[...]: in the culture of each pad+participant+research what connects and joins, what delinks and disconnects.


PRACTICAL:

we want to find out how cri's “filter” translates its politics into metadata
and
what happens in linking the symbolic space of data-model to the (relational, procedural, emotional) qualities of the researches of participants

we will work on the block's opening week feedbacks and process them in this diagram:
feedback --> quasi object --> structured knower --> data
(or technically:)
semantic in flux --> persistence statements --> object repository --> identifiers

(Tuesday, Wednesday, and Thursday are spent on the creation of “quasi objects”)

i propose some (well-intended but not tested) internal categories:
•stickiness
•zoom
•cheat
•persistence
•repetition
•vulgar

(i will describe them later)

and these categories produce three topologies:
1. ramp
2. nest
3. skew

(this is a maneuver to replace the question of ‘strategy’ to ‘topology’, the first act of making quasi-objects)

ramp: sequential, one dimensional, ‘sliders’
nest: fractal, serializable, arborescent, ‘comments’
skew: verb-active, streching, ‘2D field color picker pointer’

each is “queryable” in different ways and propose different difficulties
each of them addapted from an existing technologies (range sliders, commenting, color pickers)
each embeds one of: colors, doings, values

slider: marking everything with decimals
comments: hypertextualizing
field picker: spreading
}--> they are all milieu-makers

ramp --> arc of necessity
nest --> mosaic divisions
skew --> chromatic/luminous effect (of mixture)


and also:
•to address (in a longer term) how apass performs analysis and prioritization of its own service definition?
•to address (in a longer term) historical/cultural specificities of apass
•to address aspects of apass's exceptionalism (its characters, colors, doings, values)



REPORT:

Geert
zoom / biger picture
perform a zoom
Geert and Michael knowledge zoom-level
Geert's strech-work
which cheats
vulgar: direct, =/= suffisticated, =/= nice(in a classical sense), =/= institutional code [--> a cheat], everyday, good taste, context?!!
suggested topology: skew --changed--> nest (tow branches answering yes and no to: “is he cheating?”)

Leo
stickiness ~ residual (left overs of impression), we couldn't find little objects, litte stickies
zoom is tooooo wide, megacategories, “fermentation” is a different zoom level
cheat --> perception/intention, value of non-doing ?, ‘order is cheat’, ritual ==> heal/cope
vulgar: ritual of popular knowledge, =/= social acceptence, communicating emotional needs, guilt on behalf of the vulgars,
suggested topology: skew (with 4 axioms: negativity, positivity, passivity, ritual)

Caterina
sticky: difiicult to remove categories, dirty, quality of trape, almost negative, like honey as an intermediary sticky for other objects to become sticky
zoom: Latina candition macro, ass rincles micro, herself, change of lens is what matters not the zoom level, the macro of the term culture itself
cheat: against the rule of community/aggreement, always cheating the system, against the game, bad relation to the game, lazy relation, faking?
vulgar: ordinary, insultive, perjurative, of the “people”, (Geert:) a marking always coming from above, what television does: non-actual + spectacle, (Elen:) immoral, not original, not elegant, thinking in terms of the ‘same’, group forming, non-individual, twards mass formation,
suggested topology: nest

Eszter
polarized lense
confusion / being confused is ‘cheating’
stickiness absent
suggested topology: nest (with two branches: naive & political leader)

Goda
nothing sticks anymore therefor we go to swamp to stick to relevant objects
swamp as archive (refuge from the capitalist) =/=? cheat
constructing ‘bad example’ (?) --> role model
zooming in losers of capitalism
X-ray kind of lens into the opacity of swamp
(her) treasures in the swamp [--> epistemological buried objects]
criticizing how capitalism zooms for her irrelevant objects
buffoon --> vulgar
suggested topology: skew (the skew is a plain around the edges, gets deeper in the middle, and a narrow way up in the center: the exit)

Elen
presence of the working of subconscious ==provokes==> etymology
very sticki “hell yea!"s
affirmative, sometimes technical knowledge
something sold (“self”) with something morphic on it (“apparition” or ‘surat’ in farsi)
suggested topology: ramp

Hoda
cheat: sharp radical formation, playing ambiguity
totalizing vision lense (“if then all...”)
“because i asked i could feel”
anti-psychological
suggested topology: ramp

Katinka
makeover slider
vulgar: makeover show, e-bay
statements not touching her, something else is sticki object: sympathy?
slider: stack
suggested topology: ramp (makeover)

Nassia
stick: something bodily, heat, sweat, property of objects
zoom is the opposit of body
gaze inside + anatomy
cheating: on people negative / on systems positive
suggested topology: ramp

Laura
osmotic = french kiss
administered (by machine) body
the good example
beauty is invested in...
the (unchanging) core of the cuttle-fish
popular = vulgar
suggested topology: skew (regimented floor plan)

Maurice
cheat --> joker, fool
cute: getting off the leash of institution
bear blurs what...
“but I am just...”
bribe economy --> honest and human
suggested topology: nest

...................................

[title]
archives of open desire

...................................

#drawing exercises in built environment (with Sizek + Mathews https://culanth.org/fieldsights/1542-methods-for-many-anthropocenes-with-andrew-s-mathews)
1. pick a charismatic building/statue/object on your built environment, and draw a form of it, inviting to identify details of the object that reveal aspects of its history or use today
2. compare drawings and use the drawings to tell stories about the object and its use or importance to life in that environment
3. invite to reflect on the ways that drawing infrastructure can reveal processes at multiple temporal and spatial scales

discussion questions/writing response questions:
•Which features of the structure stood out, and what do these suggest about the processes of its creation and use?
•How has its infrastructure changed over time, and how are these changes evidenced in the built form itself?
•How does your structure relate to others in its immediate vicinity, and in what ways do relationships between structures help reveal social relations?
•What traces of past events are embedded in infrastructure or its memories, and how can we render these traces present?

drawings has to do with the incompleteness of knowing and representing
indeterminacy at ‘the same time’

(?in which locations you can get a good) human response to:
•slow processes (soil, geology, plant form)
•fast processes (plant seasonal behavior, weather, human responses to all of these things)

*drawing as structured wondering/wandering*

use of the *dramatic* as method --> to entertain multiple worldviews
to maintain irreducible complexity and to recenter historical processes as central to understanding contemporary politics
(history and drama)
-facts as enacted and performed before audiences (--> tradition in science and technology)

**knowledge is always performed, staged, and enacted** <== my work on ajayeb

how to tell the dramatic stories

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notes from Sofia's seminar on documentation

the questions i brought home with Kobe:

the ontological relationships between law and art, who protects who? what protects protection? --> which material discursive practices make the ontological boundaries of “protection”? (specially today in[...]