[...]stinctive
="prgrph">-="trms">narrating graphic instances of ="trms">sociopolitical violence ='lgc'>--view='lgc'>='lgc'>--> ="trms">modernity as a state of permanent collapse

(for ="frds scrmbld"nttrm="Alice,Shariati">Ali ='lgc'>:) ="trms">literature/art='lgc'> = espionage عمل خرابکارانه در مواضع دشمن (='lgc'>=/= bribery)
(in order to say no to being) “passive witness to an overconstructed ="trms">world” ='lgc'>=/=
="lsts lst1">•Beckett='lgc'>: absurdism (with minima="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list penteration)
="lsts lst1">•="ppl">Nietzsche='lgc'>: intoxication (Dionysian assault against surface/depth binary)
="lsts lst1">•="ppl">Adorno='lgc'>: fantasy (is the real act of knowl="trms"nttrm="knowledge,Knowledge">edge)

='lgc'>[='strcls'>*='lgc'>]text='lgc'>:
="lsts lst1">•="trms">mimetic trans="trms">position of the ideal
="lsts lst1">•reflexive treatment of the ="trms">world

="large lg2" stl="font-size:112%">
the invention of transparent='strcls'>**
='lgc'>[who invented transparency='qstn'>?='lgc'>]


deception ='lgc'>--='qstn'>?='lgc'>='lgc'>--> sug="trms">gestion of the ="trms">world as unreal ='lgc'>[='lgc'>=='lgc'>=>='qstn'>?! ="trms">pragmatism='lgc'>]

lucid ="trms">interchange of untruths
existential distortion

San'an ='lgc'>+ moridan (مریدان) ='lgc'>='lgc'>--> ="trms">authority of authenticity
annihilated consciousness of the disciple (morid)


(volatility of) lived dreamscapes ='lgc'><='lgc'>-- (always) ="trms">staged ="trms">imaginary

(illusions go on unarrested)

="frds scrmbld">Hoda's visual ="trms">techniques (in video) ='lgc'>~ her special effects (='lgc'>='lgc'>--> launches what='qstn'>?)='lgc'>:
='strcls'>*unreality of the emergent ="trms">world='strcls'>* (='lgc'>+ production of emergent illusion)
="lsts lst1">•hazing of self and ="trms">world
="lsts lst1">•curved mirroring
="lsts lst1">•shape-shifting
="lsts lst1">•aerial, apparitional,
="lsts lst1">•فرّار evasive and a="trms">morphous
="prgrph">-='lgc'>=> seamless apparition
='lgc'>='lgc'>--> ='strcls'>***eradicated ="trms">storytelling='strcls'>*** ='lgc'>+ “I” as a spectral outcast of consciousness
='strcls'>*="frds scrmbld">Hoda works on the unsaid (='lgc'>='lgc'>--> the imperceptible)
='strcls'>*="frds">Sina works on the incomprehensible (='lgc'>='lgc'>-->='qstn'>? the incidental)

="frds scrmbld">Hoda's insurgent ="trms">imagination in her cinematic ="trms">techniques (part of the intellectual-="trms">aesthetic facet of middle eastern subjectivity)='lgc'>:
="lsts lst1">•into a terrain of necessary ambiguity
="lsts lst1">•="trms">demanding an ="trms">interpretive participation of a disturbed audience
='lgc'>='lgc'>--> (="ppl">Benjaminian) “public is an examiner but an absent-minded one”

(how can ="frds scrmbld">Hoda in her medium of film create points of departure from insurgent ="trms">imagination='qstn'>? she constantly recon="trms">situtes the insurgent ="trms">imagination ='strcls'>*یاغی yaghi='strcls'>* ='lgc'>='lgc'>--> one of the most important post="trms">modern masks of ="nms">iranian contemporary art)


(="frds scrmbld">Elen='qstn'>? no longer convinced of her own entitlement to a reality principle)
the ="trms">imaginary and ="trms">symbolic functions of the penis ='lgc'>='lgc'>--> ="frds scrmbld">Elen has to study ‘phallus’
="ppl">Lacan's phallus is a (privileged) signifier of lack and sexual ="trms">difference ='lgc'>='lgc'>--> both of them are initiator for ="frds scrmbld">Elen's performance in the first week of ="nms">apass 2018
phallus anchors the chain of signification (the ="trms">imaginary, the ="trms">symbolic and the real) for her
is it about an Oedipus complex='qstn'>? in all her work she is identify with the ="trms">imaginary phallus. (her ="trms">staged “flaw” in doing so is camouflaging an Oedipus complex='qstn'>?)
='lgc'>=='lgc'>=>='qstn'>? ="frds scrmbld">Elen='lgc'>: will to possession
who possesses a penis='qstn'>? ='lgc'>='lgc'>--> masturbatory jouissance
='strcls'>*the one who possesses the phallus='lgc'> = the one desired='strcls'>* ='lgc'>[='lgc'>~ phallus='lgc'> = desire ‘of’ the other ='lgc'>=/= desiring the other='lgc'>]. phallus is the signifier of jouissance within ="frds scrmbld">Elen's performance
="frds scrmbld">Elen's retribution of the boy who ="trms">symbolically ‘have’ the phallus ='lgc'>='lgc'>--> (we are back to) castration
='strcls'>**="frds scrmbld">Elen's true woman-power lies with giving up her phallic identification. (the image of innovation in her work='lgc'>: she is still busy with ‘inovative creativity,’ inherently a phallic function). this is a hope, the ="trms">symbolic phallus ins her work (and in anyone's work) is often in the place of ='strcls'>*the lack of the signifier in the Other='strcls'>* (that can never be filled='qstn'>?)

infantile sexuality

jouissance='lgc'>: enjoyment from indirect pleasure (='thdf'>for example enjoyment of organizing pleasure)
="ppl">Lacan ='lgc'>='lgc'>--> pleasure makes us guilty ='lgc'>+ without guilt there is no pleasure


='strcls'>*chaotic topology of ="trms">imagination='strcls'>*( ='lgc'>='lgc'>--> more like a pile of sugar ='lgc'>=/= ="ppl">Freudian topology of consciousness/unconsciousness)='lgc'>='lgc'>--> erasing the boundary between ="trms">interiority and exteriority
='lgc'>='lgc'>--> (once-unitary) subject ='lgc'>=='lgc'>=> an oblique ="trms">network ='lgc'>}='lgc'>='lgc'>--> that is us, ="nms">iranians
='lgc'>='lgc'>--> ="trms">schizoid view of nomadological thought

separate ="trms">methodologies of b="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurring and fragmentation='lgc'>:
="lstsrd">1- shadow
="lstsrd">2- mirror image

Hedayat's shadow (his palpable ="trms">aesthetic-existential operation='lgc'>--in The Blind Owl) ='lgc'>[='lgc'>=/= ="ppl">Kafka's ="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">morphoses='lgc'>]='lgc'>: skeletal trans="trms">figuration of a conceivably human form into a ='strcls'>*shadow collectivity='strcls'>* ='lgc'>[='lgc'>=/= camouflage='lgc'>]


anticipation of oblivion
="frds scrmbld">Hoda, ="frds scrmbld">Foad,

(maybe ="trms">interesting for ="frds scrmbld">Hoda='lgc'>:) bitching ='lgc'>='lgc'>~= concerted ="trms">methodology of confrontation and provocation


to ="trms">write on chaos
to ="trms">write as chaos
to ="trms">write chaos='strcls'>***


='lgc'>[an ="nms">iranian topology of ="trms">imagination:='lgc'>]
subjectivity ='lgc'>='lgc'>--> deception
="trms">literature ='lgc'>='lgc'>--> rage
chaos ='lgc'>='lgc'>--> annihilation



deserter

textual encounter ='lgc'>='lgc'>--> the ="trms">method by which a chaotic ="trms">imaginary is uncovered and set loose='lgc'>:
="lstsrd">1. ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure consciousness into desertion
="lstsrd">2. perceive textual artifacts as forces of immanent contagion
="lstsrd">3. identify the text as a carrier of shadow-becoming
="lstsrd">4. text conceive the setting of inhuman

deserter (="trms">position) ='lgc'>='lgc'>--> unearthing ='lgc'>='lgc'>--> chaotic ="trms">imagination

...a fractal exteriority that alters and generates vivid, intensified hierarchies of instinct, desire, and knowing='strcls'>*



='strcls'>*exhaustion
damaged allegory of man


='strcls'>*evacuation ='lgc'>='lgc'>--> surrender to fugitive ="trms">trajectory
takes place on a="trms">morphous dust

wrenched
shadow-scapes

enterence ='lgc'><='lgc'>='lgc'>--> ejection

="lsts lst1">•misadventurism of the wanderer
="lsts lst1">•rogue thought

influx
dis="trms">integration
fever
velocity

the deserter mind is made to ="trms">synchronize the ="trms">internalization of waste and unrest and to ravage itself

spatiality of the the nowhere

intentionally sets out to become lost

vagrant='lgc'>: drifter در به در
اوباش
self that personified the dejected

self-eclipsing vagrant that becomes the outside itself



arc of necessity


the super-power of holding objects suspending in the air ='lgc'>='lgc'>--> an intruder topology where everything is held suspend...

='lgc'>{ false subjectivity='lgc'> = hiding place ='lgc'>}='lgc'><='lgc'>-- chaotic ="trms">imagination overruns it

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

="ppl">="ppl">Glissant

constrictions of the ‘forced ="trms">poetics’ of ="trms">writing (in plastic arts)

grandiose concept of the ="trms">writer (of ="trms">writing as an ordering process)

="trms">world meant as raw ="trms">material for a ="trms">book

="ppl">="ppl">Glissant's thoroughgoing exploration of models of disorder/chaos ='lgc'>='lgc'>--> (his subversive epitome of) ='strcls'>*opa="trms">cite/opacity='strcls'>* ='lgc'>='lgc'>--> realm of the intuitive and indeterminate as a corrective ="trms">response to the ="trms">systematizing pressures of assimilation and deculturation
='lgc'>=='lgc'>=> to create a more immediate, oral, corporeal ="trms">language
="prgrph">-inadequate process of attempting to note down, chronicle or relate the experience of opacity

chaos ='lgc'>+ opacity ='lgc'>+ resistance (in ="ppl">="ppl">Glissant)
primordial act of defiance lajbazi

negation='lgc'> = heroic (='lgc'>=/= pedestrian)

="ppl">="ppl">Glissant's anonymous and pedestrian form of resistance ='lgc'>='lgc'>--> knowl="trms"nttrm="knowledge,Knowledge">edge of camouflaged reality

“The one with whom the ="trms">poet is enchanted, that he names with each breath. But for whom words are inadequate.”

="large lg3" stl="font-size:112%"> ...in the unexpected expanse of global relating

“a ="trms">poetics not of the tree but of vegetation”
='lgc'>[="trms">poetics of the decentered subject='lgc'>]
epitomise (pure) revolt (='lgc'>='lgc'>--> tree grows to reveal human con="trms">figurations, fierce and solitary revolt against the plantation ="trms">system)

modest forms of resistance
fragmentation of ="trms">fiction ='lgc'>--to='lgc'>='lgc'>--> polyphonic quiltwork of ="trms">stories

='lgc'>[="trms">system of imagery='lgc'>]
(="ppl">="ppl">Glissant's) insistence on marine ="trms">symbolism
transforming, restorative power of water
harsh bitter truth of the sea ='lgc'><='lgc'>='lgc'>--> inscrutable, ambiguous ="trms">nature of the experience

="large lg4" stl="font-size:110%"> preoccupation with the need to create a ="trms">literary ="trms">language ='lgc'>='lgc'>--> ="trms">specificity of lived experience


='strcls'>*="trms">narrateur enfant='strcls'>*

="trms">narrator distorting and simplifying my experience

“burning with a silent and stubborn multitude”

="large lg5" stl="font-size:149%"> ="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

Mishra


='lgc'>[the evidence of Europe's advantages ='lgc'>='lgc'>-->='lgc'>] an expression of europe in terms of a 19th century progress, which has been be increasingly hard to refute='lgc'>:
place of West in the avan[...]