[...]d conception that lays claim to the validity of her values and standards as applied not only to herself and environment but to the entire universe='lgc'>: (="trms">question of structure)
="lsts lst1">•(pre-babylonian) universal abstractionism ='lgc'>='lgc'>--> ="trms">embodied knowl="trms"nttrm="knowledge,Knowledge">edge
="lsts lst1">•fluid equilibrium ='lgc'>='lgc'>--> movement of Being
='lgc'>[is this a romantic structural attitude='qstn'>?='lgc'>]
="prgrph">-and how is she confronted with ="trms">cosmos ="trms">prior to her inscriptions='qstn'>? (="trms">question of realism)
="prgrph">-what is (the mystery of) a ‘being through ="trms">interpretation’ for her='qstn'>? (="trms">question of performativity)

='lgc'>[rea="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic:='lgc'>] to take possession of essential aspects of the external reality (='lgc'>='lgc'>~-> recreate them in the ="trms">imagination) ='lgc'>[='lgc'>='lgc'>--> ="trms">="trms">empirical='qstn'>?='lgc'>]
='lgc'>[structural:='lgc'>] to experience the external reality as parts of an ="trms">interconnected and comprehensive whole
='lgc'>[idea="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listic/="trms">symbo="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list:='lgc'>] to connect the (inner) particular to the general
='lgc'>[romantic:='lgc'>] to make (inner) invisible visible

="trms">sublimated gratification of instincts, ambitions and ideals, (homogeneous) ="trms">gestalt and expression of the self, ="trms">narcissistic equilibrium, test its viability, haptic art,

“invisible reality and the ="trms">aesthetics of universality” or a mean by which universal is recognized='strcls'>*
timelessness, wholesomeness, indivisibility, ="trms">aesthetic standards
="prgrph">-pictorial thinking, movement thinking, ="trms">affectual thinking, ='lgc'>{='lgc'>='lgc'>--> all issued by ='thdf'>the notion of “pure” and “purity”='qstn'>? tendency toward idealization='qstn'>? utopian='qstn'>?='lgc'>}

movement (the act) ='lgc'>=/= mobility (the possibility)

="large lg2" stl="font-size:112%"> (is ="frds scrmbld">Luisa ="trms">interested in='qstn'>?) the immanent laws and essential unity of all being

...step to complete nonobjectivity
...objects with their expression of plasticity
="prgrph">-what is the ="trms">symbolic term in her work='qstn'>?
she said='lgc'>: “space is ="trms">literal.” ='lgc'>='lgc'>--> the wholesome is proclaimed in the artistic act itself (and not as ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphor) ='lgc'>='lgc'>--> experienced directly ='lgc'>=/= ="trms">imagined


='lgc'>='lgc'>--> احشايى the ="trms">viscera (ahsha), ="trms">visceral theory='lgc'>: ="trms">affect and ="trms">embodiment, transmissible physical charges, porous bodies,
='at'>@="frds scrmbld">Luisa
kP_AfO7Ms4I

how to create a condition in which she can herself later give access to her thinking and making='qstn'>?
="lstsrd">1- propose a curatorial ="trms">gesture of an assembly='lgc'>: ="frds scrmbld">Luisa, Mondrian, Zen master, Malevich; with ="ppl">Bocola and ="ppl">Ahmed;
="lstsrd">2- to open an investigation of ="trms">affective economies for her='lgc'>: abstraction, constructivism, idealism, ="trms">figurative empathy, ="trms">symbolism, longing,
="lstsrd">3-
="lstsrd">4-

(psychoanalysis ='lgc'>[='at'>@="frds scrmbld">Luisa='lgc'>] allows us to see that) ='strcls'>*emotionality involves movement='strcls'>*
as="trms">sociations whereby “feeling” take us across ="trms">different levels of signification, not all of which can be admitted in the ="trms">present. (='lgc'>+="ppl">Ahmed)
="prgrph">-emotions move back and forth (="trms">past as="trms">sociations, repression traces on ="trms">present) and sideways (sticky as="trms">sociations between figures and signs) ='lgc'>='lgc'>--> something as the cause of a feeling in someone ='lgc'>='lgc'>--> “involving ="trms">relationships of ='strcls'>*="trms">difference and displacement='strcls'>*='lgc'>{as the form or ="trms">language of the unconscious='lgc'>} without ="trms">positive value” ='lgc'>='lgc'>--> ="trms">affective economies ='lgc'>='lgc'>-->='lgc'>{="trms">social, ="trms">material, psychic='lgc'>}

='lgc'>{ psychoanalysis='lgc'> = "absent ="trms">presence” of ="trms">historicity='lgc'>='lgc'>-->(sideways movement of feelings) ='lgc'>}='lgc'>==offers='lgc'>='lgc'>==> a theory of emotion as economy='strcls'>***
="prgrph">-by economy, ="ppl">Ahmed means, like capital (is about the movement of commodities and money='strcls'>*), an effect of its circulation (='lgc'>='lgc'>--> ="frds scrmbld">Luisa)
="prgrph">-the subject is one nodal point in the economy ='lgc'>=/= subject as its o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin and destination

='strcls'>**the movement between signs converts into ="trms">affect
feeling ='lgc'><='lgc'>='lgc'>--> fetish commodity

in ="ppl">Freudian model, the movement between objects is ="trms">intrapsychic ='lgc'>='lgc'>--> trace of how ="trms">histories remain alive in the ="trms">present='strcls'>*** ='lgc'>[regarding ="nms">ajayeb's ="trms">histories, ="trms">histories that “stick” and which does not need to be declared, ='at'>#fohshe heyuan/heyvan فحش حیوان/حیوون sideways movements...='lgc'>]
="prgrph">-(="nms">ajayeb's) ="trms">past ="trms">histories of naming

objects, the ="trms">author of emotions



(how) emotions align subjects

_“surfacing” of individual_

(="ppl">Ahmed sug="trms">gests that) emotions are not simply “within” nor “without” but that they create the very effect of the surfaces or boundaries of bodies and ="trms">worlds.

="trms">narrative='lgc'> = production of the ordinary


="lsts lst1">•(which crimes against persons become crimes against place='qstn'>? -‘us’-)
="lsts lst1">•“body of the nation”
="lsts lst1">•s="trms">cene of “our injury” (='lgc'>='lgc'>--> also in ="nms">Iran='lgc'>: “our” ="trms">historical injury)
="lsts lst1">•(the fucking) ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right to defense ='lgc'>='lgc'>--> ‘home’ itself becomes to be mobilized as a defense against terror, becomes transformed into the ="trms">symbolic space of the nation ='at'>#='lgc'>[='thdf'>example of when the approach (to/by objects) itself becomes a fetish object='strcls'>*='lgc'>] ='lgc'>='lgc'>--> “staying at home”='lgc'>: a form of mobilization ='lgc'>[='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to three little pigs='lgc'>] ='lgc'>='lgc'>--='lgc'>-- “the constitution of open cultures involves the projection of what is closed ="trms">onto others, and hence the concealment of what is closed and contained ‘at home’” (="ppl">Ahmed ='heart'>♥) ='lgc'>{ouvrir le fermé, fermé le ouvert='lgc'>}
="lsts lst1">•alert citizens, amre be ma'ruf va nahye az monkar امر به معروف و نهی از منک ='lgc'>='lgc'>--> ="trms"nttrm="metaph,metamorph,metabol,metal">meta-="trms">ontology of tosiye توصیه
="lsts lst1">•suspicious others
="lsts lst1">•saving women from ="trms">religious fundamentalism
="lsts lst1">•negativity of latent (could-be-ness ='lgc'>='lgc'>==> opens up the power to detain, police pishgiri پلیس پیشگیری)


o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigins of bad feeling
threat to violate the pure bodies ='lgc'>[vulnerable and damaged bodies of the white woman and ="trms">child='lgc'>]

='strcls'>*="trms">affect is economic='strcls'>* ='lgc'>='lgc'>--> it circulates between signifiers in ="trms">relationships of ="trms">difference and displacement ='lgc'>='lgc'>--> they align subjects ='lgc'>='lgc'>--> effect of collective ='lgc'>='lgc'>--> (in Ahemd's economical model of emotions) they work to bind subjects together ='lgc'>: the nonresidence of emotions is what makes them “binding” ='lgc'>='lgc'>--> her notion of economy ='lgc'>=/= ='lgc'>{inside/outside model ='lgc'>='lgc'>--> ="trms">positive residence of emotions='lgc'>: “I have an emotion” or “something makes me feel a certain way"='lgc'>}='lgc'>='lgc'>--> “fear does not come from within the subject, nor does it reside in its object”
="prgrph">-(='lgc'>[='at'>@="frds scrmbld">Hoda's take on witness='lgc'>] alignment of the individual with the collective='lgc'>:) the accumulation of ="trms">affective value shapes the surfaces of bodies and ="trms">worlds; ="trms">affect generates the surfaces of collective bodies (='lgc'><='lgc'>==allows='lgc'>== not to locate ="trms">affect in a subject or object) ='lgc'>='lgc'>~='lgc'>~='lgc'>='lgc'>--> ='lgc'>[to initiate with ="frds scrmbld">Hoda an examination of the) ='strcls'>*mobility of bodies of subjects='strcls'>* (in the West or her regions ='lgc'>=/= ="trms">question of the mediatization of her emotional experiences='lgc'>}

="large lg1" stl="font-size:147%"> ='strcls'>*emotions ‘involve’ subjects and objects='strcls'>*

what constructs emotions as ="trms">positive or negative residence='qstn'>?

='lgc'>[='strcls'>*='lgc'>]psychoanalysis='lgc'>: a theory of the subject as lacking ="trms">positive residence
(this ‘lack’ is commonly ="trms">articulated as the “unconscious”='lgc'>: in ="ppl">Freudian terms, where an ="trms">affective impulse is perceived but misconstructed, and which becomes attached to another idea. ='lgc'>[can i say that ='mywrk'>my work in ="nms">ajayeb, which i named it as ‘organizing my ="trms">memory, and also, that which comes to mind’ is all about this reconstruction of cognizeds and percepts='qstn'>? is that why i am having less and less unconsciousness in my daily life='qstn'>?!='lgc'>])
="prgrph">-cognizant agah آگاه
="prgrph">-in ="ppl">Freud's model of unconsciousness, the ="trms">affect itself is not repressed, rather, what is repressed is the idea to which the ="trms">affect was attached ='lgc'>='lgc'>--> displacement

(="ppl">Lacan's) subject='lgc'>: proper s="trms">cene of absence and loss='strcls'>*
a theory of the subject that the locus of the signifier settles ='lgc'>='lgc'>--> constitution of the subject as “settlement”

(='lgc'>[what is='qstn'>?='lgc'>] ="frds scrmbld">Eszter's ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right and will to keep looking for signs of ="trms">difference. ='lgc'>--when she was talking about idio="trms">syncrasies of her countries)
='strcls'>*='lgc'>[with ="frds scrmbld">Eszter's “the nation has suffered enough!"='lgc'>] ='lgc'>--="ppl">Lezra='lgc'>='lgc'>--> politics in a sense is precisely concerned with what is or is not ='strcls'>*enough='strcls'>*
“it's enough!” ='lgc'>='lgc'>--> ='at'>#="trms">demand something or before which I make a claim. it is practical (even ="trms">technical) or is dealing with being practical
the haunting modifier of “enough”
the ='strcls'>*amount='strcls'>* of something (-of suffering in this case) ='lgc'><='lgc'>-- “That's enough coffee”
="prgrph">-we are dealing with ="trms">materiality and ="trms">measure
='lgc'>{has that anything to do with the enough of ="frds scrmbld">Ekaterina's “good-enough mothers”='qstn'>?='lgc'>}='lgc'>='lgc'>--> true enough-ness for an effect to be achieved

model of emotion ='lgc'>='lgc'>==> ="trms">materialization of bodies

(emotions construct) bodies as ‘enveloped’

in standard psychological model, fear ‘has’ an object
='strcls'>*(="ppl">Ahmed's) fear='lgc'>: “passing by” (='lgc'>=/= arriving) of the object, impossibility of containment of object

="trms">anxiety is an approach to objects ='lgc'>=/= fear is an object's approach

in ="ppl">Freud='lgc'>: self is made by the fear of father


="ppl">Ahmed's model of ‘impact of fear’
fear does not leat to containment but an expansion ='lgc'>='lgc'>--> his/her embrace of the ="trms">world
="lsts lst1">•being sealed into a body that takes up less space!
='strcls'>**fear works to restrict some bodies through the movement or expansion of others='strcls'>** (="trms">interesting for ="frds scrmbld">Mona's work)
='lgc'>[structural possibility:='lgc'>] proximity of fear-object ='lgc'>--is='lgc'>='lgc'>--> possibility of future injury

impressions of coherence, “sticking together”
(that is perhaps why ="trms">dictionaries and ="trms">bestiaries are ="trms">interesting='lgc'>: because their elements do not “stick together” in the sense of an ="trms">affective economy ='lgc'>[of inquiry and ="trms">narrative='lgc'>] ='at'>#="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">lists)


="trms">ontology of insecurity ='lgc'>='lgc'>--> (naratives of) crisis ='lgc'>='lgc'>==> “return” (to values) ='lgc'>='lgc'>--> fetish
="prgrph">-production of crisis is crucial for insecurity
="prgrph">-declaration/announcement of ='strcls'>*crisis='strcls'>* ="trms"nttrm="already,spread">reads the fact/figure/event and transforms is into a fetish object that then acquires a life of its own
="prgrph">-it must be presumed that things are not secure, in and of themselves, in order to justify the imperative to make things secure (again)='lgc'>='lgc'>-->(the word “again” in the ="trms">rhetoric of safty becomes itself the fetish object with its own life)
='lgc'>[security is bound up with “the not (me/us)"='lgc'>]

being invaded by inappropriate others ='lgc'>[in ="trms">histories of ="nms">Iranian modes of ="trms">intersubjectivity='lgc'>: ‘being invaded by the appropriate other’ ='lgc'>='lgc'>~=='qstn'>? being of Tasavof, ='at'>#slave manifesto, let me know if you want me to kill your master.='lgc'>]

(in the 1999 film Matrix we see the image of the ‘strengthening the will’ of the human ="trms">community in the face of the nunhuman machine others='lgc'>: Matrix ='lgc'>='lgc'>==> “us”)
(Matrix's) narative logic of an ="trms">internal strength being ="trms">posited as ="trms">responsible for recovery, survival, and moving forward of the human race. (='at'>@="frds scrmbld">Maarten, displacements of weakness and strength)

values that garantee survival
="trms">technologies that garantee survival
='lgc'>='lgc'>--> they become moral


="large lg10" stl="font-size:130%"> those who____
speak (against) the “truth” of the ="trms">world, cause the “ruin” of the ="trms">world

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

say your name before talking
it's a Q and A, a ="trms">lecture
='lgc'>='lgc'>--> it is a violent day
asking for your name is intrusive enough, even before asking where you come from ='lgc'>[='lgc'>='lgc'>--> ='at'>#estizah='lgc'>]


(learning from ="ppl">Heidegger='lgc'>:) abbreviation is al="trms"nttrm="already,spread">ready an effect of ="trms">technology
case of Germany specially
and persian san'at (صنعت ="trms">techniques and ="trms">technologies) of subject-making
="lsts lst1">•‘is’ ='lgc'>='lgc'>--> information ="trms">system
="lsts lst1">•‘ich’ ='lgc'>='lgc'>--> intangible cultural ="trms">heritage


='lgc'>[='at'>#contract, concerning modalities of being-with:='lgc'>] ="trms">anxiety, Sorge, (='lgc'>~ care='qstn'>?) is ='strcls'>*disclosive='strcls'>*, for ="ppl">Heidegger, is an ="trms">ontologically fundamental mood that opens you up to the possibility of understanding, ="trms">anxiety is the leading mood that allows understanding
(in ="ppl">Heidegger) ="trms">anxiety ='lgc'>='lgc'>==> understanding
(in ="trms">Farsi) negarani نگرانی ='lgc'>='lgc'>--> vision بینندگی ='lgc'>='lgc'>--> basirat بصیرت ='lgc'>='lgc'>==> ta'amol تأمل (modalities of meditation and speculation)
(in psychoanalysis) ="trms">anxiety ='lgc'>=/= fear
(in capitalism) ="trms">anxiety ='lgc'>='lgc'>--> boredom ='lgc'>='lgc'>==> capital
(in settler white colonialism) ="trms">anxiety ='lgc'>='lgc'>==> safty
(in ="ppl">Ahmed) ="trms">anxiety ='lgc'>='lgc'>--> approach to objects
(in ="ppl">Ahmed) fear/="trms">anxiety ='lgc'>='lgc'>==> effect of “that which I am not”

(ghol قول, gharar قرار, gharardad قرارداد ='lgc'>[='lgc'>~ that which is promised by the ghol='lgc'>], ghovate ghalb قوت قلب) contracts also come to reassure, otherwise we might be in the radically open space of psychosis.
='strcls'>***contracts, they disambiguate the space='strcls'>***
='lgc'>{='lgc'>+='lgc'>} (pointed out by ="ppl">Derrida='lgc'>:) “contract” is less terrorizing than assuming that there is something ="trms">natural that binds us... (='at'>@="frds scrmbld">Luisa) contract is a non-="trms">natural conventional object. (the textual ="trms">nature of contracts allows it to be ="trms"nttrm="already,spread">read, ="trms">written, re="trms">written, reformatted and rearranged.)='prcnt'>%='lgc'>='lgc'>-->='lgc'>{ontic ='and'>& ="trms">ontologic='lgc'>}
="lsts lst1">•what kinds of violations does the contract capaciously in="trms"nttrm="cluster,club">cludes in itself='qstn'>?
="lsts lst1">•there is nothing ="trms">natural about here and us being here. (spatiotemporally clock tells us not only what time it is, but also where and who we are='lgc'>: how “time-teller” is spatially architecturally phallically ="trms">positioned='lgc'>: in the center, on the top, wrapped around the body, and so on.)

="large lg10" stl="font-size:112%">
="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

='lgc'>[="nms">apass opening week 08.05.2017, (my ="trms">response to) what is “artistic research”='qstn'>?='lgc'>] artistic research is a fancy way of transforming your “weird feelings” about the ="trms">world into an “inquiry,” so to say, and at the same time resist to be faithful to standard accounts of what counts as a “="trms">serious knowl="trms"nttrm="knowledge,Knowledge">edge claim.” So it in="trms"nttrm="cluster,club">cludes a lot of messy thinking-feeling, ="trms">embodied practices, ="trms">affects, ="trms">poeticity, semi-="trms">scientific work, magic, ="trms">data collection, mutative ="trms">interpretative ="trms"nttrm="already,spread">reading, forgetting things, detours, rituals, dead-ends, ="trms">writing under the influence of scarce foreign obscure philosophies, ="trms">literary ="trms">drugs, and boldly using ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors from ="trms">different disciplines of “study” that one can find. So, on the one hand, it is a term, invented to indicate a “fluid ="trms">modern personality” within a turn in humanity studies that opens up to ‘what an artist al="trms"nttrm="already,spread">ready knows’ or ‘what an artist is allowed not to know’ within their ="trms">specific ="trms">historically ="trms">situated set of tools. And, on the other hand, it indicates an important shift in the education of art, in which the attitude of the artist changes='lgc'>: instead of making things into a “resource” for artistic creation, rather making things into a “topic.” That means a whole new set of ="trms">relationalities and new forms of attention need to be learned and cultivated, which were ="trms">historically often absent in the education of art.


="prgrph">-i want to bring a circus inside ='lgc'>{='lgc'>='lgc'>--> within='lgc'>}
="prgrph">-my business still with ="trms">aesthetics (my own image) (="trms">narcissistic stuff...)
="prgrph">-to show up as a guy, castrated and very advanced (='lgc'>='lgc'>--> you can only come up castrated unless you are extremely advanced, ='at'>#="nms">harem stuff)
="prgrph">-i am trying to come forward with all the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigor and ="trms">rhetorics available to me

the death score

="frds scrmbld"nttrm="Leonardo">Leo correcting his proper name in my mouth. (sig="trms">nature='lgc'>: master of your name ='lgc'>='lgc'>--> master of your house)
="frds scrmbld"nttrm="Leonardo">Leo named his future projection='lgc'>: “Empathos="trms">cene”
='lgc'>[sometimes your name is the first doorkeeper (as in ="ppl">Kafka'a Turhüter)='lgc'>]

="frds scrmbld">Eszter's ‘what is there as an obstacle to the freedom of man (='qstn'>?)’ (="trms">question marked by me)
='lgc'>='lgc'>--> the spatial ="trms">gesture of the ‘stop’ (='at'>#="frds scrmbld">Selma)

="frds scrmbld">Maarten's version of confusion (stated by himself) is due to that='lgc'>: the messianic horizon is essentially confusing (='qstn'>?)
his auto="trms">poiesis and cognitions

="frds scrmbld">Nicolas's notion of “leaking” has to do with marginal non-textual non-accounted-for moments that bleed in absolute non-contractual and non-appropriable event='qstn'>? (the so-called moment when we show things to each other)
="lsts lst1">•his ‘climate of creativity'='lgc'>='lgc'>~='lgc'>~='lgc'>~_='lgc'>[what does ‘criticism’ mean for him='qstn'>?='lgc'>]
="lsts lst1">•when he says “="trms">gesture,” is he accessing ‘="trms">gesture’ having an uncalculable ="trms">semiotic value ='lgc'>=/= ‘performance’ that can be ="trms">measured in economical terms='qstn'>? ='lgc'>[but, what kind of consequential work is ="trms">gesture doing='qstn'>?='lgc'>]
(="frds scrmbld">Nicolas's order of inquiry and discovery)
(='lgc'>='lgc'>--> what is at stake is how do you locate the effects of your work. for ="frds scrmbld">Nicolas it is locate at the “sides” ='lgc'>[which is al="trms"nttrm="already,spread">ready problematically pre="trms">positioned outside of him='lgc'>] ='lgc'>--="ppl">Ahmed='lgc'>='lgc'>--> ab object can be ="trms">affective by virtue of its own ='strcls'>*location='strcls'>* ='lgc'>[...='lgc'>] and the ='strcls'>*timing='strcls'>* of its appearence)
='lgc'>[the ‘image of the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid’ in his ="trms">presentation='lgc'>]

="large lg3" stl="font-size:111%"> ="frds scrmbld">Kristien's chart='lgc'>:
="trms">questions ='lgc'><='lgc'>='lgc'>--> ="trms">symptoms
answers ='lgc'><='lgc'>='lgc'>--> openings
="trms">past ='lgc'><='lgc'>='lgc'>--> diary

for ="frds scrmbld">="frds scrmbld">Lilia='lgc'>: ="trms">apparatus='lgc'> = score
for ="frds scrmbld">Eszter='lgc'>: ="trms">apparatus='lgc'> = preparation ='lgc'>{='lgc'>--='qstn'>?='lgc'>='lgc'>--> everything depends on the ways we prepare='lgc'>}
for ="frds">Sina='lgc'>: ="trms">apparatus='lgc'> = (chaotic/strange) attractor
for ="frds scrmbld">Hoda='lgc'>: ="trms">apparatus='lgc'> = negative feelings
for
for
(other non-="ppl">Agambenian notions of ="trms">apparatus='lgc'>: ="ppl">Katie ="ppl">King's, ="ppl">="ppl">Barad's, ="ppl">Wark's)
='lgc'>[="ppl">Agamben still thinks of structure in ="ppl">Euclidian terms, pre-chaos theory and fractal ="trms">geometry of (non)equilibrium. thermal chaos and dynamic ="trms">system theory has changed the ways we think about global/local stabilities, discontinuities and noise. ="trms">sym="trms">poiesis is another one.='lgc'>]
="prgrph">-with ‘="trms">apparatus’ what is at stake='lgc'>: flow of energy, order, waste, transformation,

="frds scrmbld">Vladimir's tether on disambiguity

="large lg14" stl="font-size:118%"> ="frds scrmbld">Elen, adding her own wheels to the flow(s)
and putting a stick/spoke in a rolling wheel (of others='qstn'>?) ='lgc'>[her saboteur trends, چوب لای چرخ (='lgc'>=/=='qstn'>? kharab-kari خراب کاری), what is chub lay-e charkh for her='qstn'>? vandalizing the discourse of others='lgc'>]
="prgrph">-the famous vandal of wikipedia with the recursive name “-on wheels” (Willy on Wheels, adding “on wheels” to the title of every single page, using the move function of Wikipedia='lgc'>: renaming the existing title ='lgc'>='lgc'>==> moved to another namespace, without changing the base title)
="prgrph">-like myself, h[...]