[...]l replacement (~ friction and movement within the system) ==> repartitioning of categories ==> rearrangement of hierarchies ==> opposing and heretical sects and religions
-art's (ethnographic?) proximity to life
-political postures and stands
(nobody has, neither state nor communities) monopoly on ethical pronouncement [~ declaration of good and evil]
(political) postures are not unimportant, they allow us to take a stand --> perspective
--or--> evocatively ambiguous formulation on... =/= [*]politic: spirit of resentment on behalf of the victim (Setareh, Hoda, Ali ; also @Sina not to deny the possibility of victimhood) --> *how possibilities of life close down and where other possibilities open up under the weight of patriarchal norms*
question at Hoda:
-how dose she involve a relocation of her protagonists (the sorrowful women) within the domestic, even if the domestic shifts?
-how an understanding of power after Foucault (that power does not come from above, that power is not something that has to be identified) influences her mode of thinking about the condition of her women? [the boundaries of patriarchy are not clear]
sometimes recovery from violence does not come from national imaginary and public rituals of mourning and reparation, Veena shows how a certain kind of silence, the refusal to let toxicity circulate, involves everyday spiritual exercises in *digesting the poison in the acts of attending to the ordinary* --> survivors affirming the possibility of life by removing it from the circulation of words gone wild... (--Hoda's lullabies songs of private injuries?)
-silence is never simply a silence
-to be able to affirm certain kinds of silence (is key to a political anthropology)
different rhythms of conflict and cohabitation
questions
-life-giving and life-denying rhythms of ordinary life
-how (a revolutionary) event is grown from the everyday, and must return to it
Singh: progress of ethnographic knowledge --> a sort of movement that include the ***emergence of new answers to earlier questions*** ~= new routes of inquiry
[=/= progress in the sense of a telos of increasing self-awareness]
intellectual vita (can't be all heroic and saintly, tales of adventures and achievements, as in the way Manning presented herself,) rather it can gather up it share of victories and wounds
...................................
everyday life: a life lived on the level of:
•surging affects
•impacts suffered or barely avoided
spawns a series of little somethings dreamed up in the course of things
(Stewart:) “ideologies happen. power snaps into place. structures grow entrenched. identities take place. ways of knowing become habitual at the drop of a hat. but it's ordinary affects that give things the quality of a something to inhabit and animate”
*ordinary registers intensity* (regularly, intermittently, urgently, as a slight shudder)
(one can be) ***confused but attuned***
“we dream of getting by, getting on track, getting away from it all, getting real, having an edge, beating the system, being ourselves, checking out” -Stewart
(socialities, identities, dream worlds, bodily states, public feelings are not simply “good” pr “bad” but always) both powerful and mixed
the talk, once set in motion, expands into a بیشه thicket of stories and social maneuverings
(a scene in a restaurant becomes) maze of inspirations and experiments ♥
-“her brother's stories are shell-shocked and they have no endings. they leave you hanging”
singularity of the event ==> a “we” of all sorts opens in the room
chance event ==>
•a layer of conflict
•a daydream to things
...tuned in to some little something somewhere
“in a video that blankly records an arresting image, young embodiments of a mainstream in the making come face to face with an otherness that compels a closer look. the order of representation gives way to a more violently affective contact”
Stewart
force of things --> what counts as an event
a politics of being/feeling conected
a politics of ways of watching
a politics of waiting for something to happen
a politics of difference (of habit and dull routine)
childhood coming back [to you] as shocks of beauty
graphic stories prompted by the seemingly simple work of remembering:
•kinship ties
•married names
•stories of alcoholism
•stories of accidents
•stories of violence
•stories of cancers
[*]potential: fleeting and amorphous, it lives as a residue or resonance in an emergent assemblage of disparate forms and realms of life; a thing immanent to fragments of sensory experience and dreams of presence --engenders--> attachments or system of investment...
(people are) collecting found objects snatched off the literal or metaphorical side of the road
...................................
Yazid: the archetypal tyrant of islamic memory
...a shift from thinking of Urdu as exclusively Muslim to thinking of Muslims as the custodians of a shared heritage that Hindus have forgotten, but have the potential to reclaim
-Anand --> how do we understand the islamicness of urdu poetry?
spread of [...] poetry far beyond the bounds of exclusively muslim identity
sufism as an everyday mode of speaking of and speaking to the self (not as an esoteric practice, or as institutionally bounded)
-it gives you a language to explore their interiority
-(traditions of self-scrutiny and self-reflection,) a poetry of self-knowledge + rebellion against social convention [+ frenzied violence (vahshat) --> Majnun: an intellectual articulation, literary elaboration, and social proliferation of the “mazhab of love” a dominant strand of sufi theology, ethics, and political thought in the Balkans to Bengal complex]
earlier mode of understanding X as irreligious
discourses that recognize X as islamic
Anand --> *indic nature of islam*
-islam is indexed within the lives of non-Muslim Indians through a form of stranger hospitality
many, besides muslims, have ongoing relations to islamic sacred objects
•embrace of the divine
•efflorescence of relations with nonhumans (snakes and cats)
(Naveeda on) Anand's mournful tone --> forces of restoration = forces of destruction
importance of shadows for an understanding of sensory experience, aesthetics, and divine order
(Naveeda asks for an) alternative approach to the islamic tradition besides the trope of light --Anand--> imagining a lived islam from the perspective of shadows
shadows as the (relational and individual) self
*ruin: draw visitors by making itself the inner rendered as the outer --> a traversal of one's inner self, otherwise hidden to oneself
perspective from the shadow --allows--> to think about tradition paradoxically (about *affective inheritances* in the constitution, transmission, and transformations of the islamic tradition)
Anand --> ****islam as identity =/= islam as inheritance****
islam as inheritance --Spadola--> like a river (#meander)
Anand --> *how older forms of knowing and being coexist and are constantly in conversation and contestation with more modern form*
...to reimagine the very definition and coherence of “discourse”
*(Foucauldian) archaeological work*: full of ruptures, disagreements, and reworkings ranging across an array of texts and conversations from contemporary to colonial records to hadith to eighteenth-century poetry
question of coherence = question of finding a grammar
difficult intellectual commitment to both contingency and coherence
(you can witnessed in Tehran a lot of anti-patriarchal, anti-hierarchical, and anti-identitarian)
[our challenge:] *to make ourselves literate* able to read what is currently illegible to us
Kant's notion of hospitality = translation of the sanskrit upanishads into persian by the mughal prince and philosopher Dara Shukoh (1615-1659)
--Ganeri--> hospitality towards texts and ideas?
*for an intellectual tradition to have the ability to show hospitality to an intellectual stranger*
-Shakry
what does it mean to think through psychoanalysis and islam together, not as a “problem,” but as a creative encounter of ethical engagement?
-how arabic intellectual world showed profound hospitality to Freudian thought
-how iranians showed profound hospitality to western philosophies --witness--> self-confident and enriching ethical encounter with a foreign system of knowledge
گورکانی pre-colonial mughal empire, inheritor of long and unbroken traditions of islamic and indic thought, (from a place of power, privilege, integration) welcomed the upanishads into dialogue with the conceptual world of tasavof
economic, military, and discursive powers of European imperialism ==> epistemological and ontological havoc they wreak on muslim forms of life
•to move back and forth between al-Ghazali (1058-1111) and Freud (1856-1939) <-- without any sense of swimming against the *gushing streams of empty homogeneous time*
•bringing the upanishads, from several hundred years BCE, into conversation with the Quran <-- unconstrained by the *teleology of linear historical time*
--> (my lecture-performances: being) inhabited a world of multiple temporalities {=/= teleology ==> linear time of progress, moving ever forward--teleology of time is central to modernity & question of the self}
many post-colonial projects shares that sense of a break from the past, which must now be recovered --✕--> sense of rupture and alienation was not (and is not) the only way in which the colonized responded to the colonizer
Shakry --> *plenitude of time and the persistence of traditions* + productive conceptual dialogue (~= ajayeb studies)
•to engage with the ethico-philosophical questions
intellectual and religious elite across the colonial Middle East and South Asia lived within a plenitude of time in which Freud and Ibn Arabi, separated by centuries, could productively speak to each other unconstrained by the borders of “tradition” and “modernity,” “religious” and “secular”
(Shakry > Anand)
...................................
(Mufti > Weber:) inescapability of calculation and instrumental rationality in a capitalist society ==> fundamental transformation of religious belief and practice in the transition to the modern social order
•“steel-hard shell” (stahlhartes Gehäuse), “iron cage” --provides--> range of possibilities for social action and social imagination
***modern intellectualist form of romantic irrationalism*** [in contemporary art within Europe --> #fables of: novelty, innovation, departure]
redemption from the rationalism and intellectualism of science --> craving spheres of the irrational (spheres that intellectualism has not yet touched) are now raised into consciousness and put under its lens
}= a method of emancipation from intellectualism
intensive social transformation in the postcolonial world
conditions of neoliberal global capitalism
[we have to see] disenchantment, necessarily open-ended and incomplete =/= self-consciously formulated projects of re-enchantment
[i have to be carefull with my] allusive evocation of the passing of secularity into obsolescence
my work with computre programming and database --> practices of calculability: a hallmark of the secularization thesis
subtraction stories: accounts of the emergence of modernity-secularity as merely the falling away of extraneous elements (leaving a core of foundational human experience and its self-understanding)
(Mufti > Asad --clarifying--> the ways in which) ***the very category of religious experience as a distinct and delimited domain of social and cultural life emerges out of transitions to modernity***
islamism: a return of islam, either uncontaminated by, or having shaken itself free of, the liberal thought and practice of the modern west
jargon of authenticity: (a form of thinking, to understand crisis in terms of) loss and attempted recuperation of past social and cultural forms
emergent postsecular common sense ==>{islamist practices = an expression of religious consciousness =/= the inroads of secularism ~= Western imperialism}
(?what is made to disappear from view altogether in) conceptualizing the interaction of secular and religious imaginations and spaces in modern Muslim societies
[*]enlightenment: an encompassing logic of bourgeois modernity, within and against which different social groups struggle in widely different ways (it is not something to be selected or rejected at the great salad bar of modern life)
*dialectical perception* --> revivalist claims (of whatever) are products of the very cultural logics they disavow and disown
==Mufti==> *islamist thought and practice cannot sustain their claim to be uncontaminated by the modern imperial process*
precolonial poetic traditions in the persianate sphere (influenced by persian)
...................................
systematic observation of the moon and its light ==drive==> development of science
studying soft moonlight =/= short-lived and blinding sensation of a flash of lightning
moon:
boundary of the terrestrial domain
bediator between this world and the next
moonlight ==>
•reflections about the interstellar order of space
•boundaries of terrestrial captivity زندان تن
•*semi-clear blurred shadows that suggest a strange and nonhuman world*
moon changes constantly --> mood changes to the moon [luna in Latin --> laune in german: launisch moody = to be ruled by changeable moods, lunatism = a form of sleep-walking by moonlight or possessed by demon]
reddish
orange
gold
yellow
white
the moon changes its course frequently because it is not able to master the cold
when moon light...
upon moon lands...
out of reach moon was an object of pure observation =/= Moghana’s moon
scorching missiles of Helios
allurement
cheerfulness
harmlessness
Lucretius on the nature of things
look upward yonder at the bright clear sky
and what it holds
the moon, the radiance of the splendour-sun
moon-dwellers
icaromenippus Lucian’s satire about the moon lamenting the lack of imagination of ancient astronomers
trans-lunar celestial spheres
great intellectual abstraction is necessary to explain the appearances in the sky
Plato creates an image if completely harmonious world structure which makes circular rotating movements by means of spindles
Aristotle’s design gave a mechanical explanation for celestial phenomena (both terrestrial & astral physics)
Copernicus (+ Kepler + Galilei) ==> anthropocentric view of the world (=/= catholics church)
ibn Heisam --> visible light originates only from the moon
moonlight to be studies
ketab al manazir
size of the angle of deflection is so small that moonlight cannot be explained as sunlight
in 1609 Galilei’s telescope had 20x magnification
(moon’s) traces and spots
rough and full cavities and prominences
“let us not thing it an offence to suppose that she is earth and that for this which appears to be her face, just as our earth has certain great guilds, so that earth yawns with great depths and clefs which contain water or murky air, the interior of these the light of the sun doe not plump or even touch but it fails and the reflection which it send back here is discontinuous”
moon and the face of the observer
“there are people who believe that they are seeing a mirror image of the oceans on earth, and others say they are the traces of the mountains and mountain ranges of our earth; there are also people who believe that what they see is a figure that has been cut out of the reflecting rays that fall upon the earth”
optical homogeneity of the regions of the moon
ibn Heisam --> the color of the body has the effect of darkening the light
*color is a result of density*
“you will not find any color without density, because a body that s extremely transparent is not dense and therefor it has no color. for this reason we maintain that the color of a body can be equated with its density”
eclipse of the moon --> “this color is dark, its nature is blackish and compara[...]