[...]formance?
(seeking the) ambivalent pleasure (not without violence) of having a secret unmasked

acolyte
to ensure a line of vision between the medium and his audience

broadcasting device = recording device

authorship --(displaced by)--> a logic of *tracking of traces without a subject* (<-- reduction of representation and inscription)

modern mediumship ~= [*]automatic writing: (most associated with surrealism, in Western contexts) the writer seeks to merely transmit his or her unconscious thoughts and, in the process, to disavow the notion of authorial agency... [it marks a more general transitional moment in the history of representation --Morris-->] ***the production of meaning ceases to be a function of writing --> actuality or facticity becomes the primary object of inscription***)


confessional performances
denunciation of possession performance
untranslatable utterances [**increasing performance of untranslatability, glossolalia غريبه گفتارى --> contemporary spirit possession performances ==> the truth of the spirits in the mass-mediatized world is not referential and certainly not universal --✕--> the truth of the spirits centers on questions about the difference between noise and information]
mediums embrace technology
mediumship proliferates
mediums and the media provide each other with metaphors
(mediums seek to escape the relationship altogether) in forms of ecstatic nonrepresentation or absolute renunciation


Chuchad cutting his tongue --> disavow disavowal
“[...]he rendered himself voiceless, and the only sounds he could make were those of exhalation and inhalation: sounds of the body as machine”
...the crowd gasped and then repeated --> confused awe & automatism

[a fable:] “Chuchad placed the tongue on a piece of white paper, and the blood quickly diffused into the fibers. For a moment it appeared as though the tongue was writing a blunt, indecipherable hieroglyph. Chuchad then held the paper to his mouth so it was covering his face and pressed the tongue back into its original place. This time, he seemed to be rewriting, or rather, writing in reverse, and the glyph was inscribed on the tongue as though the tongue had been transformed into paper and the paper into pen. Thus did writ- ing make speech possible. The medium pulled the paper away, folded it carefully, and then, with only a little blood reddening his lips, began speaking.” (Morris)
•tongue excision = performative repudiation of mediumship
•voice = the vehicle of a simple exteriorization
•[*]fable: staged risk in the form of a bad example ==> “object of transmission = the truth”
•[*]confession: a mode of accession or conformity to the message


in Buddhism of premodern cosmologies --> a domain of natural signification where there is *a pure identity between signifier and signified*

auxiliary hell جهنم کمکی

[a fable:] scrutiny ==> (meritorious beings:) people in question become miraculously equipped with memory

recorded on luminous jewel-encrusted gold tablets

quaint traditions عجیب و جالب
(i am learning from Morris how not to) reject the cosmology as a symptom of superstition or a relic of bygone times

ubiquity alone is inadequate to demonstrate relevance

(in the story of Yama) in the evildoer's case, speech is not the mere instrument of truth: it is both a symptom and a cause of sin

where the law rules ==>
•there is no difference between *object* and *sign*
•there is no difference between *speech* and *voice*

the language of truth (personified in the speechless child) =/= corruptions of human utterance : {truth's silent ideality =/= sin's “over-naming"}

mediumship's representational function: transmission of a referential truth + repeated registration of the mere technique of its transmission

(Chuchad's) instrumental “writing”
(like Chuchad, many performance artists are today) inhabiting the era of ***technique's fetishization*** = (Heidegger's era of) technology

occult returning in the guise of transparency

nationalized discourse of modernity: (oppositional terms of) science =/= magic

redolent of... حاکی

when *observation* (propelled by desire =/=) become a form of *attention* (propelled by labor)

[Morris > Kittler on “discourse network” of Freud, Simmel, Rilke:] writing = an exhaustion that endlessly refused to end (=/= miniatures of meaning)
--> “writing is nothing beyond its materiality” and people who practice this act simply replace writing machine ==promis==> *mystical union of writing and delirium*

(from) actual magicality of script --to--> the representational capacity of inscription --to--> a deployment of writing in the mode of mathematics (bureaucratic list poetry)

incorporation of technologies of mass mediatization into the language (and performance of possession --by--> the discourses of lost tradition)

-what kind of mediation is (not simply the inscription of its technique, but) a renewed transmission of meaning?


**the fantasy of a return to meaning**


[Morris submits that] (direct marketing ~=) *pyramid schemes* are the economic counterpart of *mediumship*
= the mode of retailing in which the function of distribution and resale (and indeed the movement of capital) is masked in the *rhetoric of directness*
•[*]directness: withdrawal of an infrastructure of mediation into the person of the distributor + مستتر کردن occulting of technique in the very moment of display
•[*]pyramid scheme: a structure in which retailers recruit more retailers --> (mainly serves the interests of) multinational entities parading as local entrepeneurialism

grotesquely functionalized room

abandoning the ontology of mediumship (for...)
putatively unmediated truth (of...)


magic's metamorphosis entailes a repetition

([Morris analysis of Chuchad:] a medium becoming) a middleman disavowing the mediations that he performed in order to produce the illusion of value, or meaning, or truth
•working only in the repression of its own operations --> truth-effect of marketing

--> *the market can substitute for magic*, the media can be itself, the very nature of money (its abstractions and its generality) can compensate for the differences it effaces

*rhetoric of asian family*
occult network: networks that are not publicly disclosed
(in environments that are believed not to operate as an open economy --> economies are dominated not only by particular families but by the logic of family [exclusive and unassailable ties between small communities])
=/= rationalization of local economies, market liberalization,,
•anachronistic imaginary of transnational capitalism and the racialized family (of asian nations) --> idealized
•metaphorical ruse of kinship's discourse
•*neocolonial fantasy concealed in the dream of immediacy* --> Amway: theologically informed market liberalism--pursuing a noiseless world where feedback is impossible

confessional disclosures of new capital
rhetoric of transparency
mediumship's (enthralling) dramaturgy of disclosure

(Morris asking) what else is transparency in the massified world? a mediation so total that it has become invisible (?)

...................................

•to challange them
•to break with their own gesture
•to inherit from them

*Socrates --> alleged epistemo-sociological enquiry ([the tradition of] asking people what they know and how they think) --Savransky--> (hallmark of social sciences today:) *ethics of estrangement*: ‘becoming estranged’ from the realm of appearances made available by direct experience in order to ‘gain access’ to a realm of facts and causes**** ==Whitehead==> *bifurcation of nature*: a mode of understanding whereby experience only discloses that which is apparent, whereas the ‘relevant’ factors in the process of knowing the world must always lie, and be sought, somewhere else
*=/= Alice in Wonderland
*=/= Cinderella [--> harem girl, hallucinating with animals, not becoming a psycho (angry), arrested]
*=/= William James: inquiry is about **the way some people cultivate an expertise**, **how they hesitate**, **how they think**, **how they complicate a problem** [#feedback] (for examp[...]