from head to head, inlss="trms"nttrm="cluster,club">cluding throwing relss="trms">member, of ignorance and misery.
To his own, wept in prostration. Also had goals for blood-stained eyes. Embarrassment was lost in sweat.


lss='trgt hghlght 1'href='?q=L'>Left in grief and joy, before he went wandering all;
The following day, lss='thdf'>thanks to John reject all,
Sheikh said that, “Having a secret, may be open before the sun is out. Infidelity arose from the meeting of Ra and faith, Roman pagan God-worship, sea wave suddenly passed out.
You want to work the lss="trms">intercession of the Apostlelss='qstn'>? This time lss='thdf'>thanks to the lss="trms">world.”
What a sugar lss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right now! God's grace in the sea, the sun shall obviously know he will turn black. Repentance knows that with several of sin, ignite the fire of his repentance.
Must also inlss="trms"nttrm="cluster,club">clude his burns.


<lrg clss="large lg2" stl="font-size:112%"> I make lss="trms">story short, its place<lgc clss='lgc'>:lgc> Sheikh will open robe.
<lsts clss="lsts lst1">•Went with his companions toward the Hejaz.
lsts>
Saw it after, the christian girl, to sleep<lgc clss='lgc'>:lgc> in the sun beside him<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>the lss="trms">language<lgc clss='lgc'>:lgc> “Then walk with Sheikh's center after this time. That is his lss="trms">religion, her soil. Off Evil!
Cleared that is him.
He was in you<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>no lss="trms">tropes. In fact, I lss="trms">intercepted him open. The released body, to drive his way. Because it was the way you view the way.
That is, along being with his ‘lss="trms">interceptor,’ be more of these ‘lss="trms">intercepted.’”
lrg>

Because the christian girl was sleeping, she felt the light of the sun.
What a pain in her heart arose!- and the pain of lss="trms">loving it. Fire.
Hands on his heart, the heart of hand, her restless soul did not know what was inside her eggs.
Failed and the absence of a tail, see herself in the lss="trms">wonders of the universe.
Where a lss="trms">world that way, one must be dumb, the way of no tongue. It took all cute -and cheerfulness, like of a rain, collapsed.
Bellowed garment gave run-out.
The soil over the blood ran.
With the painful and incapalss="trms">citating person, followed the Sheikh and his disciples running.
Also ran bleeding cloud.
Following the footsteps of the running, him in the desert and plains, from which must be passed by.
Welcomed helpless and confused. Welcomed her rubbing face in the dirt.
Said, “O God, work! Private parts of any work left.
I ran man's way because of you. You on me, that I was never aware.
The boiling sea. I did not take my poor. Dean agreed, stuck my hands. Nobody does not help us.”

Sheikh was told from within of that girl christian, “Not familiar with our port, she fell this time on our way.
Go back before it pop idol! And tune up your paid companion.”
Sheikh while returning like wind, opened disciples’ salt<lgc clss='lgc'><lgc clss='lgc'>--lgc>-lgc>inlss="trms"nttrm="cluster,club">cluding the head of what was open.
“What's the new single and had repented and several morelss='qstn'>?! Once again, ‘lss="trms">love you’lss='qstn'>? Much you repentlss='qstn'>?!”
Sheikh told of his girl, leaving dead each that hear it.


Sheikh and his companions came days after opening, till it was the ‘smooth’ (Tarsaa) was.
When he saw the yellow gold, lost in rounds, lss="trms">intercepted her coma. Clean bare feet and torn clothes.
The men on the ground, for example. Give it a month since his Sheikh bet his epileptic sore.
Because it takes months in epileptic sleep. Sheikh growth of water.
It looked like the journalss="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list Sheikh. Tears fell like a cloud of spring.
His promises. In his own hands and feet. Said “you burned my soul. I can no longer burn in the curtains of repentance, to be aware. Supply now Islam! (to be lss="trms">intercepted)
He launched the Sheikh of Islam. Fellowship bubbling sentence rejected.
Because it was the idol of the people exposed. l clss="ppl">Rail>n tears, the woman waves in between.
San'an, because he was the last governor, heard tasteful faith in the heart.
She was restless taste faith.
“My patience was Sheikh's vault.” Said, “I do not have any patience at parting.
Saddle go full family. Sheikh, Hajj, Pilgrimage, lss="trms">world, I will be as brief as speech, my poor... rather than an adversarial amnesty and not...”
This said in the hands of John, and was half dead. Her sun was hidden under cloud. Sweet life of girl parted, hesitated.
She followed a drop in the ocean.
The sea was actually open.


Inlss="trms"nttrm="cluster,club">cluding the lss="trms">world, it goes like the wind. He went and we all go.
Saddle such fall much in the way of lss="trms">love. This person is conscious, knows that lss="trms">love. Anything said may be lss="trms">intercepted.
Mercy, despair, deceit, and securely.
This can hear the secrets of the soul, Nasibat (نصیبت) cannot be won without balls. This is certainly the heart and soul, must be heard. Water
and mud reliance should not be heard. War was the heart and soul of
each tail hard. Dirge in that mourning was hard.

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<lgc clss='lgc'><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc><lgc clss='lgc'>==lgc>=lgc>

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his mental hygiene, through strange theological appartouses, is not standing intrusions and pollutants of the middle ages trans-lss="trms">religiousity and cross-boundry encounters between the dislikes and those who differ in sexuality.
his hygiene is polluted
but in a peotic reappropriative act of l clss="ppl">Attarl> this will operate in another iteration to produce a more radical transcendence; still again a vital encounter with lss="trms">religious pollution is avoided



<lrg clss="large lg1" stl="font-size:113%"> <lgc clss='lgc'>[lgc>my teacher and prosecutor <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> malamat, San'an students<lgc clss='lgc'>]lgc>
lrg>
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<lrg clss="large lg14" stl="font-size:134%">
<lgc clss='lgc'>[lgc>title<lgc clss='lgc'>]lgc>
main title<lgc clss='lgc'>:lgc>
“Four Eastern Cartographies of Enlss="trms">trapment”
lrg>
video<lgc clss='lgc'>:lgc>
“lss="trms">Writing on Chaos - A Terminal Intimacy”

performance<lgc clss='lgc'>:lgc>
“The Reward of The Victim - Towards lss="trms">Poetic Extremism”

image assemblage wallpaper<lgc clss='lgc'>:lgc>
“Bad Temper - Apocalyptic Climates of Endlss="trms"nttrm="danger,stranger">angered Subjectivity”



delve
delvi
delphi

dilated

dionysian ecotone for performance
defp

dionysian epitom studies for performing ecotone
desfpe

artistic research center for lss="trms">material epitom studies
arcfmes
(art)mes

eccentric center of/for lss="trms">material and performance studies
(eco)maps

dionysian epitom for lss="trms">material and performance studies
demaps

eccentric center of/for epitomized lss="trms">material studies
ecfem

cologne center for lss="trms">social research
ccsr

ecotone
epitom

parc
performance and research center

cream
center for research in lss="trms">epistemology and lss="trms">matter

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ls clss='strcls'>***ls>sharjah projectls clss='strcls'>***ls>

<lgc clss='lgc'>[lgc>general approach of the project:<lgc clss='lgc'>]lgc>

this proposal gathers lss="trms">literary forces from the speculative insights of l clss="ppl">Jason Bahbak l clss="ppl">Mohagheghl>l> (on ‘radical modes of resistance’) and l clss="ppl">Edouard l clss="ppl">l clss="ppl">Glissantl>l>l> (on ‘modest modes of resistance’) in order to perform a ‘slider’ between hostile and relaxed patterns of “contact” and “nothingness” that has been rotating throughout the lss="trms">past century in the Middle East. the performance of a knowllss="trms"nttrm="knowledge,Knowledge">edge-lss="trms">zoom in the hypnotic effects, nondialogue, nonlss="trms">narrative, and radical exile spaces that have emerged in eastern postlss="trms">modernism to reverse and supersede the lss="trms">question of lss="trms">modernity.

by lss="trms">traversing the domains of revolutionary ideology, avant-garde lss="trms">literature, new-wave cinema, extremist thought, and protests from the limitless lss="trms">imaginative reservoir of their political, lss="trms">poetic, spiritual, and lss="trms">aesthetic predecessors<lgc clss='lgc'>--lgc>this projects examines a Middle Eastern navigation of identity (via the concept of the ‘mask’) and its particular modest/hostile modes of resistance (via the concept of the ‘text’). visiting sites such as<lgc clss='lgc'>:lgc> subversive epitomes of charismatic lss="trms">authority undertaking a lss="trms">poetic lss="trms">articulation, when chaotic lss="trms">imagination makes contact with nothingness, the will to chaos, and inscription of fatality in lss="trms">literature-as-moral-transaction.


<lgc clss='lgc'>[lgc>pressure points:<lgc clss='lgc'>]lgc>

mobile within a speculative/suglss="trms">gestive milieu, this project is lss="trms">interested in examining lss="trms">literary sites such as Kelile-o Demne's lss="trms">communal forms of fragile human cohabitation (11th century political/bestial lss="trms">fable), l clss="ppl">Rumil>'s simulation of nonexistence (13th century production of lss="trms">schizo-darvish), l clss="ppl">Hafezl>'s engineering lss="trms">lss="trms"nttrm="metaph,metamorph,metabol,metal">metaphor-factory (14th century lss="trms">imaginal faculty of extreme lss="trms">presence), Hedayat's Buf Koor the Shelley's Frankenstein's lss="trms">monster favorate lss="trms">book (20th century forms of rlss="trms">enunciation), Amir Naderi and Forough Farrokhzad films (20th century strategies of withdrawal), Jala Al Ahmad and lss="frds scrmbld"nttrm="Alice,Shariati">Ali Shariati lss="trms">writings (20th century fatal concepts of the outside), <lgc clss='lgc'>[lgc>lss="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list to be modified<lgc clss='lgc'>]lgc>


<lgc clss='lgc'>[lgc>background:<lgc clss='lgc'>]lgc>

this form of half-dilss="trms">gestive omnivorous work is lss="trms">situated in a larger lss="trms">trajectory of creative investigations, which i have been busy with under “lss="trms">storytelling,” are dealing with the lss="trms">questions of conditions in which non-antagonistic critical encounters between ordered conventions of knowing and chaotic textuality/lss="trms">imagination is possible. to take the mind where it does not belong. to the rogue arsenals of middle eastern reservoir of lss="trms">imagination and its locatable mimicries. to its repetitive scaflss="trms">foldings, fugitive lss="trms">trajectories, its performances of fatal experience of the text. to unload its corrosive textualities and let them run their acids across one another. this project is lss="trms">interested in both the unleashing and the pleasure of watching the text die.

part of the dislss="trms">position of this proposal is also the suglss="trms">gestion that the two collaborators of this project, lss="frds scrmbld">Jassem and lss="frds scrmbld">Foad, are invested in those notions in their practice. lss="frds scrmbld">Foad Farahani's lss="trms">poem “farar” enacting contemporary artistic formations and lss="trms">past-compound-mask, and lss="frds scrmbld">Jassem Hindi transnational lss="trms">poetic lss="trms">agency, are both artists with acute appetite for chaotic lss="trms">imagination. Their instinct for the fusion of nothingness and lss="trms">excess, appearance and disappearance, creation and destruction, is at once carved and unpacked in the lss="trms">literary-lss="trms">poetic mosaics of their work<lgc clss='lgc'>:lgc> lss="frds scrmbld">Foad's use of middle-persian mystic sensibilities and lss="frds scrmbld">Jassem's combination of intensive encounter with the lss="trms">poetics of apocalypse and acid textuality.

My work has been about<lgc clss='lgc'>:lgc> learning/training in the lss="trms">crafts of noticing little lss="trms">traps of lss="trms">semiotic and lss="trms">material trans-lss="trms">species cohabiting, lss="trms">mutual coproduction of economics, lss="trms">ecology, lss="trms">affect-studies, lss="trms">lss="trms"nttrm="metaph,metamorph,metabol,metal">metaphysical household studies, and understanding of the orders of the lss="trms">natural and human lss="trms">world, in the particular lss="trms">history/lss="trms">story of the East. in my projects i take lss="trms">history as the overlapping tracks and traces and many tranjectories of lss="trms">world-making, human and nonhuman. the textual performance of this project is in the effects of lss='mywrk'>my research and practice with the lss="trms">questions of globalism and inlss="trms">heritance<lgc clss='lgc'>:lgc> difficult lss="trms">translational spaces, lss="trms">communicative nonunderstanding, lss="trms">relational lss="trms">aesthetics, and the lss="trms">differential sites of lss="trms"nttrm="already,spread">reading. and i use performative lss="trms">lectures<lgc clss='lgc'>:lgc> a lss="trms">material practice, hybrid in digital manual tactile operations of speaking.

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“Four Masks of an Eastern Postlss="trms">modernism”

insurgent, lss="trms">poet, mystic, sectarian
    |       |       |        |
chaos, violence, illusion, silence

<lsts clss="lsts lst1">•(sectarianism) apocalyptic lss="trms">writing
lsts> <lsts clss="lsts lst1">•(lss="trms">poetic) will to chaos
lsts> <lsts clss="lsts lst1">•(mystic) exile space
lsts> <lsts clss="lsts lst1">•(insurgent's) otherless subjectivity
lsts>

یاغی
شاعر
نوچه
زاهد


<lgc clss='lgc'>[lgc>performative lss="trms">methodology<lgc clss='lgc'>]lgc>
for the collaborative part of sharjah project, i like to propose four “masks” (or “rotational avatars”) of subjective anarchy, that are few among many existential prototypes and subjectivity constellations of eastern postlss="trms">modernism, as collaborative sites of encounter with four (or less and not necessarily individual) artists/participants.

<lsts clss="lsts lst1">•collaborators’ masks<lgc clss='lgc'>:lgc> chaos, violence, illusion, silence / (yaghi یاغی, sha'er شاعر, noche نوچه, zahed زاهد)<lgc clss='lgc'>--lgc>each endeavoring to discern the lss="trms">ontological possibilities and lss="trms">aesthetic lss="trms">imaginations of four theoretically-worked dislss="trms">positions that l clss="ppl">Jason Bahbak l clss="ppl">Mohagheghl>l> puts forward<lgc clss='lgc'>:lgc> insurgent, lss="trms">poetic, mystical, sectarian modes of consciousness, operating within multiple terrains of human and inhuman experiences of the middle east.
lsts> <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> masks (the above mentioned four masks are accompanied by four “performative epitomes”)<lgc clss='lgc'>:lgc> the exile, the lss="trms">animal, the shadow, the machine, (the lss="trms">monster, the thing, the contagion, the mirror image)

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installation<lgc clss='lgc'>:lgc>
speculative objects (<lgc clss='lgc'>~/=lgc> lss="trms">anthropological objects) <lgc clss='lgc'>--lgc>to<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> quasi objects
between research, lss="trms">social critique, speculative theory, and artistic production <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> politics of relss="trms">presentation

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<lgc clss='lgc'>[lgc>ls clss='strcls'>*ls><lgc clss='lgc'>]lgc>insurgent<lgc clss='lgc'>:lgc>
resistance to lss="trms">modernism, and revolutionary lss="trms">agency
<lgc clss='lgc'><<lgc clss='lgc'>==lgc>lgc> exhaustive dislss="trms">integration of belief-structures in lss="trms">modernity
otherless individuation
eternal war
killer's freedom
(lss="trms">affective) overreaction


<lgc clss='lgc'>[lgc>ls clss='strcls'>*ls><lgc clss='lgc'>]lgc>lss="trms">poet<lgc clss='lgc'>:lgc>
will to chaos (<lgc clss='lgc'>--lgc>a type of consciousness that perceive the catastrophic-apocalyptic hint at each turn)
<lgc clss='lgc'><<lgc clss='lgc'>==lgc>lgc> cataclysmic time of lss="trms">modernism (<lgc clss='lgc'><<lgc clss='lgc'>--lgc>lgc> great lss="trms">social disorder<lgc clss='lgc'>:lgc> prison, exile, censorship, etc. <lgc clss='lgc'>[lgc><lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> Hedayat, l clss="ppl">Shamlul>, Forough, Nima's tone of aggression <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> a proto-sectarian space<lgc clss='lgc'>:lgc> secret lss="trms">societies, iconoclastic lss="trms">trajectories, ls clss='strcls'>*ls>the compartmentalized and esoteric lss="nms">iranian avant-garde with lss="trms">aesthetic devices of<lgc clss='lgc'>:lgc> unity, isolation, subversion<lgc clss='lgc'>]lgc>)
fugitive postlss="trms">modern map of escape from the grasp of the experience of the lss="trms">modernist lss="trms">phenomenon
|
lss="trms">responses to lss="trms">historical events of atrocity and lss="trms">transition
mystical, criminal, mercenary, revolutionary edifice
alss="trms">morphous, obscure, versatile (thinker/lss="trms">writers)
conceptual axes/lss="trms"nttrm="search">archetypes of<lgc clss='lgc'>:lgc> power, hostility, banishment, solitude, desire, sacrifice


<lrg clss="large lg3" stl="font-size:111%"> <lgc clss='lgc'>[lgc>ls clss='strcls'>*ls><lgc clss='lgc'>]lgc>mystic<lgc clss='lgc'>:lgc>
sunken tranquility, relaxed self-annihilation, ascetic rlss="trms">enunciation of lss="trms">material (<lgc clss='lgc'>=/=lgc> postlss="trms">modernism's obsession with speed, with lss="trms">narcissistic lss="trms">technologies, hyper-lss="trms">materialism)
neomystial lss="trms">trajectories of new-wave lss="nms">iranian cinema filmic style <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> hypnotic effect <lgc clss='lgc'>=/=lgc> audition, dialogue, lss="trms">narrative
& exile space
lrg>

<lgc clss='lgc'>[lgc>ls clss='strcls'>*ls><lgc clss='lgc'>]lgc>sectarian<lgc clss='lgc'>:lgc>
will to extremity
(apocalyptic lss="trms">writing)
breakaway modality
نوچه پروری noche-parvary's effective radars and tactics of attunement, detection, lss="trms">narration
(annihilatic temptation to) convert the text into a closed circle
(sect's threats of) forbidden power, moral ambiguity, collective lss="trms">density(/destiny)

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<lgc clss='lgc'>[lgc>this project works with:<lgc clss='lgc'>]lgc>

<lgc clss='lgc'>[lgc><lgc clss='lgc'>]lgc>
contributions/lss="trms">responses of<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst1">•radical leaders (Jala Al Ahmad, lss="frds scrmbld"nttrm="Alice,Shariati">Ali Shariati, Khomeini) <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> ideological suspicion towards models of machinism and lss="trms">cosmopolitanism in the lss="trms">modern age
lsts> <lsts clss="lsts lst1">•intellectual forerunners (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> sectarian)
lsts> <lsts clss="lsts lst1">•lss="trms">literary icons (textual innovations of Hedayat, l clss="ppl">Shamlul>, Akhavan, Baraheni) <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> ls clss='strcls'>*ls>lss="trms">poetic violencels clss='strcls'>*ls> and its apocalyptic tendencies <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> that the declared east is plunged into a catastrophic epoch <lgc clss='lgc'>==lgc>freed<lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> a “will to chaos”
lsts> <lsts clss="lsts lst1">•artistic visionaries (Naderi, Forough, lss="nms">iranian new-wave cinema neomystical) <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> strategies of withdrawal, aims of disappearance, lss="trms">situated in obscure elsewheres of auditory and visual landscape
lsts> <lgc clss='lgc'>}lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> lss='at'>#ideology lss='at'>#lss="trms">literature lss='at'>#mysticism lss='at'>#sectarianism
(from the middle eastern front) to (the issues of)<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst2">◦post-lss="trms">historical instant
lsts> <lsts clss="lsts lst2">◦catastrophic resistance
lsts> <lsts clss="lsts lst2">◦creative lss="trms">imagination
lsts>  <lgc clss='lgc'>}lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> issues of<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst3">◾lss="trms">technology
lsts> <lsts clss="lsts lst3">◾relss="trms">presentation
lsts> <lsts clss="lsts lst3">◾globalization
lsts> <lsts clss="lsts lst3">◾colonialism
lsts>   <lgc clss='lgc'>+lgc><lgc clss='lgc'>}lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> drastic relss="trms">interpretations of<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst4">◽time and being
lsts> <lsts clss="lsts lst4">◽death
lsts> <lsts clss="lsts lst4">◽pain
lsts> <lsts clss="lsts lst4">◽transcendence
lsts> <lsts clss="lsts lst4">◽victory
lsts> <lsts clss="lsts lst4">◽blood
lsts>
<lgc clss='lgc'>~~lgc>(lss="trms">modernity is an extremist epoch)<lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> mithridatic approaches
anticultural visionaries
extreme <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> resistance-fighter/ideological lss="trms">dictator, artistic forerunner/experimental thinker, lss="trms">different constellations of desire
ls clss='strcls'>***ls>mithridatism مهردارو mehr-daru<lgc clss='lgc'>:lgc> ls clss='strcls'>*ls>lss="trms">internalization of toxicityls clss='strcls'>*ls> (the gradual inlss="trms">gestion of lethal substances so as to gain immunity) <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> an archaic protective tactic, an ancient model of defense, (subterranean practice of pirates, alchemists, cult leaders, shamans, guerrilla columns, spies, lss="trms">paranoid kings's ls clss='strcls'>*ls>logic of encounterls clss='strcls'>*ls>)
(lss="trms">poetic extremism <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc>) mithridatic<lgc clss='lgc'>:lgc> dispensing fragmented verses, aphorisms, and engravings of the atrocity; invitation and unleas[...]