[...]it
now and forever, i free myself from human immobility
i am in constant motion, i draw near, then far away objects, i crawl under, i climb ="trms">onto them... i plug and soar together with plunging and soaring bodies
now, i, a camera, fling myself along their resultant maneuvering in the chaos of movement, recording movement, starting with movement of the most complex combinations


Sherrington ='lgc'>='lgc'>--> stimuli in the external ="trms">world are selected and ="trms">fashioned by the organism
='lgc'>=/= Pav="trms">lov='lgc'>: stimuli='lgc'> = alien shocks encountered and ="trms">responded to
='lgc'>=/= ="ppl">Cartesian res extensa, res cogitans
“the great physical process of attention”
inhibition='lgc'>: an active process
anticipatory behavior
exploratory locomotor behavior
“="trms">integrative function” of nervous ="trms">system ='lgc'>='lgc'>==> binding
(="trms">integrative='lgc'>: incorporation of the exterior ="trms">world)
“human perception='lgc'> = possibility of motor activity”

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Cezanne sitting in ="trms">nature and studying motif, tilting his head ='lgc'>='lgc'>~-> intensity un="trms">folding chromatically before him (a mode of physical being) ='lgc'>='lgc'>--> ='strcls'>*time of the body='strcls'>* ='lgc'>[='lgc'><='lgc'>-- this is typical of today art in european='lgc'>]='lgc'> = inde="trms">finite scalar time ='lgc'>+ intensity is experienced outside re="trms">presentation
="lsts lst1">•river stands for his engagement with a more primal flux
="lsts lst1">•sustained condition of vibrating instability
="lsts lst1">•apprehension of multiplicity
="lsts lst1">•="trms">world='lgc'> = turn of a kaleidoscope (prismatic)
="lsts lst1">•(when you look at a) landscape has its own weird anima, it changes like a living ="trms">animal under our gaze (='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to machine dreaming image learning 2020)
="lsts lst1">•to make yourself into a ="trms">responsible productive organ
='lgc'>='lgc'>--> ='strcls'>**incarnation of a contradictory enterprise of self-transformation, self-renewal='strcls'>** ='lgc'><='lgc'>-- (Cezanne's retrospective fulfilment of a tradition from which he could not fully acknowl="trms"nttrm="knowledge,Knowledge">edge his own decisive departure)

...your intuition on the ="trms"nttrm="knowledge,Knowledge">edge of the river


Cezanne='lgc'> = re="trms">formulation of ="trms">natural ="trms">world ='lgc'>+ broken hope of ="trms">community (='lgc'>='lgc'>~= intimacy ='lgc'>='lgc'>--> ="ppl">Rousseau's mode of attention contemplation='lgc'>: “thought ='lgc'>=/= reverie” ='lgc'>: the more sensitive the soul of the observer, the greater the ecstasy aroused in him. deep and delightful reverie ='lgc'>: a state of blissful self-abandonment)
='lgc'>='lgc'>--> novelty of a smooth unorganized perceptual space
='lgc'>--="ppl">="ppl">Crary='lgc'>='lgc'>--> ='thdf'>example of the non="trms">synchronous character of ="trms">modernism (='lgc'>~ coexistence of realities from radically ="trms">different moments of ="trms">history) ='lgc'>[='lgc'><='lgc'>-- is my ="trms">bestiary research on the same p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lural ="trms">historical ="trms">positioning='qstn'>?='lgc'>]
="lsts lst1">•termination of a romantic visionary tradition

(in the West) ='lgc'>[='strcls'>*='lgc'>]image='lgc'>: decentered chrono-iconography, automatic self-movement

rise of cinema='lgc'>: body-machine assemblage ='lgc'>--="ppl">Deleuze='lgc'>='lgc'>--> new paradigm of ='strcls'>*psycho-mechanics='strcls'>* ='lgc'>~ cinema is capable of touching the cerebral ="trms">system directly ='lgc'>='lgc'>==>
="lsts lst1">•experimental forms of life='lgc'> = freedom (affirmative model of automatic behavior ='lgc'>='lgc'>--> thought functions at a higher level with an arsenal of syntactic perceptual conceptual tools)
="lsts lst1">•management of attention (model of passive automatism)

(from) dreamer ='lgc'>--to='lgc'>='lgc'>--> ="trms">somnambu="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list ='lgc'>--to='lgc'>='lgc'>--> hypnosis ='lgc'>--to='lgc'>='lgc'>--> sug="trms">gestion ='lgc'>--to='lgc'>='lgc'>--> ="trms">hallucination ='lgc'>--to='lgc'>='lgc'>--> obsession

="ppl">Deleuze ='lgc'>+ ="ppl">Benjamin ='lgc'>+ ="ppl">Virilio
='thdf'>the idea of ='strcls'>*art of automatic movement coincide with fascism='strcls'>*
='at'>@="frds scrmbld">Pierre, pass, ="frds scrmbld">Foad

scopophilia='lgc'>: a forced ecstatic abjection before the image
='lgc'>=/= mastery

='lgc'>[='strcls'>*='lgc'>]="trms">spectacle='lgc'>: (="trms">spectacular culture) attention would be made attentive to everything but itself

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="large lg2" stl="font-size:110%"> “my experience is what i aggree to attend to” (James) ='lgc'>='lgc'>~= affirmation of an autonomous self-choosing ="trms">world-creating subject liberated from the receptive status of a subject for whom experience was “the mere ="trms">presence to the senses of an outward order”) ='lgc'>--="ppl">="ppl">Crary='lgc'>='lgc'>--> ="trms">historical crisis in the ="trms">nature of experience='lgc'>: ='strcls'>*attention='lgc'> = simulation of ='lgc'>+ compensation for a ="trms">chimerical real experience='strcls'>*

(in my text ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging demons ='lgc'>='lgc'>--> reconciliation of='lgc'>:)
="lsts lst1">•individual attentiveness to the fringes, ="trms">transitions, pulses of one's own particular “pure experience”
="lsts lst1">•“experience” as immersion in the tangled ="trms">density of a shared ="trms">mutually inhabited ="trms">world

James's conception of selfhood='lgc'>: private property (='lgc'>--in='lgc'>='lgc'>--> Tasavof='lgc'>: the most radical of all possible alienation and disconnection) ='lgc'>--Lentricchia='lgc'>='lgc'>--> deployed to preserve a human space of freedom ="trms">interiorized from the vicis="trms">situdes and coercions of the ="trms">marketplace

='strcls'>**="trms">modern attention='strcls'>** ='lgc'>+ individual evasion of ="trms">memory (and ="trms">history) ='lgc'>='lgc'>--> habitual ='and'>& commodified ='lgc'>: an ="trms">imaginary deletion of all that is unbearable in collective and individual experience

in Corridor Crew the perceptual selectivity of the ="trms">CG hackers sustains efficiency of animation tools ='lgc'>+ tangled ="trms">social and psychic machinery of ="trms">sublimation


(='qstn'>?do i have) agoraphobia ='lgc'>='lgc'>--> ="ppl">Simmel


(destructive transformation of) ='strcls'>*="trms">modernization always preserve and carry over non="trms">synchronous components of ="trms">past moments='strcls'>*
="ppl">="ppl">Crary, Lefebvre

="nms">Piranesi's etching of Rone='lgc'> = foctive and atmospheric prison
="ppl">Freud's description of piazza='lgc'>: patchwork texture of screens and flashing signs (formless field of attraction ='at'>@="frds scrmbld">Foad, ="frds">Sina; multidimensional field of stimuli, ="trms"nttrm="disturban">urban space='lgc'>: “a theater of ="trms">memory and a theater of prophecy”) ='lgc'>=/= ="nms">Piranesian dissolution of the axial city (organized views around a coherent even if mobile subjective orientation)

="ppl">Freud's ="trms">technique of attention='lgc'>: gleichschwebende Aufmerksamkeit
‘evenly suspended attention’ (giving equal notice to everything, everything in low-level focus without the risk of ="trms">schizophrenic overload) ='lgc'>--define='lgc'>='lgc'>--> ='strcls'>**a state of receptivity in the analyst that eill be commensurate with the spoken free as="trms">sociation of the patient='strcls'>** ='lgc'>='lgc'>--> dealing with a stream of information that has no evident structure or coherence ='lgc'>+ extracting from that disjunct texture (artwork, chaotic syntax of dreams, indecipherable ="trms">present,) some ="trms">interpretive clarity (feedback)

="ppl">Freud ='lgc'>+ Cezzaine ='lgc'>='lgc'>--> design a countermodel of attentiveness that surmounts an ='strcls'>***inhibition of the peripheral='strcls'>*** (='lgc'>=/= notion of selection ='lgc'>='lgc'>='lgc'>~=> finding out what one al="trms"nttrm="already,spread">ready knows)

='strcls'>****diffuse attention ='lgc'>=/= critical attention='strcls'>**** (a faculty in which the observer is led to reject some of the ideas that occur to him after perceiving them)


(at the turn of the century) experience='lgc'>: compulsory ="trms">consumption of information


(from) the experience of deindividualtion (in piazza) ='lgc'>--to='lgc'>='lgc'>--> a more controllable form of loneliness (bedroom)

="large lg1" stl="font-size:142%">
='lgc'>[this='lgc'>] p="trms"nttrm="failure,blur,plur,lurk,tallur,slur">lural hybrid space of Roman square (="ppl">="ppl">Crary on ="ppl">Freud's re="trms">presentation) ='lgc'>='lgc'>~= a ="trms">spectacle ="trms">society ='lgc'>: a patchwork of fluctuating effects in which individuals and groups continually reconstitute themselves (either creativity or reactively) ='lgc'>=/= (="ppl">Guy ="ppl">Debord's) seamless regime of separation, ominous collective mobilization

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="ppl">Deleuze and ="ppl">Guattari's Varuna and Mitra ='lgc'>='lgc'>--> lacking a mythology of conflict (='lgc'>=/= ="ppl">Singh's analysis)
forming a milieu of ="trms">interiority ='lgc'>='lgc'>--> double ="trms">articulation that makes the State ="trms">apparatus into a stratum

State's operates by='lgc'>:
="lsts lst1">•seizes (immediate, magical capture)
="lsts lst1">•binds (preventing all combat ='lgc'>='lgc'>--> pre="trms">supposing a juridical ="trms">integration of war)

“chess (pieces are ="trms">coded)='lgc'> = a game of State”
chess='lgc'>: an institutionalized, regulated, ="trms">coded war, pure strategy ='lgc'>=/= Go='lgc'>: pure ="trms">semiology
(what is game's form of ="trms">interiority)

nonsubjectified machine assemblage

...returning from the outside with that inconceivable thing, an army

magical-despotic State (='at'>@="frds scrmbld">Eszter)


Genghis ="ppl">Khan didn't understand the ="trms">phenomenon of the city ='lgc'>='lgc'>--> war machine='lgc'>: a pure form of exteriority

magic violence
military institution

="ppl">Deleuze and ="ppl">Guattari='lgc'>: State has no war machine of its own; it can only appropriate one in the form of a military institution

machine='lgc'>: ="trms">ontology of production

State thinkers='lgc'>:
="lsts lst1">•="ppl">Goethe
="lsts lst1">•="ppl">Hegel
="lsts lst1">•="ppl">Euclid (finding a foundation for the enterprise) ='lgc'>='lgc'>--> logos='lgc'>: the law over the nomos (from Proto-Indo-European nem-='lgc'>: distribute)='lgc'>='lgc'>-->='lgc'>{="ppl">Euclidian space='lgc'>: a sufficient number of dimensions, by which one reintroduces parallelism between two vectors, treating multiplicity as though it were immersed in this homogeneous and striated space of reproduction='lgc'>}
="lsts lst1">•Archimedes (an operative projective descriptive ="trms">geometry)
="lsts lst1">•Durkheim ='lgc'>='lgc'>--> to give the republic a secular model of thought
="lsts lst1">•
="lsts lst1">•

political ="trms">differentiation ='lgc'>='lgc'>==> State ='lgc'>='lgc'>~= distinct organs of power (='lgc'>=/= chief رئیس قبیله) ='lgc'>==!='qstn'>?='lgc'>='lgc'>==> economic development

(="frds scrmbld">Laura='lgc'>:) keep the ="trms">social body from crystallizing ='lgc'>=/= (concern of the State='lgc'>:) to conserve

='lgc'>[='strcls'>*='lgc'>]war='lgc'>: a mode of a ="trms">social state that wards off and prevents the State; that which limits exchange, maintains them in the framework of alliances ='lgc'>='lgc'>--> (critical ="trms">epistemologies='lgc'>:) ='strcls'>*war replaces “exchange” with “alliances”='strcls'>*

='lgc'>[sometimes leadership='lgc'>] inhibits the installation of stable powers, in favor of a fabric of immanent ="trms">relations (='lgc'>='lgc'>--> could we say that about ="nms">Iran today='qstn'>?)

diffusion of prestige

(="ppl">Deleuze and ="ppl">Guattari='lgc'>:)
types/organs that center around organs of power='lgc'>:
="lsts lst1">•rhizome
="lsts lst1">•='lgc'>=/= aborescent
family (aborescent type that centers around organs of power ='lgc'>--structuring='lgc'>='lgc'>--> centralized ="trms">societies) ='lgc'>=/= pack (bands, rhizome)

State ='lgc'>=/= perpetual blackmail by abandonment or betrayal (='lgc'>='lgc'>--> ="nms">Iran)
='lgc'>='lgc'>==>='lgc'>{
="lsts lst1">•large-scale projects
="lsts lst1">•constitution of surpluses
="lsts lst1">•organization of the cor="trms">responding public functions
="lsts lst1">•on-the-spot emergence (='lgc'>='lgc'>--> kinda magical, and ="trms">monstrous, miraculous)

="large lg14" stl="font-size:111%"> war machine='lgc'>: a counter-State mechanism
realized completely in='lgc'>: the “barbaric” assemblages of nomadic warriors (='lgc'>=/= “savages” assemblages of primitive ="trms">societies)
="prgrph">-problem='lgc'>: it cannot relay

="ppl">Deleuze and ="ppl">Guattari ask='lgc'>: so, why did the State triumph='qstn'>?

the ="trms">fable of Urstaat='lgc'>: the State clearly dates back to the most remote ages of humanity

law of the State ='lgc'>='lgc'>--> ="trms">interior and exterior, Sovereignty only reigns over what it is capable of ="trms">internalizing, of appropriating locally
='lgc'>=/= the ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights of segmentary ="trms">societies

_='lgc'>~='strcls'>*neoprimitivism='strcls'>*='lgc'>~_

poly="trms">morphous war machine

commercial circuit...
="trms">religious creation...



(="ppl">Deleuze and ="ppl">Guattari's) space='lgc'>:
='strcls'>*smooth='lgc'>:
="lsts lst1">•vectorial ↗️⤴️↘️↞
="lsts lst1">•projective 📹
="lsts lst1">•topological 🐍 (='lgc'>=/= ="trms">geometrical)
="lsts lst1">•
='lgc'>='lgc'>--> ='strcls'>*space is occupied without being counted='strcls'>*
='lgc'>=/=
='strcls'>*striated='lgc'>:
="lsts lst1">•metric -|-|-|-|-
="prgrph">-
='lgc'>='lgc'>--> ='strcls'>*space of counted without being occupied='strcls'>*



“minor ="trms">science” (in which, model are='lgc'>:)
="lstsrd">1. hydraulic ='lgc'>=/= hylo="trms">morphic
="lstsrd">2. of becoming and heterogeneity
="lstsrd">3. goes from a curvilinear declination to the formation of spirals and vortices on an inclined plane (='lgc'>=/= from straight line to its parallels) ='lgc'>='lgc'>--> vortical
="lstsrd">4. ='strcls'>*****problematic(='lgc'>='lgc'>==> event ='lgc'>--to go from a problem to the accidents that both condition and resolve it ='lgc'>='lgc'>==> ='lgc'>[all kinds of='lgc'>] deformations, transmutations, passages to the limit, each figure designates an “event”) ='lgc'>=/= theorematic(='lgc'>='lgc'>==> essence ='lgc'>--theorematic='lgc'>: to go by ="trms">specific ="trms">differences from a genus to its ="trms">species, or by deduction from a stable essence to the properties deriving from it) ='lgc'>[='lgc'>='lgc'>--> make your model problematic, not affirmed by theoretical bullshit! ='lgc'>='lgc'>--> my performances are about trying to find a way of not being theorematic while doing theory='lgc'>]='strcls'>***** (and they say ‘problematic’ the problem it is not an “obstacle”)
='lgc'>=/= “royal ="trms">science”='lgc'>: reducing the “problem-element” and subordinate it to the “theorem-element.” State needs to subordinate hydraulic force ='lgc'>='lgc'>==> prevent turbulence (='lgc'>--='not'>✕='lgc'>='lgc'>--> Middle East ='lgc'>=='qstn'>? distributed turbulence across a smooth space ='lgc'>[='lgc'><='lgc'>-- fucked up='lgc'>], ='lgc'>[in smooth space:='lgc'>] vortical movement that can rise up at any point)
="lsts lst1">•civil
="lsts lst1">•static
="lsts lst1">•ordinal
/="trms">matter ='lgc'>--assigned-to='lgc'>='lgc'>--> content
/form ='lgc'>--assigned-to='lgc'>='lgc'>--> expression
='lgc'>='lgc'>~= hylo="trms">morphic='lgc'>: implying both a form that organizes ="trms">matter and a ="trms">matter prepared for the form (='lgc'>=/= hydraulic) ='lgc'><='lgc'>== ='strcls'>*a ="trms">society divided into governors and governed='strcls'>*
='lgc'>='lgc'>--> State ="trms">science (appropriates and transforms the elements of='lgc'>:)
='lgc'>=/= “nomadic ="trms">science” (Homeland TV series sug="trms">gesting US government is a nomadic ="trms">science='lgc'>: viewpoint of ="trms">affections ='lgc'>+ nomadic operation of rogue CIA operatives ='lgc'>+ presidential decentralized power dynamic)
="lsts lst1">•becoming
="lsts lst1">•heterogeneity
="lsts lst1">•in="trms">finitesimal
="lsts lst1">•passage
='lgc'>='lgc'>--> in tune with the connection between content and expression, ='strcls'>***essentially laden with singularities='strcls'>*** (='lgc'>='lgc'>--> my ="trms">lectures='qstn'>? an art, a ="trms">technique, a ="trms">science ='lgc'>: following the connections between singularities of ="trms">matter and traits of expression, they seize or determine singularities in the ="trms">matter ='lgc'>=/= constituting a general form)
='lgc'>=/= ='strcls'>*chaotic ="trms">science='strcls'>* (='lgc'>='lgc'>--> what kind of figure of engineer='qstn'>? ='at'>@="frds">Sina)

='strcls'>*the problemata='strcls'>* ='lgc'>='lgc'>--> vortices ='and'>& projections ='lgc'>[='lgc'>='lgc'>~='lgc'>~='qstn'>?='lgc'>='lgc'>--> chaotic ="trms">imagination='lgc'>]
(projected into an abstract knowl="trms"nttrm="knowledge,Knowledge">edge ='lgc'>--='qstn'>?='lgc'>='lgc'>--> mapping knowl="trms"nttrm="knowledge,Knowledge">edges)

State ="trms">science ='lgc'>='lgc'>--> ="ppl">="ppl">Star Trek
imposes its form of Sovereignty on the inventinos of nomad ="trms">sciencet

to administrate projections ='lgc'>='lgc'>--> submit (war machine) to civil and metric rules that strictly limit, control, localize (nomad ="trms">science)

“rhythm ='lgc'>=/= turbulence”


cursing of a river='strcls'>*


Gothic conquered a smooth space ='lgc'>='lgc'>--> the cutting of the stone (='lgc'>=/=='qstn'>? digital) ='lgc'>+ ‘plane of projection’='lgc'>: a plane limit, a series of successive approximations or placings-in-variations
='lgc'>=/= Romanesque remained striated space ='lgc'>='lgc'>--> vault depends on the juxta="trms">position of parallel pillars


='lgc'>--D='lgc'>+G='lgc'>='lgc'>--> ='strcls'>***one does not re="trms">present, one engenders and ="trms">traverses='strcls'>***
='lgc'>[='strcls'>*to engender='lgc'>: give you a baby from behind. ='strcls'>*to ="trms">traverse='lgc'>: zigzagging='lgc'>]
='lgc'>--democracy='lgc'>='lgc'>--> one re="trms">presents visually
='lgc'>--="frds">Sina='lgc'>='lgc'>--> one sug="trms">gests chaotically


roadways (well-centralized administration) ='lgc'>=/= bridges (active, dynamic, collective experimentation)

lobby='lgc'>: a group with fluid c="trms">ontours, whose ="trms">position is very ambiguous in ="trms">relation to the State it wishes to influence

(for Ibn Khaldun='lgc'>:) war machine='lgc'>: families or lineages ='lgc'>+ esprit de corps

pouvoir (monopoly of an organic power) ='lgc'>=/= puissance (a vortical body in a nomad space)

(to address the) vague='lgc'> = vagabond, nomadic, ="trms">morphological essences (='lgc'>=/= ideal, royal, imperial essences)='lgc'> = haecceities
='lgc'>{='thdf'>for example the circle is an organic, ideal, fixed essence, but roundness is a vague and fluent essence, distinct both from the circle and things that are round (a vase, a wheel, a sun)='lgc'>}='lgc'>='lgc'>--> State is perpetually producing and reproducing ideal circles ='lgc'>=/= war machine makes something round

="frds scrmbld">Agnes drawings ='lgc'>='lgc'>--> proto="trms">geometry
="frds scrmbld">Agnes='lgc'> = drwaing and linking up smooth space

(is Finn in Adventure Time a man of State ot nomadic ="trms">scientist='qstn'>? ='lgc'>='lgc'>-->) journey-men's as="trms">sociations

nomadic ='lgc'><='lgc'>==form='lgc'>== masons, carpenters, smiths
labor ='lgc'><='lgc'>== regulating the movement of the flow of labor, assigning it channels and conduits, forming corporations, relying on forced manpower ="trms">recruit

(plane of) consistency ='lgc'>='lgc'>~= com="trms">position ='lgc'>=/= (place of) organization ='lgc'>='lgc'>~= formation

='strcls'>***everything is about the division of labor='strcls'>*** (='lgc'>='lgc'>--> this is the most critical about ="nms">apass)

="large lg6" stl="font-size:126%"> State='lgc'>:
="lsts lst1">•repress the nomad
="lsts lst1">•repress the minor ="trms">science
="lsts lst1">•oppose vague essences (='lgc'>='lgc'>--> visa and ="trms">integration)
="lsts lst1">•operative ="trms">geometry of the trait
='lgc'>=/= nomad imply a division of labor opposed to the norms of State


="frds scrmbld">Steven='lgc'>: a dynamic connection between support and ornament ='lgc'>=/= ="frds scrmbld"nttrm="Alex,Alert,Aleph,Alessi">Alex's hylo="trms">morphic schema (the search for laws in extracting constants ='lgc'>='lgc'>--> an invariable form for variables ='lgc'>[for ="frds scrmbld"nttrm="Alex,Alert,Aleph,Alessi">Alex='lgc'>: the invariable de="trms">finition of artistic research for variable artists='lgc'>])

compars ='lgc'>=/= dispars

(let's go) from ="trms">matter-form ='lgc'>--to='lgc'>='lgc'>--> ="trms">material-force(= placing the variables themselves in a state of continous variation)
='lgc'>[="frds">Sina='lgc'>: let's go instead of thinking about ‘flow’ ='lgc'>--to='lgc'>='lgc'>--> ‘force'='lgc'>]
force (is full of)='lgc'>:
="lsts lst1">•equations “=”
="lsts lst1">•adequations (change in the meaning of a term depending upon context)
="lsts lst1">•inequations “='lgc'>=/=”
="lsts lst1">•="trms">differential equations (functions ='lgc'>+ derivatives ='lgc'>='lgc'>--> useful for modeling and simulating physical ="trms">phenomena) ='lgc'>='lgc'>--> solution of a ="trms">differential equation is a function ='lgc'>=/= algebraic equations (solution of an algebraic equation is a value)
="lsts lst1">•

="large lg3" stl="font-size:110%">
(distribution of ="trms">matter in='lgc'>:)
space of pillars
striated by the fall of bodies
verticals of gravity
parallel layers

quantitative and ="trms">scientific oppsositions (such as='lgc'>: speed/slowness, quick/weighty, celeritas/gravitas)
='lgc'>=/= qualitative oppsositions
='lgc'>=/= mythological structures


="large lg4" stl="font-size:110%"> (i am basically ="trms">interested in the law of falling bodies)

(my ="trms">lectures='lgc'>: an art of) following ='lgc'>=/= flowing
="prgrph">-one never follows in order to reproduce
="prgrph">-in following, one is in search of singularities of a ="trms">matter
(my whole work has[...]