[...]es (most of which are not conventionally regarded as pathological) ='lgc'>[='lgc'>~= art work='lgc'>]='at'>#feedback
="lsts lst1">•those life is enriched by transcontextual gifts (='lgc'>='lgc'>--> ="frds scrmbld">Elen)
="lsts lst1">•those who are impoverished by transcontextual confusions (='lgc'>='lgc'>--> ="frds scrmbld"nttrm="Alice,Shariati">Ali)
='lgc'>}='lgc'>='lgc'>--> for both there is a “double take”
a falling leaf or the ="trms">greeting of a friend is not “just that and nothing more”


(taking from ="ppl">="ppl">Bateson, ="ppl">Katie ='lgc'>='lgc'>-->) play with this range of terror and possibility ='lgc'>--(with ='lgc'>+ through)='lgc'>='lgc'>--> (individual ='and'>& bio="trms">social) ='strcls'>*consciousness='lgc'>: reflection ='lgc'>+ recursion='strcls'>* (at the ="trms"nttrm="knowledge,Knowledge">edge of apprehension)='lgc'> = environments of being ='lgc'>: context, pattern, layers of abstraction, ="trms">storytelling all have ="trms">material effects and provide ='strcls'>*="trms">materials for ="trms">agency='strcls'>*


='lgc'>[='strcls'>*='lgc'>]play='lgc'>: ="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">communicative media='strcls'>*, a double consciousness (in which the player is well aware of the artificiality of the play ="trms">situation) ='lgc'>[='lgc'>=/= immersive fallacy='lgc'>: ='thdf'>the idea that games get better and better as they become whatever that thing “more real” is ='lgc'>==> implications for the meaning of='lgc'>: ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigor, re="trms">presentation, evidence, ="trms">method, assessment='lgc'>]
(="trms">animal and ="trms">children learn to play ='lgc'>--learn='lgc'>='lgc'>-->) there are some ways ='strcls'>*play self ='lgc'>=/= everyday self='strcls'>* ='and'>& ='lgc'>[they learn='lgc'>] to perform this separation in ="trms">interactive cognitive and ="trms">social ="trms">communication ='strcls'>*forms of not='strcls'>* ='lgc'>: they amuse themselves by performing the ="trms">communication “this is not it”='lgc'>:
="lsts lst1">•the puppy nips, but not hard enough to injure ='lgc'>='lgc'>--> violence='qstn'>? not. ='lgc'>='lgc'>--> the nip actually hurts a bit
="lsts lst1">•the teen kisses in spin the bottle, but not the person they like the most ='lgc'>='lgc'>--> sex='qstn'>? not. ='lgc'>='lgc'>--> the kissing blush and stammer
="lsts lst1">•my body is reacting as if i am in d="trms"nttrm="danger,stranger">anger, but really i am in front of a computer ='lgc'>='lgc'>--> reality='qstn'>? not.
="lsts lst1">•
='lgc'>}='lgc'>='lgc'>--> double consciousness
(="ppl">Katie > ="ppl">="ppl">Bateson) ='strcls'>*play creates its own commentary in itself about itself as an intense and pleasurable ="trms">interactive dynamism='strcls'>*='lgc'> = ="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">communication='lgc'>: ="trms">communicative ='lgc'>+ ="trms">neurological ='lgc'>+ hormonal

="large lg2" stl="font-size:110%"> ='strcls'>***good signaling ="trms">skills make nonabusive play on the ="trms"nttrm="knowledge,Knowledge">edge of double bind possible='strcls'>***

(="trms">skills of) transcontextual movement without falling apart
finding out='lgc'>:
="lsts lst1">•which bits are active
="lsts lst1">•which bits are context
="lsts lst1">•which bits can be made explicit
="lsts lst1">•which rules are perceptible
="lsts lst1">•which distributed ="trms">embodiments, cognitions, and infrastructures are in play
(these are the ="trms">skills needed for the kind of game we play in ="nms">apass)

playing/gaming (now covers)='lgc'>: gambling, economic game theory, game art, design, learning, role playing, ="trms">system theory ='lgc'>='lgc'>--> ='strcls'>*playing with our distributed being='strcls'>* ='lgc'>[="ppl">Katie's accounting for digital='lgc'>]

="prgrph">-what the hell are my hormonal plays='qstn'>? (not always in="trms"nttrm="cluster,club">cluding another person)


(for ="ppl">="ppl">Haraway ='lgc'>[='strcls'>*='lgc'>]wording='lgc'>:) game of cat's cradle (across a range of transmedia) pictured, described, ="trms"nttrm="metaph,metamorph,metabol,metal">meta="trms">communicated, performed, extended, ='strcls'>*relayed='strcls'>*
(my image assemblages='lgc'>: ="trms">writing='lgc'>:) ="trms">techno-organic polyglot poly="trms">morphic wiring diagrams
to pattern
to relay (passing something along, relaying ='lgc'>=/= sharing)
to perceive multiform
rewarded by dopamine
t="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riggered by pleasure, anticipation, yawning fields for ="trms">memory ='lgc'>[='lgc'>='lgc'>--> my ="nms">ajayeb study='lgc'>], learning and unlearning, tenacious ad="trms">dictive repetitions

tools='lgc'>: drawing, role playing, gaming, ="trms">writing, critiquing, reviewing, costuming, song="trms">writing, singing, webby ="trms">community building, techy arts, fans advocating their ="trms">interests in films
='lgc'>='lgc'>--> shaping environments and contexts for ="trms">imagination and cognition

='strcls'>*wording='lgc'>: a practice of displaying ='lgc'>+ ="trms">crafting ="trms">worlds, of sharing ='lgc'>+ enjoying expertise, of noticing tiny details of connection and similarity amid the tweaks and frissons of alternative shadings across many ="trms">intertextualities of as="trms">sociation, ="trms">history, genre, care='strcls'>*

in ="trms">interface
what was obvious to one was mystery to another
what was trivial to one was a barrier to another
how do you reply in terms that are alien to you='qstn'>?

='at'>@="nms">apass
='strcls'>*actual ="trms">materialities of distributed thinking='strcls'>* ='lgc'><='lgc'>--among='lgc'>-- infrastructures of='lgc'>:
="lsts lst1">•publication
="lsts lst1">•media
="lsts lst1">•conferences
="lsts lst1">•scholarly ="trms">communication
="lsts lst1">•research results and processes
="lsts lst1">•

="large lg1" stl="font-size:122%"> elegant parsimonies of explanation
clever bodies at the ="trms"nttrm="knowledge,Knowledge">edge of apprehension (="ppl">="ppl">Despret's Clever Hans Effect)

an ="trms">interative ="trms">agency (="ppl">Katie calls) ='strcls'>*learning to be ="trms">affected='strcls'>* ='lgc'>=/= “mearly the effect of...” ...ولی اون فقط داره

odor kit
a device organized in a careful pallete of small ="trms">differences
learning to be ="trms">affected ='lgc'>--entails='lgc'>='lgc'>--> a dynamic ="trms">trajectory by which we learn to register and become sensitive to what the ="trms">world is made of

body parts are progressively acquired ='lgc'>='lgc'>--> ="trms">world counter-parts are being registered in a new way (= my ="nms">ajayeb studies)
='strcls'>*acquiring a body='lgc'>: a progressive enterprise that produces at once a sensory medium and a sensitive ="trms">world ='lgc'>[='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to Captain Marvel 2019 film='lgc'>]


what ="trms">sort of project of multiplicity is transdisciplinarity='qstn'>?
what ="trms">sort of double consciousness might it array in which political economies='qstn'>?

(="ppl">="ppl">Bateson's) distributed being='lgc'> = we don't end at our skin

='strcls'>***what does it mean to say to any particular group of people that we do not end at our skin='qstn'>?!='strcls'>***
what ="trms">sort of boundary object is this “skin”='qstn'>?

(Keeling > ="ppl">Katie) a ="trms">book is a wormhole ='lgc'>--into='lgc'>='lgc'>--> transdisciplinary universe
='strcls'>*lyricism of surplus='strcls'>*
“the end of the ="trms">world... work with me”

="trms">agencies of valorization (of pricing, of valuing, of mobilizing labor) ='lgc'>: political economy of acquiring body parts from the skin's ="trms"nttrm="knowledge,Knowledge">edge

='strcls'>*="trms">agencies of capital='lgc'>: ="trms">worldly processes of economic ="trms">systems ="trms">articulating and distributed among, but not reproducing the powers of the state, or of ="trms">community, family, or nation='strcls'>*

='lgc'>+ other ="trms">agencies='lgc'>:
="lsts lst1">•sensory-motor ="trms">apparatus and ="trms">affectivities
="lsts lst1">•thinkings and ="trms">memory-images distributed across people and media

(sometimes) layered double-bind ="trms">systems ='lgc'>==> numbing out

queerly valorized ='lgc'>--Keeling='lgc'>='lgc'>-->
if Pam Grier is a locus of desire for both heterosexual males and for lesbians such as Lesbian Avengers’ lesbian prtygoers, then her ="trms">presence on The L Word ='lgc'>[TV series='lgc'>] is another way the series seeks to bring these populations together in a shared project of value production


="trms">phenomena='lgc'>: topological reconfigurings/entanglements/="trms">relationalities/(re)="trms">articulations
ongoing reconfis of ="trms">world ='lgc'>==>='lgc'> = ="trms">agency ='lgc'>=/= attribute

="large lg3" stl="font-size:112%"> national ="trms">agendas for innovation and economic ="trms">positioning

which surplus populations will be enrolled into which kinds of institutions for knowl="trms"nttrm="knowledge,Knowledge">edge work becomes an element of global academic restructuring
restructuring='lgc'>: politicizing funding ='lgc'>+ ...

intellectual double bind of having='lgc'>:
="lstsrd">1. to address many diverging audiences ="trms">simultaneously under the threat of survival
="lstsrd">2. to ="trms">author knowl="trms"nttrm="knowledge,Knowledge">edges as merely one of multiple ="trms">agencies with very limited control
='lgc'>==> ='strcls'>*posthumanities='strcls'>*

(partial and highly distributed) ="trms">authorial and receptive ="trms">agencies ='lgc'>--require='lgc'>='lgc'>--> ="trms">affective labors ='lgc'>='lgc'>-->
="lsts lst1">•sifting among ="trms">authoritative and alternative knowl="trms"nttrm="knowledge,Knowledge">edges
="lsts lst1">•clarifying affiliations
="lsts lst1">•inspiring trust

="large lg4" stl="font-size:110%"> (="ppl">Ahmed's ="trms">material feminism) ='at'>@="nms">apass
whose ="trms">material was this='qstn'>?
which generations of feminisms were implicated='qstn'>?
which details were necessary to name others carefully='qstn'>?
what contexts were backdrops for which founding ="trms">gestures='qstn'>?
="trms">affective labor (in ="nms">apass)='lgc'>: frustration, forgetting, unfairness, intensity, ethics, hope, carring attention to detail

='lgc'>[let's not='lgc'>] be quite so willing to de="trms">posit our hope in the ="trms">category of “the new”


objects become sticky
objects become full of ="trms">affective value

critique
(in ="nms">apass i have been experimenting with the) effects of reducing complexity
(i am aware of both) the hard work of elegance in explanation ='and'>& of essentialism in critique
="prgrph">-strategic openings and closings of “black-boxes” (full of ="trms">memory)

="large lg5" stl="font-size:121%"> wir
(="ppl">Katie ='lgc'>='lgc'>--> one must ="trms">wonder) who is being evoked by this ‘we’
to what extent this ‘we’ functions to ="trms">interpellate the ="trms"nttrm="already,spread">reader into a ="trms">community that shares a common horizon='qstn'>? (='at'>@="frds scrmbld">Sven and ="frds scrmbld">Chloe ="trms">bookshop)
which side, which knowl="trms"nttrm="knowledge,Knowledge">edge ="trms">world, in what spacetime are ‘we’ on, inside and outside of, bonding and othering='qstn'>?

='strcls'>*tacit forgetting='strcls'>* ='lgc'>=/= resolution
='strcls'>**what ="trms">sorts of boundary objects value irritation='qstn'>?='strcls'>** ='at'>@="frds scrmbld"nttrm="Leonardo">Leo
(my irritation in ="nms">apass with tacit knowl="trms"nttrm="knowledge,Knowledge">edge, spiritualism, Vivero, Manning, process philosophy,,,)

="ppl">Katie accounts for ="ppl">Ahmed worries that ="ppl">="ppl">Barad's ="trms">matterin[...]