[...]of the Qur'an's wisdom, were washed from head to head, in="trms"nttrm="cluster,club">cluding throwing re="trms">member, of ignorance and misery.
To his own, wept in prostration. Also had goals for blood-stained eyes. Embarrassment was lost in sweat.
Left in grief and joy, before he went wandering all;
The following day, ='thdf'>thanks to John reject all,
Sheikh said that, “Having a secret, may be open before the sun is out. Infidelity arose from the meeting of Ra and faith, Roman pagan God-worship, sea wave suddenly passed out.
You want to work the ="trms">intercession of the Apostle='qstn'>? This time ='thdf'>thanks to the ="trms">world.”
What a sugar ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right now! God's grace in the sea, the sun shall obviously know he will turn black. Repentance knows that with several of sin, ignite the fire of his repentance.
Must also in="trms"nttrm="cluster,club">clude his burns.
I make ="trms">story short, its place='lgc'>: Sheikh will open robe.
="lsts lst1">•Went with his companions toward the Hejaz.
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Saw it after, the christian girl, to sleep='lgc'>: in the sun beside him='lgc'>='lgc'>---the ="trms">language='lgc'>: “Then walk with Sheikh's center after this time. That is his ="trms">religion, her soil. Off Evil!
Cleared that is him.
He was in you='lgc'>='lgc'>---no ="trms">tropes. In fact, I ="trms">intercepted him open. The released body, to drive his way. Because it was the way you view the way.
That is, along being with his ‘="trms">interceptor,’ be more of these ‘="trms">intercepted.’”
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Because the christian girl was sleeping, she felt the light of the sun.
What a pain in her heart arose!- and the pain of ="trms">loving it. Fire.
Hands on his heart, the heart of hand, her restless soul did not know what was inside her eggs.
Failed and the absence of a tail, see herself in the ="trms">wonders of the universe.
Where a ="trms">world that way, one must be dumb, the way of no tongue. It took all cute -and cheerfulness, like of a rain, collapsed.
Bellowed garment gave run-out.
The soil over the blood ran.
With the painful and incapa="trms">citating person, followed the Sheikh and his disciples running.
Also ran bleeding cloud.
Following the footsteps of the running, him in the desert and plains, from which must be passed by.
Welcomed helpless and confused. Welcomed her rubbing face in the dirt.
Said, “O God, work! Private parts of any work left.
I ran man's way because of you. You on me, that I was never aware.
The boiling sea. I did not take my poor. Dean agreed, stuck my hands. Nobody does not help us.”
Sheikh was told from within of that girl christian, “Not familiar with our port, she fell this time on our way.
Go back before it pop idol! And tune up your paid companion.”
Sheikh while returning like wind, opened disciples’ salt='lgc'>='lgc'>---in="trms"nttrm="cluster,club">cluding the head of what was open.
“What's the new single and had repented and several more='qstn'>?! Once again, ‘="trms">love you’='qstn'>? Much you repent='qstn'>?!”
Sheikh told of his girl, leaving dead each that hear it.
Sheikh and his companions came days after opening, till it was the ‘smooth’ (Tarsaa) was.
When he saw the yellow gold, lost in rounds, ="trms">intercepted her coma. Clean bare feet and torn clothes.
The men on the ground, for example. Give it a month since his Sheikh bet his epileptic sore.
Because it takes months in epileptic sleep. Sheikh growth of water.
It looked like the journa="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list Sheikh. Tears fell like a cloud of spring.
His promises. In his own hands and feet. Said “you burned my soul. I can no longer burn in the curtains of repentance, to be aware. Supply now Islam! (to be ="trms">intercepted)
He launched the Sheikh of Islam. Fellowship bubbling sentence rejected.
Because it was the idol of the people exposed. ="ppl">Rain tears, the woman waves in between.
San'an, because he was the last governor, heard tasteful faith in the heart.
She was restless taste faith.
“My patience was Sheikh's vault.” Said, “I do not have any patience at parting.
Saddle go full family. Sheikh, Hajj, Pilgrimage, ="trms">world, I will be as brief as speech, my poor... rather than an adversarial amnesty and not...”
This said in the hands of John, and was half dead. Her sun was hidden under cloud. Sweet life of girl parted, hesitated.
She followed a drop in the ocean.
The sea was actually open.
In="trms"nttrm="cluster,club">cluding the ="trms">world, it goes like the wind. He went and we all go.
Saddle such fall much in the way of ="trms">love. This person is conscious, knows that ="trms">love. Anything said may be ="trms">intercepted.
Mercy, despair, deceit, and securely.
This can hear the secrets of the soul, Nasibat (نصیبت) cannot be won without balls. This is certainly the heart and soul, must be heard. Water
and mud reliance should not be heard. War was the heart and soul of
each tail hard. Dirge in that mourning was hard.
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='lgc'>='lgc'>==='lgc'>==='lgc'>==='lgc'>==='lgc'>==='lgc'>==='lgc'>==='lgc'>===
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his mental hygiene, through strange theological appartouses, is not standing intrusions and pollutants of the middle ages trans-="trms">religiousity and cross-boundry encounters between the dislikes and those who differ in sexuality.
his hygiene is polluted
but in a peotic reappropriative act of ="ppl">Attar this will operate in another iteration to produce a more radical transcendence; still again a vital encounter with ="trms">religious pollution is avoided
='lgc'>[my teacher and prosecutor ='lgc'>='lgc'>--> malamat, San'an students='lgc'>]
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='lgc'>[title='lgc'>]
main title='lgc'>:
“Four Eastern Cartographies of En="trms">trapment”
video='lgc'>:
“="trms">Writing on Chaos - A Terminal Intimacy”
performance='lgc'>:
“The Reward of The Victim - Towards ="trms">Poetic Extremism”
image assemblage wallpaper='lgc'>:
“Bad Temper - Apocalyptic Climates of End="trms"nttrm="danger,stranger">angered Subjectivity”
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delve
delvi
delphi
dilated
dionysian ecotone for performance
defp
dionysian epitom studies for performing ecotone
desfpe
artistic research center for ="trms">material epitom studies
arcfmes
(art)mes
eccentric center of/for ="trms">material and performance studies
(eco)maps
dionysian epitom for ="trms">material and performance studies
demaps
eccentric center of/for epitomized ="trms">material studies
ecfem
cologne center for ="trms">social research
ccsr
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ecotone
epitom
parc
performance and research center
cream
center for research in ="trms">epistemology and ="trms">matter
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='strcls'>***sharjah project='strcls'>***
='lgc'>[general approach of the project:='lgc'>]
this proposal gathers ="trms">literary forces from the speculative insights of ="ppl">Jason Bahbak ="ppl">Mohaghegh (on ‘radical modes of resistance’) and ="ppl">Edouard ="ppl">="ppl">Glissant (on ‘modest modes of resistance’) in order to perform a ‘slider’ between hostile and relaxed patterns of “contact” and “nothingness” that has been rotating throughout the ="trms">past century in the Middle East. the performance of a knowl="trms"nttrm="knowledge,Knowledge">edge-="trms">zoom in the hypnotic effects, nondialogue, non="trms">narrative, and radical exile spaces that have emerged in eastern post="trms">modernism to reverse and supersede the ="trms">question of ="trms">modernity.
by ="trms">traversing the domains of revolutionary ideology, avant-garde ="trms">literature, new-wave cinema, extremist thought, and protests from the limitless ="trms">imaginative reservoir of their political, ="trms">poetic, spiritual, and ="trms">aesthetic predecessors='lgc'>--this projects examines a Middle Eastern navigation of identity (via the concept of the ‘mask’) and its particular modest/hostile modes of resistance (via the concept of the ‘text’). visiting sites such as='lgc'>: subversive epitomes of charismatic ="trms">authority undertaking a ="trms">poetic ="trms">articulation, when chaotic ="trms">imagination makes contact with nothingness, the will to chaos, and inscription of fatality in ="trms">literature-as-moral-transaction.
='lgc'>[pressure points:='lgc'>]
mobile within a speculative/sug="trms">gestive milieu, this project is ="trms">interested in examining ="trms">literary sites such as Kelile-o Demne's ="trms">communal forms of fragile human cohabitation (11th century political/bestial ="trms">fable), ="ppl">Rumi's simulation of nonexistence (13th century production of ="trms">schizo-darvish), ="ppl">Hafez's engineering ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphor-factory (14th century ="trms">imaginal faculty of extreme ="trms">presence), Hedayat's Buf Koor the Shelley's Frankenstein's ="trms">monster favorate ="trms">book (20th century forms of r="trms">enunciation), Amir Naderi and Forough Farrokhzad films (20th century strategies of withdrawal), Jala Al Ahmad and ="frds scrmbld"nttrm="Alice,Shariati">Ali Shariati ="trms">writings (20th century fatal concepts of the outside), ='lgc'>[="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list to be modified='lgc'>]
='lgc'>[background:='lgc'>]
this form of half-di="trms">gestive omnivorous work is ="trms">situated in a larger ="trms">trajectory of creative investigations, which i have been busy with under “="trms">storytelling,” are dealing with the ="trms">questions of conditions in which non-antagonistic critical encounters between ordered conventions of knowing and chaotic textuality/="trms">imagination is possible. to take the mind where it does not belong. to the rogue arsenals of middle eastern reservoir of ="trms">imagination and its locatable mimicries. to its repetitive scaf="trms">foldings, fugitive ="trms">trajectories, its performances of fatal experience of the text. to unload its corrosive textualities and let them run their acids across one another. this project is ="trms">interested in both the unleashing and the pleasure of watching the text die.
part of the dis="trms">position of this proposal is also the sug="trms">gestion that the two collaborators of this project, ="frds scrmbld">Jassem and ="frds scrmbld">Foad, are invested in those notions in their practice. ="frds scrmbld">Foad Farahani's ="trms">poem “farar” enacting contemporary artistic formations and ="trms">past-compound-mask, and ="frds scrmbld">Jassem Hindi transnational ="trms">poetic ="trms">agency, are both artists with acute appetite for chaotic ="trms">imagination. Their instinct for the fusion of nothingness and ="trms">excess, appearance and disappearance, creation and destruction, is at once carved and unpacked in the ="trms">literary-="trms">poetic mosaics of their work='lgc'>: ="frds scrmbld">Foad's use of middle-persian mystic sensibilities and ="frds scrmbld">Jassem's combination of intensive encounter with the ="trms">poetics of apocalypse and acid textuality.
My work has been about='lgc'>: learning/training in the ="trms">crafts of noticing little ="trms">traps of ="trms">semiotic and ="trms">material trans-="trms">species cohabiting, ="trms">mutual coproduction of economics, ="trms">ecology, ="trms">affect-studies, ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysical household studies, and understanding of the orders of the ="trms">natural and human ="trms">world, in the particular ="trms">history/="trms">story of the East. in my projects i take ="trms">history as the overlapping tracks and traces and many tranjectories of ="trms">world-making, human and nonhuman. the textual performance of this project is in the effects of ='mywrk'>my research and practice with the ="trms">questions of globalism and in="trms">heritance='lgc'>: difficult ="trms">translational spaces, ="trms">communicative nonunderstanding, ="trms">relational ="trms">aesthetics, and the ="trms">differential sites of ="trms"nttrm="already,spread">reading. and i use performative ="trms">lectures='lgc'>: a ="trms">material practice, hybrid in digital manual tactile operations of speaking.
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“Four Masks of an Eastern Post="trms">modernism”
insurgent, ="trms">poet, mystic, sectarian
| | | |
chaos, violence, illusion, silence
="lsts lst1">•(sectarianism) apocalyptic ="trms">writing
="lsts lst1">•(="trms">poetic) will to chaos
="lsts lst1">•(mystic) exile space
="lsts lst1">•(insurgent's) otherless subjectivity
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یاغی
شاعر
نوچه
زاهد
='lgc'>[performative ="trms">methodology='lgc'>]
for the collaborative part of sharjah project, i like to propose four “masks” (or “rotational avatars”) of subjective anarchy, that are few among many existential prototypes and subjectivity constellations of eastern post="trms">modernism, as collaborative sites of encounter with four (or less and not necessarily individual) artists/participants.
="lsts lst1">•collaborators’ masks='lgc'>: chaos, violence, illusion, silence / (yaghi یاغی, sha'er شاعر, noche نوچه, zahed زاهد)='lgc'>--each endeavoring to discern the ="trms">ontological possibilities and ="trms">aesthetic ="trms">imaginations of four theoretically-worked dis="trms">positions that ="ppl">Jason Bahbak ="ppl">Mohaghegh puts forward='lgc'>: insurgent, ="trms">poetic, mystical, sectarian modes of consciousness, operating within multiple terrains of human and inhuman experiences of the middle east.
='lgc'>='lgc'>--> masks (the above mentioned four masks are accompanied by four “performative epitomes”)='lgc'>: the exile, the ="trms">animal, the shadow, the machine, (the ="trms">monster, the thing, the contagion, the mirror image)
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installation='lgc'>:
speculative objects (='lgc'>~/= ="trms">anthropological objects) ='lgc'>--to='lgc'>='lgc'>--> quasi objects
between research, ="trms">social critique, speculative theory, and artistic production ='lgc'>='lgc'>--> politics of re="trms">presentation
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='lgc'>[='strcls'>*='lgc'>]insurgent='lgc'>:
resistance to ="trms">modernism, and revolutionary ="trms">agency
='lgc'><='lgc'>== exhaustive dis="trms">integration of belief-structures in ="trms">modernity
otherless individuation
eternal war
killer's freedom
(="trms">affective) overreaction
='lgc'>[='strcls'>*='lgc'>]="trms">poet='lgc'>:
will to chaos (='lgc'>--a type of consciousness that perceive the catastrophic-apocalyptic hint at each turn)
='lgc'><='lgc'>== cataclysmic time of ="trms">modernism (='lgc'><='lgc'>-- great ="trms">social disorder='lgc'>: prison, exile, censorship, etc. ='lgc'>[='lgc'>='lgc'>==> Hedayat, ="ppl">Shamlu, Forough, Nima's tone of aggression ='lgc'>='lgc'>--> a proto-sectarian space='lgc'>: secret ="trms">societies, iconoclastic ="trms">trajectories, ='strcls'>*the compartmentalized and esoteric ="nms">iranian avant-garde with ="trms">aesthetic devices of='lgc'>: unity, isolation, subversion='lgc'>])
fugitive post="trms">modern map of escape from the grasp of the experience of the ="trms">modernist ="trms">phenomenon
|
="trms">responses to ="trms">historical events of atrocity and ="trms">transition
mystical, criminal, mercenary, revolutionary edifice
a="trms">morphous, obscure, versatile (thinker/="trms">writers)
conceptual axes/="trms"nttrm="search">archetypes of='lgc'>: power, hostility, banishment, solitude, desire, sacrifice
='lgc'>[='strcls'>*='lgc'>]mystic='lgc'>:
sunken tranquility, relaxed self-annihilation, ascetic r="trms">enunciation of ="trms">material (='lgc'>=/= post="trms">modernism's obsession with speed, with ="trms">narcissistic ="trms">technologies, hyper-="trms">materialism)
neomystial ="trms">trajectories of new-wave ="nms">iranian cinema filmic style ='lgc'>='lgc'>--> hypnotic effect ='lgc'>=/= audition, dialogue, ="trms">narrative
& exile space
='lgc'>[='strcls'>*='lgc'>]sectarian='lgc'>:
will to extremity
(apocalyptic ="trms">writing)
breakaway modality
نوچه پروری noche-parvary's effective radars and tactics of attunement, detection, ="trms">narration
(annihilatic temptation to) convert the text into a closed circle
(sect's threats of) forbidden power, moral ambiguity, collective ="trms">density(/destiny)
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='lgc'>[this project works with:='lgc'>]
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='lgc'>[='lgc'>]
contributions/="trms">responses of='lgc'>:
="lsts lst1">•radical leaders (Jala Al Ahmad, ="frds scrmbld"nttrm="Alice,Shariati">Ali Shariati, Khomeini) ='lgc'>='lgc'>--> ideological suspicion towards models of machinism and ="trms">cosmopolitanism in the ="trms">modern age
="lsts lst1">•intellectual forerunners (='lgc'>='lgc'>--> sectarian)
="lsts lst1">•="trms">literary icons (textual innovations of Hedayat, ="ppl">Shamlu, Akhavan, Baraheni) ='lgc'>='lgc'>--> ='strcls'>*="trms">poetic violence='strcls'>* and its apocalyptic tendencies ='lgc'>='lgc'>--> that the declared east is plunged into a catastrophic epoch ='lgc'>==freed='lgc'>='lgc'>==> a “will to chaos”
="lsts lst1">•artistic visionaries (Naderi, Forough, ="nms">iranian new-wave cinema neomystical) ='lgc'>='lgc'>--> strategies of withdrawal, aims of disappearance, ="trms">situated in obscure elsewheres of auditory and visual landscape
='lgc'>}='lgc'>='lgc'>--> ='at'>#ideology ='at'>#="trms">literature ='at'>#mysticism ='at'>#sectarianism
(from the middle eastern front) to (the issues of)='lgc'>:
="lsts lst2">◦post-="trms">historical instant
="lsts lst2">◦catastrophic resistance
="lsts lst2">◦creative ="trms">imagination
='lgc'>}='lgc'>='lgc'>--> issues of='lgc'>:
="lsts lst3">◾="trms">technology
="lsts lst3">◾re="trms">presentation
="lsts lst3">◾globalization
="lsts lst3">◾colonialism
='lgc'>+='lgc'>}='lgc'>='lgc'>--> drastic re="trms">interpretations of='lgc'>:
="lsts lst4">◽time and being
="lsts lst4">◽death
="lsts lst4">◽pain
="lsts lst4">◽transcendence
="lsts lst4">◽victory
="lsts lst4">◽blood
='lgc'>~~(="trms">modernity is an extremist epoch)='lgc'>='lgc'>==> mithridatic approaches
anticultural visionaries
extreme ='lgc'>='lgc'>--> resistance-fighter/ideological ="trms">dictator, artistic forerunner/experimental thinker, ="trms">different constellations of desire
='strcls'>***mithridatism مهردارو mehr-daru='lgc'>: ='strcls'>*="trms">internalization of toxicity='strcls'>* (the gradual in="trms">gestion of lethal substances so as to gain immunity) ='lgc'>='lgc'>--> an archaic protective tactic, an ancient model of defense, (subterranean practice of pirates, alchemists, cult leaders, shamans, guerrilla columns, spies, ="trms">paranoid kings's ='strcls'>*logic of encounter='strcls'>*)
(="trms">poetic extremism ='lgc'>='lgc'>-->) mithridatic='lgc'>: dispensing fragmented verses, aphorisms, and engravings of the atrocity; invitation and unleashing of the malevolence itself, to seduce ob="trms">literation;
="prgrph">-affliction, existence thriving in the wound
(assumptions of) inevitability ='lgc'>+ anticipation ='lgc'>+ projection ='lgc'>='lgc'>==> mithridatic remedy (in ideological ='and'>& ="trms">literary ="trms">apparatuses)='lgc'>: “swallowing partial glances of the extinction of ="trms">society, actuality, and being itself” (="ppl">Mohaghegh) ='lgc'>[a form of training='qstn'>? for continuation='qstn'>?='lgc'>]='lgc'>='lgc'>--> the ="trms">poet asking us to fasten our reeling gazes to the objects of damage and derangement (='at'>@="frds scrmbld"nttrm="Alice,Shariati">Ali ) ='lgc'>='lgc'>==> (extremist='lgc'>:) thought and expression have taken the shape of a ='strcls'>*meteorological device='strcls'>*, forecasting seasons of pestilence and mutilation ='lgc'>[='lgc'><='lgc'>-- my whole work has been against that='lgc'>]
fanatical ="trms">responses to the evolving storm ='lgc'>[='lgc'>=/= the fool (the one whose cognitive defend-="trms">system is down), the ="trms">joker (figure of the always problematic, with its speculative sense for potent tie between meaning and bodies), the cheerleader (porpoising ="trms">socially deviant, corruptin[...]