[...]redefines/fuses the exercise of power and knowl="trms"nttrm="knowledge,Knowledge">edge and for which the enlightenment, capitalism, colonialism, ="trms">technology, humanism, ideology, simulation, and the domination of ="trms">instrumental reason become the main pillars of subjectivity

="ppl">Mohaghegh offers a ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list of secondary ="trms">literature that forms the relevant archive from which his manuscript borrows, and ='strcls'>**marks its axis of engagement with preexisting ="trms">interventions='strcls'>**
='at'>#bibliography


="ppl">Nietzsche's conception of chaos
“="trms">nature and mask determine ="trms">phenomenal being, the ="trms">phenomenon in its being, as chaos”
(="ppl">Deleuze ="trms">interprets ="ppl">Nietzsche's chaos as='lgc'>:) a philosophical overture toward “the pure unformed”
='lgc'>='lgc'>--> the subject is this free, anonymous, and nomadic singularity which ="trms">traverses men as well as plants and ="trms">animals independently of the ="trms">matter of their individuation and the forms of their personality ='lgc'>[='lgc'>='lgc'>='lgc'>~='lgc'>~> ='at'>#="trms">write a short ="trms">story for ="nms">hayula='lgc'>]

='strcls'>*Eastern insurgent's participation in the chaotic event='strcls'>* ='lgc'>='lgc'>--> there is no ="trms">natural or pure ='lgc'>='lgc'>==> (a more) apocalyptic ="trms">response ='lgc'>='lgc'>==> to became available
='lgc'>[='lgc'>='lgc'>--> to deal with sense as a predicate مسند or a property دارايى ='lgc'>=/=='qstn'>? to deal with sense as an event='lgc'>]

="large lg2" stl="font-size:110%">
="trms">community
(on Eastern post="trms">modern gathering)
(alternative ="trms">categories that express the potential for “="trms">relationality”='lgc'>: assemblage, alignment, circle, swarm, etc. that are based on multiple vantages of ="trms">intersection and divergence ='lgc'>=/=) ='strcls'>*="trms">community='strcls'>*='lgc'>:
="lsts lst1">•tends to evoke an essentia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list claim
="lsts lst1">•there is typically some centralized discourse of unity, some absolute principle that binds everyone
="lsts lst1">•functions as self-enclosed and ex="trms">="trms"nttrm="cluster,club">clusionary ="trms">phenomenon
="lsts lst1">•breeds insularity and protectionism
='lgc'>=/= vulnerable, permeable, susceptible to transformation
='lgc'>=/= riot crowd (open fever and pulsation always searching out new ="trms">formulations, ='strcls'>*new exteriorities='strcls'>* to ="trms">traverse ='lgc'>='lgc'>==> remains restless, agitated, insatiate)
="lsts lst1">•="trms">community eventually ofers abstract re="trms">presentation of their lived experience (='strcls'>**becoming ="trms">symbolic='strcls'>**) ='lgc'>=/= riot crowd remains ="trms">material, ="trms">visceral, a carnavalesque sensation, and therefore formless ='lgc'>[='lgc'>='lgc'>--> ="frds scrmbld">Elen's ="trms">response to ="nms">apass offered “="trms">community"='lgc'>]
(with the intention of it lasting, ='strcls'>*nothing deserves to stay “as is”='strcls'>* ='lgc'>[='qstn'>?!='lgc'>])
='strcls'>*stale ="trms"nttrm="search">archetypes of the collective knowing subject (“they”)='strcls'>*

problem with ‘periphery’
='strcls'>***deadly and deathly delusion that there is a “within”='strcls'>***
="prgrph">-the periphery in its own removed site it circumscribes a sacred boundary
='lgc'>='lgc'>--> exilic consciousness
="prgrph">-="trms">interior sense of belonging='lgc'>: remaining an outsider event ='lgc'>='lgc'>--> using treachery for the sake of vitality ='lgc'>[='lgc'>='lgc'>='lgc'>~='lgc'>~>='qstn'>? ="frds scrmbld">Elen's ='strcls'>*playful betrayal='strcls'>* (in ="nms">apass environment) to emerge (and inflect) herself at will='lgc'>]

what makes the exile (='lgc'>=/= the knowing subject) more fascinating is that ='strcls'>*it does not need to exist='strcls'>* (='lgc'>='lgc'>--> the ‘need to exist’ lies at the root of the knowing subject's violence)
the ="trms">community is desperate to exist ='lgc'>==degenerates='lgc'>='lgc'>==> into totalitarian declaration of its ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights; obsessed with constructing mythologies of ="trms">presence (and being re="trms">presented)
='lgc'>=/= the exile (the ="trms">animal, the ="trms">child, the shadow, the ="trms">monster, the machine, the thing, the contagion) carries none of the ="trms">anxiety of ="trms">ontological authenticity. they come and go, as impersonal, nameless, ="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">morphosing creatures, never too long in the same place, always with some ='strcls'>*new game='strcls'>* or ='strcls'>*secret to pursue='strcls'>*

="trms">communities ='lgc'>='lgc'>--> distinctly humanist ='lgc'>: importing a kind of micro-universality ='lgc'>='lgc'>--> ladem with oppressive sug="trms">gestions of an inborn ethical ="trms">obligation (o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginally from the enlightenment) ='lgc'>==became='lgc'>='lgc'>==> source of judgment ='lgc'>='lgc'>==> taxonomies of power ='lgc'>='lgc'>==> disenchantment, alienation, genocidal playback

="ppl">Mohaghegh sug="trms">gests the always ="trms">social logic of ="trms">community formation is toxic, “the death sentence to its mutability and actual freedom” ='lgc'>='lgc'>--> to avoid the “="trms">trappings of a ="trms">social framework, with its false ="trms">codifications of ethical ="trms">responsibility, and seek more elusive pathways of dialogue and juncture” (='lgc'>='lgc'>--> i am not sure about it, this could be also problematic)

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

='lgc'>[title='lgc'>]
='strcls'>**chaotic topology of ="trms">imagination='strcls'>**

="frds scrmbld"nttrm="Alice,Shariati">Ali's constant antagonism (in his work and in his speech acts)

="ppl">Mohaghegh's use of “third-="trms">world ="trms">authors”
they ="trms">write the unnamable ='lgc'>--&='lgc'>='lgc'>--> execute a vast becoming (of devastating scale and proportion)

to place these ="trms">authors in immediate exchange with “western” thought ='lgc'>='lgc'>--> to allow for a toxic, فرسایشی abrasive confrontation that reveals the outstanding distance from such conventions of knowing ='lgc'>[='lgc'>='lgc'>--> ='mywrk'>my work is about this, to visist (visit ='lgc'>+ resist) these sites of critical encounter and embed them in my performative acts ='lgc'>='lgc'>==> to provide/produce a condition in which a non-antagonistic critical encounter between the “Western” order of knowing and the chaotic textualities of “Middle East” is possible='lgc'>]


="trms">epistemic warfare (='lgc'>='lgc'>~/= my ="nms">ajayeb)


masks of an impersonal nightwalker consciousness

="large lg10" stl="font-size:131%"> madness
="trms">hallucination
amnesia

becoming a faceless engraver

their explicit conceptual elements='lgc'>:
="lsts lst1">•burial ='lgc'>='lgc'>--> blindness
="lsts lst1">•annihilation ='lgc'>='lgc'>--> contagion
="lsts lst1">•shadow ='lgc'>='lgc'>--> inhuman
="lsts lst1">•desertion ='lgc'>='lgc'>--> deception
='lgc'>}='lgc'>='lgc'>--> chaotic experience


(="trms">according to ="ppl">Mohaghegh) this chaotic middle eastern elsewhere is not yet openly acknowl="trms"nttrm="knowledge,Knowledge">edged by ="trms">literature
="prgrph">-borderline illegible ="trms">narratives
="prgrph">-emergent textualities

(my allegiance is with ="ppl">Mohaghegh's allegiance with) badlands of postcolonial site and its rogue arsenals ='lgc'>[...='lgc'>] ='lgc'>==allows='lgc'>='lgc'>==> a fugitive, errant ="trms">trajectory

(i have been tracing the locatable mimicries of middle east)


='strcls'>***chaotic textuality ='lgc'><='lgc'>='lgc'>--> ='lgc'><='lgc'>='lgc'>==> conflict='strcls'>***

actualization of a ='strcls'>*will to cruelty='strcls'>*

to performance a fatal experience of the text


(="trms">literature as ="trms">question ='lgc'>=/=) ="trms">literature as moral transaction ='lgc'>[='lgc'><='lgc'>-- chaos reminds us='lgc'>] ='lgc'>='lgc'>--> ="frds scrmbld"nttrm="Alice,Shariati">Ali, ="frds scrmbld">Shabnam, ="frds scrmbld">Hoda, ='lgc'>--="frds">Sina='lgc'>='lgc'>--> let's enjoy the pleasure of watching the text die='strcls'>* (_to rid ="trms">literature of its survival instinct)

="trms">literature as a space of unbearable vulnerability ='lgc'>='lgc'>--> perpetual sabotage ='lgc'>='lgc'>--> each idea, each ="trms">interpretation draws the text closer to (the hour of a) collapse

="large lg1" stl="font-size:142%"> ='strcls'>*contact with nothingness='strcls'>*

inscription of fatality

conceptual matrix of fatality='lgc'>:
="lsts lst1">•extremity ='lgc'>='lgc'>--> breaking points
="lsts lst1">•="trms">excess ='lgc'>='lgc'>--> an effusion, an unforming
="lsts lst1">•exhaustion (='lgc'>=/= fatigue)
the avatar of ecstasy
="trms">veiled secrecy of affirmation
='lgc'>}='lgc'>='lgc'>--> ='strcls'>*="trms"nttrm="search">archetype of cruelty='strcls'>*

='lgc'>='lgc'>--> ='lgc'>[to speak of='lgc'>] (chaotic text as) ='strcls'>*alchemy='strcls'>*='lgc'>: corrupt the order of things, become reborn in a polluted sensibility
(is this what i do='qstn'>?)

chaotic text must ="trms">fashion a generative prism, un="trms">natural admixtures, ='strcls'>*contaminated alliances='strcls'>*

='lgc'>[let's='lgc'>] ='strcls'>*unload texts toward corrosive depths ='lgc'>[...='lgc'>] where they run their acids across one another='strcls'>* ='lgc'>='lgc'>--> ='mywrk'>my work

="trms">transition from theory ='lgc'>--to='lgc'>='lgc'>--> theft
="trms">transition from (the profession of the) ="trms"nttrm="already,spread">reader ='lgc'>--to='lgc'>='lgc'>--> smuggler

(strands of thought ranging='lgc'>:)
from cruelty ='lgc'>--to='lgc'>='lgc'>--> fatality
from alchemy ='lgc'>--to='lgc'>='lgc'>--> piracy

chaos ='lgc'>='lgc'>--> anarchic potential, disquieting ="trms">worlds

(="ppl">Mohaghegh asking='lgc'>:)
='strcls'>*is chaos an affirmative or nihi="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic experience of the ="trms">world='qstn'>?
='strcls'>*is chaos primarily creative or destructive='qstn'>?
='strcls'>*is the expressive act (="trms">aesthetic or philosophical) a chaotic state='qstn'>?


='strcls'>*(east's) horizon fastened to the exteriority of Western thought='strcls'>*

experiential elsewhere

the so-called ='lgc'>[='strcls'>*='lgc'>]cultural ="trms">difference='lgc'>: an old game of declaring the ="trms">world's disjointment
='lgc'>='lgc'>==> many people (in="trms"nttrm="cluster,club">cluding myself) ='strcls'>***to perceive their intellectual and ="trms">poetic exercises as in partial alignment with the creative possibilities of their culture='strcls'>***
='strcls'>*partial cultural alignment='strcls'>* ='lgc'>='lgc'>--> german discourse on ="trms">integration


='lgc'>[chaos='lgc'>] manifesting and fading within countless spheres of speculation='lgc'>:
="lsts lst1">•="ppl">Benjamin's temporal arabesque
="lsts lst1">•="trms">schizoid desire-production of ="ppl">Deleuzian nomadology
="lsts lst1">•="ppl">Artaud's hysterical ="trms">demand (-="trms">demand is always hysteric)
="lsts lst1">•="trms">fable of “chaos outside the ="trms">system” (Schlegel's concept)
="lsts lst1">•active ="trms">presence of an inhuman turn in Camus
="lsts lst1">•="ppl">Serres's ‘genesis’ a quasi-mystical force of an im="trms">memorial ="trms">nature
="lsts lst1">•="ppl">Mohaghegh's ‘chaotic’ marks (no resurrection of a primitive ="trms">world but rather) an extravagant departure from the ="trms">history of being, an expressive wire being shaped as we speak

='lgc'>[='strcls'>*topologies of ="trms">imagination / mode of consciousness / their ="trms">specific ="trms">poetic-philosophical mind:='lgc'>]
Europe/West ='lgc'>='lgc'>--> possessive (when it is colonia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list)
Europe/West ='lgc'>='lgc'>--> ="trms">schizophrenic
Sout East ='lgc'>='lgc'>--> nomadic
Middle East ='lgc'>='lgc'>--> chaotic


='strcls'>*chaotic ="trms">writing='strcls'>*
(artistic research ="trms">writing as it is practiced in ="nms">apass ='lgc'>[='lgc'>='lgc'>--> ='strcls'>*closure of a whole ="trms">system='strcls'>*='lgc'>] ='lgc'>=/=) a ='strcls'>*="trms">writing-toward-chaos='strcls'>* (='lgc'>='lgc'>--> ="frds scrmbld">Hoda ='lgc'>=/= closure ='lgc'>~='qstn'>? catharsis تزکیه غیر روحانی)
the protocols of understanding are challenged and not left standing
no dynamics of meaning-formation solidified
no acculturation (='lgc'>~ ="trms">integration) of the ="trms"nttrm="already,spread">reader is embarked upon
no (de)="trms">codification successful
all ="trms">techniques of truth-telling must fail
='lgc'>='lgc'>--> refusing the closure (of a whole ='lgc'>[subject/person='lgc'>])
its own raw self-refracting (textual event) ='lgc'>='lgc'>--> ='strcls'>*forever refracting itself='strcls'>* (='lgc'>='lgc'>--> is refractive ="trms">writing/thinking really useful for ="nms">iranians today='qstn'>?)
="prgrph">-transparently nebulous vision of darkened vantages

='lgc'>[Reza, ="frds scrmbld">Setareh, ="frds scrmbld">Ehsan, ="frds scrmbld">Foad, ="frds scrmbld">Hoda's conceptual register and incorporating themes:='lgc'>]
annihilation, rage, ecstasy, madness, deception, apocalypse, desertion, contagion, eternity, the shadow

imperative to restlessness

="trms">writing-act as inherently antagonistic


borders of subjectivity='lgc'>:
="lsts lst1">•dominant ideologies of ="trms">history
="lsts lst1">•conspiracies of identity


="frds scrmbld">Foad's ="trms">poem “farar”
textual experience as a prism of subversion, innovation, and becoming
="lsts lst1">•hardened instinct for ruin kharabat خرابات
="lsts lst1">•fusion of='lgc'>:
="lsts lst2">◦appearance ='and'>& disappearance
="lsts lst2">◦tragedy ='and'>& delirium
="lsts lst2">◦creation ='and'>& destruction
="lsts lst1">•(unsteady condition of the ="trms">writing-act ='lgc'>[unpacks itself without o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin='lgc'>] where) ='strcls'>*nothingness ='and'>& ="trms">excess='strcls'>* tangle
b="trms"nttrm="failure,blur,plur,lurk,tallur,slur">luring of possibility and impossibility
to ="trms">compose an ="trms">affective universe without recourse to the myth of o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin (='strcls'>*='qstn'>?) ='lgc'>='lgc'>~= to express a singular voice without access to a name

his ="trms">literary-="trms">poetic mosaics
tracking the chaotic ="trms">imaginary

(subjectivity's) disas="trms">sociation from the ="trms">world ='lgc'>='lgc'>--> Hedayat's The Blind Owl (='lgc'><='lgc'>-- an overreactive consciousness='qstn'>?)
='strcls'>*one that owes nothing to what came before='strcls'>*
a consciousness once held ho="trms">stage

='strcls'>*carving inward and then assuming a combatitive stance='strcls'>*


ever quickening its velocity, only then to exhaust its force and vanish as if exorcised into breathlessness (='lgc'>='lgc'>--> what is this body='qstn'>?) ='lgc'>='lgc'>-->='lgc'>{ persistent injury ='lgc'>='lgc'>--> chronic wearing-down ='lgc'>='lgc'>==> subjectivity is overcome ='lgc'>: ='strcls'>*acceptance of cruelty='strcls'>* (='lgc'>=/= death wish) ='lgc'>: raising the stakes of existential experience by transmitting the ="trms">authorial self beyond its own limits and toward its chaotic possibility (='lgc'>=/= death wish)


annihilation epitomized as instance of vicious ="trms">travel='strcls'>*** ='lgc'>='lgc'>--> ='qstn'>?!

thought-scarring ="trms">affect


(radical modification of consciousness='lgc'>:)
="lsts lst1">•Kierkegaard='lgc'>: “I die death itself”
="lsts lst1">•="ppl">Bataille='lgc'>: “he who does not ‘die’ from being merely a man will never be other than a man” ='lgc'>='lgc'>='lgc'>~='lgc'>~='lgc'>='lgc'>--> ="ppl">Rumi's bemirid بمیرید بمیرید
="lsts lst1">•="ppl">Nietzschean call for an experience of the end='lgc'>: “from ="trms">love of life, one should desire a ="trms">different death='lgc'>: free, conscious, without accident, without ambush”
="lsts lst1">•Cioran's futurity that would “let all form become formless, and chaos shwallow the structure of the ="trms">world in a gigantic maelstrom, that would be tremendous commotion and noise, terror, and explosion, and then let be eternal silence and total forgetfulness”
="lsts lst1">•="ppl">Deleuze and ="ppl">Guattari's meditation on life overrun by “desiring machines for whom the self and the non-self, outside and inside, no longer have any meaning whatsoever”
="lsts lst1">•="ppl">Benjamin's “destructive character” clearing away


an annihilative ="trms">technique

="trms">writing-act and the ='strcls'>*conceptual terrain of fatality='strcls'>*

an ecstatic mode
bringing consciousness to sleep


='strcls'>***rage='lgc'> = ="trms">excess ='lgc'>+ shadow (='lgc'>~ blackout) ='lgc'>}='lgc'>--to='lgc'>='lgc'>--> formlessness ='lgc'>[example='lgc'>: Hedayat='lgc'>: ="trms">author's misshapen ="trms">hallucination, beggin for an end to subjectivity and existence to “surrender myself to the sleep of oblivion"='lgc'>]
='strcls'>*individous potentials='strcls'>* of the rage (='lgc'><='lgc'>-- ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure of the rage)
="prgrph">-(="frds scrmbld">Sana's) ="trms"nttrm="danger,stranger">angered dis="trms">position
(as a) performativity of ignition and collapse

='strcls'>**rage/="trms"nttrm="danger,stranger">anger is always (sees itself as) innocent='strcls'>**
rage proceeds as a state of innocence, a forward moving clearance, to become an ="trms">agent of sheer delivery, to commit at will
innocence tries to re="trms">member ='lgc'>~ that which “re="trms">members” has become foremost innocent. wants its ="trms">members/phallus back
='lgc'>[rage components='lgc'>: innocence, forgetting, coldness='lgc'>]
='lgc'>='lgc'>--> impact without imprint (='lgc'>--we must always have an imprint of our impacts)

the text becomes existence itself (='lgc'>='lgc'>--> the ="trms">monsterous consciousness of Hedayat's ="trms">narrator in The Blind Owl)
every object, event, or image, is synthesized back into the empire of the ="trms">narrator's own account='strcls'>***** ='lgc'>[='lgc'>=/= ='mywrk'>my work, my ="trms">storytelling='lgc'>]

...fastened itself to...

(...currents of)
chaos='strcls'>**='lgc'>='lgc'>~='lgc'>~
annihilation='strcls'>**='lgc'>='lgc'>~='lgc'>~
rage='strcls'>**='lgc'>='lgc'>~='lgc'>~

='strcls'>*shadow='strcls'>*
='lgc'>='lgc'>--> ='strcls'>**to elicit the trans="trms">figuration toward an emergent ="trms">literature of the inhuman='strcls'>**
="lsts lst1">•Hedayat's shadow
="lsts lst1">•="ppl">Nietzsche use of the shadow as a guarantor of the overman='lgc'>: “how his shadow stands even now behind everyone” , “now light, now shadow of that which must come” , “i will complete it='lgc'>: for a shadow came to me='lgc'>--the most silent, the lightest of all things came to me! the beauty of the superman came to me as a shadow='lgc'>: what are the gods to me now”

tilted destiny

beyond the need for being


chaos experienced as a ='strcls'>*deception='strcls'>*
="frds scrmbld"nttrm="Alice,Shariati">Ali motioning to chaotic discord, his ="trms">rhetoric of video editing='lgc'>: phantasmatic lawlessness ='lgc'>='lgc'>--> surrender the text to a certain sorcery(!), schemes of a textual unreality
='lgc'>=/= restrictive ="trms">epistemologies of truth
='lgc'>=/= ="trms">technologies of regulation
convulsive discontinuity (='lgc'>=/= ="trms">systematicity)
carries the will to execute fantasia
(yet transpiring ="trms">morphologies that carve in) ="trms">authoritarian injunctions of being-in-the-="trms">world ='lgc'>[='lgc'>=/= experimentation='lgc'>]
='lgc'>='lgc'>--> (="frds scrmbld"nttrm="Alice,Shariati">Ali's mirage='lgc'>:) suffocated prism of reality ='lgc'>='lgc'>--> rebellion becomes instinctive
="prgrph">-="trms">narrating graphic instances of ="trms">sociopolitical violence ='lgc'>--view='lgc'>='lgc'>--> ="trms">modernity as a state of permanent collapse

(for ="frds scrmbld"nttrm="Alice,Shariati">Ali ='lgc'>:) ="trms">literature/art='lgc'> = espionage عمل خرابکارانه در مواضع دشمن (='lgc'>=/= bribery)
(in order to say no to being) “passive witness to an overconstructed ="trms">world” ='lgc'>=/=
="lsts lst1">•Beckett='lgc'>: absurdism (with minima="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list penteration)
="lsts lst1">•="ppl">Nietzsche='lgc'>: intoxication (Dionysian assault against surface/depth binary)
="lsts lst1">•="ppl">Adorno='lgc'>: fantasy (is the real act of knowl="trms"nttrm="knowledge,Knowledge">edge)

='lgc'>[='strcls'>*='lgc'>]text='lgc'>:
="lsts lst1">•="trms">mimetic trans="trms">position of the ideal
="lsts lst1">•reflexive treatment of the ="trms">world


the invention of transparent='strcls'>**
='lgc'>[who invented transparency='qstn'>?='lgc'>]


deception ='lgc'>--='qstn'>?='lgc'>='lgc'>--> sug="trms">gestion of the ="trms">world as unreal ='lgc'>[='lgc'>='lgc'>==>='qstn'>?! ="trms">pragmatism='lgc'>]

="large lg3" stl="font-size:110%"> lucid ="trms">interchange of untruths
existential distortion

San'an ='lgc'>+ moridan (مریدان) ='lgc'>='lgc'>--> ="trms">authority of authenticity
annihilated consciousness of the disciple (morid)


(volatility of) lived dreamscapes ='lgc'><='lgc'>-- (always) ="trms">staged ="trms">imaginary

(illusions go on unarrested)

="large lg4" stl="font-size:110%"> ="frds scrmbld">Hoda's visual ="trms">techniques (in video) ='lgc'>~ her special effects (='lgc'>='lgc'>--> launches what='qstn'>?)='lgc'>:
='strcls'>*unreality of the emergent ="trms">world='strcls'>* (='lgc'>+ production of emergent illusion)
="lsts lst1">•hazing of self and ="trms">world
="lsts lst1">•curved mirroring
="lsts lst1">•shape-shifting
="lsts lst1">•aerial, apparitional,
="lsts lst1">•فرّار evasive and a="trms">morphous
="prgrph">-='lgc'>=> seamless apparition
='lgc'>='lgc'>--> ='strcls'>***eradicated ="trms">storytelling='strcls'>*** ='lgc'>+ “I” as a spectral outcast of consciousness
='strcls'>*="frds scrmbld">Hoda works on the unsaid (='lgc'>='lgc'>--> the imperceptible)
='strcls'>*="frds">Sina works on the incomprehensible (='lgc'>='lgc'>-->='qstn'>? the incidental)

="frds scrmbld">Hoda's insurgent ="trms">imagination in her cinematic ="trms">techniques (part of the intellectual-="trms">aesthetic facet of middle eastern subjectivity)='lgc'>:
="lsts lst1">•into a terrain of necessary ambiguity
="lsts lst1">•="trms">demanding an ="trms">interpretive participation of a disturbed audience
='lgc'>='lgc'>--> (="ppl">Benjaminian) “public is an examiner but an absent-minded one”

(how can ="frds scrmbld">Hoda in her medium of film create points of departure from insurgent ="trms">imagination='qstn'>? she constantly recon="trms">situtes the insurgent ="trms">imagination ='strcls'>*یاغی yaghi='strcls'>* ='lgc'>='lgc'>--> one of the most important post="trms">modern masks of ="nms">iranian contemporary art)


(="frds scrmbld">Elen='qstn'>? no longer convinced of her own entitlement to a reality principle)
the ="trms">imaginary and ="trms">symbolic functions of the penis ='lgc'>='lgc'>--> ="frds scrmbld">Elen has to study ‘phall[...]