[...]essness


="ppl">="ppl">Lucretius on the ="trms">nature of things
look upward yonder at the b="trms"nttrm="righ,rigo,riga,rigi,trig,rign">right clear sky
and what it holds
the moon, the radiance of the splendour-sun

moon-dwellers

icaromenippus Lucian’s satire about the moon lamenting the lack of ="trms">imagination of ancient astronomers

="large lg2" stl="font-size:110%"> trans-lunar celestial spheres

great intellectual abstraction is necessary to explain the appearances in the sky

="ppl">Plato creates an image if completely harmonious ="trms">world structure which makes circular rotating movements by means of spindles


="ppl">Aristotle’s design gave a mechanical explanation for celestial ="trms">phenomena (both terrestrial ='and'>& astral physics)

Copernicus (='lgc'>+ Kepler ='lgc'>+ Galilei) ='lgc'>==> ="trms">anthropocentric view of the ="trms">world (='lgc'>=/= catholics church)


ibn Heisam ='lgc'>='lgc'>--> visible light o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginates only from the moon
moonlight to be studies

ketab al manazir

size of the angle of deflection is so small that moonlight cannot be explained as sunlight

in 1609 Galilei’s telescope had 20x magnification

(moon’s) traces and spots

rough and full cavities and prominences
“let us not thing it an offence to ="trms">suppose that she is earth and that for this which appears to be her face, just as our earth has certain great guilds, so that earth yawns with great depths and clefs which contain water or murky air, the ="trms">interior of these the light of the sun doe not plump or even touch but it fails and the reflection which it send back here is discontinuous”

moon and the face of the observer

“there are people who believe that they are seeing a mirror image of the oceans on earth, and others say they are the traces of the mountains and mountain ranges of our earth; there are also people who believe that what they see is a figure that has been cut out of the reflecting rays that fall upon the earth”

optical homogeneity of the regions of the moon

="large lg1" stl="font-size:124%"> ibn Heisam ='lgc'>='lgc'>--> the color of the body has the effect of darkening the light
='strcls'>*color is a result of ="trms">density='strcls'>*
“you will not find any color without ="trms">density, because a body that s extremely transparent is not ="trms">dense and therefor it has no color. for this reason we maintain that the color of a body can be equated with its ="trms">density”

eclipse of the moon ='lgc'>='lgc'>--> “this color is dark, its ="trms">nature is blackish and comparable to red”


da Vinci's report
="lstsrd">1. vapours rise from the moon, after the manner of clouds and are ="trms">interposed between the moon and our eyes
="lstsrd">2. moon ="trms">composes of more or less transparent parts
="lstsrd">3. moon='lgc'> = carrying ="trms">thickness or ="trms">density ='lgc'>[refractive ='lgc'><='lgc'>-- this is easily how I modeled my moon for the WIELS exhibition='lgc'>]
="lstsrd">3. moon ='lgc'>='lgc'>~= mirror (='lgc'><== large amount of water on the moon)

Galilei
lunar waterlands (in Kepler’s dream journey ="trms">Somnium https://frostydrew.org/papers.dc/papers/paper-="trms">somnium/)
Kepler saw (in the moon craters) large circular buildings that moon
s inhabitants (endymionians) had erect to drain the swamps

="trms">science and cartography of th physical features of the moon
Hevelius
W. ="ppl">="ppl">Gilbert


moon’s waxing phase ='lgc'>='lgc'>--> earth that is in b="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rightlight reflects light back (one third of the sunlight that reaches it) to the dark side of the moon

“what if the atmosphere had really withdrawn to this dark face='qstn'>? and if air, why not water='qstn'>? would not this be enough to infuse life into the whole continent='qstn'>? why should noy vegetation flourish on its plains, fish in its seas, ="trms">animals in its forests, and man in every one of its zones that were capable of sustaining life='qstn'>? to these ="trms">interesting ="trms">questions, what a satisfaction it would be to be able to answer ="trms">positively one wat or another! for thousands of difficult problems a mere glimpse at this hemisphere would be enough to furnish a satisfactory reply. how glorious it would be to contemplate a real, on which the eye of man has never yet rested!” (Jules Verne, All Around the Moon)

the side of the moon facing earth is being gradually eroded by earth’s gravitation

Pythagoreans ='lgc'><='lgc'>-- one of the first recorded visions of an inhabitable moon on which animas and plants flourish, larger and more beautiful than on earth ='lgc'><== ='strcls'>*it makes to sense to create a planet that is uninhabited='strcls'>*
“='lgc'>[...='lgc'>] for she would then appear to have come into existence vainly and to no purpose, neither brining forth fruit nor providing fir men of some kind an o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin, an abode, and a means of life, the purpose for which this earth of ours came into being” (Plutarch, On the Face of the Moon)

="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors for the silence of the space ='lgc'>='lgc'>--> perennial ="trms">question of humankind

the black sea sparkle with lustrous fires, like the ceiling of a vast hall of ebony encrusted with flashing diamonds
with what a soft sweet light every star glowed
no ="trms">matter what its magnitude, the stream that flowed from it looked calm and holy
not twinkling
no scintillation
no nictitation
disturbed their pure and lambent gleam

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night dreams (after WIELS's exhibition)
starting with the ="trms">story of the jinn studying o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of ="trms">species ='lgc'>='lgc'>--> ="trms">bestiaries
mix of reports from Hedayat'neyran="trms">gestan ='lgc'>+ ="ppl">Shamlu's ketab kuche ='lgc'>+ Marzolph's topology of persian folklore ="nms">iranian ="trms">stories ='lgc'>+ ="nms">ajayeb ="trms">stories ='lgc'>--to='lgc'>='lgc'>--> ='qstn'>?

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

jin lamp
tree
scared face

="trms">book Skala='lgc'>:
royal fairy tales
baba jaga kostliva noha / bony legs


the first worm

death skeleton afraid of itself, of its own image
self-reflective

you are following, while being followed, and the one who follows you is being followed...

pop-up ="trms">book
="lsts lst1">•endless doors (on top of each other)
="lsts lst1">•rotation='lgc'>: https://vm.tiktok.com/ZMR4VTo8s/
="lsts lst1">•rotation='lgc'>: https://vm.tiktok.com/ZMR4Vp8Yb/
="lsts lst1">•https://vm.tiktok.com/ZMR4Vw7qk/
="lsts lst1">•https://vm.tiktok.com/ZMR4VttgH/
="lsts lst1">•moon https://vm.tiktok.com/ZMR4VV2CC/


="lsts lst1">•Philippines ='lgc'>='lgc'>--> ="trms">aesthetics of poverty ='lgc'>[culture of ="trms">material poverty ='lgc'>='lgc'>--> poverty as scenic design and working philosophy='lgc'>] (='lgc'>==> the imperative to eliminate nonessentials ='lgc'>=/= my philosophy)
="lsts lst1">•="nms">Iran ='lgc'>='lgc'>--> ="trms">aesthetics of ='qstn'>?
="lsts lst1">•(='qstn'>?what is) In="trms">stagram or TikTok people's appreciation of beauty ='lgc'>=/= ="trms">aesthetics of poverty's coupling expression with survival and change

="large lg3" stl="font-size:112%"> ='thdf'>the idea that becoming sensitive to the ="trms">aesthetic qualities of local ="trms">materials ='lgc'>==> increasing one's power of expression

theater director='lgc'> = ="trms">aesthetic coordinator='lgc'> = sensitivity ='lgc'>+ selectivity

scenography in artistic research
my early ="trms">interest in ="trms">stage design ='lgc'>{='lgc'>~ use of backdrops in capturing the essence of a play or ="trms">story ='lgc'>='lgc'>--> a way to ='strcls'>*establish setting='strcls'>* ='lgc'>[='lgc'>=/= s="trms">cene='lgc'>] ='lgc'>='lgc'>--> sense of (not necessarily authentic) ="trms">history, calling for the patina of ="trms">history='lgc'>} ='lgc'>==> my recent scenic paintings ='lgc'>--="trms">present='lgc'>='lgc'>--> ='strcls'>*visual stream of consciousness='strcls'>* ='lgc'>='lgc'>~= diorama ='lgc'>='lgc'>~= to capture the essence of a practice ="trms">interest optic ="trms">episteme (='lgc'>='lgc'>--> establish a setting to get caught ="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lured)

(in ='mywrk'>my work='lgc'>: ='thdf'>assumption of)
="trms">symbolic use of visual elements ='lgc'>='lgc'>--> collective consciousness ='lgc'>+ revitalized forms ='lgc'>==> vision of a larger culture ='lgc'>: capturing a ="trms">gestalt='lgc'> = everyone can understand

="large lg4" stl="font-size:111%">

Shake, Rattle and Roll
romance, light sex, and comedy segments='lgc'>='lgc'>---laced in ="trms">horror
(Tolentino)

="trms">horror genre
='lgc'>==> big young stars performing non-iconic roles
='lgc'>='lgc'>~= (analogue of ='lgc'>[collective='lgc'>]) ="trms">anxiety (of nation='qstn'>?) ='lgc'>: making-do processes and mechanisms of ordinary people ='lgc'>+ imperative of profit and state formation
='lgc'>='lgc'>--> how (mis)governance get to be re="trms">presented ='lgc'>+ how citizenry is enforced and ="trms">embodied (at the ground level)

Philippines='lgc'>: from Marcos ="trms">dictatorship ='lgc'>--to='lgc'>='lgc'>--> neoliberalism='lgc'>: privatized, deregulated, commercialized, ="trms">marketized public services

="large lg5" stl="font-size:116%"> ="lsts lst1">•Crane using psychoanalytical ="trms">tropes ='lgc'>='lgc'>--> ="trms">horror='lgc'> = everyday terror
='lgc'>[='strcls'>*='lgc'>]="trms">horror='lgc'>: ="trms">excessive ="trms">communication
="lsts lst1">•Creed using ="trms">trope of ="trms">monstrous-feminine ='lgc'>='lgc'>--> ="trms">horror='lgc'> = ="trms">gestalten deeds in adjection and castration
="lsts lst1">•Lim ='lgc'>='lgc'>--> ='strcls'>*="trms">horror='lgc'> = temporal critique='strcls'>* ='lgc'>{fantastic local ="trms">horror ='lgc'>=/= ="trms">historical time, super="trms">naturalism, occult modes of thinking en="trms">coded in fantastic ="trms">narratives='lgc'>}
='lgc'>[="ppl">Bergson > Lim > Tolentino:='lgc'>] ="trms">horror ='lgc'>='lgc'>--> heterogeneous temporality, heteroglossia='lgc'>: multiple tongues, to disengage in certain (nation) formations

horrific real
="trms">translation of ="trms">historical terror in filmic ="trms">horror

[...]