[...]on a wall's surface
-a discipline involved less with knowing than with watching



The Egyptian Book of the Dead
philosophy of night, dusk, shadow

egyptian night-deities
-with astounding narrative-theoretical flexibility
-some slither, hunch, fly, or remain seated
-not residing on Olympian heights but rather in the subterranean below
star-covered nude woman
cow arching over the earth
--> night does rule from transcendent distances but rather envelops (or swallows) whole the existent into its gut (or uterus) [<-- digestion?]
[metaphysics:] (away from) patriarchal gaze --into--> maternal stomach

Khonsu
•bloodthirsty (eating the organs of royal opponents)
•merciful --> [its creative epithets:] traveler, embracer, pathfinder, defender, “He Who Lives on Hearts”
one who resembles his own waning moon

Nephthys
tied to the night of the soul's traversal
sepulchral
(endow pharaohs) with the vision for “that which is hidden by moonlight”

Apep =/= Ra (the light-god)
giant sea-snake said to lurk again in the primordial gloom
evil lizard, *world encircler*
•defeating Apep: basematerial outputs (spit) --to--> elemental properties (fire) --to--> man-made weaponries (lance, knife) --to--> fetishistic physiologies (the left foot) --to--> sympathetic magic (tearing apart of effigies


(sectarian logic?)
desire for clear reactional materiality [=/= sadistic or paranoiac serial killings]

teratological and semi-demonological turn
interjecting thingness, fiendishness, and monstrosity into our midst

night: indefinite definite ~=> nihilistic force of closure

(from) orthodoxy --to--> dramaturgy


(Mohaghegh's theory of) fanatical sovereignty in pagan thought --> ultimate keeping & violation of the law ~= obsessive form & apocalyptic formlessness
(reconciling) *the toxic dialectics of presence & absence* behind every theo-political order : gods walk among us in immanent ambush, hiding in night's open view (of many faces, masks, tongues, robes, tastes, proportions, and gestures), adopt infinite visages, apparels, pseudonyms, and dialects [=/= monochrome trappings of daily identity]


Ahriman =/= fire-god
omnimalevolent side
first destructive spirit
twins of the primeval choice
==> crises of perception
dwelling in non-being
shape-stealer
self-cutting (cooking of his own paranormal tissue)

earthly creation = ruse, net, and temporary prison (a decorative window-dressing to lure the false god away)

a sunless place

mortal transactions (of civilizational, philosophical, religious, and moral trials)


night-raid
nocturnal fierceness
asceticism of the warrior
asceticism of the night-watchman


(Goda riding with the) exponential disinformation of legend

learn to talk with night <-- not indicative of a knowing subject
--> to become both hypnotized & hypnotic whisper

language of mood (subtle movements of):
•temperature drops
•intermittent gusts of air and wind
•snapping of tree branches
•shooting comets of sky


Bronze Age eschatologies

queen of riddles
cosmic idolater
her language never argues, only propositions



dark thoughts

evanescing moon

...guerilla leader who fled into the mountains and froze to death beneath the night sky

thoughts of
•obvious separation (from family, lovers)
•potential victory and loss (fatalistic struggle)
•futility of human experience amid insects and animals creeping in his midst (transfigured)

*night <--tied--> wondering*
*night <--tied--> uprising*
*night <--tied--> possession + dispossession*
*night <--tied--> countdown* شمارش معکوس
*night <--tied--> disappearance*
*night <--tied--> abdication*
*night <--tied--> dismay* جبن
*night <--tied--> obscenity* جبن

***night --to--> bring the mind elsewhere***

Mirza Kuchak Khan
Jangali

...once the leader of the jungle movement; now the jungle will confiscate him


(tactics of the willed unknown)
inspiration <--> madness
horoscope <--> puppetry


sensitivity to lower-grade intimation ==> gaining of subtle lunatic powers (in the arts as well #feedback):
•slight paranoiac ability
•slight manic ability
•slight delusional ability
•slight schizophrenic ability
•slight obsessive ability
•slight melancholic ability


when dreams replace sleep
when the dead pass into the deep of the night
when night's deep appears in those who have disappeared
Blanchot

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Mohaghegh on Blasim's The Madman of Freedom Square
the story of two foreigners known as ‘the blondes’, identical twins of fair hair and complexion who come each morning (their place of origin and purpose unknown) to roam down the main street of a neighborhood called the ‘Darkness District’. This quarter of the capital city is thus named for being the only sector still lacking electricity, and our nar- rator describes the residents there as physically gaunt and existentially worn down. This is an unwell place, and so the sudden arrival of the blondes represents a contrast, a radical anomaly and an enchantment-in-waiting for a zone that otherwise wants nothing more than to lay down and give up forever. We are told that the ambiguity of their circadian walk has an immediate transformative effect on the district; though these figures never speak, they cast gentle glances upon the inhabitants on either side of the street, and this courtesy soon bears miraculous fruit as the wishes of each person, young and old, man and woman, find themselves granted. By day and by night, the Dark- ness District escapes its former wretchedness to become an increasingly scenic area, with the government finally bringing electrical power and the locals planting flow- ers and showing acts of kindness to one another…all in honour of their two strange visitors (with whom we read that everyone has grown enamoured). They even build a stone monument in veneration to these silent newcomers. But then one morning the blondes do not materialize, as a violent coup is underway that sets the district on fire with bombs and missiles; amid the fighting, our narrator is flung against a wall, his life then saved by one of the blondes (their statue since demolished), and awakens in a mental asylum railing about the speechless aliens who rescued him (and the others)—only to find that no one has any memory of such beings or any trust in his recol- lections of them; he later finds himself strapped with a detonative suicide vest (the final light-bracketed image).

...................................

Morton on Weber --> sociology is itself (the logistics of) disenchanted in exploring disenchantment

charisma-based society ~=> disenchanted bureaucratic society

charisma: (paranormal) force field that surrounds and penetrate us with *healing + destructive* consequences
(<-- this is super ok as long as that force field is not curated by wannabe spiritual philosopher human)

bestiary: paranormal excluded by religion

agricultural societies monopolized charisma (--> king) --> logistical functioning of the world of agriculture ==> global warming

neolithic privatization of enchantment ==> monotheism

Holocene --> strategy of survival at any cost

(Morton echoing the cliche of artists wanna do magic:) “art is demonic”: it emanates (not designed) from beyond sense that the artist is not in charge of, dangerous causative flicker
~ ‘art = charisma’ [= cause & effect]
--Morton--> (bad idea of) art ==> charismatic causality

force-like animal magnetism

magic = causality + illusion

appearance and essence are two different sides of Mobius strip

(pre-neolithic -->) *we live in a world of tricksters* (raindrops are tricksters,,,)

incomprehensible charisma of kitsch

(the objects in my room contain a palpable enjoyment that is without me, found objects that spray charismatic causality [without devotion or trust])

...................................

(Zizek's) Lacan four discourses via porn actress facial stages:
1- ecstatic state --> overwhelmed
2- serious --> hard work, instrumental control
3- boredom --> ignorance, indifference
4- mocking --> is this all you can do, smile


...................................

body...
how to feed it
when to fast
how to soothe
moisturize
let go
heal
you can't grasp your body once and for all --> one can only bear witness and offer testimony (<--Avital-- this is why writing is so often bound up with illness, “writer = invalid”)

cultural phantasms of bodily mutation

the body never stays put long enough to form self-identity --(this is why)--> our ancestors used to fast-forward and just lose it [transcending the body]


in Dostoevsky
body is variously insulted and humiliated --> subjected to injury (an injury capable of language and disclosure)
--> idiocy offered a delicate conflagration of soma + psyche

illness: the stealth master (the teacher whose lesson is unremittingly opaque yet purposeful)

(when you get hurt -->) body: “Honey, I’m home, I am your home.”

your body fighting for you
healing without cure

illness --Avital--> essentially related to the experience of injustice ~= your Geworfenheit
• illness visits you at will and does what it wants to your body (stinging surfaces you didn’t know you had)
•illness gives access to the devotional mode of surrender (abandoning to itself something other than the self)
•illness brings with it an alternative system of ecstasy and meaning
•*illness: an inescapable condition of being*
-

(Dostoevsky's Myshkin) suffers a sacred illness

[your?] heritage -->
backed up by literature
backed up by philosophy
claimed by mythology


*epilepsy* (has a place in the history of thought) --> the Idiot's illness
•between psyche & soma
•between the *theory of trauma* (which focuses the history of the subject) & the *theory of fantasy* (which refers to transference and countertransference)
•the only illness to have its own mythological figure -->
•madness
•visionary excess

herald of epilepsy: Hercules, Buddha, Alexander the Great, Julius Caesar, Napoléon, Lord Byron, Pascal, Van Gogh, Dostoevsky, etc.


foolishness
drunkards
maniacs
the pathologically resentful
the envious
a rapist
a crowd of cheaters
classic neurotics
subjects of delusional rantings
subjects of criminal intent


conscious =/= unconscious =/= drive

contract to his illness
manipulations of care

the sick often find someone who is even sicker to take care of (<-- the case with the Prince)


(according to Nancy -->) literature has always tried to produce the body (which philosophy suppresses)

any discussion of the body risks engaging a double bind (a psychosis):
•failure to produce a discourse on the body
•failure not to produce discourse on the body
--Nancy--> *the sick body* (in a frenzied state of belated, compensatory awakening) --demands--> a reading (interpretive and diagnostic strategies) that often culminate in *an excess of discourse* ==> opens up the space of necessary obscurity by which our bodies come to us

Nancy --> The body does not know; but it is not ignorant either. Quite simply, it is elsewhere. It is from elsewhere, another place, another regime, another register [not an “obscure” knowledge, or a “pre-conceptual” knowledge, or a “global,” “immanent,” or “immediate” knowledge]
•philosophy calls “body” presupposes the determination of something like an
authority of “immediate knowledge,” a contradiction in terms, which inevitably becomes “mediated” (as “sensation,” “perception,” synaesthesia, and as immense reconstitutions of a presupposed “representation”)

the site of nonknowledge that the body traverses --Nancy--> *is related to thought* <-- the body thinks (in a sense) beyond giving or making sense
==> *thought is itself a body*

-Heidegger was the one who unhitched “thought” from philosophical operations and gave it weighs in as body ==> Nancy

in Dostoevsky --> the body commended by *illness* bears a memory trace of the *sacred* (+ finitude of all bodies)

“God is dead = God no longer has a body” ==Nancy==> bodies (bereft of trickle-down symbolicity) will have to be:
•pumped up
•prosthetically amplified
•steroid-enhanced
•“built”
•buffed
•bionically ensured
•drugged
•“medicated”
•cloned
•remade
==> the technobody or replicant will be made to substitute for the lost body of the divine trait

last night he dreamed of (apocalypse technological dominion:) spread of the railroad and the distribution of connectors installed by new technologies as instigators of the unsacrificeable...

(in literature) apocalypse = vehicle (a technological momentum)

the unnamed God has vanished together with this unnameable thing...

Myshkin’s illness still binds him to the sacred --> this body retains and persists in making sense, the illness continues to produce sense

...poverty, hunger, deportation, torture, deprivation, ugliness, horror --> bodies sacrificed to nothing


[*]sacrifice: a body's passage to a limit where it becomes the body of a community

(after Christ -->) body is nothing but a wound =/= illness

(when it persists) pain ==> I'm not well, I'm in trouble, therefore I am.

jouissance: a pain that succeeds <-- a place where being, utterly exposed, is external to itself


[*]body: surplus of objectivity

our body acts as a traumatic place (that causes a series of failures)

(idiot's seizure) epilepsy
Then suddenly something seemed torn asunder before him; his soul was flooded with intense inner light. The moment lasted perhaps half a second, yet he clearly and consciously remembered the beginning, the first sound of the fearful scream which broke of itself from his breast and which he could not have checked by any effort. Then his consciousness was instantly extinguished and complete darkness followed.

(going to fetal position)
seizure: an enactment of a wish to return to the womb
epilepsy --Sutterman--> sadomasochistic phantasms that feature the self as murdered child

breaking a prized vase
delivering rants in place of conversation

Dostoevsky's idiot:
•repugnant
•uncanny
•a kind of Bataillean reversal (at bottom is unmistakably Christian)
•provokes love

according to Dostoevsky: *idiot ==provoke==> love*

Faust had reported that two souls inhabit his body [==> switching body types] {--> two sick bodies} (hallucinated + internalized)
1. the ailing body --> you can get rid off with drugs (dealt with Mephistopheles)
2. the abandoned body --> inglorious corpse

body doubles reflecting one another (---> go to mirror)

Avital --✕--> movements [such] as Positive Action, Positive Choices, and the marks of similar tags of empowerment that issue from the hope that we know what we’re doing, that we can take charge and act up and affirm our bodies, our selves, that we can now stop being victims and relinquish passivity.

torturer <--> healer

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شطح shath: literary technique (san'at adabi صنعت ادبی)
(jCzF0RD-a_M)
shath: contradictory speech (kofr + iman)

del-bari (dressing up and going out[?]) =/= gush be harf kasi dadan (listening)
گوش به حرف کسی دادن =/= دلبری

خجسته khojaste: thinking all the time that everyone is saying hello to you

Hafez = connected pockets of meaning =/= Ferdosi's organized pockets of meaning =/= bestiary's listed pockets of meaning

...................................

indian ocean diaspora
indian ocean slave trade ==> atlantic slave trade and the new-world diaspora

Lee --> influence of African and afro-iranian people on other iranians and on persian society and culture

Ziba Khanum (d. 193[...]