[...]e senses together . . . His whole case is most indefensible; it is narrow, ungrateful to the ="trms">past, blind to d="trms"nttrm="danger,stranger">anger, deaf to warnings, a small living eddy in a dead sea of night and forgetfulness. And yet this condition, un="trms">historical and anti="trms">historical throughout, is the cradle not only of unjust action, but of every just and justifiable action in the ="trms">world.” ='lgc'>='lgc'>--> sounds like one of my masks “the sleep-walker”

in Hedayat
nihi="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic absurdist approach to both ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics and ="trms">society
distancing himself from the ="trms">symbolics of divine ="trms">authority
forsaking empty promises of ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysical longing
consciousness rushes to disguise and camouflage its own lack of purpose
حاجی آقا Haji Agha='lgc'>: “my existence is useless ='lgc'>[...='lgc'>] hence the greatest and most noble ="trms">poem in my life will mark the destruction of you and your kind”
='lgc'>='lgc'>--> streamsof betrayal, defilement, se="trms">="trms"nttrm="cluster,club">clusion, degradation, anonymous deaths
(subversively, through a series of ="trms">hallucinogenic con="trms">traptions) crash the unchained terrain of neo-fantasia into the claustrophobic region of socalled reality

این همه سودا است to return with fascinated sockets to the ="trms">world-as-illusion
chaos in حکایت باخه و دو بط in Kelile Demne ='lgc'>='lgc'>--> ="trms">history='lgc'>: the myriad series of spectral constructs by which subjectivity comes to be constituted as an ordered entity

="large lg2" stl="font-size:112%"> chaotic desire ='lgc'>='lgc'>--> a temporary pact with radical aloneness ='lgc'>='lgc'>--> ="frds scrmbld">Hoda
='lgc'>=/= homogenizing abstraction of “human”
(="frds scrmbld">Foad, ="frds scrmbld">Hoda, ="ppl">Sartre's) exilic dis="trms">position, always alone, always apart

tranjective frenzy
to come down from the mountain and infest the back-alleys ='lgc'>='lgc'>--> wtf!

deterritorialization one's owb footprints ='lgc'>='lgc'>--> identitatian ="trms">technologies

='at'>@="frds scrmbld">Shervin com="trms">mission the wanderer='lgc'>: a nameless eyeless character sitting on the outskirts of a wasteland in conversation with his own shadow ='lgc'>='lgc'>--> (beyond time and space) as a ="trms">gesture toward discarded ="trms">worlds without clocks or maps ='lgc'>='lgc'>--> ='strcls'>*the will to aimlessness='strcls'>*
(Hedayat in The Blind Owl) “I had no idea in what direction I was going ='lgc'>[...='lgc'>] I did not care whether or not I ever arrived at any palce”

Mikhail ="ppl">Bakhtin ='lgc'>='lgc'>--> art for ="nms">iranian artists='lgc'> = (carnivalesque) a site that grants the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to understand, the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to confuse, to tease, to hyperbolize life; the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to parody others while talking; ='strcls'>*the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to not be taken ="trms">literally='strcls'>*, not ‘to be oneself’ ='lgc'>[...='lgc'>] the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to rip off masks, the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to rage at others with a primeval (almost cultic) rage='lgc'>--and finally, the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to betray to the public a personal life, down to its most private and prurient little secrets

="ppl">Baudrillard='lgc'>: the real is no longer possible ='lgc'>==> illusion is no longer possible ='lgc'>==>='lgc'>{impossibility of rediscovering an absolute level='lgc'> = impossibility of ="trms">staging illusion='lgc'>}='lgc'>='lgc'>--> hollows the inability of existence to escape its own ="trms">fictive com="trms">position (='lgc'>=/= ="trms">epistemologies of repair, ="trms"nttrm="already,spread">reading, weaving, etc.)

(Hedayat's) ="trms">techniques of stealing from the ="trms"nttrm="already,spread">reader the most basic hermeneutic device of distinguishing between ="trms">imaginary and the actual ='lgc'>='lgc'>--> ="frds scrmbld">Hoda, ="frds scrmbld"nttrm="Alice,Shariati">Ali

='strcls'>***annihilation='lgc'>: ="trms">ontological death ='lgc'>==> death of ="trms">ontology='strcls'>***

زنده به گور buried alive, an unmediated experiential sensitivity to the randomness of existence

='strcls'>***chaotic ="trms">imaginary ='lgc'>=/= tyranny of ="trms">historicity='strcls'>***
='lgc'>='lgc'>--> a="trms">historical figure, having ="trms">traversed the borders of ="trms">language, humanity, time, space, and reality ='lgc'>='lgc'>--> ="frds scrmbld">Foad's ="trms">poem (='lgc'>='lgc'>--> ="trms">world as endless becoming or nightmaze) ='lgc'>=/= ="trms">historicized existential experience (folloing only two distinct path, of subject and object)

='strcls'>*philosophy='lgc'> = learnign how to kill='strcls'>* (='lgc'>=/= Socratic-="ppl">Platonic versoin of “philosophy='lgc'> = learning how to die”)

Hedayat straying beyond signification, mortality, and ="trms">ontological or ="trms">phenomenological framing ='lgc'>=/= ='mywrk'>my work with ="nms">ajayeb

(='lgc'>[why='qstn'>?='lgc'>] many artists do that) ='strcls'>***to make oneself unrecognizable='strcls'>***

consciousness='lgc'>: only a host of many someones

="ppl">Nietzsche's transvaluation of ="trms">historical limitations ='lgc'>='lgc'>--> experience would no longer find itself en="trms">trapped by apparitions of objectivity and cohesion and could theretofore invite chance, risk, and endless experimentation
will to power ='lgc'>='lgc'>--> a premediated calculable claim to mastery

="ppl">Nietzsche='lgc'>: art as an active competitive exchange ='lgc'>=/= ="ppl">Schopenhauer's mystical retreat='lgc'>: art to ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure aside from the great road of suffering of humanity those who are wretched, exhausted, and sick, and to offer them a brief lustful moment='lgc'>--a little intoxication and madness (='lgc'>='lgc'>--> a view that many artists today hold)

="ppl">Nietzsche ='lgc'>+ Hedayat ='lgc'>+ Aslani ='lgc'>+ ="frds scrmbld">Hoda's immediate acknowl="trms"nttrm="knowledge,Knowledge">edgement of the ="trms">world-as-unreal ='lgc'>=/= obstacle of ="trms">historicity ='lgc'>=/= ="frds">Sina='lgc'>: I am following a very ="trms">different critique of ="trms">historicity in ="nms">ajayeb
بادیه نشین فلسفی ="ppl">Nietzsche ='lgc'>+ Hedayat (elicit repercussions for) subordination of ="trms">history to a kind of ="trms">literary-philosophical piracy or bedouinism ='lgc'>=/= ="trms">citadel (of geography, civilization, culture)='lgc'>='lgc'>--> many fabricatoins of art happens in ="trms">citadels in Europe


="frds scrmbld">Pierre has always been busy with the ="trms">question of synthesis


entitlement='lgc'>: way of intrusion in homogenous axes of existence


xxxxx 164

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xxxxx 213

most of ="ppl">Mohaghegh's attacks are ="trms">rhetorical

the (sacred='qstn'>?) boundaries of mysticism
(the boundaries of cities became mystic/sacred)

mystical channels

="trms">presenting ="trms">worlds immersed in a kind of constructed a ="trms">priori (arising from an a="trms">morphous collection of sound and image. ='at'>@="frds scrmbld">Hoda)

="ppl">Mohaghegh working to isolate the rare ="trms">technical and conceptual arsenal behind an ethnographically immagined space

initiatives toward the horizons of a mystical inquest

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sect's threat

breakaway modality of a sectarian consciousness

hermeneutic arsenals

organic theoretical ="trms">apparatuses

(its own) effective radars and tactics of attunement, detection, and ="trms">narration

Adonis, Samih al-Qasim, Ghada Samman, Nazim Hikmat, Ahmad ="ppl">Shamlu, Farrokhzad ='lgc'>='lgc'>--> all tempted to (antihumanist) convert the text into a closed circle

forbidden power
moral ambiguity
collective destiny
will to extremity


="large lg3" stl="font-size:112%">
shadow nears and targets
itself presumed source of all tension and unhappiness
while also sp="trms"nttrm="already,spread">reading its influence over others
many are susceptible to its whisperings
thus he develops a perpetual alertness to its approach
schemes are everywhere
it seeks
to slip into (the sectarian's own) camp under disguise
penetrating the inner circles in dissimulated form and thus unspotted
no mediation
revenge in closeness
and even more than this,
shadow will attempt to escape accusation if possible
the ="trms">spectacle



="large lg4" stl="font-size:111%"> enemy's overhanging ="trms">presence
='lgc'>='lgc'>--> continual motion
='lgc'>='lgc'>--> time is restless



tower, bastion, ="trms">citadel, stronghold
operational apparitional center
phantasmatic points of references
a spiritual geoscape of concentration
it must appear formidable, immutable, and impenetrable
as a tangible headquarters encased amid far-flung mountains.
it drifts mainly as a figment in the nomadic mind
of the one who lives most of the nights as a marauder in enemy camps
roaming through its courtyards
speaking with the tower's white and black keepers
before receiving the next command
with it the facticity of another harsh assignment.
from tower's security standpoint
the ="trms">world looks ripe for the taking.
the fortress holds, and with it, the dream of the fortress.


="large lg5" stl="font-size:141%">
the earth
closing on us
a deteriorating prism
tightness, en="trms">trapment
this cylinder
to a ="trms">mutual ob="trms">literation
all inhabitants are squeezed together



to make another planet
another dream of the enemy='lgc'>:
="lstsrd">1. ex="trms">traplanetary construction
="lstsrd">2. confinement of the unwanted
="lstsrd">3. momentary infiltration of the lair
="lstsrd">4. ="trms">consumption of the planet
|
conceptual twists='lgc'>: (quadrangulation='lgc'>:)
='lgc'>[four desires - four attributes - four cor="trms">responding identify-formation='lgc'>]
="lstsrd">1. the most accountable ='lgc'>='lgc'>--> creation ='lgc'>~~> ='strcls'>*labor='strcls'>* (to build it) ='lgc'>='lgc'>--> carpenter خلق
="lstsrd">2. the most disconnected ='lgc'>='lgc'>--> banishment ='lgc'>~~> ='strcls'>*r="trms">enunciation='strcls'>* (to disown it) ='lgc'>='lgc'>--> judge خلع
="lstsrd">3. the most invested ='lgc'>='lgc'>--> possession ='lgc'>~~> ='strcls'>*s[...]