[...]e deep roots of things, into their creative ground


(to oppose) contemporary modes of distraction
modern forms of interiority, absorption, psychic isolation

Riegl's dream of a world in which art would be inseparable from an imaginary democratic harmony of individual and community (=/= harem)

collective attention (central attentive mass audience, 1900) : cinema

rational attention: attention linked to thought, one's telescope on object

(for Nietzsche:) attention: possibility of an absorption ==> forgetting --> life-affirmative }--> “focusing on the present moment”

final virtue of modern man: *presence of mind* --Nietzsche--> necessary part of the (cosmopolitan) individual's functioning within a modern world of economic facts and qualities --> ready at response to the machine, affinity with the technical, athletic political (#integration tale)
--> the (serious) modern soul is directed towards the news, focusing on the present, to employ the moment (#presentism #past-studies)
•fable of “to be at the present moment”
•fable of “to adapt yourself”

perceptual acceleration of modernized social field (work + leisure) ==> new *cosmopolitan individual* (who receives signals from many fars and nears, equipped to ‘attend’ to messages and participate in their circulation ☆ #facebook? --> diffuse anxiety of the other-directed person : gyroscope --> radar)

Arendt:
modernity: fabricating rendered meaningless =/= contemplation: beholding the truth

‘life = being’ ==> ‘contemplation = truth’


Heidegger --> characterization of Greek's primordial self-disclosing look ==> makes presence possible + glaring predatory look --of--> modern subjects = objects of conquest


dystopian story: a promising outburst (always of human) activity [such as science or exploration or artificial intelligence, etc.] that leads in the most deadlines sterile passivity [such as alien predation, industrialisation of mind, global contamination, etc.]
(theatricalization of scientific mistake in the Handmaid TV series: scientific human progress failing ==> abolishing the distinction between private and public consciousness }<-- optics of narcissistic scepticism <== psychological shock of the temporality of process)


19th century: Schopenhauer's early grasp of the link between attention and perceptual disintegration
(for Schopenhauer: [cognitive chaos of] cultural modernity:) temporality ==> subjective anguish


[title]
the timing of intellect

(how come usually intellect does not have time? leaps out of time)


(chaotic successiveness of) perceptions are rendered intellectually coherent --(Schopenhauer)--> (unmotivated movement of the) will holds them together ~= body: will's most immediate objectified form
}==> (modernism's) looking: a purified perception suspended from time and the body's economy


telegram, Facebook
extremely heterogeneous mixture of fragments of representations of every kind constantly crossing one another
-ceaseless pulsing and animations of the body --> temporality of the bodies in Tehran
--✕--> possibility of subjective reflection (in a Cartesian sense) & association of discrete elements


distraction <--suggesting--> sublimation


(from Descartes to Kant) consciousness/cogito = ground of knowledge and certitude (= self-present subject) --✕--> (Schopenhauer recognizing) ending the unquestioned foundational priority of consciousness ==> attention (emerges as a problem)


broken attention
(idea for video documentation: a lagging mirror attached in front of the camera's lenses)



(a fable)

looking out the window
perceive a landscape
light of consciousness
distribute over the landscape
then i try
to apprehend a single tree branch
the consciousness that the rest of the landscape was deployed then fades
diminishes into associational debris
into disappearance of representations

real nexus of psychic life
permeated colored enlivened feelings
distribution of feelings
the gradual unfolding
efforts of attention
are forms of volitional activity
impulsive energy to individual imagery
permit them to fade away
therefore, the tree branch, the window, is a process

Dilthey


in Peirce:
[*]attention = anti-optical act of selection [=/= (in traditional epistemological thought) singling out a contemplative object], “the power by which thought at one time is connected with and made to relate to thought at another time”
--✕--> *firstness: self-immediacy, absolute presence (before synthesis and differentiation) ~ nonreferenciality (=/= perception, attention consumed/constituted in time ~= continuous quantity = *secondness)


using a more act-oriented term “thought” instead of “consciousness”

dissociation
anaesthesia
hallucination
multiple selves
--James--> temporal model of mind: ‘stream’
(=/= scenic model of mind)
[this was part of a larger institutional field in which scientific psychology generally was abandoning ‘elemental’ conceptions of consciousness in favour of operational or functional models]
==> observer: an artist confronted with the primordial chaos of sensation --> (ethics of) overlapping common choices (made of autonomous subjects [--> you can see James seeking to lessen the shock of recent works in science and psychology for an American middle-class readership])
(William James:) irreducible plurality of experience ==> (think in terms of) fluidity and immobilization



my work is usually unformed and informal: a speaking properly in terms of irradiated strata, an aggregate


emergence of increasingly powerful technologies and institutions that would determine and enforce *externally* the objects of attention for mass population --> history of cinema
•disciplinary framework: it is the aim of the teacher to fix the attention of the pupils --> habit of attention becomes amenable to the will of the teacher



attention was an indispensable component of the “normal” and “rational” subject of the late 19th century industrial society, yet had a disturbing proximity to “pathological” and “irrational” effects.
-Crary

Simondon, mold & modulation
Deleuze, on fold

by the end of 19th century attention became an inadequate simulation of (an Archimedean) point of stability from which consciousness could know the world [rather] it opened to flux and absence (=/= perceptual fixity, certainty of presence) ==> subject-object scattered provisional existence


(extreme model of a) *technology of attention* @Zoumana [spiritism, *action at a distance* --> curse, ,]
hypnosis --> unsettling outlines of of a subject whose makeup could evade both intellectual and institutional mastery + precariousness and malleability of (what had been thought of as) consciousness

hypnosis adjacent to attention?! intense refocusing and narrowing of attention + inhibition of motor responses

focalization: concentrating one's attention on some specific object

sustained looking at a single point (i used to do as a child) ==> dramatic reorganization of consciousness


Crary in his book, Suspension of Perception, shows how high science and peripheral pseudoscience never had clear-cut distinctions in the 19th century. that there were a complex and shifting relation of mutual exchange between the “luminous” physics with a huge range of other “darker” ideas about ‘action in a distance’ enacted in spiritism
@Zoumana


hypnosis & suggestion --> automatic processes (inferior, more instinctual, continuous with animality), “mental decapitation” =/= ration elicit patient with conscious participating will power [--> Star Wars will of the weaker and less independent, powerful natures exercise over weaker ones, jedi --> strance states (of the weaker ones): being instrument of undisguised power --Stengers--> deviant types of behavioural control]
(hypnosis still being researched on but) ideologically could not be acknowledged as a constitutive part of human sciences
==> (stigmata of critical position [@Ali; follow it in Marxism]:)
volitional human action modified[...]