[...]>
inexorable dis="trms">integration of substance
...
(='qstn'>?like many artists i am looking for incarnations too, for) procedures of binding ='lgc'>: transformed re="trms">presentational logic
='strcls'>*operation of fixing, of fastening, within a ="trms">world in which ="trms">position no longer has its former meanings='strcls'>*
="trms">interpretation of tentatively scenic spaces
(BOZAR ="nms">Tehran tree project)
="lsts lst1">•flickering screen of sky and trees
="lsts lst1">•one stone lies nested or w="trms"nttrm="knowledge,Knowledge">edged within the embrace of another element
='lgc'>='lgc'>--> (logic of the ='lgc'>[phantom='lgc'>]) limbs
="trms">eroticized enclosure (seek to grasp and be grasped) ='lgc'>--becomes='lgc'>='lgc'>--> diagram of perception (seek to envelope and be enveloped)
Cezanne's discovery='lgc'>: any attempt to stabilize perception ='lgc'>='lgc'>==> dis="trms">integration and transformation
="lsts lst1">•Cezanne ='lgc'>='lgc'>--> dispersed perceptual processes
="lsts lst1">•="ppl">Freud ='lgc'>='lgc'>--> dispersed psychic processes ='lgc'>{perception='lgc'> = ="trms">interface of the nervous ="trms">system with the ="trms">world <='lgc'>=='lgc'>~ ="trms">interface between consciousness and the stored stimuli of wishes, ="trms">memories, anticipations='lgc'>}
(mid 1890s) ="ppl">Bergson ='lgc'>+ ="ppl">Freud ='lgc'>='lgc'>==> sustained and o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginal consideration of the anti-optical functioning of subjectivity perceptual experience as a nondirectional, acentric, multitemporal event
='lgc'>='lgc'>--> empathic decentering of the observer
='lgc'>+ (widesp="trms"nttrm="already,spread">read) practical and discursive remaking of the observer as subject, vision is no longer a distinct and isolable ="trms">phenomenon
="ppl">Freud ='lgc'>='lgc'>--> psyche='lgc'> = a perpetually available innocence ='lgc'>+ in="trms">finite reserve of traces
='strcls'>*perception arouse ="trms">interest on the account of their possible connection with the object wished for='strcls'>* ='lgc'>: ‘perception='lgc'> = ="trms">question of ="trms">internal ex="trms">citation’
Cezanne ='lgc'>--(in Pineapple and Rocks)='lgc'>='lgc'>--> coexistence (continuity) of='lgc'>:
="lsts lst1">•an attentiveness that is bound (cathected) ="trms">onto established (facilitated) patterns ='lgc'>[= one's own ="trms">history ='lgc'>+ its fixation='lgc'>]
="lsts lst1">•a perception of ="trms">animality and novelty ='lgc'>[= relaxation of grip, musical, (="ppl">Deleuze and ="ppl">Guattari's) ='strcls'>*anti="trms">memory='strcls'>* ='lgc'>=/= atemporal forgetting='lgc'>]
vertigo='lgc'>: auto-movement of chaos
“Cezanne's work='lgc'> = model of a nonhuman perception” ='lgc'>: (="trms"nttrm="already,spread">reading of Cezanne as) austere project of formal ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigor, performed on some remote plane of ="trms">aesthetic production; an enterprise tragically detached from an engagement with the ="trms">social contra="trms">diction of his time ='lgc'>=/= (="ppl">="ppl">Crary's ="trms"nttrm="already,spread">reading of) Cezanne coinciding ="trms">historically with new perceptual ="trms">technologies ='lgc'>='lgc'>--> new ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphoric possibilities
accumulated experience ='lgc'>--basis='lgc'>='lgc'>--> radical depersonalization ='lgc'>--intuit='lgc'>='lgc'>--> creative forces of chaos (in your own provence)
='strcls'>**Cezanne's ="trms">imaginative re="trms">figuration of himself as machine='lgc'> = ="trms">translate automatically='strcls'>** ='lgc'>='lgc'>==> release from grounded condition of human perception ='lgc'>: to become an ="trms">apparatus='lgc'> = implacability apprehend a ="trms">world outside of the terms (that the artist wants out) ='lgc'>='lgc'>==> novelty (='lgc'>='lgc'>~= to overcome the gravity of one's own ="trms">interiority) ='lgc'>--Cezanne='lgc'>='lgc'>--> primordial image (of irreducible formlessness, of ='strcls'>***="trms">world in process without horizon='strcls'>***, without ="trms">position, of slowly vibrating colors...) ='lgc'>[='lgc'><='lgc'>-- ='strcls'>*="trms">apparatus becoming='strcls'>* is now the cliche of contemporary artist='lgc'>]
glow of a geological dawn
archaic ='lgc'>+ inert
Precambrian
deterritorializing processes of capitalism (='lgc'>+ its imperatives of perpetual renovation) ='lgc'>='lgc'>--> (its compatible) uprooted nonorientable subject
="trms">nature experienced as vibrations, animations, chromatic re="trms">verberation (='lgc'>+ seeking a “logic” to clarify its un="trms">folding)
hideous sign of progress (for Cezanne='lgc'>: electric light, cinema, )
artistic ="trms">modernism ='lgc'><='lgc'>==="ppl">Adorno='lgc'>== (the fact that) the most advanced procedures of ="trms">material production and organization are not limited to the sphere in which they o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">riginate (='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to incarnation)
demotivated subjectivity
wants something that is neither optical nor mechanical nor intellectual ='lgc'>='lgc'>==> substitute a mode of consciousness that is predominantly intuitive ='lgc'>: the awareness of touch
="trms">historical adjacency (='lgc'><='lgc'>-- ="ppl">="ppl">Crary's knowl="trms"nttrm="knowledge,Knowledge">edge ="trms">zoom)
='strcls'>*late work of Cezanne (in spite of apparent ="trms">social isolation of its production)='lgc'> = a site where ="trms">modernization of subject occurs (of late 19th century)='strcls'>* ='lgc'>='lgc'>--> dynamization of perception (occurring in many ="trms">different domains around the year 1900 ='lgc'>--introducing='lgc'>='lgc'>--> new ="trms">techniques of vision)
Cezanne ='lgc'>=/= contemplative distance
Cezanne ='lgc'>=/= perceptual autonomy
Cezanne='lgc'> = nervous ="trms">system ="trms">interfacing with (a continually transforming) external environment
Cezanne='lgc'> = an ='thdf'>example of a contemporary conceptualization of reality (as a dynamic aggregate of sensations)
='lgc'>='lgc'>--> emerging industries of ="trms">spectacle
(fundamentally distinct) machinic visual ="trms">technologies ='lgc'>--="ppl">Deleuze='lgc'>='lgc'>--> cinema ='lgc'>=/= previous ="trms">historical forms of simulation (some continuous western mode of re="trms">presentation, with its o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigins in Renaissance), re="trms">present the ="trms">world
cinema ='lgc'>--constitutes='lgc'>='lgc'>--> ='strcls'>*an autonomous ="trms">world='strcls'>* made up of breaks and disproportions, deprived of all centers, addressing itself as such to viewers who are in themselves no longer the center of their own perception
percipiens
percipi
nonselectivity of cinema eye ='lgc'>=/= texture of human attentiveness
cinema='lgc'> = fusion='lgc'> = dream of the functional ="trms">integrity of the ="trms">world
film='lgc'> = validation of the authenticity of the perceptual disorientation
='lgc'>}='lgc'>--='not'>✕='lgc'>='lgc'>--> ="ppl">="ppl">Crary's analysis of Edison's train robbery s="trms">cene ='lgc'>: serial recon="trms">figuration of a kinesthetic constellation of moving forces (='lgc'>+ additional ="trms">system of movements and forces='lgc'>: bodies, bullets, explosion) ='lgc'>=/= ="trms">question of mobile point of view
Cezanne ='lgc'><='lgc'>='lgc'>--> cinema camera ='lgc'>--Dziga='lgc'>='lgc'>-->
i am a mechanical eye
i, a machine, show you the ="trms">world as only i can see it
now and forever, i free myself from human immobility
i am in constant motion, i draw near, then far away objects, i crawl under, i climb ="trms">onto them... i plug and soar together with plunging and soaring bodies
now, i, a camera, fling myself along their resultant maneuvering in the chaos of movement, recording movement, starting with movement of the most complex combinations
Sherrington ='lgc'>='lgc'>--> stimuli in the external ="trms">world are selected and ="trms">fashioned by the organism
='lgc'>=/= Pav="trms">lov='lgc'>: stimuli='lgc'> = alien shocks encountered and ="trms">responded to
='lgc'>=/= ="ppl">Cartesian res extensa, res cogitans
“the great physical process of attention”
inhibition='lgc'>: an active process
anticipatory behavior
exploratory locomotor behavior
“="trms">integrative function” of nervous ="trms">system ='lgc'>='lgc'>==> binding
(="trms">integrative='lgc'>: incorporation of the exterior ="trms">world)
“human perception='lgc'> = possibility of motor activity”
="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................
="large lg2" stl="font-size:110%">
Cezanne sitting in ="trms">nature and studying motif, tilting his head ='lgc'>='lgc'>~-> intensity un="trms">folding chromatically before him (a mode of physical being) ='lgc'>='lgc'>--> ='strcls'>*time of the body='strcls'>* ='lgc'>[='lgc'><='lgc'>-- this is typical of today art in european='lgc'>]='lgc'> = inde="trms">finite scalar time ='lgc'>+ intensity is experienced outside re="trms">presentation
="lsts lst1">•river stands for his engagement with a more primal flux
="lsts lst1">•sustained condition of vibrating instability
="lsts lst1">•apprehension of multiplicity
="lsts lst1">•="trms">world='lgc'> = turn of a kaleidoscope (prismatic)
="lsts lst1">•(when you look at a) landscape has its own weird anima, it changes like a living ="trms">animal under our gaze (='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to machine dreaming image learning 2020)
="lsts lst1">•to make yourself into a ="trms">responsible productive organ
='lgc'>='lgc'>--> ='strcls'>**incarnation of a contradictory enterprise of self-transformation, self-renewal='strcls'>** ='lgc'><='lgc'>-- (Cezanne's retrospective fulfilment of a tradition from which he could not fully acknowl="trms"nttrm="knowledge,Knowledge">edge his own decisive departure)
...your intuition on the ="trms"nttrm="knowledge,Knowledge">edge of the river
Cezanne='lgc'> = re="trms">formulation of ="trms">natural ="trms">world ='lgc'>+ broken hope of ="trms">community (='lgc'>='lgc'>~= intimacy ='lgc'>='lgc'>--> ="ppl">Rousseau's mode of attention contemplation='lgc'>: “thought ='lgc'>=/= reverie” ='lgc'>: the more sensitive the soul of the observer, the greater the ecstasy aroused in him. deep and delightful reverie ='lgc'>: a state of blissful self-abandonment)
='lgc'>='lgc'>--> novelty of a smooth unorganized perceptual space
='lgc'>--="ppl">="ppl">Crary='lgc'>='lgc'>--> ='thdf'>example of the non="trms">synchronous character of ="trms">modernism (='lgc'>~ coexistence of realities from radically ="trms">different moments of ="trms">history) ='lgc'>[='lgc'><='lgc'>-- is my ="trms">bestiary research on the same p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lural ="trms">historical ="trms">positioning='qstn'>?='lgc'>]
="lsts lst1">•termination of a romantic visionary tradition
(in the West) ='lgc'>[='strcls'>*='lgc'>]image='lgc'>: decentered chrono-iconography, automatic self-movement
rise of cinema='lgc'>: body-machine assemblage ='lgc'>--="ppl">Deleuze='lgc'>='lgc'>--> new paradigm of ='strcls'>*psycho-mechanics='strcls'>* ='lgc'>~ cinema is capable of touching the cerebral ="trms">system directly ='lgc'>='lgc'>==>
="lsts lst1">•experimental forms of life='lgc'> = freedom (affirmative model of automatic behavior ='lgc'>='lgc'>--> thought functions at a higher level with an arsenal of syntactic perceptual conceptual tools)
="lsts lst1">•management of attention (model of passive automatism)
(from) dreamer ='lgc'>--to='lgc'>='lgc'>--> ="trms">somnambu="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list ='lgc'>--to='lgc'>='lgc'>--> hypnosis ='lgc'>--to='lgc'>='lgc'>--> sug="trms">gestion ='lgc'>--to='lgc'>='lgc'>--> ="trms">hallucination ='lgc'>--to='lgc'>='lgc'>--> obsession
="ppl">Deleuze ='lgc'>+ ="ppl">Benjamin ='lgc'>+ ="ppl">Virilio
='thdf'>the idea of ='strcls'>*art of automatic movement coincide with fascism='strcls'>*
='at'>@="frds scrmbld">Pierre, pass, ="frds scrmbld">Foad
scopophilia='lgc'>: a forced ecstatic abjection before the image
='lgc'>=/= mastery
='lgc'>[='strcls'>*='lgc'>]="trms">spectacle='lgc'>: (="trms">spectacular culture) attention would be made attentive to everything but itself
="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................
“my experience is what i aggree to attend to” (James) ='lgc'>='lgc'>~= affirmation of an autonomous self-choosing ="trms">world-creating subject liberated from the receptive status of a subject for whom experience was “the mere ="trms">presence to the senses of an outward order”) ='lgc'>--="ppl">="ppl">Crary='lgc'>='lgc'>--> ="trms">historical crisis in the ="trms">nature of experience='lgc'>: ='strcls'>*attention='lgc'> = simulation of ='lgc'>+ compensation for a ="trms">chimerical real experience='strcls'>*
(in my text ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging demons ='lgc'>='lgc'>--> reconciliation of='lgc'>:)
="lsts lst1">•individual attentiveness to the fringes, ="trms">transitions, pulses of one's own particular “pure experience”
="lsts lst1">•“experience” as immersion in the tangled ="trms">density of a shared ="trms">mutually inhabited ="trms">world
James's conception of selfhood='lgc'>: private property (='lgc'>--in='lgc'>='lgc'>--> Tasavof='lgc'>: the most radical of all possible alienation and disconnection) ='lgc'>--Lentricchia='lgc'>='lgc'>--> deployed to preserve a human space of freedom ="trms">interiorized from the vicis="trms">situdes and coercions of the ="trms">marketplace
='strcls'>**="trms">modern attention='strcls'>** ='lgc'>+ individual evasion of ="trms">memory (and ="trms">history) ='lgc'>='lgc'>--> habitual ='and'>& commodified ='lgc'>: an ="trms">imaginary deletion of all that is unbearable in collective and individual experience
="large lg10" stl="font-size:135%">
in Corridor Crew the perceptual selectivity of the ="trms">CG hackers sustains efficiency of animation tools ='lgc'>+ tangled ="trms">social and psychic machinery of ="trms">sublimation
(='qstn'>?do i have) agoraphobia ='lgc'>='lgc'>--> ="ppl">Simmel
(destructive transformation of) ='strcls'>*="trms">modernization always preserve and carry over non="trms">synchronous components of ="trms">past moments='strcls'>*
="ppl">="ppl">Crary, Lefebvre
="nms">Piranesi's etching of Rone='lgc'> = foctive and atmospheric prison
="ppl">Freud's description of piazza='lgc'>: patchwork texture of screens and flashing signs (formless field of attraction ='at'>@="frds scrmbld">Foad, ="frds">Sina; multidimensional field of stimuli, ="trms"nttrm="disturban">urban space='lgc'>: “a theater of ="trms">memory and a theater of prophecy”) ='lgc'>=/= ="nms">Piranesian dissolution of the axial city (organized views around a coherent even if mobile subjective orientation)
="ppl">Freud's ="trms">technique of attention='lgc'>: gleichschwebende Aufmerksamkeit
‘evenly suspended attention’ (giving equal notice to everything, everything in low-level focus without the risk of ="trms">schizophrenic overload) ='lgc'>--define='lgc'>='lgc'>--> ='strcls'>**a state of receptivity in the analyst that eill be commensurate with the spoken free as="trms">sociation of the patient='strcls'>** ='lgc'>='lgc'>--> dealing with a stream of information that has no evident structure or coherence ='lgc'>+ extracting from that disjunct texture (artwork, chaotic syntax of dreams, indecipherable ="trms">present,) some ="trms">interpretive clarity (feedback)
="ppl">Freud ='lgc'>+ Cezzaine ='lgc'>='lgc'>--> design a countermodel of attentiveness that surmounts an ='strcls'>***inhibition of the peripheral='strcls'>*** (='lgc'>=/= notion of selection ='lgc'>='lgc'>='lgc'>~=> finding out what one al="trms"nttrm="already,spread">ready knows)
='strcls'>****diffuse attention ='lgc'>=/= critical attention='strcls'>**** (a faculty in which the observer is led to reject some of the ideas that occur to him after perceiving them)
(at the turn of the century) experience='lgc'>: compulsory ="trms">consumption of information
(from) the experience of deindividualtion (in piazza) ='lgc'>--to='lgc'>='lgc'>--> a more controllable form of loneliness (bedroom)
='lgc'>[this='lgc'>] p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lural hybrid space of Roman square (="ppl">="ppl">Crary on ="ppl">Freud's re="trms">presentation) ='lgc'>='lgc'>~= a ="trms">spectacle ="trms">society ='lgc'>: a patchwork of fluctuating effects in which individuals and groups continually reconstitute themselves (either creativity or reactively) ='lgc'>=/= (="ppl">Guy ="ppl">Debord's) seamless regime of separation, ominous collective mobilization
="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................
="ppl">Deleuze and ="ppl">Guattari's Varuna and Mitra ='lgc'>='lgc'>--> lacking a mythology of conflict (='lgc'>=/= ="ppl">Singh's analysis)
forming a milieu of ="trms">interiority ='lgc'>='lgc'>--> double ="trms">articulation that makes the State ="trms">apparatus into a stratum
State's operates by='lgc'>:
="lsts lst1">•seizes (immediate, magical capture)
="lsts lst1">•binds (preventing all combat ='lgc'>='lgc'>--> pre="trms">supposing a juridical ="trms">integration of war)
“chess (pieces are ="trms">coded)='lgc'> = a game of State”
chess='lgc'>: an institutionalized, regulated, ="trms">coded war, pure strategy ='lgc'>=/= Go='lgc'>: pure ="trms">semiology
(what is game's form of ="trms">interiority)
nonsubjectified machine assemblage
...returning from the outside with that inconceivable thing, an army
magical-despotic State (='at'>@="frds scrmbld">Eszter)
Genghis ="ppl">Khan didn't understand the ="trms">phenomenon of the city ='lgc'>='lgc'>--> war machine='lgc'>: a pure form of exteriority
magic violence
military institution
="ppl">Deleuze and ="ppl">Guattari='lgc'>: State has no war machine of its own; it can only appropriate one in the form of a military institution
machine='lgc'>: ="trms">ontology of production
State thinkers='lgc'>:
="lsts lst1">•="ppl">Goethe
="lsts lst1">•="ppl">Hegel
="lsts lst1">•="ppl">Euclid (finding a foundation for the enterprise) ='lgc'>='lgc'>--> logos='lgc'>: the law over the nomos (from Proto-Indo-European nem-='lgc'>: distribute)='lgc'>='lgc'>-->='lgc'>{="ppl">Euclidian space='lgc'>: a sufficient number of dimensions, by which one reintroduces parallelism between two vectors, treating multiplicity as though it were immersed in this homogeneous and striated space of reproduction='lgc'>}
="lsts lst1">•Archimedes (an operative projective descriptive ="trms">geometry)
="lsts lst1">•Durkheim ='lgc'>='lgc'>--> to give the republic a secular model of thought
="lsts lst1">•
="lsts lst1">•
political ="trms">differentiation ='lgc'>='lgc'>==> State ='lgc'>='lgc'>~= distinct organs of power (='lgc'>=/= chief رئیس قبیله) ='lgc'>==!='qstn'>?='lgc'>='lgc'>==> economic development
(="frds scrmbld">Laura='lgc'>:) keep the ="trms">social body from crystallizing ='lgc'>=/= (concern of the State='lgc'>:) to conserve
='lgc'>[='strcls'>*='lgc'>]war='lgc'>: a mode of a ="trms">social state that wards off and prevents the State; that which limits exchange, maintains them in the framework of alliances ='lgc'>='lgc'>--> (critical ="trms">epistemologies='lgc'>:) ='strcls'>*war replaces “exchange” with “alliances”='strcls'>*
='lgc'>[sometimes leadership='lgc'>] inhibits the installation of stable powers, in favor of a fabric of immanent ="trms">relations (='lgc'>='lgc'>--> could we say that about ="nms">Iran today='qstn'>?)
diffusion of prestige
(="ppl">Deleuze and ="ppl">Guattari='lgc'>:)
types/organs that center around organs of power='lgc'>:
="lsts lst1">•rhizome
="lsts lst1">•='lgc'>=/= aborescent
family (aborescent type that centers around organs of power ='lgc'>--structuring='lgc'>='lgc'>--> centralized ="trms">societies) ='lgc'>=/= pack (bands, rhizome)
State ='lgc'>=/= perpetual blackmail by abandonment or betrayal (='lgc'>='lgc'>--> ="nms">Iran)
='lgc'>='lgc'>==>='lgc'>{
="lsts lst1">•large-scale projects
="lsts lst1">•constitution of surpluses
="lsts lst1">•organization of the cor="trms">responding public functions
="lsts lst1">•on-the-spot emergence (='lgc'>='lgc'>--> kinda magical, and ="trms">monstrous, miraculous)
war machine='lgc'>: a counter-State mechanism
realized completely in='lgc'>: the “barbaric” assemblages of nomadic warriors (='lgc'>=/= “savages” assemblages of primitive ="trms">societies)
="prgrph">-problem='lgc'>: it cannot relay
="ppl">Deleuze and ="ppl">Guattari ask='lgc'>: so, why did the State triumph='qstn'>?
the ="trms">fable of Urstaat='lgc'>: the State clearly dates back to the most remote ages of humanity
law of the State ='lgc'>='lgc'>--> ="trms">interior and exterior, Sovereignty only reigns over what it is capable of ="trms">internalizing, of appropriating locally
='lgc'>=/= the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights of segmentary ="trms">societies
_='lgc'>~='strcls'>*neoprimitivism='strcls'>*='lgc'>~_
poly="trms">morphous war machine
commercial circuit...
="trms">religious creation...
(="ppl">Deleuze and ="ppl">Guattari's) space='lgc'>:
='strcls'>*smooth='lgc'>:
="lsts lst1">•vectorial ↗️⤴️↘️↞
="lsts lst1">•projective 📹
="lsts lst1">•topological 🐍 (='lgc'>=/= ="trms">geometrical)
="lsts lst1">•
='lgc'>='lgc'>--> ='strcls'>*space is occupied without being counted='strcls'>*
='lgc'>=/=
='strcls'>*striated='lgc'>:
="lsts lst1">•metric -|-|-|-|-
="prgrph">-
='lgc'>='lgc'>--> ='strcls'>*space of counted without being occupied='strcls'>*
“minor ="trms">science” (in which, model are='lgc'>:)
="lstsrd">1. hydraulic ='lgc'>=/= hylo="trms">morphic
="lstsrd">2. of becoming and heterogeneity
="lstsrd">3. goes from a curvilinear declination to the formation of spirals and vortices on an inclined plane (='lgc'>=/= from straight line to its parallels) ='lgc'>='lgc'>--> vortical
="lstsrd">4. ='strcls'>*****problematic(='lgc'>='lgc'>==> event ='lgc'>--to go from a problem to the accidents that both condition and resolve it ='lgc'>='lgc'>==> ='lgc'>[all kinds of='lgc'>] deformations, transmutations, passages to the limit, each figure designates an “event”) ='lgc'>=/= theorematic(='lgc'>='lgc'>==> essence ='lgc'>--theorematic='lgc'>: to go by ="trms">specific ="trms">differences from a genus to its ="trms">species, or by deduction from a stable essence to the properties deriving from it) ='lgc'>[='lgc'>='lgc'>--> make your model problematic, not affirmed by theoretical bullshit! ='lgc'>='lgc'>--> my performances are about trying to find a way of not being theorematic while doing theory='lgc'>]='strcls'>***** (and they say ‘problematic’ the problem it is not an “obstacle”)
='lgc'>=/= “royal ="trms">science”='lgc'>: reducing the “problem-element” and subordinate it to the “theorem-element.” State needs to subordinate hydraulic force ='lgc'>='lgc'>==> prevent turbulence (='lgc'>--='not'>✕='lgc'>='lgc'>--> Middle East ='lgc'>=='qstn'>? distributed turbulence across a smooth space ='lgc'>[='lgc'><='lgc'>-- fucked up='lgc'>], ='lgc'>[in smooth space:='lgc'>] vortical movement that can rise up at any point)
="lsts lst1">•civil
="lsts lst1">•static
="lsts lst1">•ordinal
/="trms">matter ='lgc'>--assigned-to='lgc'>='lgc'>--> content
/form ='lgc'>--assigned-to='lgc'>='lgc'>--> expression
='lgc'>='lgc'>~= hylo="trms">morphic='lgc'>: implying both a form that organizes ="trms">matter and a ="trms">matter prepared for the form (='lgc'>=/= hydraulic) ='lgc'><='lgc'>== ='strcls'>*a ="trms">society divided into governors and governed='strcls'>*
='lgc'>='lgc'>--> State ="trms">science (appropriates and transforms the elements of='lgc'>:)
='lgc'>=/= “nomadic ="trms">science” (Homeland TV series sug="trms">gesting US government is a nomadic ="trms">science='lgc'>: viewpoint of ="trms">affections ='lgc'>+ nomadic operation of rogue CIA operatives ='lgc'>+ presidential decentralized power dynamic)
="lsts lst1">•becoming
="lsts lst1">•heterogeneity
="lsts lst1">•in="trms">finitesimal
="lsts lst1">•passage
='lgc'>='lgc'>--> in tune with the connection between content and expression, ='strcls'>***essentially laden with singularities='strcls'>*** (='lgc'>='lgc'>--> my ="trms">lectures='qstn'>? an art, a ="trms">technique, a ="trms">science ='lgc'>: following the connections between singularities of ="trms">matter and traits of expression, they seize or determine singularities in the ="trms">matter ='lgc'>=/= constituting a general form)
='lgc'>=/= ='strcls'>*chaotic ="trms">science='strcls'>* (='lgc'>='lgc'>--> what kind of figure of engineer='qstn'>? ='at'>@="frds">Sina)
='strcls'>*the problemata='strcls'>* ='lgc'>='lgc'>--> vortices ='and'>& projections ='lgc'>[='lgc'>='lgc'>~='lgc'>~='qstn'>?='lgc'>='lgc'>--> chaotic ="trms">imagination='lgc'>]
(projected into an abstract knowl="trms"nttrm="knowledge,Knowledge">edge ='lgc'>--='qstn'>?='lgc'>='lgc'>--> mapping knowl="trms"nttrm="knowledge,Knowledge">edges)
State ="trms">science ='lgc'>='lgc'>--> ="ppl">="ppl">Star Trek
imposes its form of Sovereignty on the inventinos of nomad ="trms">sciencet
to administrate projections ='lgc'>='lgc'>--> submit (war machine) to civil and metric rules that strictly limit, control, localize (nomad ="trms">science)
“rhythm ='lgc'>=/= turbulence”
cursing of a river='strcls'>*
Gothic conquered a smooth space ='lgc'>='lgc'>--> the cutting of the stone (='lgc'>=/=='qstn'>? digital) ='lgc'>+ ‘plane of projection’='lgc'>: a plane limit, a series of successive approximations or placings-in-variations
='lgc'>=/= Romanesque remained striated space ='lgc'>='lgc'>--> vault depends on the juxta="trms">position of parallel pillars
='lgc'>--D='lgc'>+G='lgc'>='lgc'>--> ='strcls'>***one does not re="trms">present, one engenders and ="trms">traverses='strcls'>***
='lgc'>[='strcls'>*to engender='lgc'>: give you a baby from behind. ='strcls'>*to ="trms">traverse='lgc'>: zigzagging='lgc'>]
='lgc'>--democracy='lgc'>='lgc'>--> one re="trms">presents visually
='lgc'>--="frds">Sina='lgc'>='lgc'>--> one sug="trms">gests chaotically
roadways (well-centralized administration) ='lgc'>=/= bridges (active, dynamic, collective experimentation)
lobby='lgc'>: a group with fluid c="trms">ontours, whose ="trms">position is very ambiguous in ="trms">relation to the State it wishes to influence
(for Ibn Khaldun='lgc'>:) war machine='lgc'>: families or lineages ='lgc'>+ esprit de corps
pouvoir (monopoly of an organic power) ='lgc'>=/= puissance (a vortical body in a nomad space)
(to address the) vague='lgc'> = vagabond, nomadic, ="trms">morphological essences (='lgc'>=/= ideal, royal, imperial essences)='lgc'> = haecceities
='lgc'>{='thdf'>for example the circle is an organic, ideal, fixed essence, but roundness is a vague and fluent essence, distinct both from the circle and things that are round (a vase, a wheel, a sun)='lgc'>}='lgc'>='lgc'>--> State is perpetually producing and reproducing ideal circles ='lgc'>=/= war machine makes something round
="frds scrmbld">Agnes drawings ='lgc'>='lgc'>--> proto="trms">geometry
="frds scrmbld">Agnes='lgc'> = drwaing and linking up smooth space
(is Finn in Adventure Time a man of State ot nomadic ="trms">scientist='qstn'>? ='lgc'>='lgc'>-->) journey-men's as="trms">sociations
nomadic ='lgc'><='lgc'>==form='lgc'>== masons, carpenters, smiths
labor ='lgc'><='lgc'>== regulating the movement of the flow of labor, assigning it channels and conduits, forming corporations, relying on forced manpower ="trms">recruit
(plane of) consistency ='lgc'>='lgc'>~= com="trms">position ='lgc'>=/= (place of) organization ='lgc'>='lgc'>~= formation
='strcls'>***everything is about the division of labor='strcls'>*** (='lgc'>='lgc'>--> this is the most critical about ="nms">apass)
State='lgc'>:
="lsts lst1">•repress the nomad
="lsts lst1">•repress the minor ="trms">science
="lsts lst1">•oppose vague essences (='lgc'>='lgc'>--> visa and ="trms">integration)
="lsts lst1">•operative ="trms">geometry of the trait
='lgc'>=/= nomad imply a division of labor opposed to the norms of State
="frds scrmbld">Steven='lgc'>: a dynamic connection between support and ornament ='lgc'>=/= ="frds scrmbld"nttrm="Alex,Alert,Aleph,Alessi">Alex's hylo="trms">morphic schema (the search for laws in extracting constants ='lgc'>='lgc'>--> an invariable form for variables ='lgc'>[for ="frds scrmbld"nttrm="Alex,Alert,Aleph,Alessi">Alex='lgc'>: the invariable de="trms">finition of artistic research for variable artists='lgc'>])
="large lg18" stl="font-size:124%">
compars ='lgc'>=/= dispars
(let's go) from ="trms">matter-form ='lgc'>--to='lgc'>='lgc'>--> ="trms">material-force(= placing the variables themselves in a state of continous variation)
='lgc'>[="frds">Sina='lgc'>: let's go instead of thinking about ‘flow’ ='lgc'>--to='lgc'>='lgc'>--> ‘force'='lgc'>]
force (is full of)='lgc'>:
="lsts lst1">•equations “=”
="lsts lst1">•adequations (change in the meaning of a term depending upon context)
="lsts lst1">•inequations “='lgc'>=/=”
="lsts lst1">•="trms">differential equations (functions ='lgc'>+ derivatives ='lgc'>='lgc'>--> useful for modeling and simulating physical ="trms">phenomena) ='lgc'>='lgc'>--> solution of a ="trms">differential equation is a function ='lgc'>=/= algebraic equations (solution of an algebraic equation is a value)
="lsts lst1">•
(distribution of ="trms">matter in='lgc'>:)
space of pillars
striated by the fall of bodies
verticals of gravity
parallel layers
quantitative and ="trms">scientific oppsositions (such as='lgc'>: speed/slowness, quick/weighty, celeritas/gravitas)
='lgc'>=/= qualitative oppsositions
='lgc'>=/= mythological structures
(i am basically ="trms">interested in the law of falling bodies)
(my ="trms">lectures='lgc'>: an art of) following ='lgc'>=/= flowing
="prgrph">-one never follows in order to reproduce
="prgrph">-in following, one is in search of singularities of a ="trms">matter
(my whole work has been about the art of being carried away by the vortical flow of texts)='lgc'>='lgc'>--> ='lgc'>[='strcls'>*='lgc'>]="nms">ajayeb ='lgc'>='lgc'>~= a vertical field across which singularities are scattered like so many accidents (i see them as ‘problems,’ and my job is to follow them)
global theory of waves
(="ppl">Deleuze and ="ppl">Guattari romanticizing the royal ="trms">science='lgc'>:) “reproducing implies the performance of a fixed point of view that is external to what is reproduced” (='lgc'>--no='lgc'>='lgc'>--> it is about saying what you say attached to a temporary fixed point ='lgc'>[for example an identity='lgc'>], in order to be able to be proven wrong)
="trms">categorical apo="trms">dictic ="trms">apparatus
='lgc'>[="trms">category='lgc'> = intrinsic concepts='lgc'>]
="large lg18" stl="font-size:130%">
content is (not='qstn'>?) always conformist (='lgc'><='lgc'>-- Julia was never)
="frds scrmbld"nttrm="Alex,Alert,Aleph,Alessi">Alex='lgc'>: imperium of true thinking ='lgc'>='lgc'>--> capture, seizure, binding, constituting the efficacy of a foundation (= myth) ='lgc'>='lgc'>==> ='lgc'>[='strcls'>*='lgc'>]logos='lgc'>: sanction of a ground
="trms">modern state='lgc'>: ='strcls'>*realized reason='strcls'>*, the rational and reasonable organization of a ="trms">community
="prgrph">-what are the exchanges that take place between the State and reason
="trms">modern state reason ='lgc'>='lgc'>--> “the more you obey, the more you will be master” (for you will be only obeying pure reason) ='lgc'>='lgc'>--> philosophy assigned itself the role of ground
common sense='lgc'>: the unity of all faculties at center
(in the archaic model imperial State='lgc'>:) ="trms">poet='lgc'> = image trainer ='lgc'>=/= (toady's) artist='lgc'>: (="ppl">Deleuzian) ='strcls'>*private thinker='strcls'>* (making counterthought, destroy images) ='lgc'>=/= public professor
="prgrph">-problem with private thinker is that it exaggerates ="trms">interiority when it is a ="trms">question of outside thought ='lgc'>='lgc'>--> the ="trms">question of how ='strcls'>**to place the thought in an immediate ="trms">relation with the outside, with the forces of the outside='strcls'>** (to make thought a war machine='qstn'>?)
(="frds scrmbld"nttrm="Alex,Alert,Aleph,Alessi">Alex in search of) maxim ='lgc'>=/= aphorism (always awaits its meaning from a new external force, a final force that utilizes it) ='lgc'><='lgc'>-- my ="trms">interest
(='qstn'>?which) image inspired by State ="trms">apparatus
='lgc'>[='strcls'>*='lgc'>]="trms">method='lgc'>: the striated space of the cogitatio universalis ='lgc'>='lgc'>==> path (='lgc'>=/= bridge)
="large lg3" stl="font-size:112%">
thought ='lgc'>='lgc'>~= vampire (has no image)
(in the smooth space of Zen) the arrow does not go from one point to another but is taken up at any point, to be sent to any other point, and tends to permute with the ="trms"nttrm="search">archer and the target (='at'>#my bow and arrow ='lgc'>='lgc'>--> it takes no aim but hopes the arrow will stick somewhere)
="prgrph">-whenever a “thinker” shoots an arrow, there is a man of the State, a shadow or an image of a man of the State, that counsels and admonishes him, and wants to assign him a target or aim (='at'>#my bow and arrow ="trms">joke ='at'>@="nms">apass)
pathetic texts='lgc'>: thought becomes pathos (='lgc'>=/= logos ='lgc'>=/= mythos)
="large lg4" stl="font-size:111%">
(a lot of ="trms">poetry today is like this='lgc'>:)
(an antidialogue between brother and sister='lgc'>:) one ='strcls'>*speaks before knowing='strcls'>* while the other ='strcls'>*relays before having understood='strcls'>*
='lgc'>='lgc'>--> the necessity of not having control o[...]