[...]
="frds scrmbld">Ehsan's trans="trms">mission sub rosa of information='lgc'>: ="trms">stories and practices from his ="trms">wild, discontinuous, ever-changing ="trms">past
(Lyell's geology of earth='lgc'>:) working from the ="trms">position that there was no sign of the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of the earth, nor any portent of its end='lgc'>--what we have access to is a set of records in the landscape which leave the impression of massive upheaval and discontinuity in the ="trms">past
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tools to think ="trms">past ='lgc'>=/=='qstn'>? tools of (our own) archive
“most groups ='lgc'>[...='lgc'>] engrave their form in some way upon the soil and retrieve their collective re="trms">membrances within the spatial framework thus defined” (Halbwachs 1968 > ="ppl">="ppl">Bowker)
built='lgc'>: we often don't think of such ='lgc'>[reworked ="trms">natural landscapes='lgc'>] trails in ="trms">memory terms, because it is not our own personal ="trms">memory that is being engraved='lgc'>--it is the collective ="trms">memory of our culture
(my favorite) specialized archival ="trms">technology (='lgc'>='lgc'>~= ="trms">memory practice)='lgc'>: ="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list='strcls'>*
="trms">synchronization in the 14th century, where information provided the ‘coin’ which allowed multiple endeavors='lgc'>--="trms">social and ="trms">natural, along a (="trms">different) ="trms">material substrate
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idio ='lgc'>+ ="trms">sync
="prgrph">-idio- (“private,” “one's own,” not capable of engaging in the public sphere, for Athenians='lgc'>: concerned ex="trms">="trms"nttrm="cluster,club">clusively with private (='lgc'>='lgc'>--> a ="trms">natural state of ignorance that all persons are born into) (private soldier with no ="trms">skills='qstn'>?) ='lgc'>[='lgc'>='lgc'>~=='qstn'>? mast مست='lgc'>] ='lgc'>=/= “polites” ='lgc'>~ police ='lgc'>[='lgc'>='lgc'>~=='qstn'>? mohtaseb محتسب (='lgc'>--from='lgc'>='lgc'>--> احتساب, شمارنده, بشمارآورنده)='lgc'>])
="prgrph">-syn- (“with”)
کرم ='lgc'>+ حلیه
hile ='lgc'>+ karam
سجده شوریده
خام کن پخته تدبیرها
اول او اول بی ابتداست
آخر او آخر بیانتهاست
کار فلک بود گره در گره
(expelled from the temple of ="trms">science) the collector and the classifier ='lgc'>='lgc'>--> to grosser objects that we can taste, touch, accumulate
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the master of ceremonies to a cage of tigers
="ppl">="ppl">Bowker on Charles Lyell
Buckland='lgc'>: (generally speaking) all things on earth can be seen at once objects and archives='lgc'>:
="lsts lst1">•as objects='lgc'>: they function in the ="trms">world
="lsts lst1">•as archives='lgc'>: they maintain traces of their own ="trms">past
a rock='lgc'>:
="lsts lst1">•object of lithosphere
="lsts lst1">•document of its ="trms">history (striation='lgc'>: ="trms">past glaciation; strata='lgc'>: complex ="trms">stories of de="trms">position ='lgc'>+ radioactive isotopes; journy through the mantle; etc.)
earth='lgc'>: a variable legible ="trms">palimpsest
(office procedures ='and'>& computer programs are both) designed as ='strcls'>*abstract machines='strcls'>*
="prgrph">-for ="nms">ajayeb i designed an abstract machine called ="nms">ajayeb.net to realize a seamless ="trms">interchangeability between my artist/research procedures and computer programs
boots="trms">trap='lgc'>: a simple ="trms">system activating a more complicated ="trms">system
(i have become hypersensitive to='lgc'>:) progressivist telling of the ="trms">history of the earth ='lgc'>=/= strangely ="trms">synchronic ="trms">world where there is no effective arrow of time
='lgc'>[='strcls'>*='lgc'>]="trms">synchronization='lgc'>: the work that it takes to bring the various bits of the ="trms">world into a single archival framework='strcls'>*** (with their ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors and strategies) ='lgc'>==permit='lgc'>='lgc'>==> cohabitation of discipliness ='lgc'>='lgc'>--> ='strcls'>**="trms">synchronization of the ="trms">social and ="trms">natural ="trms">worlds to the same temporality='strcls'>**
(="trms">synchronization is always at work and is ="trms">technologically determined)
='lgc'>='lgc'>--> conjuring of the ="trms">social and ="trms">natural ="trms">world into forms that render themselves amenable to recording ='lgc'>='lgc'>==> (imperial records) archiving changes the ="trms">world ='and'>& creates a record of it ='lgc'>--="ppl">Derrida='lgc'>='lgc'>--> sequential ='and'>& jussive (imperative)
='lgc'>+ ="trms">scientific work epitomized the developement and ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigorous application of these procedures (='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ="ppl">Serres's o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin of ="trms">geometry and ="trms">greek empire)
='strcls'>***="trms">synchronization brings ="trms">material forms (commodity flow, train ="trms">travel) together and when geological and ="trms">historical time are mapped into the same time ='lgc'>='lgc'>--> ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorical ='and'>& ideological ='and'>& ="trms">material ="trms">interact (='lgc'>='lgc'>==> emerging powerful possibilities) ='lgc'>[='lgc'>='lgc'>--> in art we also do a lot of ="trms">syncing and ="trms">synchronization (='lgc'><='lgc'>-- this is perhaps what ="frds scrmbld">Pierre meant by saying that rese="trms"nttrm="search">archers are creating their own ="trms">science)='lgc'>]
time management, a central issue in industrialization
Babbage='lgc'>: clock='lgc'> = regulator of time
industrial ="trms">world-knowl="trms"nttrm="knowledge,Knowledge">edge ='lgc'>='lgc'>==> importance of the division of the ="trms">history of the earth into equal periods of time
information drive (a drive ='strcls'>*to save as little information as possible about something='strcls'>*)
(="ppl">="ppl">Latour's) oligopticon='lgc'>: special places where the micro-structures of macro-="trms">phenomena are ="trms">crafted, local activities become a “bigger” issue (such as parliaments, courtrooms, offices), where ="trms">different strands of “macro-="trms">social” ="trms">phenomena are weaved
="prgrph">-they see much too little, but what they see, they see it well (='lgc'>=/= total sur="trms">veillance of panopticon)
watch (from 1800 to 1820 at least 100000 clocks and watches were produced every year)
“clockwork ocean” with waves and cycles of salinity as “balance wheels”
(="ppl">="ppl">Bowker > Graham Burnett > Fontaine Maury)
='lgc'>}='lgc'>='lgc'>==> imposing a ='strcls'>**temporally mediated qualitative ="trms">difference between the creator and created='strcls'>** (instantiated on the factory floor and in ="trms">nature) ='lgc'>='lgc'>--> creators stood outside regular space and time (='lgc'>=/= ="trms">situated knowl="trms"nttrm="knowledge,Knowledge">edges)
(19th century) ="trms">scientific work='lgc'> = im="trms">position of a re="trms">presentative framework of regular space and time on ="trms">social and ="trms">natural time
(="trms">science was and still is) making ="trms">society confirm to the same spatiotemporal re="trms">presentational framework it was/is “discovering” in ="trms">nature (='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to the ='at'>#="trms">scientification of christian genesis in Nolan's Noah film)
='strcls'>*im="trms">position of a regular spatiotemporal re="trms">presentational framework='strcls'>*='lgc'> = (="ppl">="ppl">Bowker's) ='lgc'>[='strcls'>*='lgc'>]convergence (a key aspect of ="trms">synchronization)='lgc'>: a ="trms">cosmology (inspired by factory production) of ="trms">nature and humanity='lgc'>--to make ="trms">science, art and politics converge more and more towards the same goal, to introduce to them ='thdf'>the notion of change, progress, succession, continuity, life, submit them to the same law (of constancy and uniformity)
="lsts lst1">•in astronomy='lgc'>: (1836) “the return of the comet of Halley at its predicted time has been remarked with intense curiosity and satisfaction by astronomers, and by the public. this has now become a regular and well ordered ="trms">member of our ="trms">system” (='lgc'>=/= ="nms">ajayeb)
='strcls'>*re="trms">presentational framework of temporal regularity='strcls'>* ='lgc'>='lgc'>==> one can ="trms"nttrm="already,spread">read backward into the ="trms">past and forward into the future (='lgc'>='lgc'>--> ='at'># sequential ="trms">palindromic time)
='lgc'>='lgc'>--> tale of the real archive ='lgc'>: tale of stasis ='lgc'>[='lgc'>='lgc'>==> “violent care”='lgc'>: preservation of current ="trms">species and the im="trms">position of stasis='lgc'>] ='lgc'>: single law ='lgc'>: (the ="trms">fable of='lgc'>:) “perturbations and oscillations providing noise that true understanding would filter out”
="trms">fable of industry='lgc'>:
="lsts lst1">•how humanity had gone from being initially weak to currently king of ="trms">nature ='lgc'>: “industry='lgc'> = second ="trms">nature”
="lsts lst1">•art submits to ="trms">science
="lsts lst1">•industry recognizes ="trms">science for its regulator
chaotic spacelike, lacking direction and granularity
working of ="trms">childhood marked by staccato ="trms">syncopation (='lgc'>=/= regular rhythms)
machine regularizes “man”='lgc'>: processes ="trms">synchronizing him to industrial time
mechanical uniformity became the “="trms">natural” state of affairs
Face="trms">book within the spirit of industry ='lgc'>='lgc'>--> “under the ='lgc'>[spirit of industry's='lgc'>] influence, people will begin by grouping themselves more ="trms">naturally ='lgc'>[...='lgc'>] people will come closer together, mass ="trms">according to their real analogies and ="trms">according to their real ="trms">interests ='lgc'>[...='lgc'>] the same ideas will circulate in all countries ='lgc'>[...='lgc'>] uniformity of costumes ='lgc'>[...='lgc'>] the same needs, a similar civilization, will develope everywhere ='lgc'>[...='lgc'>] without confusion or violence, ="trms">relations both as complex and as easy, as peaceful and as profitable as may be” -Charles Dunoyer
ufs (unidentified flying subject)
ufo
arguments about rates of change='lgc'> = about facts of change
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eternal, unchanging ="trms">present
train ="trms">traveler looking out the window
a ="ppl">Newtonian ="trms">world of abstract qualities size, shape, quanity, motion
='lgc'>='lgc'>==> space out of the window of a moving train='lgc'>: a new kind of geographical re="trms">presentation, abstract and regular
(a problem in management='lgc'>:) “time had conspired with capital to annihilate space
='at'>@="frds scrmbld">Sana
='lgc'>[a ‘second ="trms">nature’ being created='lgc'>] railway (='lgc'>+ telegraph) ='lgc'>='lgc'>==> commodification ='lgc'>+ ="trms">communication
in our trip to Rivage with ="frds scrmbld">Marialena we were in terested in signs in the built landscape, the “second ="trms">nature” in the ="trms">nature of Rivage, which were “concrete ="trms">embodiments of the environmental partitioning that made farming possible”
a heterogeneous collection of lived spaces and ="trms">histories
a heterogeneous collection of lives and spaces
why ="trms">translation must be a monopoly (="trms">according to railway)='lgc'>:
you need centralized bureaucracy and effective monopoly in order to operate with efficiency ='lgc'>[...='lgc'>] you could not have every train running on its own (loca) time ='lgc'>='lgc'>==> (Bahn railway map =) a re="trms">presentation that permit efficient operation ='lgc'>='lgc'>--> ='strcls'>*an absolute time and annihilated space='strcls'>*
(industrialization ='lgc'>='lgc'>-->) railway/railroads ='lgc'>='lgc'>--> basic accounting ="trms">techniques used by American business enterprise (into the 20th century)
='lgc'>='lgc'>==> infrastructural ="trms">technology='lgc'>: organizational form (accounting ="trms">techniques, reports, etc.) ="trms">synchronized with its own impact on the ="trms">world (regularizing it) providing both a ='strcls'>***="trms">material and ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphorical implusion='strcls'>*** (to order its forms of inquiry/activity)
='at'>@="nms">apass monday ="trms"nttrm="already,spread">reading
means of new infrastructural ="trms">technobody ='lgc'>='lgc'>==> ="trms">techno="trms">scientific re="trms">presentations ='lgc'>='lgc'>==> (dual process of) commodification (railway) ='lgc'>+ re="trms">presentation (abstract space-time)
='lgc'>='lgc'>--> “you need to be able to re="trms">present the ="trms">world in a ='strcls'>*coherent and standard='strcls'>* form ='lgc'>[='lgc'>~ ="trms">databases='lgc'>] in order to run railways ='lgc'>[or program ="trms">language operation='lgc'>] and deal in commodities
increasingly less well-defined boundaries ='lgc'>--="ppl">Serres='lgc'>='lgc'>--> we need analytic ="trms">categories that allow us to account for the unified re="trms">presentational time and space applied to both bureaucratic and ="trms">scientific work ='lgc'>--(Sohn-Rethel)='lgc'>='lgc'>--> (="trms">relationship between) ='strcls'>**commodity form and the process of intellectual abstraction='strcls'>** ='lgc'>[-abstractness governs the whole orbit of commodity form='lgc'>]. when commodity is up for sale, it is by de="trms">finition not to be used; it exists in a kind of “frozen time” outside the normal flow of time. it moves in an abstract spatiotemporal ="trms">world (='lgc'>='lgc'>~= “second ="trms">nature"='lgc'>[='lgc'>='lgc'>==> cognitive faculty of conceptual things='lgc'>] ='lgc'>=/= concrete ="trms">world of “first ="trms">nature”)
='strcls'>*import='strcls'>* the ideal abstraction basic to ="trms">greek philosophy and to ="trms">modern ="trms">science
="trms">systematizers
nested series of regions
="trms">synchronic extension ='lgc'>='lgc'>--> “trace” back records in ="trms">past='lgc'>: indian empire preceded edgyptian preceded persian preceded western. a second ="trms">world, Europe, is contained within larger ="trms">world (='lgc'>='lgc'>~= european union) ='lgc'>='lgc'>--> (="trms">fable of the “step by step”='lgc'>:) man has step by step, broken with this ="trms">natural asian ="trms">world, and constructed, through industry and trial a ="trms">world informated by liberty ='lgc'>[='lgc'>='lgc'>--> my german orientation course, “='thdf'>that is why refugees are coming here"='lgc'>]
="trms">fable='lgc'>: ="trms">history as the tale of struggle (='lgc'>~ liberty against fatality)
(glorious) race into the future
temps
="lsts lst1">•time
="lsts lst1">•weather
(i have been working against='lgc'>:) “the irrelevance of the ="trms">past for a purified real ="trms">present (which ="ppl">="ppl">Bowker underlines in Lyell's work)
syllogism صغرى کبرى
soghra kobra
senility kohulat
='strcls'>**="trms">database
(replacing syllogism) principle of the ='strcls'>*division of labor='strcls'>* ='lgc'>='lgc'>--> ="trms">simultaneity of groups (of people) ='lgc'>='lgc'>--> “the succession of acts of which a single act is ="trms">composed, is the same thing as the succession of diverse works necessary to arrive at a result which is nevertheless single.” (this) succession ='lgc'>='lgc'>==> division of labor
“there is not context only text” ='lgc'>='lgc'>--> when you get to Paris, upbringing and race are irrelevant to a person's actions. contemporary humanity would move completely outside the flow of ="trms">narrative time
1830s geology
="trms">history='lgc'>: a ="trms">science of singularity and secular change
earth='lgc'>: records of catastrophic events that ="trms">affected the body terrestrial (much as political events ="trms">affected the body politic)
(Lyell ='lgc'>+ Buchez ='lgc'>+ Michelet ='lgc'>='lgc'>==>) (reconfigured the ="trms">world from) a ='strcls'>*tapestry of tales='strcls'>*='lgc'>[='lgc'>='lgc'>~= ="nms">ajayeb='lgc'>] ='lgc'>--to='lgc'>='lgc'>--> random access ="trms">memory/archive ='lgc'>[RAM='lgc'>]='strcls'>****
isotropic spatiotemporal analysis
glitterati
glitter ='lgc'>+ ="trms">literati
(framed people='lgc'>: made ="trms">fashionable and beautiful)
Lyell's time='lgc'>:
="lstsrd">1- time='lgc'>: passive container ='lgc'>='lgc'>--> attempt to give a chronology to the ="trms">history of the earth, to trace its o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin or deny that there is any evidence that it has o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin
="lstsrd">2- time='lgc'>: process ='lgc'>='lgc'>--> attempt to pick out certain types of changes that are invariably as="trms">sociated with the ="trms">history of the earth at any age ='lgc'>[='lgc'>='lgc'>--> RAM='lgc'>] and are thus in a sense a feature of time itself
="ppl">="ppl">Bowker ="trms"nttrm="already,spread">reading consistant patterning in Lyell's ="trms">writing, finds that in his work in each disparate quotes that ="ppl">="ppl">Bowker ="trms">cites='lgc'>:
="lsts lst1">•the part='lgc'>: (is take as) varying, ="trms">liable to be created or destroyed
="lsts lst1">•(='lgc'>=/=) the whole='lgc'>: immutable and eternal (just like Buchez's ="trms">society)
='lgc'>}='lgc'>='lgc'>--> ="trms">fable of ‘="trms">nature as a whole’
='lgc'>[='lgc'>==asserting='lgc'>='lgc'>==> that no hybrid had ever achieved a permanent niche on earth='lgc'>]='strcls'>**
that ="trms">nature keeps a check on the whole process by organizing flora and fauna into “nations”
='lgc'>[='lgc'>==asserting='lgc'>='lgc'>==> nothing can survive long outside its nation='lgc'>]='strcls'>** (='lgc'>=/= cyborg)
“cycle” of years ='lgc'><='lgc'>='lgc'>--> a region
a climatic great year ='lgc'><='lgc'>='lgc'>--> earth over time
“revolutions” of the earth's surface ='lgc'><='lgc'>='lgc'>--> ="trms">species change
industrial revolution, reaching its peak as Lyell was ="trms">writing
='lgc'>='lgc'>--> the stillness, the ='strcls'>***ineluctable equilibrium between creation and destruction='strcls'>*** (='lgc'>=/= other facts available to Lyell's contemporaries)
(="trms">fable, a powerful myth still stalking our collective discourse today='lgc'>:) that human time was going faster now than it ever had in the ="trms">past ='lgc'>--to='lgc'>='lgc'>--> give humanity a privileged ="trms">position within the geological record
(a ="trms">different time for geology)
='strcls'>**='lgc'>[clockwork mechanism='lgc'>]
how geology in the 19th century shaped our contemporary ideas of ="trms">database
="prgrph">-(earth is an archivist, but a bad one, it is up to the geologist to pull together information ='lgc'>='lgc'>-->='lgc'>{ earth creates false records ='lgc'>='lgc'>--> humands create false records through mudging the earth's annals with mules, hybrids, and ="trms">monsters ='lgc'>--='not'>✕='lgc'>='lgc'>--> geologist can ="trms"nttrm="already,spread">read between the lines ='lgc'>='lgc'>==> true record of stasis)
the earth's archival ="trms">technology ='lgc'>+ efficient use of information ="trms">technology
="large lg3" stl="font-size:110%">
astronomy was in the 19th century the ="trms">science of regularity ='lgc'>: all the apparent perturbations in the earth's orbit were reckoned to be embedded in cycles of varying duration ='lgc'>='lgc'>--> universe='lgc'> = effectively clockwork mechanism
="large lg14" stl="font-size:107%">
(for an archivist ='lgc'>[='lgc'>~ Lyell='lgc'>]='lgc'>:) earth='lgc'> = special kind of clock, an ='strcls'>*hourglass='strcls'>*
(astronomy ='lgc'>+ geology ='lgc'>='lgc'>-->) (a contemplation of) the regular clockwork mechanism that seemed to govern both the heavens and the earth ='lgc'>[='lgc'>+ Babbage='lgc'>: judged that human ="trms">history was in its underlying tendency equally regular='lgc'>] ='lgc'>='lgc'>==> ='strcls'>***first and second ="trms">nature converge ="trms">onto a timeless ="trms">present and an anisotropic flow of time='strcls'>***
='strcls'>*anisotropic='lgc'>: having a physical property which has a ="trms">different value when ="trms">measured in ="trms">different directions. (wood is stronger along the grain than across it, or anisotropic filtering in computer graphic rendering at oblique viewing angles)
="prgrph">-varying in magnitude ="trms">according to the direction of ="trms">measurement. (electron scattering is anisotropic) ='lgc'>='lgc'>~-> ="trms">palindromic time
='strcls'>*isotropic='lgc'>: having a physical property which has the same value when ="trms">measured in ="trms">different directions. not varying in magnitude ="trms">according to the direction of ="trms">measurement
="large lg4" stl="font-size:112%">
(my project='lgc'>:) ='strcls'>**picture of earth ="trms">sciences='strcls'>**
(='lgc'>='lgc'>--> ="trms">stories of macrocosm in ="ppl">Olearius)
picture of earth in 1830s='lgc'>:
earth itself as a kind of large information storage device not a very efficient one, but still remarkable ='lgc'>='lgc'>-->> the inefficiencies of the storage device could be mitigated (as Beaumont and Lyell pointed out) by redundencies in the recording process ='lgc'>='lgc'>-->> these redundencies could be perceived through efficient use of the new transport infrastructure (steamboat, train, etc.) ='lgc'>='lgc'>-->> then geology would converge with astronomy in calling forth a ="trms">historical time as regular and perfect as that of the clockwork solar ="trms">system (hymned as an accurate clock)
='lgc'>}='lgc'>='lgc'>-->
“archival process ='lgc'>='lgc'>~= a ="trms">natural ="trms">technology” ='lgc'>='lgc'>--> from ="trms">natural to ideal='lgc'>: archive being mediated by ="trms">technology marked by clockwork regularity
='lgc'>='lgc'>==> “earth='lgc'> = clock” (as="trms">sociated with the triumph of industrial ="trms">society, because it ran like clockwork ='lgc'>[='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to german pünktlich punctuality='lgc'>]) ='lgc'>='lgc'>--> industrial time ="trms">writen into Lyell's geology='lgc'>: two ="trms">methods of factory production ='strcls'>*the division of labor='strcls'>* and the ='strcls'>*parceling up of time into regular units='strcls'>* are both ="trms">writen into time that Lyell created for the new discipline of geology
='lgc'>='lgc'>--> factory ='and'>& geology were the precisely the same prob[...]