[...]d but not tested) lss="trms">internal lss="trms">categories<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst1">•stickiness
lsts> <lsts clss="lsts lst1">•lss="trms">zoom
lsts> <lsts clss="lsts lst1">•cheat
lsts> <lsts clss="lsts lst1">•persistence
lsts> <lsts clss="lsts lst1">•repetition
lsts> <lsts clss="lsts lst1">•vulgar
lsts>
(i will describe them later)

and these lss="trms">categories produce three topologies<lgc clss='lgc'>:lgc>
<lstsrd clss="lstsrd">1. ramp
lstsrd> <lstsrd clss="lstsrd">2. nest
lstsrd> <lstsrd clss="lstsrd">3. skew
lstsrd>
(this is a maneuver to replace the lss="trms">question of ‘strategy’ to ‘topology’, the first act of making quasi-objects)

<lrg clss="large lg2" stl="font-size:111%"> ramp<lgc clss='lgc'>:lgc> sequential, one dimensional, ‘sliders’
nest<lgc clss='lgc'>:lgc> fractal, serializable, arborescent, ‘comments’
skew<lgc clss='lgc'>:lgc> lss="trms">verb-active, streching, ‘2D field color picker polss="trms">inter’

each is “queryable” in lss="trms">different ways and propose lss="trms">different difficulties
each of them addapted from an existing lss="trms">technologies (range sliders, commenting, color pickers)
each embeds one of<lgc clss='lgc'>:lgc> colors, doings, values
lrg>
slider<lgc clss='lgc'>:lgc> marking everything with decimals
comments<lgc clss='lgc'>:lgc> hypertextualizing
field picker<lgc clss='lgc'>:lgc> splss="trms"nttrm="already,spread">reading
<lgc clss='lgc'>}lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> they are all milieu-makers

ramp <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> arc of necessity
nest <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> mosaic divisions
skew <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> chromatic/luminous effect (of mixture)


and also<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst1">•to address (in a longer term) how lss="nms">apass performs analysis and lss="trms">prioritization of its own service delss="trms">finitionlss='qstn'>?
lsts> <lsts clss="lsts lst1">•to address (in a longer term) lss="trms">historical/cultural lss="trms">specificities of lss="nms">apass
lsts> <lsts clss="lsts lst1">•to address aspects of lss="nms">apass's exceptionalism (its characters, colors, doings, values)
lsts>


REPORT<lgc clss='lgc'>:lgc>

lss="frds scrmbld">Geert
lss="trms">zoom / biger picture
perform a lss="trms">zoom
lss="frds scrmbld">Geert and Michael knowllss="trms"nttrm="knowledge,Knowledge">edge lss="trms">zoom-level
lss="frds scrmbld">Geert's strech-work
which cheats
vulgar<lgc clss='lgc'>:lgc> direct, <lgc clss='lgc'>=/=lgc> suffisticated, <lgc clss='lgc'>=/=lgc> nice(in a classical sense), <lgc clss='lgc'>=/=lgc> institutional lss="trms">code <lgc clss='lgc'>[lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> a cheat<lgc clss='lgc'>]lgc>, everyday, good taste, contextlss='qstn'>?!!
suglss="trms">gested topology<lgc clss='lgc'>:lgc> skew <lgc clss='lgc'>--lgc>changed<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> nest (tow branches answering yes and no to<lgc clss='lgc'>:lgc> “is he cheatinglss='qstn'>?”)

lss="frds scrmbld"nttrm="lss='trgt hghlght 1'href='?q=L'>Leonardo">lss='trgt hghlght 1'href='?q=L'>Leo
stickiness <lgc clss='lgc'>~lgc> residual (left overs of impression), we couldn't find little objects, litte stickies
lss="trms">zoom is tooooo wide, megalss="trms">categories, “fermentation” is a lss="trms">different lss="trms">zoom level
cheat <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> perception/intention, value of non-doing lss='qstn'>?, ‘order is cheat’, ritual <lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> heal/cope
vulgar<lgc clss='lgc'>:lgc> ritual of popular knowllss="trms"nttrm="knowledge,Knowledge">edge, <lgc clss='lgc'>=/=lgc> lss="trms">social acceptence, lss="trms">communicating emotional needs, guilt on behalf of the vulgars,
suglss="trms">gested topology<lgc clss='lgc'>:lgc> skew (with 4 axioms<lgc clss='lgc'>:lgc> negativity, lss="trms">positivity, passivity, ritual)

lss="frds scrmbld">Caterina
sticky<lgc clss='lgc'>:lgc> difiicult to remove lss="trms">categories, dirty, quality of lss="trms">trape, almost negative, like honey as an lss="trms">intermediary sticky for other objects to become sticky
lss="trms">zoom<lgc clss='lgc'>:lgc> lss='trgt hghlght 1'href='?q=L'>Latina candition macro, ass rincles micro, herself, change of lens is what lss="trms">matters not the lss="trms">zoom level, the macro of the term culture itself
cheat<lgc clss='lgc'>:lgc> against the rule of lss="trms">community/aggreement, always cheating the lss="trms">system, against the game, bad lss="trms">relation to the game, lazy lss="trms">relation, fakinglss='qstn'>?
vulgar<lgc clss='lgc'>:lgc> ordinary, insultive, perjurative, of the “people”, (lss="frds scrmbld">Geert<lgc clss='lgc'>:lgc>) a marking always coming from above, what television does<lgc clss='lgc'>:lgc> non-actual <lgc clss='lgc'>+lgc> lss="trms">spectacle, (lss="frds scrmbld">Elen<lgc clss='lgc'>:lgc>) immoral, not olss="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal, not elegant, thinking in terms of the ‘same’, group forming, non-individual, twards mass formation,
suglss="trms">gested topology<lgc clss='lgc'>:lgc> nest

lss="frds scrmbld">Eszter
polarized lense
confusion / being confused is ‘cheating’
stickiness absent
suglss="trms">gested topology<lgc clss='lgc'>:lgc> nest (with two branches<lgc clss='lgc'>:lgc> naive lss='and'>& political leader)

lss="frds scrmbld"nttrm="Godard">Goda
nothing sticks anymore therefor we go to swamp to stick to relevant objects
swamp as archive (refuge from the capitalss="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list) <lgc clss='lgc'>=/=lgc>lss='qstn'>? cheat
constructing ‘bad example’ (lss='qstn'>?) <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> role model
lss="trms">zooming in losers of capitalism
X-ray kind of lens into the opacity of swamp
(her) treasures in the swamp <lgc clss='lgc'>[lgc><lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> lss="trms">epistemological buried objects<lgc clss='lgc'>]lgc>
criticizing how capitalism lss="trms">zooms for her irrelevant objects
buffoon <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> vulgar
suglss="trms">gested topology<lgc clss='lgc'>:lgc> skew (the skew is a plain around the lss="trms"nttrm="knowledge,Knowledge">edges, gets deeper in the middle, and a narrow way up in the center<lgc clss='lgc'>:lgc> the exit)

lss="frds scrmbld">Elen
lss="trms">presence of the working of subconscious <lgc clss='lgc'>==lgc>provokes<lgc clss='lgc'><lgc clss='lgc'>==lgc>>lgc> etymology
very sticki “hell yea!"s
affirmative, sometimes lss="trms">technical knowllss="trms"nttrm="knowledge,Knowledge">edge
something sold (“self”) with something lss="trms">morphic on it (“apparition” or ‘surat’ in lss="trms">farsi)
suglss="trms">gested topology<lgc clss='lgc'>:lgc> ramp

lss="frds scrmbld">Hoda
cheat<lgc clss='lgc'>:lgc> sharp radical formation, playing ambiguity
totalizing vision lense (“if then all...”)
“because i asked i could feel”
anti-psychological
suglss="trms">gested topology<lgc clss='lgc'>:lgc> ramp

lss="frds scrmbld">Katinka
makeover slider
vulgar<lgc clss='lgc'>:lgc> makeover show, e-bay
statements not touching her, something else is sticki object<lgc clss='lgc'>:lgc> lss="trms">sympathylss='qstn'>?
slider<lgc clss='lgc'>:lgc> stack
suglss="trms">gested topology<lgc clss='lgc'>:lgc> ramp (makeover)

lss="frds scrmbld">Nassia
stick<lgc clss='lgc'>:lgc> something bodily, heat, sweat, property of objects
lss="trms">zoom is the oplss="trms">posit of body
gaze inside <lgc clss='lgc'>+lgc> anatomy
cheating<lgc clss='lgc'>:lgc> on people negative / on lss="trms">systems lss="trms">positive
suglss="trms">gested topology<lgc clss='lgc'>:lgc> ramp

<lrg clss="large lg1" stl="font-size:142%"> lss="frds scrmbld">lss='trgt hghlght 1'href='?q=L'>Laura
osmotic<lgc clss='lgc'> = lgc>french kiss
administered (by machine) body
the good example
beauty is invested in...
the (unchanging) core of the cuttle-fish
popular<lgc clss='lgc'> = lgc>vulgar
suglss="trms">gested topology<lgc clss='lgc'>:lgc> skew (regimented floor plan)
lrg>
lss="frds scrmbld">Maurice
cheat <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> lss="trms">joker, fool
cute<lgc clss='lgc'>:lgc> getting off the leash of institution
bear blss="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurs what...
“but I am just...”
bribe economy <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> honest and human
suglss="trms">gested topology<lgc clss='lgc'>:lgc> nest

lrg>lbrkr stl="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................lbrkr>

<lgc clss='lgc'>[lgc>title<lgc clss='lgc'>]lgc>
archives of open desire

lrg>lbrkr stl="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................lbrkr>

lss='at'>#drawing exercises in built environment (with Sizek <lgc clss='lgc'>+lgc> Mathews https://culanth.org/fieldsights/1542-lss="trms">methods-for-many-lss="trms">anthropolss="trms">cenes-with-andrew-s-mathews)
<lstsrd clss="lstsrd">1. pick a charismatic building/statue/object on your built environment, and draw a form of it, inviting to identify details of the object that reveal aspects of its lss="trms">history or use today
lstsrd> <lstsrd clss="lstsrd">2. compare drawings and use the drawings to tell lss="trms">stories about the object and its use or importance to life in that environment
lstsrd> <lstsrd clss="lstsrd">3. invite to reflect on the ways that drawing infrastructure can reveal processes at multiple temporal and spatial scales
lstsrd>
<lrg clss="large lg3" stl="font-size:111%"> discussion lss="trms">questions/lss="trms">writing lss="trms">response lss="trms">questions<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst1">•Which features of the structure stood out, and what do these suglss="trms">gest about the processes of its creation and uselss='qstn'>?
lsts> <lsts clss="lsts lst1">•How has its infrastructure changed over time, and how are these changes evidenced in the built form itselflss='qstn'>?
lsts> <lsts clss="lsts lst1">•How does your structure relate to others in its immediate vicinity, and in what ways do lss="trms">relationships between structures help reveal lss="trms">social lss="trms">relationslss='qstn'>?
lsts> <lsts clss="lsts lst1">•What traces of lss="trms">past events are embedded in infrastructure or its lss="trms">memories, and how can we render these traces lss="trms">presentlss='qstn'>?
lsts>lrg>
drawings has to do with the incompleteness of knowing and relss="trms">presenting
indeterminacy at ‘the same time’

(lss='qstn'>?in which locations you can get a good) human lss="trms">response to<lgc clss='lgc'>:lgc>
<lsts clss="lsts lst1">•slow processes (soil, geology, plant form)
lsts> <lsts clss="lsts lst1">•fast processes (plant seasonal behavior, weather, human lss="trms">responses to all of these things)
lsts>
ls clss='strcls'>*ls>drawing as structured lss="trms">wondering/wanderingls clss='strcls'>*ls>

<lrg clss="large lg4" stl="font-size:111%"> use of the ls clss='strcls'>*ls>dramaticls clss='strcls'>*ls> as lss="trms">method <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> to entertain multiple lss="trms">worldviews
to maintain irreducible complexity and to recenter lss="trms">historical processes as central to understanding contemporary politics
(lss="trms">history and drama)
lss="prgrph">-facts as enacted and performed before audiences (<lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> tradition in lss="trms">science and lss="trms">technology)
lrg>
ls clss='strcls'>**ls>knowllss="trms"nttrm="knowledge,Knowledge">edge is always performed, lss="trms">staged, and enactedls clss='strcls'>**ls> <lgc clss='lgc'><<lgc clss='lgc'>==lgc>lgc> lss='mywrk'>my work on lss="nms">ajayeb

how to tell the dramatic lss="trms">stories

lrg>lbrkr stl="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................lbrkr>

<lrg clss="large lg5" stl="font-size:133%"> notes from lss="frds scrmbld">Sofia's seminar on documentation
lrg>
the lss="trms">questions i brought home with lss="frds scrmbld">Kobe<lgc clss='lgc'>:lgc>

the lss="trms">ontological lss="trms">relationships between law and art, who protects wholss='qstn'>? what protects protectionlss='qstn'>? <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> which lss="trms">material discursive practices make the lss="trms">ontological boundaries of “protection”lss='qstn'>? (specially today investigating this term is more urgent in a lss="trms">world saturated with toxic lss="trms">vocabularies of security.) the figure of protection transforms the subjects of knowllss="trms"nttrm="knowledge,Knowledge">edge and knowability <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> look at how the judge was talking about art

(lss="trms">question of) the production of subjectivity (of the judge himself as an active knowing lss="trms">agent and the dead-master as the phantasmatic place-holder of meaning)
this is related to<lgc clss='lgc'>:lgc> (lss="trms">question of) lss="trms">responsibility and individuality <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> influences and efforts of the work. two lss="trms">interesting moments of genesis occurred<lgc clss='lgc'>:lgc>
<lstsrd clss="lstsrd">1- in the court “his work” (Beuys) was mysteriously created
lstsrd> <lstsrd clss="lstsrd">2- also when Olga got a phone call from the ministry of culture, “her work” was mysteriously created
lstsrd> <lgc clss='lgc'><lgc clss='lgc'>--lgc>>lgc> both the court and the phone call are mystic producers of the subjec[...]