[...]='strcls'>*contact with nothingness='strcls'>*

inscription of fatality

conceptual matrix of fatality='lgc'>:
="lsts lst1">•extremity ='lgc'>='lgc'>--> breaking points
="lsts lst1">•="trms">excess ='lgc'>='lgc'>--> an effusion, an unforming
="lsts lst1">•exhaustion (='lgc'>=/= fatigue)
the avatar of ecstasy
="trms">veiled secrecy of affirmation
='lgc'>}='lgc'>='lgc'>--> ='strcls'>*="trms"nttrm="search">archetype of cruelty='strcls'>*

='lgc'>='lgc'>--> ='lgc'>[to speak of='lgc'>] (chaotic text as) ='strcls'>*alchemy='strcls'>*='lgc'>: corrupt the order of things, become reborn in a polluted sensibility
(is this what i do='qstn'>?)

chaotic text must ="trms">fashion a generative prism, un="trms">natural admixtures, ='strcls'>*contaminated alliances='strcls'>*

='lgc'>[let's='lgc'>] ='strcls'>*unload texts toward corrosive depths ='lgc'>[...='lgc'>] where they run their acids across one another='strcls'>* ='lgc'>='lgc'>--> ='mywrk'>my work

="large lg2" stl="font-size:110%"> ="trms">transition from theory ='lgc'>--to='lgc'>='lgc'>--> theft
="trms">transition from (the profession of the) ="trms"nttrm="already,spread">reader ='lgc'>--to='lgc'>='lgc'>--> smuggler

(strands of thought ranging='lgc'>:)
from cruelty ='lgc'>--to='lgc'>='lgc'>--> fatality
from alchemy ='lgc'>--to='lgc'>='lgc'>--> piracy

chaos ='lgc'>='lgc'>--> anarchic potential, disquieting ="trms">worlds

(="ppl">Mohaghegh asking='lgc'>:)
='strcls'>*is chaos an affirmative or nihi="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic experience of the ="trms">world='qstn'>?
='strcls'>*is chaos primarily creative or destructive='qstn'>?
='strcls'>*is the expressive act (="trms">aesthetic or philosophical) a chaotic state='qstn'>?


='strcls'>*(east's) horizon fastened to the exteriority of Western thought='strcls'>*

experiential elsewhere

="large lg1" stl="font-size:126%"> the so-called ='lgc'>[='strcls'>*='lgc'>]cultural ="trms">difference='lgc'>: an old game of declaring the ="trms">world's disjointment
='lgc'>==> many people (in="trms"nttrm="cluster,club">cluding myself) ='strcls'>***to perceive their intellectual and ="trms">poetic exercises as in partial alignment with the creative possibilities of their culture='strcls'>***
='strcls'>*partial cultural alignment='strcls'>* ='lgc'>='lgc'>--> german discourse on ="trms">integration


='lgc'>[chaos='lgc'>] manifesting and fading within countless spheres of speculation='lgc'>:
="lsts lst1">•="ppl">Benjamin's temporal arabesque
="lsts lst1">•="trms">schizoid desire-production of ="ppl">Deleuzian nomadology
="lsts lst1">•="ppl">Artaud's hysterical ="trms">demand (-="trms">demand is always hysteric)
="lsts lst1">•="trms">fable of “chaos outside the ="trms">system” (Schlegel's concept)
="lsts lst1">•active ="trms">presence of an inhuman turn in Camus
="lsts lst1">•="ppl">Serres's ‘genesis’ a quasi-mystical force of an im="trms">memorial ="trms">nature
="lsts lst1">•="ppl">Mohaghegh's ‘chaotic’ marks (no resurrection of a primitive ="trms">world but rather) an extravagant departure from the ="trms">history of being, an expressive wire being shaped as we speak

='lgc'>[='strcls'>*topologies of ="trms">imagination / mode of consciousness / their ="trms">specific ="trms">poetic-philosophical mind:='lgc'>]
Europe/West ='lgc'>='lgc'>--> possessive (when it is colonia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list)
Europe/West ='lgc'>='lgc'>--> ="trms">schizophrenic
Sout East ='lgc'>='lgc'>--> nomadic
Middle East ='lgc'>='lgc'>--> chaotic


='strcls'>*chaotic ="trms">writing='strcls'>*
(artistic research ="trms">writing as it is practiced in ="nms">apass ='lgc'>[='lgc'>='lgc'>--> ='strcls'>*closure of a whole ="trms">system='strcls'>*='lgc'>] ='lgc'>=/=) a ='strcls'>*="trms">writing-toward-chaos='strcls'>* (='lgc'>='lgc'>--> ="frds scrmbld">Hoda ='lgc'>=/= closure ='lgc'>~='qstn'>? catharsis تزکیه غیر روحانی)
the protocols of understanding are challenged and not left standing
no dynamics of meaning-formation solidified
no acculturation (='lgc'>~ ="trms">integration) of the ="trms"nttrm="already,spread">reader is embarked upon
no (de)="trms">codification successful
all ="trms">techniques of truth-telling must fail
='lgc'>='lgc'>--> refusing the closure (of a whole ='lgc'>[subject/person='lgc'>])
its own raw self-refracting (textual event) ='lgc'>='lgc'>--> ='strcls'>*forever refracting itself='strcls'>* (='lgc'>='lgc'>--> is refractive ="trms">writing/thinking really useful for ="nms">iranians today='qstn'>?)
="prgrph">-transparently nebulous vision of darkened vantages

='lgc'>[Reza, ="frds scrmbld">Setareh, ="frds scrmbld">Ehsan, ="frds scrmbld">Foad, ="frds scrmbld">Hoda's conceptual register and incorporating themes:='lgc'>]
annihilation, rage, ecstasy, madness, deception, apocalypse, desertion, contagion, eternity, the shadow

imperative to restlessness

="trms">writing-act as inherently antagonistic


borders of subjectivity='lgc'>:
="lsts lst1">•dominant ideologies of ="trms">history
="lsts lst1">•conspiracies of identity


="frds scrmbld">Foad's ="trms">poem “farar”
textual experience as a prism of subversion, innovation, and becoming
="lsts lst1">•hardened instinct for ruin kharabat خرابات
="lsts lst1">•fusion of='lgc'>:
="lsts lst2">◦appearance ='and'>& disappearance
="lsts lst2">◦tragedy ='and'>& delirium
="lsts lst2">◦creation ='and'>& destruction
="lsts lst1">•(unsteady condition of the ="trms">writing-act ='lgc'>[unpacks itself without o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin='lgc'>] where) ='strcls'>*nothingness ='and'>& ="trms">excess='strcls'>* tangle
b="trms"nttrm="failure,blur,plur,lurk,tallur,slur">luring of possibility and impossibility
to ="trms">compose an ="trms">affective universe without recourse to the myth of o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin (='strcls'>*='qstn'>?) ='lgc'>='lgc'>~= to express a singular voice without access to a name

his ="trms">literary-="trms">poetic mosaics
tracking the chaotic ="trms">imaginary

(subjectivity's) disas="trms">sociation from the ="trms">world ='lgc'>='lgc'>--> Hedayat's The Blind Owl (='lgc'><='lgc'>-- an overreactive consciousness='qstn'>?)
='strcls'>*one that owes nothing to what came before='strcls'>*
a consciousness once held ho="trms">stage

='strcls'>*carving inward and then assuming a combatitive stance='strcls'>*


ever quickening its velocity, only then to exhaust its force and vanish as if exorcised into breathlessness (='lgc'>='lgc'>--> what is this body='qstn'>?) ='lgc'>='lgc'>-->='lgc'>{ persistent injury ='lgc'>='lgc'>--> chronic wearing-down ='lgc'>==> subjectivity is overcome ='lgc'>: ='strcls'>*acceptance of cruelty='strcls'>* (='lgc'>=/= death wish) ='lgc'>: raising the stakes of existential experience by transmitting the ="trms">authorial self beyond its own limits and toward its chaotic possibility (='lgc'>=/= death wish)


annihilation epitomized as instance of vicious ="trms">travel='strcls'>*** ='lgc'>='lgc'>--> ='qstn'>?!

thought-scarring ="trms">affect


(radical modification of consciousness='lgc'>:)
="lsts lst1">•Kierkegaard='lgc'>: “I die death itself”
="lsts lst1">•="ppl">Bataille='lgc'>: “he who does not ‘die’ from being merely a man will never be other than a man” ='lgc'>='lgc'>='lgc'>~='lgc'>~='lgc'>='lgc'>--> ="ppl">Rumi's bemirid بمیرید بمیرید
="lsts lst1">•="ppl">Nietzschean call for an experience of the end='lgc'>: “from ="trms">love of life, one should desire a ="trms">different death='lgc'>: free, conscious, without accident, without ambush”
="lsts lst1">•Cioran's futurity that would “let all form become formless, and chaos shwallow the structure of the ="trms">world in a gigantic maelstrom, that would be tremendous commotion and noise, terror, and explosion, and then let be eternal silence and total forgetfulness”
="lsts lst1">•="ppl">Deleuze and ="ppl">Guattari's meditation on life overrun by “desiring machines for whom the self and the non-self, outside and inside, no longer have any meaning whatsoever”
="lsts lst1">•="ppl">Benjamin's “destructive character” clearing away


an annihilative ="trms">technique

="trms">writing-act and the ='strcls'>*conceptual terrain of fatality='strcls'>*

an ecstatic mode
bringing consciousness to sleep

="large lg3" stl="font-size:111%">
='strcls'>***rage='lgc'> = ="trms">excess ='lgc'>+ shadow (='lgc'>~ blackout) ='lgc'>}='lgc'>--to='lgc'>='lgc'>--> formlessness ='lgc'>[example='lgc'>: Hedayat='lgc'>: ="trms">author's misshapen ="trms">hallucination, beggin for an end to subjectivity and existence to “surrender myself to the sleep of oblivion"='lgc'>]
='strcls'>*individous potentials='strcls'>* of the rage (='lgc'><='lgc'>-- ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure of the rage)
="prgrph">-(="frds scrmbld">Sana's) ="trms"nttrm="danger,stranger">angered dis="trms">position
(as a) performativity of ignition and collapse

='strcls'>**rage/="trms"nttrm="danger,stranger">anger is always (sees itself as) innocent='strcls'>**
rage proceeds as a state of innocence, a forward moving clearance, to become an ="trms">agent of sheer delivery, to commit at will
innocence tries to re="trms">member ='lgc'>~ that which “re="trms">members” has become foremost innocent. wants its ="trms">members/phallus back
='lgc'>[rage components='lgc'>: innocence, forgetting, coldness='lgc'>]
='lgc'>='lgc'>--> impact without imprint (='lgc'>--we must always have an imprint of our impacts)

the text becomes existence itself (='lgc'>='lgc'>--> the ="trms">monsterous consciousness of Hedayat's ="trms">narrator in The Blind Owl)
every object, event, or image, is synthesized back into the empire of the ="trms">narrator's own account='strcls'>***** ='lgc'>[='lgc'>=/= ='mywrk'>my work, my ="trms">storytelling='lgc'>]

="large lg4" stl="font-size:111%"> ...fastened itself to...

(...currents of)
chaos='strcls'>**='lgc'>='lgc'>~='lgc'>~
annihilation='strcls'>**='lgc'>='lgc'>~='lgc'>~
rage='strcls'>**='lgc'>='lgc'>~='lgc'>~

='strcls'>*shadow='strcls'>*
='lgc'>='lgc'>--> ='strcls'>**to elicit the trans="trms">figuration toward an emergent ="trms">literature of the inhuman='strcls'>**
="lsts lst1">•Hedayat's shadow
="lsts lst1">•="ppl">Nietzsche use of the shadow as a guarantor of the overman='lgc'>: “how his shadow stands even now behind everyone” , “now light, now shadow of that which must come” , “i will complete it='lgc'>: for a shadow came to me='lgc'>--the most silent, the lightest of all things came to me! the beauty of the superman came to me as a shadow='lgc'>: what are the gods to me now”

tilted destiny

beyond the need for being

="large lg5" stl="font-size:110%">
chaos experienced as a ='strcls'>*deception='strcls'>*
="frds scrmbld"nttrm="Alice,Shariati">Ali motioning to chaotic discord, his ="trms">rhetoric of video editing='lgc'>: phantasmatic lawlessness ='lgc'>='lgc'>--> surrender the text to a certain sorcery(!), schemes of a textual unreality
='lgc'>=/= restrictive ="trms">epistemologies of truth
='lgc'>=/= ="trms">technologies of regulation
convulsive discontinuity (='lgc'>=/= ="trms">systematicity)
carries the will to execute fantasia
(yet transpiring ="trms">morphologies that carve in) ="trms">authoritarian injunctions of being-in-the-="trms">world ='lgc'>[='lgc'>=/= experimentation='lgc'>]
='lgc'>='lgc'>--> (="frds scrmbld"nttrm="Alice,Shariati">Ali's mirage='lgc'>:) suffocated prism of reality ='lgc'>='lgc'>--> rebellion becomes instinctive
="prgrph">-="trms">narrating graphic instances of ="trms">sociopolitical violence ='lgc'>--view='lgc'>='lgc'>--> [...]