[...]e to occupy the smooth space)
[what now people want in Iran: not the smooth space a deterritorializing State, rather:]
capture of flows
(need for) fixed paths
well-defined directions --> restrict speed, regulate circulation, relativized movement
--> polics = management of the public ways =/= fluidity of messages and masses
silk road...
Iran State = smooth + striated
State translates: “moving bodies” --to--> “moved bodies”
” ” --> ” “
Star Trek transportation system
sedentary kind of tey-ol-arz طی الارض
what homeless/drunk people do in cities --> reconstitution of a smooth space = a manner of being in space as though it were smooth
***rebellious space is always smooth space***
virtual space is neither striated nor smooth space
multiplication of relative movements ==> smooth space --> the sea becomes the place of the ‘fleet in being’ --> nomadism accompanying a worldwide war machine
@Jassem's rebellious nature =/= Pierre's staying with the striated space (with the trouble, with the institution, )
decimal grouping --> comes from the nomads
three major types of organization:
1. lineal
2. territorial
3. numerical
number ==> lineage
spatium (differentiated space with depth and levels) =/= extensio (immanent center, divisible homologous parts, and symmetrical and reversible relations)
[title]
numbering of numbers
census
taxation
election
(Deleuze and Guattari are wrong about numbers serving to gain mastery over matter --✕--> Verran's work on number in Africa)
State = a teritorial principle (of deterritorialization that links the number to metric magnitudes) --D+G--> “we don't believe that the conditions of independence or autonomy of the number can be found in the State (--> Deleuze and Guattari leftist tendency to purity the State)
(operating war machine -->) numbering number : autonomous arithmetic organization
*numbers appear as soon as one distribute something in space =/= distribution of space (that is more the State's business)*
independence of the number in relation to space --> concrete nature of smooth space
--> number: a means of moving =/= means of counting
*middle ages curse sheets and taxa:
•geometry of smooth space
•a minor, operative geometry
=? [*]ajayebnameh: geometry of the trait between the rumers of the world, senses, and writing
vector --> directional number =/= dimentional number =/=? metric number
directions are everywhere
rhythmic =/= harmonic (--> setar / is my whole work about harmonic? horror-nic)
order of displacement
concentration-camp society: ‘people = deterritorialized numbers’ (--> fantasy of full despotism in The Handmaid's Tale)
**the question is not one of good or bad but of specificity** (<-- when i say who what artists say could have a chance of being disputed)
complex = articulated
the Roman legion was a number made up of numbers, articulated in such a way that the segments become mobile, and the figures geometrical, changing, transformational
logistics: the art of external relations
Genghis Khan --> composition of the steppe
Moses --> composition of the desert
nomads as child stealers
(commissars, diplomats, spies, strategists, logisticians) cannot be explained away as a “whim of the sultan”
special numerical body
slave-infidel-foreigner is the one who becomes a soldier and believer while remaining deterritorialized in relation to the lineages and the State --> نظامالملک سیاستنامه
*nomads have no history, they only have geometry*
Iron Man's technological definition: “weapon (destroying people) =/= tool (producing goods)”
weapon --> projection, anything that throws or is thrown
@Pierre *the notion of “problem” is related to the war machine*
introjective: preparing a matter from a distance, in order to bring it to a state of equilibrium or to appropriate it for a form of interiority
(projection: appropriate it for a form of exteriority)
#bow and arrow --> hunt (when speed is associated primarily with the hunted animal) =/= war (speed is an independent variable)
prey =/= enemy
prey =/= motor
(#bow and arrow does --> *abstracts the idea of motor and applying it to itself* =/= generalize the idea of prey by applying it to the enemy)
the economy of hunted animal
ecosystem situated at the origin --> garden of eden / heaven
ecosystem situated at the end --> apocalypse / end-time
discovery of a projecting and projectile system ==> war machine
war machine
breeding + training
insitutes an entire economy of violence
--> *a way of making violence durable*
two ideal models motor:
work =/= free action
•(let's) work: tool meets resistance
•free action: operates only upon the mobile body itself, is not consumed in its effect(?), continues from one moment to the next [--> style of artistic research]. the way in which the elements of the body escape gravitation to occupy absolutely a nonpunctuated space
weapon is moving
tool is moved
tool presupposes work, tool does not define work
***the principle behind all technology is to demonstrate that a technical element remains abstract***, remains entirely undetermined --> as long as one does not relate it to an assemblage it presupposes
tool
-one cannot speak of weapons or tools before defining the constituent assemblages they presuppose and enter into @OSP
the tool is essentially tied to a gensis, a displacement, and an expenditure of force (whose laws reside in work) =/= weapon concerns only the exercise or manifestation of force in space and time (in conformity with free action)
when speed added to displacement ==> ?
tools and'>& weapons = consequences ~/=? causes
the morning star and the battle-axes
variable assemblages of human, animal, and thing
*assemblage*: (passional) compositions of desire[=/= natural determination, spontaneous determination] --D+G--> there is no desire, but assembling/assembled desire
assemblage ==(bring into play)==> [*]passion: effectuations of desire that differ according to the assemblage [=/= Germany]
man-animal-weapon
man-horse-bow
assemblage of speed
...
(what Game of Thrones TV series missed:) military of men --> homosexual eros replaces the zoosexual eros of horesman [--> اسب امام حسین]
State ==>{(training of) worker --to--> (apprenticeship of) soldier}
{affect: active discharge of emotion --> projectile ~ weapon}=/={feeling: displaced, retarded, resisting emotion --> introceptive ~ tool}
martial arts: the not-doing of the warrior ~ the undoing of the subject
effectuated in the void (=/= nothingness)
form-matter =/= motif-support
(the support is as mobile as the motif)
goldsmith's and silversmith's is the barbarian art par excellence
picto-ideographic
short war
live messages
[text that is] ornamental (a way of encoding) =/= scriptural (according to a sacred writing)
tools
weapons
signs
jewellery
jewellery/sign --> expression
model --> free action / work
direction --> projection / introception (#bow and arrow)
(for Deleuze and Guattari:) ***architecture and cooking have an affinity with the State =/= music and drugs have differential traits --> on the side of the nomadic war machine
schizophrenic taste for the tool that moves it away from work and towards free action --> a schizophrenic taste for the weapon that turns it into a means for peace (<-- i prefer not to do this)
everything is ambiguous
rebel: a transitional figure of worker-solder (drawing the worker, on the one hand, and the soldier, on the other), a shared line of flight: “i seek a weapon and'>& i am looking for a tool”
‘line of flight’: communication with smooth space
my work on ajayeb: to figure a transhistorical assemblage (that is untimely =/= eternal =/= historical) ==> encounter the myth anew =/= demystification: re-conquer the myth
the empire
•communicates with
•conquer
•integrates with
communication (of secret) --?--> adaptation, propagation
saber =/= sword
the flow of matter-movement
conveying singularities and traints of expression
assemblage --differentiates--> phyla (major taxonomic class) ~= flow ==> division into many different phylas + introducing selective discontinuities
technological vitalism
*refract differentiates*, retains, selects, draws together, causes to converge, invents
region of vague and material essences --> essences that are vagabond yet rigorous ==> situate fuzzy aggregates =/= fixed distinct and formed essences
corporeality = formed and perceived thinghood
•inseparable from processes of transformation
•inseparable from expressive qualities
vague = intermediary --> autonomous, stretching itself between things and thoughts --establish--> new relations (--> this is what Manning has adopted from Deleuze and Guattari)
variable intense affects
topological =/= geometrical
hylomorphic model =/= active and affective... (matter-flow can only be followed)
hylomorphic: imposing a form upon matter =/= materiality possessing a nomos : material traits of expression constituting affects (for example surrendering to the wood, then following where it leads by connecting operations to a materiality...)
-the critique of the hylomorphic schema is based on the existence between form and matter, of a zone of medium and intermediary dimension, of energetic... [and what about digital technology?]--> we need more artisan (follows the matter) =/= artist (invents/breaks the matter)
*artisan* --> one who is determined in such a way as to follow a flow of matter, of *machinic phylum* (@OSP, for example metallurgist = one who works inside the mold, the consciousness of thought of the matter-flow + metal the correlate of this consciousness)
[follow a flow of matter = to itinerate, to ambulate]
artisan =/= farmer
artisan =/= animal raiser
[*]artisan: take up craft activity + follow the matter-flow as pure productivity
continous development of form, chromaticism --> a form proper to matter [-->? not in middle east: metaphysics --> metallurgist =/= metamorphosist poet --> chaotic =/= harmonic, nomadic]
not everything is metal, but metal is everywhere (--> what would X-Men say about this)
--D+G--> *thought is born more from metal than from stone*(!!)
metallurgy is minor science, vague science, phenomenology of matter
metal is neither a thing not an organism, but a *body without organs*
(on the symbolic value of metal and its correspondence with an organic soul but on the immanent power of corporeality)
smiths (Sina, OSP?)
their space is neither the striated space of the sedentary nor the smooth space of the nomad (--> my room and computer desktop) --> #tent, in the manner of a cave or a hole
--> *they are cave dwellers not by nature by by artistry and need*
internal itinerancy, their vague essences ==> their relation to others
--> *smith* [follows the flow of matter ==> (surplus value:) ‘resist the State’, Tamar Yaen Pierre Sina Goda]
=/= *migrant* [existence depends upon and constrained by the logic of the State (with its boundaries and borders) ==> (surplus value:) ‘residual gold in the ruins’, Hoda Sana Rui Flavio Quinsy Elen]
=/= *nomad* [occupies and inhabits smooth space beyond or bellow the State ==> (surplus value:) ‘alternative’, Deborah Xiri Leo Isabel Aela Agnes]
=/= *pastoral transhuman* [rotates through a circuit ==> (surplus value:) ‘erotic inclusivity']
vital forms of nonorganic life
[title]
your strength and your nothingness
transpierce =/= scaling
excavate =/= striating
...vagabond sign of itinerancy سيارى
from hole to hole
a line of variation
***the hybrid metallurgist, a weapon- and toolmaker, communicates with the sedentaries and with the nomads at the same time***
phylum:
--connected-to--> nomad space
--conjugates-with--> sedentary space
(we have both:)
*war machine*:
•opening
•rhizome
•gaps
•detours
•holes
•stems
=/=
*state apparatus*:
•capture phylum
•play the lines of flight
•into code
•into form
war machine collides with States and cities (forces of striation) ==> war
Deleuze and Guattari ask:
-how will the State appropriate the war machine?
(appropriate: subordinates it to its political aims)
from encasement قفسه --to--> (forms of) appropriation تصاحب
Genghis Khan and his followers were able to hold out for a long time by partially integrating themselves into the conquered empires, while at the same time maintaining a smooth space on the steppes to which the imperial centers were subordinated
Timur who constructed a fantastic war machine turned back against the nomads, but who, by that very fact, was obliged to erect a State apparatus all the heavier and more unproductive since it existed only as the empty form of appropriation of that machine
the peace of terror or survival
-the postfascist figure that takes peace as its object directly
-we have seen war machine assign its objective a peace still more terrifying than fascist death
*the unspecified enemy* we have seen it put its counterguerrilla elements into place
two poles of war machine:
1. it takes war for its object and forms a line of destruction prolongable to the limits of the universe
2. when it, with infinitely lower qualities, has as its object not war but the drawing of a *creative line of flight* (the composition of a smooth space and of the movement of people in that space)
an ideological, scientific, or artistic movement can be a potential war machine, to the precise extent to which it draws, in relation to aphylum, a plane of consistency, a creative line of flight, a smooth space of displacement
...................................
0.99993
Daston history of reason
Daston asking: how reason became rationality?
rationality (~= universal calculus of) =/= reasoning
•(a more) ancient ideal --> reasoning [with recourse to the faculty of judgement]
•modern ideal --> (cold war) rationality: a finite well-defined set of rules that can be applied unambiguously in specified settings without recourse to the faculty of judgement
cold war: crystalline + generality + conclusivess could cope with a world on the brink
--> algorithmic rules as the core of rationality
--> sacrifice of [precious to philosophers] ‘insight’ and ‘understanding’ ascpects of reason
--> automatic: you don't need to understand them to execute them
*the posiblity of a mechanical mind*
Turing's [*]programming: constructing instruction tables
(1794 early French revolution) universal school for future French citizen with arithmetic [3 + 4 = 7] at its core --teach-> “exactitude of the mind” --> children are going to learn:
•the meaning of self evidence [of arithmetic propositions]
•the meaning of justified belief
•formation of ideas
•judgement
•reasoning
}--foundation--> quanitative science of a human realm
first reliable calculator --> 1850
rationality عقلانيت
•history of ever more sophisticated mechanical computers
•how rules themselves became increasingly identified with algorithms
•how algorithms became increasingly identified with mindlessness
Kant --> science as mechanical skill that can be mastered by diligence and determinate rules
tacit knowledge: a manul labor [styles of knowing] that cannot be captured by algorithms
---> go to Encyclopedie (Diderot)...
deskilling calculation ==> economic rationality (economic rationalization): you take the task, decompose it into simplest possible steps, you divide the labor, you hire the least skilled and cheapest labor possible ==Babbage==> increase the efficiency and [...]