[...]ry > ="ppl">Guattari)

="prgrph">-who returns to the more tightly bound order of faciality='qstn'>? when and why='qstn'>?
='lgc'>='lgc'>--> ="trms">articulated hierarchy of ="trms">socialized body
...relative ="trms">integrity of the face ='lgc'>='lgc'>--> a larger mode of conformity to a dominant reality
='at'>@="frds scrmbld">Geert
(="ppl">Deleuze and ="ppl">Guattari='lgc'>:) when head ceases to be ="trms">coded by the body ='lgc'>='lgc'>==> ‘face’ () ='lgc'>='lgc'>--> ‘body (='lgc'>+ head)’ ='lgc'>[='lgc'>~ multidimensional polyvocal corporeal ="trms">code='lgc'>] over="trms">coded by what we call the Face
(////we have to escape the face and facialization!)

indication of bodies in my peers projects in ="nms">apass='lgc'>:
="prgrph">-kinds of subduing and constrain necessary for the construction of an ='strcls'>*organized and inhibited corporeality='strcls'>* (='lgc'>='lgc'>--> ="frds scrmbld">Laura's project)
="prgrph">-="trms">instruments of domestication

fixed pictorial (='lgc'>='lgc'>--> a holding action) ='lgc'>='lgc'>--> ="trms">social organization


="large lg2" stl="font-size:111%">
study object of ="trms">="trms">empirical ="trms">sciences around 1880='lgc'>: perceptual field newly de="trms">composed into various abstract units of sensation ='lgc'>+ related possibilities of synthesis
='lgc'>+ newly invented nervous disorders (hysteria, etc.)
='lgc'>='lgc'>--> (busy with) fai="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lures of the ="trms">integrity of perception ='lgc'>='lgc'>--> disas="trms">sociated fragments ='lgc'>='lgc'>--> (impairment a="trms">symbolias='lgc'>:)
='strcls'>*agnosia='strcls'>*='lgc'>: inability to make any conceptual or ="trms">symbolic identification of an object ='lgc'>~ visual information experienced with a primal strangeness='lgc'>:
“perceptual field ='lgc'>--='not'>✕='lgc'>='lgc'>--> ="trms">pragmatic plasticity”
flat perception, no determination of depth object
='lgc'>}='lgc'>='lgc'>--> labelled as pathological ='lgc'>[='lgc'>=/= my amazon project='lgc'>--was a form agnosia='lgc'>:
="lsts lst1">•resistance to ="trms">consuming the ="trms">world in a productive or ="trms">social way
="lsts lst1">•rejection of habitual or conventional patterns of organized perceptual information='lgc'>]
="prgrph">-this is part of the ="trms">phenomenology of knowl="trms"nttrm="knowledge,Knowledge">edge='strcls'>***
de="trms">symbolization of perception ='lgc'>='lgc'>--> ="frds scrmbld">Foad

='lgc'>{for Janet:='lgc'>} attention='lgc'>: power of mental synthesis (='lgc'>~ the power of subject to form new perception, to have ="trms">memories)
='lgc'>{for ="ppl">Freud:='lgc'>} attention='lgc'>: dynamic activity of repression


“='lgc'>[a='lgc'>] ="trms">society recognizes itself and its own ="trms">positivity through the morbid and pathological forms it identifies and invents” (="ppl">="ppl">Crary ='lgc'>+ ="ppl">="ppl">Foucault)

subjectivity='lgc'>: provisional assembly of mobile and mutable components ='lgc'>='lgc'>--> attentiveness='lgc'>:
="lsts lst1">•conscious/voluntary ='lgc'>{task-oriented, higher behaviour='lgc'>}
="lsts lst1">•automatic/passive ='lgc'>{areas of habitual activity, daydreaming, reverie, ="trms">somnambulant states='lgc'>}


(the state of) the seated woman


='lgc'>[19th century regime of facility='lgc'>]
Clark's “face of ="trms">fashion” (= Manet's blanks), ="trms">fashion would keep one's face from any identity (='lgc'>='lgc'>==> ‘the look’='lgc'>: public, outward, blase, impassive, not bored, not tired, not disdainful, not quite focused on anything)
impersonality ='lgc'>='lgc'>-->(="ppl">Benjamin's ="trms">modernity='lgc'>:) public space in which, for the first time, individuals are ="trms">systematically habituated not to return the gaze of the other ='lgc'>[='lgc'>='lgc'>~-> “chi dadash!='qstn'>?” or “was guckst du='qstn'>?!"='lgc'>]
="prgrph">-for three centuries, the meaning of human face was explained in terms of ="trms">rhetoric of ="trms">language. in 19th century suddenly face occupies a precarious ="trms">position='lgc'>: it is belonging to a human being as a='lgc'>:
="lsts lst1">•physiological organism
="lsts lst1">•privatized, ="trms">socialized individual subject
='lgc'>--="ppl">Darwin='lgc'>='lgc'>--> split status of face='lgc'>:
="lsts lst1">•="trms">symptom of an organism's anatomical and physiological functioning
="lsts lst1">•the mark of the success or fai="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure of a process of self-mastery and control (in the ="trms">social construction of a normative individual)

='strcls'>*face='lgc'>: (sign of a disquieting) continuum between the somatic and the ="trms">social='strcls'>*


boarded on a trance

(Bachelard='lgc'>:) reverie='lgc'>: irreality function ='lgc'>='lgc'>--> keep the psyche on the fringe of all the brutality of a hostile and foreign nonself (!)
='lgc'>--='not'>✕='lgc'>='lgc'>--> reality function ='lgc'>='lgc'>--> adapt to reality='lgc'>: to manufacture works which are realities

="large lg1" stl="font-size:138%"> ="trms">modern flirtation='lgc'>: refusal and the withdrawal of the self are fused with the ="trms">phenomenon of drawing attention to the self (in one indivisible act)
="prgrph">-="ppl">Simmel

="trms">Poetics of Reverie (by Bachelard) ='at'>@="frds scrmbld">Eszter


how ="frds">Sina works
(in my more recent works i play with) ='lgc'>[no='lgc'>] enactment of visual mastery
='lgc'>[no='lgc'>] ocular potency
="prgrph">-my ="trms">storytelling operates in a state of distraction, in which the stability of the ="trms">story begin to erode ='lgc'>='lgc'>==> breakdown of normative attentive ="trms">narratives ='lgc'>='lgc'>--> the audience finds themselves in a trancelike state ='lgc'>='lgc'>==> condition for mobile and transient synthesis
="prgrph">-i mobilize a set of as="trms">sociative chains that are part of a libidinal economy (that i am part of) ='lgc'>='lgc'>--> ='strcls'>*exceeding the binding logic of the work='strcls'>*


effectively
cross-eyed figure
sees
if anything at all
(it is a disunified field)
with two
disparate optical axes.
into the eclipse mental
the environment grows dim


attentive subject ='lgc'>--="ppl">Ricoeur='lgc'>='lgc'>--> part of the open state of the universe of signs ='lgc'>='lgc'>--> juncture of the ="trms">erotic ='and'>& the semantic

="trms">symbols, in their overloaded ="trms">semiotic banality, is where the ruse of desire is expressed

(a diagram='lgc'>:) parallel lines ='lgc'>='lgc'>--> a principle of nonconvergence ='lgc'>='lgc'>--> the binocularity of vision is not united or synthesized on a ="trms">specific plane or point ='lgc'>='lgc'>--> a spliting apart ='lgc'>: ='strcls'>*unreconciled binocular disparity='strcls'>* (='lgc'>--="trms">situates='lgc'>='lgc'>--> ="trms">difference and nonidentity within the midst of perception)
='lgc'>[='lgc'>=/= convergence (without which a normative attention would be impossible ='lgc'>='lgc'>==> ="trms">world of focused clarity)='lgc'>]


...as if a single object is seen by two nonreconciled eyes


seamless modulation of normative attention into a dispersed distraction ='lgc'>==='qstn'>?!='lgc'>='lgc'>==> (reassemblage and rebinding into the) ='strcls'>*repetitive laws of the unconscious='strcls'>*

...the image of conjugality and adultery ="trms">simultaneously
="prgrph">-fixed ="trms">position of limits

Bindung ='lgc'>='lgc'>--> ="trms">figuration of an adulterous liaison

='lgc'>[='strcls'>*='lgc'>]adultery (in the context of ="trms">modernization)='lgc'>: “a cynicism of forms,” merely another effect of a dominant ="trms">system of exchange (circulation and equivalence)
Tanner

='lgc'>[='strcls'>*='lgc'>]infidelity='lgc'>: capacity to de="trms">compose oneself into the p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lurality of distinctly ="trms">different essential tendencies, to detach the periphery from the center, and to make ="trms">interests and activities independent of their ="trms">integral ="trms">interconnection ='lgc'>[='lgc'>=/=='qstn'>? ='mywrk'>my work='lgc'>]
="ppl">Simmel

in Duchampian terminology='lgc'>: (Manet's painting In The Conservatory) blossoming bride and bachelor enmeshed in a verdant anticonjugal machine of perpetual nonfulfilment

cultural corrosion of conjugality ='lgc'><='lgc'>== (one of) larger dis="trms">integration of pre="trms">modern ="trms">positions (of male and female)='lgc'>:
="lsts lst1">•violent insertion of women into the process of commodity production

='strcls'>*labor and ="trms">society assume a mass character ='lgc'>='lgc'>==> “women='lgc'> = mass articles” ='and'>& lose='lgc'>:
="lsts lst1">•their “="trms">natural” qualities (female essence defined by the production of life)
="lsts lst1">•their ="trms">poetic aura

traditional ="trms">positions disrupted by the logic of exchangeability='strcls'>***


greenhouses in 19th century, extended the dwelling and bore witness to the expansion of the private sphere. greenhouse provided a place to stroll in all weathers
='lgc'>='lgc'>--> frozen temporality ='lgc'>='lgc'>='lgc'>~=> ="trms">memory and ="trms">history ex="trms"nttrm="cluster,club">cluded =(congealed ="trms">present)='lgc'>='lgc'>==> de="trms">historisized subjectivity

(fundamental) withdrawal of the possibility of ='strcls'>*="trms">gesture='strcls'>* ='lgc'>--="ppl">Agamben='lgc'>='lgc'>--> part of the particularly ="trms">modern fai="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lure of ethos, of character
='lgc'>[="trms">gesture ='lgc'><='lgc'>='lgc'>-->='qstn'>? ethos='lgc'>]

incapa="trms">citation='lgc'>: r="trms">enunciation of ='strcls'>*potentia='strcls'>*='lgc'>[='lgc'>='lgc'>~= capacity for being ="trms">affected, any expansion of practical being ='lgc'><='lgc'>-- Spinoza='lgc'>]

="large lg3" stl="font-size:112%">
smell of flowers='lgc'> = dis="trms">integrated product of their sexual ="trms"nttrm="metaph,metamorph,metabol,metal">metabolism ='lgc'><='lgc'>-- ="ppl">Freud


D='lgc'>+G becoming woman
='strcls'>*man='lgc'>: molar entity par excellence (='lgc'>=/= becomings are molecular), man constitutes the majority, the standard in which the majority is based='lgc'>: white, male, adult, rational ='lgc'>~ the average european, the subject of ="trms">enunciation
='at'>@="frds scrmbld"nttrm="Leonardo">Leo
(='lgc'>='lgc'>--> problematized by ="ppl">Grosz ='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ="nms">ajayeb.net/='qstn'>?q=="ppl">Grosz='prcnt'>%2B="ppl">Deleuze='prcnt'>%2B="ppl">Guattari)

="large lg4" stl="font-size:112%">
the perpetual self-invention of “free subjectivity” ='lgc'>--defining='lgc'>='lgc'>--> ="trms">modernity
cycle of de="trms">coding ='and'>& re="trms">coding ='lgc'>:
daring innovation ='lgc'>='lgc'>--> hyper="trms">anxious self-consolidation ='lgc'>='lgc'>--> renewed innovation ='lgc'>='lgc'>--> ...


Manet ='lgc'>=/= Caravaggio='lgc'>:
="lsts lst1">•intense optical contact
="lsts lst1">•tactile contact
="lsts lst1">•a reciprocal ="trms">system of investment in the transactional ="trms">nature of the encounter='lgc'>--infused with the ="trms">interplay of the ="trms">social, libidinal, and economic ="trms">difference

hands as='lgc'>:
="lsts lst1">•expression of individual consciousness (in Caravaggio)
="lsts lst1">•="trms">instrument of active ="trms">gesture (in Manet)

="large lg5" stl="font-size:161%">
activity ='lgc'>='lgc'>~=='qstn'>? simulation of ="trms">gesture

pointing index finger
confirmation of the impo[...]