[...]nna --> the intensity, focus, and complexity of care], [going from being expert to novice], and many times not codable into discrete units of work practice to be carried out on specific occasions
in my hypertext writing, am i trying to enable myself to talk about my work in a language that computers could understand?
(do we need?) to get at (and maintain?) the deep structure of the one's situation
--> transformational grammar
--> bring intuitive decision-making to a conscious level
# the issue of the validity or not of ajayeb's knowledge is entirely orthogonal to my purpose. I am producing an anatomy of what it has meant in the case of bestiary writing to create such a science
(my issue with) [*]strategy: a way of managing a past that threatens to grow out of control
(in working with bestiaries my research question:) what could provide for a good ordering of memory?
-(which professions act as) distributed memory system (for who?)
-(what blocks between) internal memory and external memory --> the time needed to work complex representations
(we are trying to) situate our activity visibly within an informational[?*] world ==> to be factored
*in an informational world: accountability = measurable, finite, packaged, <--✕--> (other modes of) invisible and articulation work
...when technicians/artists seeking new ways of writing (scientific/poetic) papers so that their work gets acknowledged ==(and yet)==> the nature of their (scientific/artistic) truth is not impeached***
--> and sometimes we restructure our work so that (organizational, informational or truth-related) challenges will not be necessary ----> (at the end of the day there will be [always?] an) information infrastructure for the kind of work which contains an account of your activity ==> “informational panoptica” (Bowker)
the classification systems we are giving to embed in the tools and reports we give in apass
(in apass problematically we are asked to) copy the transparency of our activity from one representational space (internal memory, nomenclature, past events, paper) to another (computerized record, giving a talk, time-framing) (=/= contingency) ==> an ecology of attention : ***what can be forgotten and what should be remembered*** ==> development of (information) infrastructure
what is remembered in the formal information systems ==> ontology of that system
...recorded on a form; and forms necessarily impose/naturalize classification systems (through the form's speed, rhythm, dimension, and how its specifications are implemented) ***
(how am i working this in my pop-up book and hypertex? --> classification scheme of relevant events for my research)
*informational space is (sufficiently well) pre-structured ==> some things/details can be assumed or are dropped out of the representational space
-in my pop-up book i am encoding a kind of memory in an organizational file ==>? “potential memory” (~= possible future reconstructions) <-- rejecting the ways in which memory is structured in the organization named Iran, or Middle East, or Germany, or Europe,
needed for development of potential memory:
•(forms of) erasure of local context --> to some degree this is always done
•(forms of) classification system --> computerized, affectual, or materially textured categories
* construction is always reconstruction *
artificial memory (characteristic of the 16th century:) “a search for the perfectly proportioned image containing the ‘soul’ of the knowledge to be remembered” --to--> discovery of the right logical category ==> classifying the memorization the world scientifically
classification system ==> filter --> encoding (of information about the environment) ==> coherent framework = memory (Schachter, 1996)
Bowker > Matsuda > Edouard Claparede's experiment (1907) of having a stranger rush into the classroom, do something outrageous, and then have students describe what happened --> “that the past--even of a simple event--was less a record than a sort of taxonomy. Not perceptions, but categorization of familiar types was the major function of memory”
#bambi
pigeonholing of facts
how apass as an organizations is coding for artistic research within the framework of their memory systems?
“There is no room on the [filling] form to write an essay on race identity politics.”
do we need to develop and standardize my discipline-specific nomenclature (in our research microworld) in order to name without ambiguity? --> redefinition of disciplinary boundaries --> shaping of your work so that its future practice converges on potential memory
we murder, they note
they draw from their secret[s]
infrastructure-thinking: Ajayeb Network-Making Minimum Data Set
in ajayeb's literature the very information infrastructure itself (should let be or) is in flux ==> discourses make strange connections between themselves
-in ajayeb the infrastructure assumes the position of every node --> reworked in my #Rigs
“...we are afloat in a sea of multiple, fractured causalities each demanding their own classification systems--and their own apparatus of record collection.” (Bowker)
classification (systems): a warrant and a tool for forgetting, and operating the distribution of this forgetting (in space of scientific memory.)
it tells you what to forget (for example the religious and metaphysical,) and how to forget it
[the formation (training) of artists covers up the formation (production) of artistic knowledge]
-the social story of science is excluded from the organization of the sciences, and held outside of it =/= situated knowledge
-a natural hierarchy of sciences is offered: every discipline needs to remember only a given set of facts --> each type of memory which has been distributed in space will also be sequenced in time (http://ajayeb.net/?q=imperative+of+knowing) [for example mathematics --> physics --> chemistry --> biology --> sociology] ==> formal memory system
the problem of the detective is that for him only those facts are relevant that hand him the solution of crime (~-> goal-oriented individual disposition) =/= chasing rabbits
-the detective (has to) classify away traces: the systematic and deliberate forgetting of some actions in order to better remember others
-what makes a difference?
-in sorting animals which past knowledges (--> ajayeb) are deliberatly forgotten in order to remember them as incorporated into an information infrastructure called ‘species’? -->! the classified are remembered (in the technoscience world)
(what is the) complex ecology of memory practices (particular within apass?)
•Hoda --> politics of remembrance
•Zoumana --> situated perspective
•Sina --> narratable past
•Marialena --> type of language
•S
today, 18.07.2017, the ajayeb's knowledge can be stored and expressed in a quite restricted range of genres called myth, ancient, imaginary,
______________
http://www.ics.uci.edu/~gbowker/records.html
we have learned from Foucault that different (medical) records, different practices of reading and writing are intertwined with the production of different patient's bodies, body politic, and bodies of knowledge
@Olga
record is the story of the organizational infrastructure [@Marialena, Olga]
[Foucault on knowing in the practice of medicine:] cascade of inscriptions --> writing [--> totality of observers/observations ==> “true knowledge"] --> modern clinical gaze ==> pathological processes of individual bodies (=/= medicine of species: individual symptoms / medical knowledge, essential truth beneath the sensible individuality)
...a body which hides the essences of the disease --> production of the organizations which enact and treat it
How is the patient (or choreographic) body's specific geometry and its historicity created?
*body is produced through embodied, materially heterogeneous work
(Foucauldian) dispositif: a network within which the body acquires its specific ontology
(Latour < Bowker:) the record ‘mediates’ the relations that it organizes, the bodies that are configured through it
regarding record, we can be concerned with:
•practices of reading and writing which bring the record to life
•mapping the configurations the record helps bring into being
how the structuring of the record speaks to the structuring of the bodies (of the artists?) we investigate? (@Sofia, Olga)
record -->{
production of human bodies
organizational hierarchies
selective memories
_________
Ribes Bowker - Between Meaning and Machine.pdf
...in the wake of ontologies
in participating in knowledge projects, first we learn about ontologies and then learned how to create them
(we rarely “produce” knowledge, we always participate)
ontology: an information technology for representing specialized knowledge in order to:
•facilitate communication across disciplines
•share data
•enable collaboration
(am i) representing the knowledge of my communities (?) -- what does that mean?
*routinization* (is that which is at stake in ontologies) --?--> *apprehension*: orientation to the informational organization of ones field
(to attend the routinizations and apprehensions in one's own practice --> ontology building)
•my routines of reading, highlighting, writing, idiosyncratic talks, feedbacks, questions, silences,
--> (attend to the) transformative consequences of learning and traversing routines --[+]--> the practice and material tools that accompany the reworking of them {knowledge in informational terms, fables, etc.}--> problematic of inter-operability
--> (and asking) how a (broader) community's interests are at stake with this? {to engage and enrol that community through what activities?} #microworld
(my routines:) with confidence deliberately working with:
•interrupting stories with stories
•partial connection (and its performance)
•moving arguments through by infecting them with other arguments (=/= dialectical)
•mobilizing (multidisciplinary) fields (=/= the imperative of knowing A, B, and C first before you do D)
•mobilizing citation apparatus --> that which gives sense to what enables this work --> deliberately having a conversation with ajayeb al makhlughat
•mobilizing anachronic apparatus --> mobilizing different timescales ==> mixing up what counts as “us” (=/= chronology [?==> belonging])
•remembering what one knows (and organizing, performing, reworking it)
•having stakes in rationality (i constantly criticize rationality, but as you can see, i am not at all throwing it out)
•omnivorous approach
•
wild facts amenable (تابع) to formal representation (formal modeling)
routine: practically enacted, having no existence outside its performance, embedded in the configuration of material resources that enable practical work
[#workshop fables] how, by traversing the routine, “knowledge” and “community” took on new meaning, as they were rearticulated in the different languages
uncertain activities of knowledge
(what i am learning in apass is that) modeling ontologies involves articulating knowledge in ways that sometimes appears alien to that domain community
[asking with Bowker:] for my ontology-building to appear representative, does my community itself have to learn the goals and language of my knowledge modeling? (the question i asked Sven, telling others ‘this or that is the language i am using.’) (i am using a language that is Harawayian, Ronellian, Sadrian)
______________
http://www.ics.uci.edu/~gbowker/actnet.html
...it is easy to get lost in Baudrillard's cool memories of simulacra (1990)
at stake: day to day work of building classification system
things to learnd from actor-network approach: (Latour, Callon > Bowker)
•regimes of delegation
•centrality of mediation
•the position that nature and society are not causes but consequences of human scientific and tachnical work
--> “technoscientific societies are powerful precisely because they are so good at delegating and distributing; and that actor-network theory is well position to track and describe the work of delegation and distribution.”
fact is a consequence
(Dewey)
(in a way, my work and interest in ajayeb is about histories of standards in knowledge production, which, i argue, is key to all sorts of other productions) (& the politics of remembrance : the politics and philosophy of classifying certain textual/material activities such that they have a chance of being part of the cultural *potential* memory)-->{Olga, Hoda, Sana}
artists are using a lot of standards (of representations or materials)
(out of) control standards
-there is a huge amount of standards i am depending on in my hypertext
-international diplomacy depends on manufacturing and enforcement of standard vocabulary --> how much are we really in diplomatic businesses?
Google: “To organize the world's information and make it universally accessible and useful”
standards are often:
•making things work together
•enforced by legal bodies
•have their own (significant) inertia --> hard to change, and is not about the technically superior standards winning [DOS, VHS, A4, etc.]
standards --> *aspect of acting in the world* ==> classifications
what are (or have been) the behind the scenes, boring, background processes of the “real” work of ajayeb (and any past and practical politics of knowledge production)? (==> becoming interested in a wider scope of reading: rhetorics, semiotics, objectivity, analysis, architecture,)
•historically creation of the infrastructure
•ubiquity and webbed saturation of classifying and standardizing
•materially textured (layered, tangled)
•their negotiated nature
*distribution of memory (and distribution of representation):
X --> historical contingencies --> a narrative --> practical politics --> standard narrative --> universal category --> erases its own narratological past, (employed internally+externally) deletion of modalities in the development of (scientific) texts; [a modality can be deleted in a number of different ways: [*] it might be distributed (held in another part of the organization than in that which produces the text), [*] built into the infrastructure (the work environment is changed such that the modality is never encountered), etc. =/= #accountability] ==> fact (+ single articulation, only one plot of data) --> mobilizing a set of black-boxes-->{Xiri's “queers,” Eszter's “participants,”: what goes inside these black-boxes and how they look like, is seen as irrelevant for them. [--> translating from the context of storage to the present situation (one might store a fact for reason X but recall it for reason Y) Latour + Bowker]}
X --> indeterminacy & multiplicity --> conflict --> negotiations --> standard
where to make the cuts in the system, for example, down to what level of detail one specifies a description of work, of an illness, of a setting, [of an animal, of a queerness, of a subjectivity, and so on.]
residual categories {rest, others, miscellaneous,} are ubiquitous
what are the mismatches between subsystems in ajayeb and Qur'an?
--> “cumulative mess trajectory” (Strauss) --> when the trajectories become so tangled that you can't return and the interactions multiply
we are riding on metaphores to move in a densely classified world
“There is no way of ever getting access to the past except through classification systems of one sort or another - formal or informal, hierarchical or not” Bowker
•“in the 14th century” --> segmentation of time, system of calendar
•“Iranian” --> discourse of national genius only arose in the 19th century
•“revolution” --> our current conception of ‘revolution’ is marked by the historiographical work of Karl Marx
•(historiographical traditions)
compare first lines of Halaj's biography in Attar and Wikipedia:
•آن فی الله فی سبیل الله آن شیر بیشه تحقیق آن شجاع صفدر صدیق آن غرقه دریای مواج حسین منصور حلاج رحمةالله علیه کار او کاری عجب بود و واقعات غرایب که خاص او را بود که هم در غایت سوز و اشتیاق بود و در شدت لهب و فراق مست و بیقرار و شوریده روزگار بود و عاشق صادق و پاک باز و جد وجهدی عظیم داشت و ریاضتی و کرامتی عجب و عالی همت و رفیع قدر بود او را تصانیف بسیار است [...]
•Mansur al-Hallaj (Arabic: Abū ‘l-Muġīṭ Al-Ḥusayn bin Manṣūr al-Ḥallāğ; Persian: Mansūr-e Ḥallāj) (c. 858 – 26 March 922) (Hijri c. 244 AH – 309 AH) was a Persian mystic, poet and teacher of Sufism [...]
(at the end it is the colonialism that) decides what a disease is [=/= other system/culture (fragile networks) for classifying diseases of the body and spirit, such as ajayeb. (for example see how schizophrenia is classified and understood)]
--> practical ontology
representation of the past
sequencing of the present
==> making it appear that science describes nature --> social power
(at the end you see only those actants who are strong enough, and shaped in the right way, to impact)
“[...] the loosest classification of work is accorded to those with the most power and discretion, who are able to set their own terms.” Bowker 1996
lingua franca of the medical insurance companies
actor network theory: looking in detail at the role of (relatively) black-boxed hybrids [what scientists are actually manufacturing] in creating the discourse of pure science (as endpoint)
science's objective account of natural order:
•trials of strength
•enrolling of allies
•cascades of inscriptions
•operation of immutable mobiles
--> development of standards
‘Janus face’ of science
[Janus, in ancient Roman is the god of beginnings, gates, transitions, time, duality, doorways, passages, and endings. a god of transitions. having two faces, he looks to the future and to the past. (Greeks had no equivalent to Janus.)]
when your work (artistic/scientific) can be seen as a direct translation of the quest for Iranian/French honor after defeat in the battlefield --> the actors don't see what is excluded: they construct a world in which that exclusion could occur
(Latour --> according to American pragmatist strongholds:) reality = 'that which resists’
common language ~= standard language
(we can't talk about the commons without sorting out our understanding of our standard-saturated world)
(my hypertext is not data-driven [= a system with focus on the acquisition, management, processing, and presentation of ‘atomic-level’ data] nor a process-driven (or process-sensitive system, for example delivering a care), what is it then?) (also not systematically storing [my] “knowledge” for later access, storage of information in such long-term memory, no no no)
-is it a support for my various tasks and practices outside the computer? --> excess-driven storytellings =/= minimum data set
-a non-data-driven systems in this society are named secretive and mysterious in the name of transparency
#in a way i am building an adequate mode of encounter with the “Iranian scientist”
they draw from their secret[s]
a technical issue (for example about how to code process) is also a an organizational theory
social embeddedness of scientific truth
(authors of ajayeb approached nature not in a way to sketch the boundaries of a discrete animal event, therefore, a unit of analysis, (which is very natural at 21st century;) rather an infrastructure itself in flux, providing an unnatural hierarchy)--> this is my rhetorical reading of ajayeb
as long as you/God pays attention to them, they will continue to exist
‘uninventing X’: changing society and technology in such a way that the X becomes an impossibility. (Donald Mackenzie)
development and maintenance of technical standards is a site of political decisions and struggle
______________
against the idea that “past is a different country, they do things differently there”
***how we are creating different kinds of past (out of the information infrastructures that we build)?
(pointed out by Bowker) the whole notion of big data is coming from the invention of census (amar-giri آمارگیری) in late 18th century, as its predecessor in a genealogy of techniques of government. “big data is grown up around that idea of control” --> statistics: (etymologically) the science of the state*
“I” <== me + my data
heavily informated world
flashbulb memory*
‘what were you doing when #Bambi's mother got shot?’ people have vivid but 80% of the time wronge memories of that day --> we are good at creating certainty in memory, but not very good at recognizing the ways past is differently configured according to different kinds of *memory practice*
the eternal flame file type/format
the psychoanalyst of Tintin
active archiving is about the framing of the present, and not about the future record
*commemoration is behind a lot of the ways in which we create memories and histories (on the web): that there will be someone who has the time to go back and recognize the values we have created --> recognize ourselves as monuments in the world
(thinking with Bowker fL94LVYjhQQ) as new entities will come to being in the world, instead of creating access to what is reconfiguring of the past we lock ourselves into single unitary visions of the past totally unnecessary --> that is exactly what i am trying to do, providing and creating a kind of approach to what would be an access to a reconfiguring of the past, ajayeb as the case in a Farsi speaking world
on way or another, databases are structured objects, they constraint the forms of narrative you can take ==> a restrict set of stories --> when we are dealing with database we don't have an infinite sets of narrative space
i am taking a theological alterity discourse from pre-enlightenment (islamicated cosmology) and puting it in [...?]*** (Latour is putting it in scientific style of faith)
•artistic research practices/discourses
•modern Iran
•modern culture
•
non-contemplative intelligence basing the database in our time (=/= older traditions of sequencing)
...................................
*deterioration of the immanent (eco-, politico-,) ==> corruption of social relations ==> corruption of memory*** (of a shared existence, of coexistence with [Div, jinn, shadow, birds, Hindus, Arabs, ]) !!!--✕--> issues of historical injustice
-or-
corruption of a river : the entropy and deterioration immanent to it ==> conditions of possibility for corruption of intimate relations and of memory }--([this] experience of corruption)--> takes the nature of being defrauded (روزگار فريبکار) of one's own form of life, one's family or one's inheritance***
(Naveeda Khan talking about river's point of view in Bangladesh, but her keywords are all relevant for Iran's landscape as well)
***the muslim responses to entropy*** ==?==> eschatology
}--> muslim majority regions are more embeded in the world that what we know from islam
سازش
limits of “adaptation”
a rapport ~ ربط تقریباً همگام
or orientation جهتگيرى
a looming future
“[how] politics and policies of climate change stand to shortchange the present and the past”
Naveeda Khan exploring the perception of climate change within everyday life
those who live on such formations --[powerful river waters, eroding, accreting, village politics, dynamics of individual lives,]
fret ترش کردن
مزروعى arable lands
thinking rivers:
to consider water as a ‘total social fact’, to think holistically about water [Caton & Orlove] =/= [Naveeda's] climate thinking --> that there is specificity that needs attending: rivers are major conduits هادى of ‘connectivity’ --> domain of localized interactions
-to take the river to convey local, embodied knowledge within the longer temporalities and emergent horizons (associated with climate change,) (new global urgencies produced by climate thinking)
a sufficient sense of the river
(Cavell < Naveeda's) there-ness of the river: “the rivers are a distinctive and significant locale at which human beings, though not only human beings, find their dwelling place.” Cavell responds thus, “The river poetizes the human being because, in providing *the unity of locality and journeying* it conceals and reveals Dasein's being and becoming ‘homely,’ homelike, I might say, homebound.”
in an analytical approach to examine separately [that is ‘to model']: narative actions and [-ian] images
Marks’ understanding of film as conveying the corporeality of objects
[*]milieu
a powerful concept with genealogy across a range of disciplines [physics, biology, geography, literature --> orienting our use of it]
•18th century: the fluid or ether in which physical bodies are immersed ==(that enable their)==> inter-dependence (#shena, shenavar?) --> milieu becomes universal
•19th century: as producing circumstances that changes needs [Lamarck] --> for Darwin milieu only produced change (at the level of the organism's phenotype)
•milieu rendered as complexes of elements whose actions mutually limit each other and in which the effects of causes become causes in turn, modifying the causes that gave rise to them. (Canguilhem)
umwelt: organisms privilege certain stimuli and response, thus, suggesting to Canguilhem that it isn't merely ‘need’ mediating between organism and milieu (as in Lamarck's formulation) but a prior sense of values that evaluates certain signals as worthy of response over others
--> *the animal finds it simpler to do what it privileges* (Canguilhem 2008)
[*]sense: (from the biological and psychological point of view:) an appreciation of values in relation to a [*]need: (for the one who experuences and lives it:) an irreducible ==(thereby)==> absolute, system of reference
Naveeda's notion of river's point of view:
“...” while the inorganic, such as a river, lacks the building blocks of life in being produced through the action of geological forces, it too has norms and values that take statistical form or are found (in both sense of the word: discovered and originating) in moments of spontaneous action (---> go to Delanda#)
...village and kinship structures being flexible, there is a high value places on sexual normativity
absence of water --> human suffering --> the death of the river --> emergence of land as property
Naveeda examines 3 films:
•focus on corruption, melodramatic specificities of the film-scale, subtext of pain --> Titash Ekti Nodir Naam
•focus on entropy within the Padma river, *ambivalent expression over the necessity for migration that will undoubtedly be one of the strategies of adaptation for an ocean-facing country such as Bangladesh* --> Padma Nodir Majhi
•(film's anticipation of) how rumors and bad news come to unsettle existence, the rumor of climate change may do more to re-organize a social milieu than its actual binding reality --> Chitra Nodir Parey
*there is a “systematic undervaluation of involuntary loss of places and cultures [which] disguises real, experienced but subjective limits to adaptation [and integration*]” (Naveeda > Adger)
(people in interrelation to the Jamuns river...) what may be coming up or downstream or even overhead or below ground, that they are also involved in displacements in situ either because of floods or erosion --> continual throwing up of constitutive elements of social life into the air and their constant re-organization when they return to ground
the erosive tendencies of the river --> the slow movement in place or lateral shifts that lead people to just drop off the scene
(Naveeda: we are in a) landscape not just erosive of relations but also *productive of forgetting* --> adaptation in the present entails an ongoing corruption of memory [--> #Bowker, forms of erasure]***
(#stories of integration in Germany)
...................................
[pre-notes with Delanda's A Thousand Years of Nonlinear History]
what are word-forming resources in farsi?
(not to increase their prestige, rather, to problematize) reservoirs of expressive resources in ajayeb and tehran --> to challenge which international standard?
what are the definitive historical process that create uniform set of linguistic norms in iran?
in my work on ajayeb, also, perhaps i am offering a grammar to the empire---learning system thinking
dictionary --> formal codification of language
regarding my ajayeb hypertext
--✕-->? certain spelling rules, grapheme نويسه [characters A, B, ...], morpheme واژک [smallest meaningful language unit]
--✕--> what are my articulatory shortcuts? (least effort needed)
-how internet press is aiding which minor languages in their struggle against majors?
-and which standards are rising there?
-and what are the hegemonizing effect of my ajayeb hypertext on language and energy? its conservative pressures (on literary imagination) --> my concern with farsi linguistic evolution and its contaminations with other languages
what are my ajayeb hypertext contact situations?
(in my ajayeb) “?q=” =/=? searching device abstract probe head
==>? sorted into homogeneous sets
-->? abstract automata -->{ ajayeb.net ~= a valid-enough mean of transferring the *combinatorial productivity* of automaton [by different (social) dynamics] }-->? #bottom-top approach to writing
my Rigs are about:
•processes responsible for the generation of phrases and sentences
•to produce new strings =/= checking them for validity
(you cannot be not connected to) *collective assemblage* (of enunciations)
(what is my -or-) do i need an abstract machine that connects my language to the semantic and pragmatic contents of statements, to the collective assemblage?
my ajayeb: a throng (هجوم) of (neo-English-Farsi) dialects, patois, slangs, and specialized languages
my Rigs... :
•local restrictions of wach word
•the tendency of words to occur next to each other their degree of crystallization
[for my hypertext] (Zellig Harris:) the constraints or demands that words place on one another are transmitted as socially obligatory information [as physical information, the kind measured in bits, not the semantic information used in dictionary definitions.]
socially obligatory ‘information’-[as ‘physical information’ (kind measured in bits) =/= semantic information (used in dictionary definitions)] ==(transmits)==> constraints or demands that words place on one another
(my hypertext ajayeb is an) “informational niche”
[and what about the matter of ‘actual use’?]
ajayeb.net “rules”: a set of normative combinatorial constraints
recursive application of existing constraints ==> new patterns
*process of language: from optimal to obligatory*
(in respect of history: obligatory meanings of Attar, and so on)
--> in my work this flow is reversed: from obligatory (meanings of Attar or ajayeb) to optimal. that is perhaps why sometimes people say that they don't understand me or that I am wonge.
-memory is the matter of statistical fact: (core) meaning ~= “selection”
***the fate of my contribution depends on and is determined by my position in the communicative network
pidgin دست وپا شکسته ومخلوط : creative adaptations
ajayeb.net is a pidgin?
*pidginization: any process of reduction or simplification of linguistic resources {"=/=”, “=”, “==>”, “-->"}
my ajayeb writing:
step 1: redundent simplification of linguistic resources [--> creoles نژاد مخلوط: that segment of a continuum of variation which exhibits the maximum divergence from the standard but which is still connected to other portions of the meshwork (Farsi+English)]
step 2: reenriching itself with features eliminated during step 1 ~ recomplexification of creoles }==(how?!)==>
step 3: diversifying the number and type of uses it can be put to
double articulation: a sorting operation that yields a homogeneous distribution of elements and a consolidation operation that defines more or less permanent structural linkages between sorted materials.
if and when the materials on which a sorting device operates acquire the ability to replicate with variation, a new abstract machine emerges, in the form of a blind probe head capable of exploring a space of possible forms
ajayeb's (specialist) jargon <-- what intensified them? --> ? tech, colonialism, schooling,
what i am trying to do with ajayeb, in making this hypertext, is to connect its syntactical constructions to fresh reservoirs of linguistic resources ***
with ajayeb.net i am learning to resist the hierarchical weight of “received pronunciations” and official criteria of correctness of “ajayeb”
my Rigs, equipped with “knobs”: controlling parameters whose intensity defines the dynamical state of the structure-generating process
my work on ajayeb is an inquiry (or critique) in the ways we represent the world to ourselves [--> organizing objective referents and label-concepts] <--> a homogenizing social critique?
...................................
what is gained and what is lost when “tidying up the archive” ?
...................................
[Yates]
in the ages before printing a trained memory was vitally important; and the manipulation of images in memory must always to some extent involve the psyche as a whole
** mnemotechnical side of the art is always present **
Mnemosyne, said the Greeks, is the mother of the Muses
occult memory systems <== Renaissance Hermetic tradition --?--> lullism (lullaby? Hoda) <--✕-- rhetoric tradition
the history of memory
the problems of the mental image, of the activation of images, of the grasp of reality through images
...................................
the horror of no longer remembering the reason for forgetting, or, “when the times comes for our battle, the memories'll be the armour”
Thyrza Goodeve
...................................
knowledge infrastructure
how do changes in knowledge infrastructures reinforce or redistributes authority, influence, and power? --> new ways of thinking and acting
create + share + dispute knowledge
(Facebook, Google, etc.:) vast stores of anonymized data to analysis and exploitation, engaging users and publics in new ways
axes of change: [fundamental transformations challenging our understanding of the ways knowledge is processed:]
1- technical systems and standards
2- new modes of analyzing social (re)organization that exploit the extensive traces left behind by users of information
including:
•education
•libraries: changing structures, services, and physical spaces
•publishing industry
•intellectual property
•global flow
•knowledge politics: filter bubble, counter-expertise,
•
unpaind individuals
“sticky” processes and routines --> *most knowledge workers’ salaries are still paid by bricks-and-mortar organizations with hierarchical structures, established insitutional cultures, systems of credit and compensation/
eventual rise of a scientific culture of “extreme openness”
(forms that are) human-readable & machine-readable <-- the move i made from my notebook to ajayeb.net
infrastructure =/= system
infrastructure perspective:
•modular
•multi-layered, multi-scaled (layered nature of infrastructure, navigating among different scales)
•rough-cut character
•ecologies/complex adaptive systems
-->** infrastructures consist of numerous systems, each with unique *origins and *goals, which are made to interoperate by means of *standards, socket layers [: a bony hollow into which a structure fits], social norms, and individual behaviors that smooth out connections among them
=/=
system perspective:
•fully coherent
•deliberately engineered
•end-to-end process
(Weinberger's notion of) *stoping point*
“knowledge as a series of stopping points”
•printed journal articles
•books
•textbooks
•(other fixed products)
--[changing to]--> a world where knowledge is perceptually in motion }--> in a way ajayeb.net is part of this transition
we face a world of abundant information, hyperlinked ideas, permission-free resources, highly public interaction, and massive, unresolved disagreement. (Weinberger)
individual expertise is (many argue) being replaced by the wisdom of crowds: noisy and endlessly contentious, but also rich, diverse, and multi-skilled [=/= fantasies of Black Mirror TV series]
wikis of all sorts
(?is my ajayeb.net a) citizen science
vigor and growing utility
“distance matters”
(Olson)
commodification of data : the presentation of datasets as complete, interchangeable products in readily exchanged formats
data-driven science
problem of evaluation
--> ***Do we know things if we cannot explain why they are true?*** (Anderson)
hierachically organized forms of credentialing
in Julia's seminar we were trying to examine: commodified data analysis tools and widely available software skills ==> (larger number of participants to) analyze data and run models
(*a problem with university students:) [students who do appear] more motivated by the university as a *rite of passage* (گذار از بلوغ) and a *lifestyle*
=/= learning
*professors are no longer seen as infallible experts, but as resources whose facts can be checked in real time
(question of) standard / ontology --> (desire for) universality / (need for) change
knowledge of past climates
@apass
(through my love and study for ajayeb --> infrastructure -->) questions for apass:
-what new forms of organization and community are emerging? what power relations do they rely on, create, or destroy? who wins and who loses as knowledge infrastructure change? (questions proposed by a knowledge infrastructure workshop 2012)
-(ways to) encode and reinforce existing interests and relations of power
-(we need) a design community versed in these literatures:
•different social worlds
•conflicting conceptual frameworks
•sociology of science and technology
•sociology of standards (--> standardizing data has proven to be a crucial activity in *scaling up* the sciences) #lens
•boundary objects
•trading zones
•actor networks
•how sharing works in practice
•agreements on shared norms, practices, and technical systems (problematized by Femke, she focuses my attention on how software developers are too quick to construct “ontologies”)
•
==> to scale up the generally lower-level focus of design thinking [--> how my ajayeb.net addresses this?]
--> to co-design new infrastructures
--> to look beyond the scale of a field and timeframe of a career
(we need) meaningful access to digital media (not an exciting add-on investment)
--> new forms of knowledge infrastructure may disadvantage and devalue older forms of knowledge production:
•new sensor network replacing ecological fieldwork -->? my #amazon
•“instrumenting ocean” supplanting traditions of the oceanographic cruise [in the last 20 years new sensor grids have come to cover the oceans, land, sky and space] -->? my #ajayeb's is concerned with thinking “beyond the *instrumental languages of utility and function*, which tend to cast knowledge infrastructures as *neutral instruments* whose positive and negative effects lie solely in the way they are operationalized and used”
*consequences of change are rarely socially, culturally, or economically neutral*
collectives
assemblages
configurations
try to tell yourself a “technology only” or “social only” story of knowledge infrastructure (and you will find it impossible)
(Brunton's) spam --> co-evolution of technical systems, communities, and social norms
knowledge infrastructures ==carry==> significant distributional consequences --> advancing the interests of some and actively damaging the prospects of others
(ways of producing “raw” date) davulated by “data sharing”:
•*labor-intensive* collecting practices
•site-specific expertise required
}--> long-standing craft traditions
once-vast secretarial ranks (of large organizations) [a British nostalgia for bureaucratic hierarchy fantasized and franchized by Harry Potter]
ajayeb's 13th century's “technologies” for “virtual” witnessing
--imbalance in the structure and distribution of our knowledge--
overrepresentation of research on “charismatic megafauna” (cuddly pandas, expenssive human-like chimps, tigers, hallucinogenic plants, etc.)
*dark continent fallacy*: ignorance (~ non-knowledge) = absence of knowledge : a site, phenomenon, or set of questions that we haven't yet been able or thought to investigate, as: ‘darkness = absence of light’ (--> Star Trek idea of frontier) --@!%--> the relationship between knowledge and non-knowledge may not be as simple or innocent as that
new (forms of) knowledge infrastructures (--> new ways of knowing) ==>
•new questions thinkable --> whole classes of questions, phenomena and forms of knowledge may be lost or rendered unthinkable
•new maps to known territories --> reshape the geography itself
•rework existing (stocks of) knowledge
•reorder our sense of value and structure in the world
•*write new ontologies over old ones* (--> my interest in working with ajayeb)
•embed social norms
knowledge infrastructure ~= sociology of knowledge
= robust internetworks of people, artifacts, and institutions* (--> to attend kno.infs. as wholes, rather than focusing only on their most rapidly evolving elements; #ontology. and attending to the social relations both created and broken) [#to attend to Tehran's new digitally mediated social norms of negative ditributional consequences of change]
any effective sociology of knowledge ought to provide some account of its opposite: the accidental and systematic --> means by which non-knowledge is produced and maintained
**(Robert Proctor's) agnotology: the systematic study of ignorance** [+ Irvin Schick: unknowledge =/= ignorance --> socially constructed lack of knowledge : a conscious absence of socially pertinent knowledge, for example ‘terra incognita --> Western political and economic attention --> enabling colonialism...]
institutional elements of knowledge infrastructure:
•universities
•libraries
•scientific societies
}--> they all have typically conservative, slow-changing forms* -- because when they change, authority, influence, and power are redistributed; (changes takes decades rather than years) --> a long-time-scale, historically informed framework to situate our thinking --> sustainable, accumulative, and shareable qualitative databases
internet-supported citizen science
the 19th century's Darwin favored ‘genetic form’ --> massive and global shift in modes of classification
standard --> *preserving the meaning of data is a human affair, requiring continuous curation
#knowledge zoom lens --> “the long now” (Bowker)
(it took 200 years for printed book's) *intellectual armature* (that now we consider intuitive:)
(in ajayeb.net i am responding and working all of them)
•index
•table of contents
•bibliography
•footnotes
•generally agreed rules on plagiarism
•page numbers (--> =^77988.1.6$shathiat)
***qualitative science*** : detailed, indepth, and meaning-oriented investigations --> analysis, statistical (for example the social network analysis strengths of scope and summation in Braudel's study)
(question of my “writing”:) how to nourish mechanisms for large-scale, long-term research?
-we need to go beyond one-off projects to develope systems and standards for collecting, curating (my knowledge, ajayeb's knowledge) while simultaneously protecting subject's identities and interests /***
=/= short-term, project-by-project work
-(constantvzw is doing this:) build collaborative sciences
sociotechnical phenomena do not rest within the domain of a single discipline
-comparative analysis techniques
comparison across cases (--> how Kobe in his case-based work produces a critically comparative data?)
creation of compatable data [: properly documented --> facilitate sharing] (--> how for my ajayeb?)
(in your work and research -->) encouraging the identification of crucial similarities and differences
-sustainable and sharable data archives, collected over multiple investigative projects --> ajayeb.net = knowledge/thoughts/notes of multiple projects (--> is this my “data”?)
cyberscholarship
#lens, to scale up qualitative social science <--> deploy data storage, visualization, hypertext, and collective-creation possibilities of the web and social media, *new tools for textual analysis*
...................................
[which] cultures (or stories) permit a graceful listening forth to our seeing[?]
(metaphorical economy of) *mnemonic deep*:
•past is a thing that you escape at all costs, our past explains who we are,
•as palimpsest, The infinite faces of the past can be read off the present face ==> narrative ideal presen
•
the time that the institution of the sciences create:
1- the time of the experiment/field study: going back billions of years, quantum units of time, tree rings; peat mosses; fossil seeds;
2- the time of the scientific enterprise, historiographical stances shared among sets of disciplines
3- the law of nature: the past which scientists create can be read as an eternal present
(total recall:) memory as a metaphor needed by a ‘handicapped’ observer who cannot see a complete system
(same technique was used in Gulf War, Ali's production of consensus by flat) encephalogram
Ehsan's transmission sub rosa of information: stories and practices from his wild, discontinuous, ever-changing past
(Lyell's geology of earth:) working from the position that there was no sign of the origin of the earth, nor any portent of its end--what we have access to is a set of records in the landscape which leave the impression of massive upheaval and discontinuity in the past
tools to think past =/=? tools of (our own) archive
“most groups [...] engrave their form in some way upon the soil and retrieve their collective remembrances within the spatial framework thus defined” (Halbwachs 1968 > Bowker)
built: we often don't think of such [reworked natural landscapes] trails in memory terms, because it is not our own personal memory that is being engraved--it is the collective memory of our culture
(my favorite) specialized archival technology (~= memory practice): list*
synchronization in the 14th century, where information provided the ‘coin’ which allowed multiple endeavors--social and natural, along a (different) material substrate
...................................
idio + sync
-idio- (“private,” “one's own,” not capable of engaging in the public sphere, for Athenians: concerned exclusively with private (--> a natural state of ignorance that all persons are born into) (private soldier with no skills?) [~=? mast مست] =/= “polites” ~ police [~=? mohtaseb محتسب (--from--> احتساب, شمارنده, بشمارآورنده)])
-syn- (“with”)
کرم + حلیه
hile + karam
سجده شوریده
خام کن پخته تدبیرها
اول او اول بی ابتداست
آخر او آخر بیانتهاست
کار فلک بود گره در گره
(expelled from the temple of science) the collector and the classifier --> to grosser objects that we can taste, touch, accumulate
the master of ceremonies to a cage of tigers
Bowker on Charles Lyell
Buckland: (generally speaking) all things on earth can be seen at once objects and archives:
•as objects: they function in the world
•as archives: they maintain traces of their own past
a rock:
•object of lithosphere
•document of its history (striation: past glaciation; strata: complex stories of deposition + radioactive isotopes; journy through the mantle; etc.)
earth: a variable legible palimpsest
(office procedures & computer programs are both) designed as *abstract machines*
-for ajayeb i designed an abstract machine called ajayeb.net to realize a seamless interchangeability between my artist/research procedures and computer programs
bootstrap: a simple system activating a more complicated system
(i have become hypersensitive to:) progressivist telling of the history of the earth =/= strangely synchronic world where there is no effective arrow of time
[*]synchronization: the work that it takes to bring the various bits of the world into a single archival framework*** (with their metaphors and strategies) ==permit==> cohabitation of discipliness --> **synchronization of the social and natural worlds to the same temporality**
(synchronization is always at work and is technologically determined)
--> conjuring of the social and natural world into forms that render themselves amenable to recording ==> (imperial records) archiving changes the world & creates a record of it --Derrida--> sequential & jussive (imperative)
+ scientific work epitomized the developement and rigorous application of these procedures (---> go to Serres's origin of geometry and greek empire)
***synchronization brings material forms (commodity flow, train travel) together and when geological and historical time are mapped into the same time --> metaphorical & ideological & material interact (==> emerging powerful possibilities) [--> in art we also do a lot of syncing and synchronization (<-- this is perhaps what Pierre meant by saying that researchers are creating their own science)]
time management, a central issue in industrialization
Babbage: clock = regulator of time
industrial world-knowledge ==> importance of the division of the history of the earth into equal periods of time
information drive (a drive *to save as little information as possible about something*)
(Latour's) oligopticon: special places where the micro-structures of macro-phenomena are crafted, local activities become a “bigger” issue (such as parliaments, courtrooms, offices), where different strands of “macro-social” phenomena are weaved
-they see much too little, but what they see, they see it well (=/= total surveillance of panopticon)
watch (from 1800 to 1820 at least 100000 clocks and watches were produced every year)
“clockwork ocean” with waves and cycles of salinity as “balance wheels”
(Bowker > Graham Burnett > Fontaine Maury)
}==> imposing a **temporally mediated qualitative difference between the creator and created** (instantiated on the factory floor and in nature) --> creators stood outside regular space and time (=/= situated knowledges)
(19th century) scientific work = imposition of a representative framework of regular space and time on social and natural time
(science was and still is) making society confirm to the same spatiotemporal representational framework it was/is “discovering” in nature (---> go to the #scientification of christian genesis in Nolan's Noah film)
*imposition of a regular spatiotemporal representational framework* = (Bowker's) [*]convergence (a key aspect of synchronization): a cosmology (inspired by factory production) of nature and humanity--to make science, art and politics converge more and more towards the same goal, to introduce to them the notion of change, progress, succession, continuity, life, submit them to the same law (of constancy and uniformity)
•in astronomy: (1836) “the return of the comet of Halley at its predicted time has been remarked with intense curiosity and satisfaction by astronomers, and by the public. this has now become a regular and well ordered member of our system” (=/= ajayeb)
*representational framework of temporal regularity* ==> one can read backward into the past and forward into the future (--> # sequential palindromic time)
--> tale of the real archive : tale of stasis [==> “violent care”: preservation of current species and the imposition of stasis] : single law : (the fable of:) “perturbations and oscillations providing noise that true understanding would filter out”
fable of industry:
•how humanity had gone from being initially weak to currently king of nature : “industry = second nature”
•art submits to science
•industry recognizes science for its regulator
chaotic spacelike, lacking direction and granularity
working of childhood marked by staccato syncopation (=/= regular rhythms)
machine regularizes “man”: processes synchronizing him to industrial time
mechanical uniformity became the “natural” state of affairs
Facebook within the spirit of industry --> “under the [spirit of industry's] influence, people will begin by grouping themselves more naturally [...] people will come closer together, mass according to their real analogies and according to their real interests [...] the same ideas will circulate in all countries [...] uniformity of costumes [...] the same needs, a similar civilization, will develope everywhere [...] without confusion or violence, relations both as complex and as easy, as peaceful and as profitable as may be” -Charles Dunoyer
ufs (unidentified flying subject)
ufo
arguments about rates of change = about facts of change
eternal, unchanging present
train traveler looking out the window
a Newtonian world of abstract qualities size, shape, quanity, motion
==> space out of the window of a moving train: a new kind of geographical representation, abstract and regular
(a problem in management:) “time had conspired with capital to annihilate space
@Sana
[a ‘second nature’ being created] railway (+ telegraph) ==> commodification + communication
in our trip to Rivage with Marialena we were in terested in signs in the built landscape, the “second nature” in the nature of Rivage, which were “concrete embodiments of the environmental partitioning that made farming possible”
a heterogeneous collection of lived spaces and histories
a heterogeneous collection of lives and spaces
why translation must be a monopoly (according to railway):
you need centralized bureaucracy and effective monopoly in order to operate with efficiency [...] you could not have every train running on its own (loca) time ==> (Bahn railway map =) a representation that permit efficient operation --> *an absolute time and annihilated space*
(industrialization -->) railway/railroads --> basic accounting techniques used by American business enterprise (into the 20th century)
==> infrastructural technology: organizational form (accounting techniques, reports, etc.) synchronized with its own impact on the world (regularizing it) providing both a ***material and metaphorical implusion*** (to order its forms of inquiry/activity)
@apass monday reading
means of new infrastructural technobody ==> technoscientific representations ==> (dual process of) commodification (railway) + representation (abstract space-time)
--> “you need to be able to represent the world in a *coherent and standard* form [~ databases] in order to run railways [or program language operation] and deal in commodities
increasingly less well-defined boundaries --Serres--> we need analytic categories that allow us to account for the unified representational time and space applied to both bureaucratic and scientific work --(Sohn-Rethel)--> (relationship between) **commodity form and the process of intellectual abstraction** [-abstractness governs the whole orbit of commodity form]. when commodity is up for sale, it is by definition not to be used; it exists in a kind of “frozen time” outside the normal flow of time. it moves in an abstract spatiotemporal world (~= “second nature"[==> cognitive faculty of conceptual things] =/= concrete world of “first nature”)
*import* the ideal abstraction basic to greek philosophy and to modern science
systematizers
nested series of regions
synchronic extension --> “trace” back records in past: indian empire preceded edgyptian preceded persian preceded western. a second world, Europe, is contained within larger world (~= european union) --> (fable of the “step by step”:) man has step by step, broken with this natural asian world, and constructed, through industry and trial a world informated by liberty [--> my german orientation course, “that is why refugees are coming here"]
fable: history as the tale of struggle (~ liberty against fatality)
(glorious) race into the future
temps
•time
•weather
(i have been working against:) “the irrelevance of the past for a purified real present (which Bowker underlines in Lyell's work)
syllogism صغرى کبرى
soghra kobra
senility kohulat
**database
(replacing syllogism) principle of the *division of labor* --> simultaneity of groups (of people) --> “the succession of acts of which a single act is composed, is the same thing as the succession of diverse works necessary to arrive at a result which is nevertheless single.” (this) succession ==> division of labor
“there is no[...]