[...](monopoly of an organic power) =/= puissance (a vortical body in a nomad space)

(to address the) vague = vagabond, nomadic, morphological essences (=/= ideal, royal, imperial essences) = haecceities
{for example the circle is an organic, ideal, fixed essence, but roundness is a vague and fluent essence, distinct both from the circle and things that are round (a vase, a wheel, a sun)}--> State is perpetually producing and reproducing ideal circles =/= war machine makes something round

Agnes drawings --> protogeometry
Agnes = drwaing and linking up smooth space

(is Finn in Adventure Time a man of State ot nomadic scientist? -->) journey-men's associations

nomadic <==form== masons, carpenters, smiths
labor <== regulating the movement of the flow of labor, assigning it channels and conduits, forming corporations, relying on forced manpower recruit

(plane of) consistency ~= composition =/= (place of) organization ~= formation

***everything is about the division of labor*** (--> this is the most critical about apass)

State:
•repress the nomad
•repress the minor science
•oppose vague essences (--> visa and integration)
•operative geometry of the trait
=/= nomad imply a division of labor opposed to the norms of State


Steven: a dynamic connection between support and ornament =/= Alex's hylomorphic schema (the search for laws in extracting constants --> an invariable form for variables [for Alex: the invariable definition of artistic research for variable artists])

compars =/= dispars

(let's go) from matter-form --to--> material-force(= placing the variables themselves in a state of continous variation)
[Sina: let's go instead of thinking about ‘flow’ --to--> ‘force']
force (is full of):
•equations “=”
•adequations (change in the meaning of a term depending upon context)
•inequations “=/=”
•differential equations (functions + derivatives --> useful for modeling and simulating physical phenomena) --> solution of a differential equation is a function =/= algebraic equations (solution of an algebraic equation is a value)
•


(distribution of matter in:)
space of pillars
striated by the fall of bodies
verticals of gravity
parallel layers

quantitative and scientific oppsositions (such as: speed/slowness, quick/weighty, celeritas/gravitas)
=/= qualitative oppsositions
=/= mythological structures


(i am basically interested in the law of falling bodies)

(my lectures: an art of) following =/= flowing
-one never follows in order to reproduce
-in following, one is in search of singularities of a matter
(my whole work has been about the art of being carried away by the vortical flow of texts)--> [*]ajayeb ~= a vertical field across which singularities are scattered like so many accidents (i see them as ‘problems,’ and my job is to follow them)


global theory of waves


(Deleuze and Guattari romanticizing the royal science:) “reproducing implies the performance of a fixed point of view that is external to what is reproduced” (--no--> it is about saying what you say attached to a temporary fixed point [for example an identity], in order to be able to be proven wrong)


categorical apodictic apparatus
[category = intrinsic concepts]


content is (not?) always conformist (<-- Julia was never)

Alex: imperium of true thinking --> capture, seizure, binding, constituting the efficacy of a foundation (= myth) ==> [*]logos: sanction of a ground

modern state: *realized reason*, the rational and reasonable organization of a community
-what are the exchanges that take place between the State and reason
modern state reason --> “the more you obey, the more you will be master” (for you will be only obeying pure reason) --> philosophy assigned itself the role of ground

common sense: the unity of all faculties at center

(in the archaic model imperial State:) poet = image trainer =/= (toady's) artist: (Deleuzian) *private thinker* (making counterthought, destroy images) =/= public professor
-problem with private thinker is that it exaggerates interiority when it is a question of outside thought --> the question of how **to place the thought in an immediate relation with the outside, with the forces of the outside** (to make thought a war machine?)

(Alex in search of) maxim =/= aphorism (always awaits its meaning from a new external force, a final force that utilizes it) <-- my interest

(?which) image inspired by State apparatus

[*]method: the striated space of the cogitatio universalis ==> path (=/= bridge)

thought ~= vampire (has no image)

(in the smooth space of Zen) the arrow does not go from one point to another but is taken up at any point, to be sent to any other point, and tends to permute with the archer and the target (#my bow and arrow --> it takes no aim but hopes the arrow will stick somewhere)
-whenever a “thinker” shoots an arrow, there is a man of the State, a shadow or an image of a man of the State, that counsels and admonishes him, and wants to assign him a target or aim (#my bow and arrow joke @apass)

pathetic texts: thought becomes pathos (=/= logos =/= mythos)


(a lot of poetry today is like this:)
(an antidialogue between brother and sister:) one *speaks before knowing* while the other *relays before having understood*
--> the necessity of not having control over language ~ (Chloe:) the necessity of being a foreigner in one's own tongue
--> “bring something incomprehensible into the world” --> in the form of exteriority
--> the becoming woman of the thinker ~ the becoming thought of the woman
--> (Chloe =) the Gemüt [feeling, heart, soul, mind] that refuses to be controlled ==forms==> a war machine : a thought grappling with exterior forces instead of being gathered up in an interior form
--> operating by relay =/= forming an image @Rob--> a thought that appeals to government ministry
--> event-thought =/= subject-thought
--> problem-thought =/= essence-thought, theorem


striating of mental space =/= Sina's textures and lectures

@Pierre: is horizon a striation?
Deleuze and Guattari: a horizonless milieu --> smooth space

the true name of race: bastard, mixed-blood
-a race is defined not by its purity but rather by the impurity conferred upon it by a system of domination


[(aspects of) war machine or] machine:
•spatiogeographic
•arithmatic
•affective


principle =/= consequence
-in nomads life what is a principle and what is only a consequence?
{migrant --> goes principally}=/={nomad --> goes as a consequence}
{(sedentary) road --> parcel out a closed space to people}=/={(nomadic) trajectory --> distributes people or animals in an open space, indifinite and noncommunicating}


(space) in the manner of a vortex

migrant leaves behind a milieu that has become amorphous or hostile

forest and house --> both striated?
pigs --> pragmatism or expertise

-the pigs story might not predict the coming of the nomad wolf, but it constitutes the principles of architecture for which an incoming is striated. striated space is the result of the pigs story

عرفان همیشه بیابانی است؟
does mysticism always requires deprivation of life? mysticism ~=? symbolism

[*]godzilla: dramatization of where the mountain recedes, of the earth deterritorializing itself ==> providing the nomad with a territory
*vectors of deterritorialization and local operations* that:
•wolf adds to the forest
•godzilla adds to Tokio
•

#video concept
in tiktok comedy style, a group of iranians (talking Farsi, all acted by one person?) are personifying a govermental response to a godzilla who is roaming in the city.

localized =/= delimited

[the spot where the forest recedes] or the desert advances
گرگ در جنگل / آل در بیابان

.... .\ ____ _
  ... \_____
. .... \ __ __
.... . \ ____
. ...\ _ ___ _


assigned direction =/= direction of the crossing

(for Deleuze and Guattari) religion: a technique of converting the absolute, making the absolute appear in a particular place --> the sacred place of religion is fundamentally a center that repels the *obscure nomos*[= Bayazid بایزید]


vagabond monotheism

Sascha's relation to the absolute through the space of the machine
electrically tampered ~= electrically tamed

از چادر نشین به هجرت reterritorialization of the spiritual ==> همدستی مهاجر با چادر نشین ==> war machine

/*[khawarij خوارج during the first fitna فتنه اول --> arbitration =/= war machine in which anyone can be Imam]


...when religion becomes a war machine (==> absolute deterritorialization) --> Isis
...a society reduced to the military enterprise --> Avengers
...gravitational verticals --> forest
...generalized parallels --> agriculture


three little pigs can be nomads? --> creating the house and then leave it (as an empty stronghold)


animal raising for the most part outside the control of sedentaries

orient: absence of State-form (!)
various components plied by escape vectors ==> despotic formation (in orient)

oriental State (sheltered in striated space) =/= nomad war machine

revolution --western--> transformation of the State
revolution --eastern--> abolition of the State

the empires of the orient, africa, america run against wide-open smooth spaces that penetrate them and maintain gaps between their component (*the nomos does not become countryside*, the countryside does not communicate with the town, large-scale animal raising is the affair of the nomads, etc.) =/= Black Panther's fantasy of the african State

psychoanalysis of the dream of the State ? and its relation to its reality

(to establish) a zone of rights over an entire exterior --> rage & innocence

Neon Genesis Evangelion anime series --> war machine striated final merged in a cyber-flux with its human counterpart --> nature dominated (battle to occupy the smooth space)

[what now people want in Iran: not the smooth space a deterritorializing State, rather:]
capture of flows
(need for) fixed paths
well-defined directions --> restrict speed, regulate circulation, relativized movement
--> polics = management of the public ways =/= fluidity of messages and masses

silk road...

Iran State = smooth + striated

State translates: “moving bodies” --to--> “moved bodies”

” ” --> ” “
Star Trek transportation system
sedentary kind of tey-ol-arz طی الارض

what homeless/drunk people do in cities --> reconstitution of a smooth space = a manner of being in space as though it were smooth

***rebellious space is always smooth space***

virtual space is neither striated nor smooth space

multiplication of relative movements ==> smooth space --> the sea becomes the place of the ‘fleet in being’ --> nomadism accompanying a worldwide war machine
@Jassem's rebellious nature =/= Pierre's staying with the striated space (with the trouble, with the institution, )

decimal grouping --> comes from the nomads

three major types of organization:
1. lineal
2. territorial
3. numerical

number ==> lineage

spatium (differentiated space with depth and levels) =/= extensio (immanent center, divisible homologous parts, and symmetrical and reversible relations)


[title]
numbering of numbers

census
taxation
election

(Deleuze and Guattari are wrong about numbers serving to gain mastery over matter --✕--> Verran's work on number in Africa)

State = a teritorial principle (of deterritorialization that links the number to metric magnitudes) --D+G--> “we don't believe that the conditions of independence or autonomy of the number can be found in the State (--> Deleuze and Guattari leftist tendency to purity the State)

(operating war machine -->) numbering number : autonomous arithmetic organization

*numbers appear as soon as one distribute something in space =/= distribution of space (that is more the State's business)*
independence of the number in relation to space --> concrete nature of smooth space
--> number: a means of moving =/= means of counting

*middle ages curse sheets and taxa:
•geometry of smooth space
•a minor, operative geometry
=? [*]ajayebnameh: geometry of the trait between the rumers of the world, senses, and writing

vector --> directional number =/= dimentional number =/=? metric number

directions are everywhere

rhythmic =/= harmonic (--> setar / is my whole work about harmonic? horror-nic)

order of displacement

concentration-camp society: ‘people = deterritorialized numbers’ (--> fantasy of full despotism in The Handmaid's Tale)

**the question is not one of good or bad but of specificity** (<-- when i say who what artists say could have a chance of being disputed)

complex = articulated

the Roman legion was a number made up of numbers, articulated in such a way that the segments become mobile, and the figures geometrical, changing, transformational


logistics: the art of external relations

Genghis Khan --> composition of the steppe
Moses --> composition of the desert


nomads as child stealers


(commissars, diplomats, spies, strategists, logisticians) cannot be explained away as a “whim of the sultan”

special numerical body

slave-infidel-foreigner is the one who becomes a soldier and believer while remaining deterritorialized in relation to the lineages and the State --> نظام‌الملک سیاست‌نامه

*nomads have no history, they only have geometry*

Iron Man's technological definition: “weapon (destroying people) =/= tool (producing goods)”

weapon --> projection, anything that throws or is thrown
@Pierre *the notion of “problem” is related to the war machine*

introjective: preparing a matter from a distance, in order to bring it to a state of equilibrium or to appropriate it for a form of interiority
(projection: appropriate it for a form of exteriority)


#bow and arrow --> hunt (when speed is associated primarily with the hunted animal) =/= war (speed is an independent variable)
prey =/= enemy
prey =/= motor
(#bow and arrow does --> *abstracts the idea of motor and applying it to itself* =/= generalize the idea of prey by applying it to the enemy)

the economy of hunted animal


ecosystem situated at the origin --> garden of eden / heaven
ecosystem situated at the end --> apocalypse / end-time

discovery of a projecting and projectile system ==> war machine

war machine
breeding + training
insitutes an entire economy of violence
--> *a way of making violence durable*



two ideal models motor:
work =/= free action
•(let's) work: tool meets resistance
•free action: operates only upon the mobile body itself, is not consumed in its effect(?), continues from one moment to the next [--> style of artistic research]. the way in which the elements of the body escape gravitation to occupy absolutely a nonpunctuated space

weapon is moving
tool is moved
tool presupposes work, tool does not define work

***the principle behind all technology is to demonstrate that a technical element remains abstract***, remains entirely undetermined --> as long as one does not relate it to an assemblage it presupposes

tool
-one cannot speak of weapons or tools before defining the constituent assemblages they presuppose and enter into @OSP
the tool is essentially tied to a gensis, a displacement, and an expenditure of force (whose laws reside in work) =/= weapon concerns only the exercise or manifestation of force in space and time (in conformity with free action)

when speed added to displacement ==> ?

tools & weapons = consequences ~/=? causes


the morning star and the battle-axes

variable assemblages of human, animal, and thing

*assemblage*: (passional) compositions of desire[=/= natural determination, [...]