Ereignis: 0, (Max.: 500+)

[...]red, described, metacommunicated, performed, extended, *relayed*
(my image assemblages: writing:) techno-organic polyglot polymorphic wiring diagrams
to pattern
to relay (passing something along, relaying =/= sharing)
to perceive multiform
rewarded by dopamine
triggered by pleasure, anticipation, yawning fields for memory [--> my ajayeb study], learning and unlearning, tenacious addictive repetitions

tools: drawing, role playing, gaming, writing, critiquing, reviewing, costuming, songwriting, singing, webby community building, techy arts, fans advocating their interests in films
--> shaping environments and contexts for imagination and cognition

*wording: a practice of displaying + crafting worlds, of sharing + enjoying expertise, of noticing tiny details of connection and similarity amid the tweaks and frissons of alternative shadings across many intertextualities of association, history, genre, care*

in interface
what was obvious to one was mystery to another
what was trivial to one was a barrier to another
how do you reply in terms that are alien to you?

@apass
*actual materialities of distributed thinking* <--among-- infrastructures of:
publication
media
conferences
scholarly communication
research results and processes


elegant parsimonies of explanation
clever bodies at the edge of apprehension (Despret's Clever Hans Effect)

an interative agency (Katie calls) *learning to be affected* =/= “mearly the effect of...” ...ولی اون فقط داره

astronomy geography celestial cosmology tail sea water body collect abyss Andromeda Perseus beast [source: Joachim Wtewael  (1566–1638) - towerweb.net] odor kit
a device organized in a careful pallete of small differences
learning to be affected --entails--> a dynamic trajectory by which we learn to register and become sensitive to what the world is made of

body parts are progressively acquired --> world counter-parts are being registered in a new way (= my ajayeb studies)
*acquiring a body: a progressive enterprise that produces at once a sensory medium and a sensitive world [---> go to Captain Marvel 2019 film]


what sort of project of multiplicity is transdisciplinarity?
what sort of double consciousness might it array in which political economies?

ajayeb book fish species face head body magnetism island [source: Tusi, ʿAjā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt] (Bateson's) distributed being = we don't end at our skin

***what does it mean to say to any particular group of people that we do not end at our skin?!***
what sort of boundary object is this “skin”?

(Keeling > Katie) a book is a wormhole --into--> transdisciplinary universe
*lyricism of surplus*
“the end of the world... work with me”

agencies of valorization (of pricing, of valuing, of mobilizing labor) : political economy of acquiring body parts from the skin's edge

*agencies of capital: worldly processes of economic systems articulating and distributed among, but not reproducing the powers of the state, or of community, family, or nation*

+ other agencies:
sensory-motor apparatus and affectivities
thinkings and memory-images distributed across people and media

(sometimes) layered double-bind systems ==> numbing out

queerly valorized --Keeling-->
if Pam Grier is a locus of desire for both heterosexual males and for lesbians such as Lesbian Avengers’ lesbian prtygoers, then her presence on The L Word [TV series] is another way the series seeks to bring these populations together in a shared project of value production


phenomena: topological reconfigurings/entanglements/relationalities/(re)articulations
ongoing reconfis of world ==> = agency =/= attribute

national agendas for innovation and economic positioning

which surplus populations will be enrolled into which kinds of institutions for knowledge work becomes an element of global academic restructuring
restructuring: politicizing funding + ...

intellectual double bind of having:
1. to address many diverging audiences simultaneously under the threat of survival
2. to author knowledges as merely one of multiple agencies with very limited control
==> *posthumanities*

(partial and highly distributed) authorial and receptive agencies --require--> affective labors -->
sifting among authoritative and alternative knowledges
clarifying affiliations
inspiring trust

(Ahmed's material feminism) @apass
whose material was this?
which generations of feminisms were implicated?
which details were necessary to name others carefully?
what contexts were backdrops for which founding gestures?
affective labor (in apass): frustration, forgetting, unfairness, intensity, ethics, hope, carring attention to detail

[let's not] be quite so willing to deposit our hope in the category of “the new”


objects become sticky
objects become full of affective value

critique
(in apass i have been experimenting with the) effects of reducing complexity
(i am aware of both) the hard work of elegance in explanation & of essentialism in critique
-strategic openings and closings of “black-boxes” (full of memory)

wir
(Katie --> one must wonder) who is being evoked by this ‘we’
to what extent this ‘we’ functions to interpellate the reader into a community that shares a common horizon? (@Sven and Chloe bookshop)
which side, which knowledge world, in what spacetime are ‘we’ on, inside and outside of, bonding and othering?

*tacit forgetting* =/= resolution
**what sorts of boundary objects value irritation?** @Leo
(my irritation in apass with tacit knowledge, spiritualism, Vivero, Manning, process philosophy,,,)

Katie accounts for Ahmed worries that Barad's mattering and some othe black-boxing speech acts are only caricatures of whole arguments, of whole (disciplinizing?) archives, and that they are not conducted at the proper grain of detail, “not attributed to somebody”


attention (in time) -->
narrow the range of possibility of -ism(s)
alter the grain of detail ==> *differential focus*


ajayeb.net: an intellectual infrastructure assemblaged and stacked (extensively scaled, intensely scoped) =/= disciplinized archives of references (a knowing that linkages exist and can be assumed and must be consciously made explicit as “new”)
my “=/=” set the focus of lens unsed in examining --> alter the grain of detail (deliberately and dismissingly) --> a “we” is needed --to--> pull back --to--> include alternate knowledge worlds
ajayeb.net/bibli: bird's-eye view of the bibliographic growth

mobility and detachability of “nots” provoking frission

@ERG's new website: what if the worlding here needs to scope and scale along ranges of detail, indications of shifts from one knowledge world to another assemblaged through boundary objects?
-who gets to say in which knowledge world?

routinized rhetoric about feminism

apparatus: open-ended practices

****(ok yes) “we honestly believe that there are no positions that are epistemologically superior to any other” --but--> at the same time [Katie and i totally] argue with and try to overthrow those i don't agree with****

neutrality (<-- moral commitment) =/= relativism: forswearing claims to absolute epistemological authority

(learning from Katie) my technique in ajayeb study --> i brazenly detach words from their original context and mobilize then all together for my own irritating purposes [...] i both reduce and add to the complexity (of globals and locals)
**(my play:) double or multiple consciousness ==> [*]ajayeb: growing boundary objects
**(my project in apass:) to be curious and value how claims to epistemological authority operate and how comparative relativism can be accountable + can i irritatingly passionately disagree with


democratization of oppression (?)

reading across the media sustains a depth of experience that motivates more consumption
...the economic logic of a horizontally integrated entertainment industry

#telegram iran (commercial world of entertainment)
material examples of *stacked realities* cascading over various media and technological platforms with differing degrees of interoperability and standardization --Katie--> *transmedia stories* (inevitably commercialized)



integrationism
revolutionary action
s[...]