[...]='lgc'>-> the sea becomes the place of the ‘fleet in being’ ='lgc'>-='lgc'>-> nomadism accompanying a ="trms">worldwide war machine
='at'>@="frds scrmbld">Jassem's rebellious ="trms">nature ='lgc'>=/= ="frds scrmbld">Pierre's staying with the striated space (with the trouble, with the institution, )
decimal grouping ='lgc'>-='lgc'>-> comes from the nomads
three major types of organization='lgc'>:
="lstsrd">1. lineal
="lstsrd">2. territorial
="lstsrd">3. numerical
number ='lgc'>='lgc'>==> lineage
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spatium (="trms">differentiated space with depth and levels) ='lgc'>=/= extensio (immanent center, divisible homologous parts, and ="trms">symmetrical and reversible ="trms">relations)
='lgc'>[title='lgc'>]
numbering of numbers
census
taxation
election
(="ppl">Deleuze and ="ppl">Guattari are wrong about numbers serving to gain mastery over ="trms">matter ='lgc'>--='not'>✕='lgc'>-='lgc'>-> ="ppl">Verran's work on number in Africa)
State='lgc'> = a teritorial principle (of deterritorialization that links the number to metric magnitudes) ='lgc'>--D='lgc'>+G='lgc'>-='lgc'>-> “we don't believe that the conditions of independence or autonomy of the number can be found in the State (='lgc'>-='lgc'>-> ="ppl">Deleuze and ="ppl">Guattari leftist tendency to purity the State)
(operating war machine ='lgc'>-='lgc'>->) numbering number ='lgc'>: autonomous arithmetic organization
='strcls'>*numbers appear as soon as one distribute something in space ='lgc'>=/= distribution of space (that is more the State's business)='strcls'>*
independence of the number in ="trms">relation to space ='lgc'>-='lgc'>-> concrete ="trms">nature of smooth space
='lgc'>-='lgc'>-> number='lgc'>: a means of moving ='lgc'>=/= means of counting
='strcls'>*middle ages curse sheets and taxa='lgc'>:
="lsts lst1">•="trms">geometry of smooth space
="lsts lst1">•a minor, operative ="trms">geometry
='lgc'>=='qstn'>? ='lgc'>[='strcls'>*='lgc'>]="nms">="nms">ajayebnameh='lgc'>: ="trms">geometry of the trait between the rumers of the ="trms">world, senses, and ="trms">writing
vector ='lgc'>-='lgc'>-> directional number ='lgc'>=/= dimentional number ='lgc'>=/=='qstn'>? metric number
directions are everywhere
rhythmic ='lgc'>=/= harmonic (='lgc'>-='lgc'>-> setar / is my whole work about harmonic='qstn'>? ="trms">horror-nic)
order of displacement
concentration-camp ="trms">society='lgc'>: ‘people='lgc'> = deterritorialized numbers’ (='lgc'>-='lgc'>-> fantasy of full despotism in The Handmaid's Tale)
='strcls'>**the ="trms">question is not one of good or bad but of ="trms">specificity='strcls'>** (='lgc'><='lgc'>-- when i say who what artists say could have a chance of being disputed)
complex='lgc'> = ="trms">articulated
the Roman legion was a number made up of numbers, ="trms">articulated in such a way that the segments become mobile, and the figures ="trms">geometrical, changing, transformational
logistics='lgc'>: the art of external ="trms">relations
Genghis ="ppl">Khan ='lgc'>-='lgc'>-> com="trms">position of the steppe
Moses ='lgc'>-='lgc'>-> com="trms">position of the desert
nomads as ="trms">child stealers
(commissars, diplomats, spies, strategists, logisticians) cannot be explained away as a “whim of the sultan”
special numerical body
slave-infidel-foreigner is the one who becomes a soldier and believer while remaining deterritorialized in ="trms">relation to the lineages and the State ='lgc'>-='lgc'>-> نظامالملک سیاستنامه
='strcls'>*nomads have no ="trms">history, they only have ="trms">geometry='strcls'>*
Iron Man's ="trms">technological de="trms">finition='lgc'>: “weapon (destroying people) ='lgc'>=/= tool (producing goods)”
weapon ='lgc'>-='lgc'>-> projection, anything that throws or is thrown
='at'>@="frds scrmbld">Pierre ='strcls'>*='thdf'>the notion of “problem” is related to the war machine='strcls'>*
introjective='lgc'>: preparing a ="trms">matter from a distance, in order to bring it to a state of equilibrium or to appropriate it for a form of ="trms">interiority
(projection='lgc'>: appropriate it for a form of exteriority)
='at'>#bow and arrow ='lgc'>-='lgc'>-> hunt (when speed is as="trms">sociated primarily with the hunted ="trms">animal) ='lgc'>=/= war (speed is an independent variable)
prey ='lgc'>=/= enemy
prey ='lgc'>=/= motor
(='at'>#bow and arrow does ='lgc'>-='lgc'>-> ='strcls'>*abstracts ='thdf'>the idea of motor and applying it to itself='strcls'>* ='lgc'>=/= ="trms">generalize ='thdf'>the idea of prey by applying it to the enemy)
the economy of hunted ="trms">animal
eco="trms">system ="trms">situated at the o="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigin ='lgc'>-='lgc'>-> garden of eden / heaven
eco="trms">system ="trms">situated at the end ='lgc'>-='lgc'>-> apocalypse / end-time
discovery of a projecting and projectile ="trms">system ='lgc'>='lgc'>==> war machine
war machine
breeding ='lgc'>+ training
in="trms">situtes an entire economy of violence
='lgc'>-='lgc'>-> ='strcls'>*a way of making violence durable='strcls'>*
two ideal models motor='lgc'>:
work ='lgc'>=/= free action
="lsts lst1">•(let's) work='lgc'>: tool meets resistance
="lsts lst1">•free action='lgc'>: operates only upon the mobile body itself, is not ="trms">consumed in its effect(='qstn'>?), continues from one moment to the next ='lgc'>[='lgc'>-='lgc'>-> style of artistic research='lgc'>]. the way in which the elements of the body escape gravitation to occupy absolutely a nonpunctuated space
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weapon is moving
tool is moved
tool pre="trms">supposes work, tool does not define work
='strcls'>***the principle behind all ="trms">technology is to de="trms">monstrate that a ="trms">technical element remains abstract='strcls'>***, remains entirely undetermined ='lgc'>-='lgc'>-> as long as one does not relate it to an assemblage it pre="trms">supposes
tool
="prgrph">-one cannot speak of weapons or tools before defining the constituent assemblages they pre="trms">suppose and enter into ='at'>@OSP
the tool is essentially tied to a gensis, a displacement, and an expenditure of force (whose laws reside in work) ='lgc'>=/= weapon concerns only the exercise or manifestation of force in space and time (in conformity with free action)
when speed added to displacement ='lgc'>='lgc'>==> ='qstn'>?
tools ='and'>& weapons='lgc'> = consequences ='lgc'>='lgc'>~/=='qstn'>? causes
the morning star and the battle-axes
variable assemblages of human, ="trms">animal, and thing
='strcls'>*assemblage='strcls'>*='lgc'>: (passional) com="trms">positions of desire='lgc'>[='lgc'>=/= ="trms">natural determination, spontaneous determination='lgc'>] ='lgc'>--D='lgc'>+G='lgc'>-='lgc'>-> there is no desire, but assembling/assembled desire
assemblage ='lgc'>==(bring into play)='lgc'>='lgc'>==> ='lgc'>[='strcls'>*='lgc'>]passion='lgc'>: effectuations of desire that differ ="trms">according to the assemblage ='lgc'>[='lgc'>=/= Germany='lgc'>]
man-="trms">animal-weapon
man-horse-bow
assemblage of speed
...
(what Game of Thrones TV series missed='lgc'>:) military of men ='lgc'>-='lgc'>-> homosexual eros replaces the ="trms">zoosexual eros of horesman ='lgc'>[='lgc'>-='lgc'>-> اسب امام حسین='lgc'>]
State ='lgc'>='lgc'>==>='lgc'>{(training of) worker ='lgc'>--to='lgc'>-='lgc'>-> (apprenticeship of) soldier='lgc'>}
='lgc'>{="trms">affect='lgc'>: active discharge of emotion ='lgc'>-='lgc'>-> projectile ='lgc'>~ weapon='lgc'>}='lgc'>=/=='lgc'>{feeling='lgc'>: displaced, retarded, resisting emotion ='lgc'>-='lgc'>-> introceptive ='lgc'>~ tool='lgc'>}
martial arts='lgc'>: the not-doing of the warrior ='lgc'>~ the undoing of the subject
effectuated in the void (='lgc'>=/= nothingness)
form-="trms">matter ='lgc'>=/= motif-support
(the support is as mobile as the motif)
goldsmith's and silversmith's is the barbarian art par excellence
picto-ideographic
short war
live messages
='lgc'>[text that is='lgc'>] ornamental (a way of en="trms">coding) ='lgc'>=/= scriptural (="trms">according to a sacred ="trms">writing)
tools
weapons
signs
jewellery
jewellery/sign ='lgc'>-='lgc'>-> expression
model ='lgc'>-='lgc'>-> free action / work
direction ='lgc'>-='lgc'>-> projection / introception (='at'>#bow and arrow)
(for ="ppl">Deleuze and ="ppl">Guattari='lgc'>:) ='strcls'>***architecture and cooking have an af="trms">finity with the State ='lgc'>=/= music and ="trms">drugs have ="trms">differential traits ='lgc'>-='lgc'>-> on the side of the nomadic war machine
="trms">schizophrenic taste for the tool that moves it away from work and towards free action ='lgc'>-='lgc'>-> a ="trms">schizophrenic taste for the weapon that turns it into a means for peace (='lgc'><='lgc'>-- i prefer not to do this)
everything is ambiguous
rebel='lgc'>: a ="trms">transitional figure of worker-solder (drawing the worker, on the one hand, and the soldier, on the other), a shared line of flight='lgc'>: “i seek a weapon ='and'>& i am looking for a tool”
‘line of flight’='lgc'>: ="trms">communication with smooth space
="large lg3" stl="font-size:110%">
='mywrk'>my work on ="nms">ajayeb='lgc'>: to figure a trans="trms">historical assemblage (that is untimely ='lgc'>=/= eternal ='lgc'>=/= ="trms">historical) ='lgc'>='lgc'>==> encounter the myth anew ='lgc'>=/= demystification='lgc'>: re-conquer the myth
the empire
="lsts lst1">•="trms">communicates with
="lsts lst1">•conquer
="lsts lst1">•="trms">integrates with
="large lg4" stl="font-size:112%">
="trms">communication (of secret) ='lgc'>--='qstn'>?='lgc'>-='lgc'>-> adaptation, propagation
saber ='lgc'>=/= sword
the flow of ="trms">matter-movement
conveying singularities and traints of expression
assemblage ='lgc'>--="trms">differentiates='lgc'>-='lgc'>-> phyla (major taxonomic class) ='lgc'>='lgc'>~= flow ='lgc'>='lgc'>==> division into many ="trms">different phylas ='lgc'>+ introducing selective discontinuities
="large lg5" stl="font-size:151%">
="trms">technological vitalism
='strcls'>*refract ="trms">differentiates='strcls'>*, retains, selects, draws together, causes to converge, invents
region of vague and ="trms">material essences ='lgc'>-='lgc'>-> essences that are vagabond yet ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigorous ='lgc'>='lgc'>==> ="trms">situate fuzzy aggregates ='lgc'>=/= fixed distinct and formed essences
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