[...]it itself through the ="trms">affective matrix of radical coldness

="ppl">Nietzsche and ="ppl">Sartre locating their own becoming-f="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid within the realm of otherless individuation, neither hesitate to look at Eastern corridors


="large lg2" stl="font-size:111%"> insurgent becomes the ="trms">writer of (Manning's) impersonal event


touchstone of a rare immunity and a weapon

to evoke the ="trms">anxiety of the audience (-="frds scrmbld">Hoda='qstn'>?)


“kill him” ='lgc'>='lgc'>--> shortening of ="trms">language to mirror the contra="trms">diction of being ='lgc'>: most horrifying manifestation of formalized coldness. not just the license to kill, but the mechanistic invocation of the license


the ‘what has always been’
eternal war
همیشه اینجوری بوده ='lgc'>='lgc'>--> pro="trms">position of the insurgent stoicism یاغی رواقى ='lgc'>[='lgc'>~ a self-without-other='lgc'>: has experienced firsthand the detriment of othering, ='at'>@="frds scrmbld">Foad='lgc'>]

(the rant, the taunt متلک, the insult فحش, the battle cry)

axis of eternity, middle eastern recourse to an o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal circularity of things
a concept of time as pure circle (from medieval mysticism)
='lgc'>=/=
deconstruction's uncanny
psychoanalysis's trauma

='lgc'>[a ="trms">technique i use in my ="trms">lecture-performances, i work reverentially='lgc'> = reverie ='lgc'>+ reference='lgc'>] ='lgc'>='lgc'>--> could be helpful for ="frds scrmbld">Eszter

='strcls'>*(colorfulness ='lgc'>==> entanglement)='strcls'>*


the ligature (خط پيوند)
the outliner
un="trms">imagined destiny


(little freedom called) curiosity ='lgc'>=/= alertness (='lgc'><='lgc'>-- freedom of nerves)


(my problem with the) discourse of the trace (='lgc'>=/= ="trms">heritage, tradition studies)
“let's leave a trace” ='lgc'>='lgc'>--> you create your own kind of starting from yourself. you have no ="trms">ancestors and your roots are in your footsteps
(it is never my concern how to leave a trace. rather, ="trms"nttrm="already,spread">reading the fubar that is left by others for me to ="trms"nttrm="already,spread">read)


(contemporary colonialism is tentacular)

contemporary colonialism with its ='strcls'>*clash of civilizations ="trms">rhetoric='strcls'>* ='lgc'>[='lgc'>='lgc'>~=>='qstn'>? multiculturalism='lgc'>] ='lgc'>=/= ancient warlords and dynasties (='lgc'>--="ppl">="ppl">Foucault showing the ="trms">difference between a medieval monarch’s beheading of a subject and the self-regulating disciplinary ="trms">apparatus of the ="trms">modern state) ='lgc'>}='lgc'><='lgc'>-- they don't get it='lgc'>: Middle Eastern ="trms">response of Adonis, Darwish, ="ppl">Shamlu, Hedayat, and others. that is, to perceive ="trms">modernity as the mani="trms">fold extension of an eternal atrocity

the problem is those who have no patience for either concepts of “the ="trms">world” or “the ="trms">historical”

(eastern insurgent has been='lgc'>:)
="lsts lst1">•="trms">technically innovative
="lsts lst1">•="trms">epistemologically and ideologically distinctive
="lsts lst1">•existentially grounded in the waters of ‘what has always been’

="ppl">Mohaghegh making a link between Hassan Sabbah and Ahmad ="ppl">Shamlu='lgc'>:
="lsts lst1">•Sabbah='lgc'>: leader of the Ismaili assassins and keeper of their Nizari fortress at Alamut='lgc'>: that he was said to have never left his inner quarters ='lgc'>[the library, courtyard, or bedchamber='lgc'>] for thirty-five years except twice to stand on the rooftop and look out beyond the mountain ='lgc'>='lgc'>--> this is the ="trms">worldview of the eterna="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list at work. He participated in ‘change,’ manipulated them toward fatally constructive ends even, but did not honor these developments as a journey of any substantial kind.
='lgc'>[flash forward a thousand years...='lgc'>]
="lsts lst1">•="ppl">Shamlu='lgc'>: same attitude='lgc'>: when he was asked to comment on his country's most recent uprisings offered the following ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphor='lgc'>: he said to think of the event as when a man who is sleeping on one side of his body for most of the night begins to ache and so rolls over to his other side and continues sleeping ='lgc'>='lgc'>--> the movement is not sufficient as to prove impressive


(="ppl">Mohaghegh stresses in post="trms">modern Middle Eastern thought='lgc'>:) the prominence, variability, and magnification of the willing subject


="prgrph">-="ppl">="ppl">Foucault's early out="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right support for the ="nms">Iranian Revolution of 1979
="prgrph">-="ppl">Baudrillard's theoretical flirtation with Islamic terrorism
="prgrph">-="ppl">Badiou and Zizek's dazzled looks toward the Arab Spring
='lgc'>}='lgc'>='lgc'>--> they mistake fireworks for explosions, and ill-="trms">="trms">equipped for such far-off archaeological digs


="trms">internal saboteur

="trms">heritage of deconstruction='lgc'>:
="lsts lst1">•parody
="lsts lst1">•parasitism
="lsts lst1">•mimicry

="ppl">Rumi points to those madmen who would wash their wounds in blood
... we are no longer ="trms">interested in the face of the other but only the other's defacement

the destruction that cleanses
the rabidness that is a precipice

(what i am learning from Shahrzad, i wish and ='mywrk'>my work has been always about the ways of learning='lgc'>: ='strcls'>****to buy my people time to think and breathe in other directions='strcls'>****)


an eastern step='lgc'>: to make ="trms">language peripatetic (salek سالک wandering from place to place on foot ='lgc'>[why not make it to the ="trms">Wonderland's ="frds scrmbld"nttrm="Alice,Shariati">Alice='qstn'>?='lgc'>]) ='lgc'>==> (a non-regimented) textuality within a body that charges ='lgc'>='lgc'>--> ='strcls'>*uncivil incarnation='strcls'>*


="large lg3" stl="font-size:111%"> ='strcls'>*killer's freedom='strcls'>*

freedom
="prgrph">-="ppl">Heidegger='lgc'>: (massive ="trms">difference between) a self-automating freedom that one attains via a borrowed sacred (handed-over, Frankenstein) and a hard-won-freedom attained through the rending-apart of a closed ="trms">world (through the ="trms">intractable سرپيچی)
="prgrph">-="ppl">Sartre='lgc'>: a self-conscious ="trms">authorship of the ="trms">world, condemned to a certain ="trms">responsibility before the event of one's own existence ='lgc'>[='lgc'>='lgc'>--> the problem occurs when someone made it their task, duty, or entertainment to compel the other to experience such freedom='lgc'>]
="prgrph">-="ppl">Nietzsche='lgc'>: ‘freedom='lgc'> = ex="trms">="trms"nttrm="cluster,club">clusive gift of the enemy’ ='lgc'>~ ‘respect-for-life='lgc'> = euphemism for death’ ='lgc'>[life (if it has worth) is meant to be disrespected, contested, and hounded='lgc'>] ='lgc'>='lgc'>--> ‘insurgent='lgc'> = warrior’(='lgc'><='lgc'>-- the substance remains the same)


Adonis='lgc'>: “don't come closer, the wound is nearer than you / don't come closer, the wound is more beautiful than you” (='at'>@="frds scrmbld">Hoda, ="frds scrmbld"nttrm="Alice,Shariati">Ali )

="large lg4" stl="font-size:111%"> ancillary فرعى کمکى, تابع, مستخدم بومى ='lgc'>='lgc'>--> کلفت
avarice حرص


="trms">affective overreaction ='lgc'><='lgc'>~=='lgc'>-> radical coldness


='strcls'>**="trms">literal='strcls'>**
western inability to understand the turbulant reaction abroad ='lgc'>='lgc'>--> loss of the power of the ="trms">literal (='lgc'>='lgc'>--> ='strcls'>*democracy depends and works with the ="trms">literal='strcls'>*='lgc'>:)
="trms">literal has given way in the west to the ="trms">transference of image, ="trms">language, and thought to a purely re="trms">presentational or ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphoric domain (to talk about things, but not speak the event itself)
“one cannot grow ="trms"nttrm="danger,stranger">angered over a film, sculpture, treatise, or drawing (or a dance), then one also cannot experience captivation with a film, sculpture, treatise, or drawing” (="ppl">Mohaghegh)
='lgc'>[yet the ="trms">literal is sneaky in that is always decontextualizes, it vibrates and swings so conspicuously from its point of o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin='lgc'>]

="large lg5" stl="font-size:141%"> (old ="ppl">Marxist, anarchist, and post="trms">modern critique='lgc'>: ‘hyper-mediation ='lgc'>+ ="trms">technological diffusion ='lgc'>==> ob="trms">literation of the sharpness of the senses in ="trms">modernity’) ='lgc'>=/= loss of the radioactive potential of the ="trms">world of appearances ='lgc'>='lgc'>--> ='strcls'>*rabbit chaser='strcls'>* ='lgc'>[a mask that i am invested in,='lgc'>] a middle eastern existential cost at stake ='lgc'>: the myriad and t="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riggers that alone make possible the descent into ="frds scrmbld"nttrm="Alice,Shariati">Alice's ="trms">Wonderland='lgc'>--the ="trms">child chases the the white rabbit(='lgc'>~a partial flashing image) without real thought to its enigmatic reasons or destinations (“why and where is he going='qstn'>?”) ="frds scrmbld"nttrm="Alice,Shariati">Alice (like ="frds scrmbld">Janina) is only ="trms">consumed by his color, speed, movement, and nervous incantation افسون of lateness='strcls'>*** (='lgc'>='lgc'>--> ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorology of “depth” in east)

="trms">code of urgency='lgc'>: “mean what you say and say what you mean”

a (monumental problem or) discord in the West between='lgc'>: saying (or showing in terms of images) and meaning () ='lgc'>}='lgc'>='lgc'>--> problem for the propensity of acting, running, hungering, wanting, and living itself ='lgc'>--this-is-why='lgc'>='lgc'>--> most groundbreaking ideational products in the West often fail to penetrate enough to ex="trms">cite or instigate (the avant-garde can not longer shock ='lgc'>[='lgc'>='lgc'>--> bankruptcy of the contemporary artists in europe='lgc'>]) ='lgc'>=/= in the East='lgc'>: 1400 year mythologies can still provoke hysteria and radical fever ='lgc'>}='lgc'><='lgc'>-- a scary ="trms">difference='strcls'>***!!
='strcls'>*the visual, the auditory, the spiritual, the philosophical are still fulminating currencies of animation in the context (in the East ='lgc'>='lgc'>--> ='thdf'>that is why most art theory and conceptions don't apply to everywhere at the same time. values of European contemporary art s="trms">cene don't fully dig ='thdf'>the notion of art in middle east)


="ppl">Mohaghegh asking='lgc'>: how can the sentence, picture, musical note, ="trms">poetic, stanza, ideological or theological concoction, genrate so much energy in certain atmospheres, unleashing irregular storms while reviving millennia-old ones='qstn'>? ='lgc'>[='lgc'>='lgc'>--> ="ppl">="ppl">Stewart's ="trms">affect theory and atmosphe[...]