[...]s='qstn'>? ='lgc'>='lgc'>--> creating the house and then leave it (as an empty stronghold)


="trms">animal raising for the most part outside the control of sedentaries

="large lg2" stl="font-size:111%"> orient='lgc'>: absence of State-form (!)
various components plied by escape vectors ='lgc'>='lgc'>==> despotic formation (in orient)

oriental State (sheltered in striated space) ='lgc'>=/= nomad war machine

revolution ='lgc'>--western='lgc'>='lgc'>--> transformation of the State
revolution ='lgc'>--eastern='lgc'>='lgc'>--> abolition of the State

the empires of the orient, africa, america run against wide-open smooth spaces that penetrate them and maintain gaps between their component (='strcls'>*the nomos does not become countryside='strcls'>*, the countryside does not ="trms">communicate with the town, large-scale ="trms">animal raising is the affair of the nomads, etc.) ='lgc'>=/= Black Panther's fantasy of the african State

psychoanalysis of the dream of the State ='qstn'>? and its ="trms">relation to its reality

(to establish) a zone of ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights over an entire exterior ='lgc'>='lgc'>--> rage ='and'>& innocence

Neon Genesis Evangelion anime series ='lgc'>='lgc'>--> war machine striated final merged in a cyber-flux with its human counterpart ='lgc'>='lgc'>--> ="trms">nature dominated (battle to occupy the smooth space)

='lgc'>[what now people want in ="nms">Iran='lgc'>: not the smooth space a deterritorializing State, rather:='lgc'>]
capture of flows
(need for) fixed paths
well-defined directions ='lgc'>='lgc'>--> restrict speed, regulate circulation, relativized movement
='lgc'>='lgc'>--> polics='lgc'> = management of the public ways ='lgc'>=/= fluidity of messages and masses

silk road...

="nms">Iran State='lgc'> = smooth ='lgc'>+ striated

State ="trms">translates='lgc'>: “moving bodies” ='lgc'>--to='lgc'>='lgc'>--> “moved bodies”

” ” ='lgc'>='lgc'>--> ” “
="ppl">="ppl">Star Trek transportation ="trms">system
sedentary kind of tey-ol-arz طی الارض

what homeless/drunk people do in cities ='lgc'>='lgc'>--> reconstitution of a smooth space='lgc'> = a manner of being in space as though it were smooth

='strcls'>***rebellious space is always smooth space='strcls'>***

virtual space is neither striated nor smooth space

multiplication of relative movements ='lgc'>='lgc'>==> smooth space ='lgc'>='lgc'>--> the sea becomes the place of the ‘fleet in being’ ='lgc'>='lgc'>--> nomadism accompanying a ="trms">worldwide war machine
='at'>@="frds scrmbld">Jassem's rebellious ="trms">nature ='lgc'>=/= ="frds scrmbld">Pierre's staying with the striated space (with the trouble, with the institution, )

decimal grouping ='lgc'>='lgc'>--> comes from the nomads

three major types of organization='lgc'>:
="lstsrd">1. lineal
="lstsrd">2. territorial
="lstsrd">3. numerical

number ='lgc'>='lgc'>==> lineage

spatium (="trms">differentiated space with depth and levels) ='lgc'>=/= extensio (immanent center, divisible homologous parts, and ="trms">symmetrical and reversible ="trms">relations)


='lgc'>[title='lgc'>]
numbering of numbers

census
taxation
election

(="ppl">Deleuze and ="ppl">Guattari are wrong about numbers serving to gain mastery over ="trms">matter ='lgc'>--='not'>✕='lgc'>='lgc'>--> ="ppl">Verran's work on number in Africa)

State='lgc'> = a teritorial principle (of deterritorialization that links the number to metric magnitudes) ='lgc'>--D='lgc'>+G='lgc'>='lgc'>--> “we don't believe that the conditions of independence or autonomy of the number can be found in the State (='lgc'>='lgc'>--> ="ppl">Deleuze and ="ppl">Guattari leftist tendency to purity the State)

(operating war machine ='lgc'>='lgc'>-->) numbering number ='lgc'>: autonomous arithmetic organization

='strcls'>*numbers appear as soon as one distribute something in space ='lgc'>=/= distribution of space (that is more the State's business)='strcls'>*
independence of the number in ="trms">relation to space ='lgc'>='lgc'>--> concrete ="trms">nature of smooth space
='lgc'>='lgc'>--> number='lgc'>: a means of moving ='lgc'>=/= means of counting

='strcls'>*middle ages curse sheets and taxa='lgc'>:
="lsts lst1">•="trms">geometry of smooth space
="lsts lst1">•a minor, operative ="trms">geometry
='lgc'>=='qstn'>? ='lgc'>[='strcls'>*='lgc'>]="nms">="nms">ajayebnameh='lgc'>: ="trms">geometry of the trait between the rumers of the ="trms">world, senses, and ="trms">writing

vector ='lgc'>='lgc'>--> directional number ='lgc'>=/= dimentional number ='lgc'>=/=='qstn'>? metric number

directions are everywhere

rhythmic ='lgc'>=/= harmonic (='lgc'>='lgc'>--> setar / is my whole work about harmonic='qstn'>? ="trms">horror-nic)

order of displacement

concentration-camp ="trms">society='lgc'>: ‘people='lgc'> = deterritorialized numbers’ (='lgc'>='lgc'>--> fantasy of full despotism in The Handmaid's Tale)

='strcls'>**the ="trms">question is not one of good or bad but of ="trms">specificity='strcls'>** (='lgc'><='lgc'>-- when i say who what artists say could have a chance of being disputed)

complex='lgc'> = ="trms">articulated

the Roman legion was a number made up of numbers, ="trms">articulated in such a way that the segments become mobile, and the figures ="trms">geometrical, changing, transformational


logistics='lgc'>: the art of external ="trms">relations

Genghis ="ppl">Khan ='lgc'>='lgc'>--> com="trms">position of the steppe
Moses ='lgc'>='lgc'>--> com="trms">position of the desert


nomads as ="trms">child stealers


(commissars, diplomats, spies, strategists, logisticians) cannot be explained away as a “whim of the sultan”

special numerical body

slave-infidel-foreigner is the one who becomes a soldier and believer while remaining deterritorialized in ="trms">relation to the lineages and the State ='lgc'>='lgc'>--> نظام‌الملک سیاست‌نامه

='strcls'>*nomads have no ="trms">history, they only have ="trms">geometry='strcls'>*

Iron Man's ="trms">technological de="trms">finition='lgc'>: “weapon (destroying people) ='lgc'>=/= tool (producing goods)”

weapon ='lgc'>='lgc'>--> projection, anything that throws or is thrown
='at'>@="frds scrmbld">Pierre ='strcls'>*='thdf'>the notion of “problem” is related to the war machine='strcls'>*

introjective='lgc'>: preparing a ="trms">matter from a distance, in order to bring it to a state of equilibrium or to appropriate it for a form of ="trms">interiority
(projection='lgc'>: appropriate it for a form of exteriority)


='at'>#bow and arrow ='lgc'>='lgc'>--> hunt (when speed is as="trms">sociated primarily with the hunted ="trms">animal) ='lgc'>=/= war (speed is an independent variable)
prey ='lgc'>=/= enemy
prey ='lgc'>=/= motor
(='at'>#bow and arrow does ='lgc'>='lgc'>--> ='strcls'>*abstracts ='thdf'>the idea of motor and applying it to itself='strcls'>* ='lgc'>=/= ="trms">generalize ='thdf'>the idea of prey by applying it to the enemy)

the economy of hunted ="trms">animal


eco="trms">system ="trms">situated at the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin ='lgc'>='lgc'>--> garden of eden / heaven
eco="trms">system ="trms">situated at the end ='lgc'>='lgc'>--> apocalypse / end-time

discovery of a projecting and projectile ="trms">system ='lgc'>='lgc'>==> war machine

war machine
breeding ='lgc'>+ training
in="trms">situtes an entire economy of violence
='lgc'>='lgc'>--> ='strcls'>*a way of making violence durable='strcls'>*



two ideal models motor='lgc'>:
work ='lgc'>=/= free action
="lsts lst1">•(let's) work='lgc'>: tool meets resistance
="lsts lst1">•free action='lgc'>: operates only upon the mobile body itself, is not ="trms">consumed in its effect(='qstn'>?), continues from one moment to the next ='lgc'>[='lgc'>='lgc'>--> style of artistic research='lgc'>]. the way in which the elements of the body escape gravitation to occupy absolutely a nonpunctuated space

weapon is moving
tool is moved
tool pre="trms">supposes work, tool does not define work

='strcls'>***the principle behind all ="trms">technology is to de="trms">monstrate that a ="trms">technical element remains abstract='strcls'>***, remains entirely undetermined ='lgc'>='lgc'>--> as long as one does not relate it to an assemblage it pre="trms">supposes

tool
="prgrph">-one cannot speak of weapons or tools before defining the constituent assemblages they pre="trms">suppose and enter into ='at'>@OSP
the tool is essentially tied to a gensis, a displacement, and an expenditure of force (whose laws reside in work) ='lgc'>=/= weapon concerns only the exercise or manifestation of force in space and time (in conformity with free action)

when speed added to displacement ='lgc'>='lgc'>==> ='qstn'>?

="large lg3" stl="font-size:111%"> tools ='and'>& weapons='lgc'> = consequences ='lgc'>='lgc'>~/=='qstn'>? causes


the morning star and the battle-axes

variable assemblages of human, ="trms">animal, and thing

="large lg4" stl="font-size:111%"> ='strcls'>*assemblage='strcls'>*='lgc'>: (passional) com="trms">positions of desire='lgc'>[='lgc'>=/= ="trms">natural determination, spontaneous determination='lgc'>] ='lgc'>--D='lgc'>+G='lgc'>='lgc'>--> there is no desire, but assembling/assembled desire
assemblage ='lgc'>==(bring into play)='lgc'>='lgc'>==> ='lgc'>[='strcls'>*='lgc'>]passion='lgc'>: effectuations of desire that differ ="trms">according to the assemblage ='lgc'>[='lgc'>=/= Germany='lgc'>]
man-="trms">animal-weapon
man-horse-bow
assemblage of speed
...

(what Game of Thrones TV series missed='lgc'>:) military of men ='lgc'>='lgc'>--> homosexual eros replaces the ="trms">zoosexual eros of horesman ='lgc'>[='lgc'>='lgc'>--> اسب امام حسین='lgc'>]

State ='lgc'>='lgc'>==>='lgc'>{(training of) worker ='lgc'>--to='lgc'>='lgc'>--> (apprenticeship of) soldier='lgc'>}

='lgc'>{="trms">affect='lgc'>: active discharge of emotion ='lgc'>='lgc'>--> projectile ='lgc'>~ weapon='lgc'>}='lgc'>=/=='lgc'>{feeling='lgc'>: displaced, retarded, resisting emotion ='lgc'>='lgc'>--> introceptive ='lgc'>~ tool='lgc'>}


="large lg5" stl="font-size:126%"> martial arts='lgc'>: the not-doing of the warrior ='lgc'>~ the undoing of the subject
effectuated in the void (='lgc'>=/= nothingness)


form-="trms">matter ='lgc'>=/= motif-support
(the support is as mobile as the motif)


goldsmith's a[...]