Ereignis: 0, (Max.: 500+)

[...]> ="lsts lst1">="trms">history of ever more sophisticated mechanical computers
="lsts lst1">how rules themselves became increasingly identified with algorithms
="lsts lst1">how algorithms became increasingly identified with mindlessness

="ppl">Kant ='lgc'>='lgc'>--> ="trms">science as mechanical ="trms">skill that can be mastered by diligence and determinate rules
tacit knowl="trms"nttrm="knowledge,Knowledge">edge='lgc'>: a manul labor ='lgc'>[="trms">styles of knowing='lgc'>] that cannot be captured by algorithms

='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to Encyclopedie (Did="trms">erot)...

de="trms">skilling calculation ='lgc'>='lgc'>==> economic rationality (economic rationalization)='lgc'>: you take the task, de="trms">compose it into simplest possible steps, you divide the labor, you hire the least ="trms">skilled and cheapest labor possible ='lgc'>==Babbage='lgc'>='lgc'>==> increase the efficiency and the costs

="large lg2" stl="font-size:111%"> ="lsts lst1">game theory
="lsts lst1">rational choice theory


(="trms">memory ='lgc'>+ understanding ='lgc'>+ judgement ='lgc'>+ ="trms">imagination)
='strcls'>*judgement (="ppl">Daston) and ="trms">imagination (="frds">Sina) are ="trms">integral to the exercise of reason='strcls'>*

reason in rationality='lgc'>: algorithmic rule governed ='lgc'>=/=
="lsts lst1">passions اشتياق تعصب
="lsts lst1">fantasy وسواس
="lsts lst1">sloppy thinking درهم وبرهم
="lsts lst1">ignorance بى خبرى
="lsts lst1">superstition خرافه
="lsts lst1">self-deception خود فريبى


="large lg10" stl="font-size:112%"> the human factor
there is something about human that has always been in odds with reason

Nozick (='lgc'>~ Terminator) ='lgc'>='lgc'>--> the rules of procedures that constitute rationality would be valid, would be efficacious, but algorithmic. executed by machine, but opaque to human understanding
='lgc'>~ ="ppl">Wittgenstein ='lgc'>='lgc'>--> to follow a rule='lgc'>: a practice taught by example ='lgc'>=/= precept
='lgc'>}='lgc'>='lgc'>--> ='strcls'>*to understand rules in an algorithmic sense='strcls'>* ='lgc'>=/= model, maxim, tacit knowl="trms"nttrm="knowledge,Knowledge">edge


="ppl">Daston ='lgc'>='lgc'>--> there is no simple way, in which ="trms">historical context determines the form and content of the thinkable. but (as in the case of algorithmic rules and cold war rationality) ="trms">historical circumstances do light up some parts of the intellectual landscape and darken others

our current understanding of what it means to be rational owes a great deal to the power of place and time
="lsts lst1">for ="ppl">Kant='lgc'>: judgement='lgc'> = highest faculties ='lgc'>=/= for ="trms">modern (us) judgement is problematic


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='lgc'>[the ="trms">horror of the contemporary German art:='lgc'>] to deliberate='lgc'>: کنکاش سنجیده و عمدی ='lgc'>=/= ="frds scrmbld">Janina
(art of ='lgc'>[ironic='lgc'>] deliberation ='lgc'>=/= chaotic venture, ="frds">Sina's ="trms">lecture-performances)
deliberation='lgc'>: thinking then doing it ='lgc'>=/= doing then thinking about what you have done (='lgc'>='lgc'>~= ="trms">communication, intimacy)

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="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics of ="trms">natural law

="ppl">Daston's ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigor='lgc'>: trying to understand why is it so persistant (almost irresistible) that we ='strcls'>**extract ="trms">social and moral norms from ="trms">nature='strcls'>** (rather than jumping up saying that it is a doomed idea)
='lgc'>[='lgc'>='lgc'>--> got to ="trms">fable; ikhvano safa court of ="trms">animals; panchatantra Kelile Demne='lgc'>]
="lsts lst1">to merge ="trms">natural and ="trms">social orders together
="lsts lst1">to make ="trms">nature meaningful
="lsts lst1">to invoke ="trms">nature to buttress human values of='lgc'>: true, good, beautiful
="lsts lst1">

devil='lgc'> = collective human ="trms">imagination of chaos

formless and lawless
land of no promises
="trms">past is no guide to the future
at the mercy of chance

the axiom of ="trms">modern thought='lgc'>: ="trms">society ='lgc'>=/= ="trms">nature ='lgc'>[of which trespassings are rife='lgc'>]

='lgc'>[='at'>#="trms">fable='lgc'>]
to extract some ="trms">sort of politics from='lgc'>:
="lsts lst1">beehive
="lsts lst1">physics of liver
="lsts lst1">evolutionary theory
="lsts lst1">organic specialization ='lgc'>[='lgc'>--="ppl">Aristotle='lgc'>='lgc'>--> slavery='lgc'>]
="lsts lst1">

="large lg6" stl="font-size:133%"> ="lstsrd">1. how conceptions of ="trms">natural order sustains ="trms">specific norms ='and'>& the model of any kind of norm ='lgc'><='lgc'>-- ="trms">historical ='lgc'>+ ="trms">="trms">empirical
="lstsrd">2. appeal to ="trms">nature capture something profound about values in general regardless of their ="trms">specific context ='lgc'><='lgc'>-- philosophical

(the human) impulse to ='strcls'>*make ="trms">nature meaningful='strcls'>* ='lgc'>='lgc'>--> psychological ='lgc'>+ ="trms">epistemological ='lgc'>+ ethical necessity


(1)
(="trms">specific) ='lgc'>[='strcls'>*='lgc'>]="trms">nature='lgc'>: the ="trms">ontological identity card ='lgc'>: that which makes a particular thing what it is (what makes skwerl a skwerl)
='thdf'>the idea of ='strcls'>***fixed ="trms">natural kind ='lgc'>==inspire='lgc'>='lgc'>==> ='thdf'>the ideal of justice='strcls'>***
='lgc'>='lgc'>--> ='thdf'>the idea of organic specialization ='lgc'>[organ='lgc'>: ‘tool’ in ="trms">greek; for ="ppl">Aristotle='lgc'>: “injustice='lgc'> = violation of specialization” (of citizen's tools or honors) ='lgc'><='lgc'>-- an order of ="trms">nature='lgc'>]

rose wanna be skwerl ='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to ="trms">bestiary
“good consist in each being striving to be the best of its kind not the best of all”

(2)
='lgc'>[='strcls'>*='lgc'>]="trms">nature='lgc'>: the will of God (='lgc'>~ edict of God) ='lgc'>--="ppl">Augustine='lgc'>='lgc'>--> “sodomy='lgc'> = crime against ="trms">nature (='lgc'>~ against God='lgc'>: the ="trms">author of ="trms">nature)” ='lgc'>[='lgc'>='lgc'>--> un="trms">natural ='lgc'>=/= sacrilege توهين به مقدسات='lgc'>]
="lsts lst1">a Roman custom (and a Roman intuition)='lgc'>: when you are in a place you try to adapt to the local ways of doing things ='lgc'><='lgc'>-- (with ="ppl">Augustine) we are preserved in a pro="trms">verb ='lgc'>[='at'>#="trms">integration='lgc'>] ='lgc'>--grant='lgc'>='lgc'>--> ="trms">nature with supreme ="trms">authority as God's proxy


seeking norms in ="trms">nature ='lgc'>--="ppl">Daston='lgc'>='lgc'>-->
="lsts lst1">is this (examples) why we should stop it (at best ="trms">nature ="trms">authority is borrowed whether overtly from God or covertly from ="trms">social conventions ='lgc'>='lgc'>==> it is redundent and we don't need it)
="lsts lst1">it is a d="trms"nttrm="danger,stranger">angerous weapon in the arsenal of the most repressive and aggressive elements of ="trms">society

content of norms ='lgc'>=/= ='lgc'>[='strcls'>*='lgc'>]normativity='lgc'>: a justificatoin that gives any and all norms their force ='lgc'>: the quality of telling us what should be (='lgc'>=/= describing how things actually are)

“the starry heavens above ='lgc'>='lgc'>~/= the moral law within” ='lgc'>='lgc'>--> ="ppl">Kant's awe='lgc'>: the regularity (of both human law and ="trms">natural law)
حيرت awe ='lgc'>[='lgc'><='lgc'>==evoke='lgc'>== the cosmic='lgc'>: all encompassing order ='and'>& exquisitely designed ornament='lgc'>] ='lgc'>=/= ="trms">horror ='lgc'>[='lgc'><='lgc'>==evoke='lgc'>== the un="trms">natural (="nms">ajayeb)='lgc'>]

='strcls'>**the recognition of an order='strcls'>** ='lgc'>--="ppl">Daston='lgc'>='lgc'>--> the key to all kinds of norms (='lgc'>='lgc'>--> awe='lgc'> = ="trms">wonder ='lgc'>+ fear ='lgc'>+ respect)


(ancient ="trms">greek ="trms">cosmopolitan ="trms">traverler ethnographer) Herodotus's ="trms">fable of ‘custom is king of all’ ='lgc'><='lgc'>-- داریوش perian king Darius's ="trms">anthropological experiment='lgc'>: ="trms">Greeks won't eat their father's dead body, they burn it ='lgc'>=/= Indians won't burn their father's dead body, they eat it

="lsts lst1">chaos='lgc'>: ="trms">nature without order
="lsts lst1">anarchy='lgc'>: ="trms">society without order
='lgc'>}='lgc'>='lgc'>--> ="trms">past is no guide to ="trms">present and future ='lgc'>: ='strcls'>*there are no regularities (of human promises or ="trms">natural cycles) to support either justice or knowl="trms"nttrm="knowledge,Knowledge">edge='strcls'>*


why duplicate the moral order with an analogical ="trms">natural order='qstn'>?
why turn to ="trms">nature for your raw ="trms">materials (to construct moral order for themselves)='qstn'>?
='lgc'>='lgc'>--> ...

are we now in the ="trms">position to reclaim norms from ="trms">nature='qstn'>?
='lgc'>='lgc'>--> yes ='lgc'><='lgc'>== ="trms">nature exemplifies so many ="trms">different kinds of order='lgc'>:
="lsts lst1">order of the stars and plant ='lgc'>=/= order of weather
="lsts lst1">order of ="trms">specific ="trms">natures ='lgc'>=/= order of universal ="trms">natural laws
="lsts lst1">order of local ="trms">ecologies ='lgc'>=/= order of ="trms">cosmological unities of gravitation
="lsts lst1">
which ="trms">nature='qstn'>? ='lgc'>='lgc'>--> any order of ="trms">nature can be countered with examples of another order equally ="trms">natural ='lgc'>}='lgc'>--="ppl">Daston='lgc'>='lgc'>--> ='lgc'>[='strcls'>*='lgc'>]="trms">nature='lgc'>: re="trms">pository (or wunderkammer) of all ="trms">imaginable orders='strcls'>****

terror ='lgc'>+ randomness ='lgc'>='lgc'>--> most effective weapon of ="trms">dictators (you never know when it strikes again)
="prgrph">-="trms">horror of ="ppl">Kafka's bureaucracy='lgc'>: negation of regularity, destruction of order, institutionalized anarchy
="prgrph">-one of the most dehumanizing experiences='lgc'>: being completely subject to the will of another (='lgc'>~ slavery) ='lgc'>[='lgc'>='lgc'>--> this is the most pleasurable experience in sex and sado masochism='lgc'>]

="lsts lst1">="trms">nature never insults (its inhumanity)
="lsts lst1">="trms">nature provides the raw ="trms">material for meaning ='lgc'><='lgc'>-- ='strcls'>*because we are ="trms">embodied organisms we must incarnate our orders='strcls'>* (='lgc'>~ we must find a way to display them to ourselves)
="lsts lst1">="trms">animals can feel terror, but only humans can feel ="trms">horror='lgc'>: the emotion that registers a deep disruption of an order (no ="trms">matter what kind, a two-headed baby ='lgc'>[="trms">natural ="trms">monster='lgc'>] or a mother who kills her two babies ='lgc'>[moral ="trms">monster='lgc'>])


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='lgc'>[title='lgc'>]
itchy eyes

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16th and 17th centuries
times of extraordinary ="trms">religious, economic, and intellectual upheaval (Europe was deluged by novelties of all kinds='lgc'>: ="trms">birds of paradise, armadillos, anomalies='lgc'>: solar eclipse, comet, narwhal tusk, etc.)
(="ppl">Daston >) Bacon ='lgc'>[standing on an extremely unstable ="trms">scientific ground='lgc'>] used ="trms">monsters and marvels (as a ="trms">sort of intellectual hygiene) to jolt people out of their assumptions about the ="trms">natural ="trms">world
='lgc'>=/= Aristotelian ="trms">natural philosophy
='lgc'>='lgc'>--> anomaly took center ="trms">stage of ="trms">scientific explanations ='lgc'>='lgc'>~= art's investment in the exceptional
='lgc'>='lgc'>==> curiosity becomes a virtue ='lgc'>=/= vice
="lsts lst1">="trms">nature is allowed to ="trms">joke
="lsts lst1">="trms">nature has the freedom to experiment ='lgc'>=/= God
='lgc'>='lgc'>--> ended by='lgc'>:
="lsts lst1">18th century's ='strcls'>*division of labor='strcls'>*
="lsts lst1">19th century's ='strcls'>*institution of ="trms">science='strcls'>*

(two-headed cat's) deformations ='lgc'>='lgc'>--> terrifying ='lgc'>+ electrifying
='lgc'>[='strcls'>*='lgc'>]="trms">bestiary='lgc'> = Telegram media from God='lgc'>:
="lsts lst1">sign of end
="lsts lst1">sign of fecundity, creativity, variety of ="trms">nature

.../="trms">horror/="trms">wonder/="trms">horror/="trms">wonder/="trms">horror/="trms">wonder/...

“everyone was trafficking in marvels in the 17th century”
="ppl">Daston

... ='lgc'>='lgc'>--> pre="trms">modern sci ='lgc'>='lgc'>--> age of ="trms">wonder ='lgc'>='lgc'>--> ="trms">modern ="trms">science ='lgc'>='lgc'>--> ...

cabinets of curiosity
(="ppl">Daston's) chambers of ="trms">wonders
="lsts lst1">to overwhelm you
="lsts lst1">to impress the ambassador


for ="ppl">Aristotle, philosophy starts with ="trms">wonder, but you make it disappear as soon as possible (“="trms">wonder='lgc'> = sign of ignorance” of the unlettered and il="trms">literate)

genre of ="trms">natural ="trms">history involving the marvels of insects ='lgc'>='lgc'>--> domesticate the emotion of ="trms">wonder for things we can explain

="ppl">Daston ='lgc'>=/= (early 20th century) morose and elegiac discourse about the disenchantment of the ="trms">world

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pessimism ='lgc'>='lgc'>~= realism
(optimism ='lgc'>='lgc'>~= idealism)

="large lg1" stl="font-size:138%"> ="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

(to move from) eternal truths ='lgc'>--to='lgc'>='lgc'>--> eternal archives
(an ="trms">aesthetic='lgc'>:) archival monuments

despite computer's hype and undeniable capacity and flexibility of computerize ="trms">databases, the practices of collecting, inventorying, describing, image-making, collating, and publishing have remaining stable since the monumental projects of 19th century: corpus inscriptionum latinarum, carte du ciel, botanical gar="trms">dens, etc. ='lgc'>='lgc'>--> archival projects

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popular and learned ="trms">interest in ="trms">monsters

(in the 16th century ='and'>& 17th century Baconian ="trms">scientific programm='lgc'>:) treatments of ="trms">nature and ="trms">natural ="trms">history must have in="trms"nttrm="cluster,club">cluded (with ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigorous selection) ="trms">monsters (='lgc'>~ aberrations in the ="trms">natural order='lgc'>: new, rare, and unusual ="trms">nature, both exotic ='and'>& domestic)
='lgc'>[='strcls'>*='lgc'>]="trms">nature='lgc'>: an ingenious ="trms">craftsman ='lgc'>='lgc'>--> ='lgc'>[='strcls'>*='lgc'>]="trms">monster='lgc'>: ="trms">nature's most artful work (='lgc'>='lgc'>--> they bridged the ="trms">natural ='and'>& the artificial)
="lsts lst1">cor="trms">responded to the activities of ="trms">nature ='lgc'>=/= types of subject ="trms">matter, ="trms">methods of investigation
="lsts lst1">="trms">interest in irregularities (='lgc'>=/= end of 17th century ="trms">interest in ="trms">nature's uniformity and order)
="lsts lst1">

Lazarus exhibition, the parasitic twin (the italian conjoined twins who toured freak shows in 17th century europe)

(="ppl">Daston ='lgc'>='lgc'>--> a case study of) the changing ="trms">relationship between popular ='and'>& learned culture

legal status of ="trms">monsters
infanticide in antiquity


earlier tradition of ="trms">interest in ="trms">monster='lgc'>:
="lsts lst1">="ppl">Aristotle ='lgc'>='lgc'>--> Albertus Magnus
="lsts lst1">divine sign ='lgc'>='lgc'>--> Cicero, ="ppl">Augustine, Isidore of Sevill
="lsts lst1">="trms">cosmographical ='and'>& ="trms">anthropologic ='lgc'>='lgc'>--> Solinus


="trms">monsters in a context of a whole ="trms">natural ="trms">phenomen (="trms">bestiary)='lgc'>:
earthquakes, floods, volcanic eruptions, celestial apparitions, strange rains (of blood), stones, and miscellanea

(="trms">monsters ='lgc'>='lgc'>--> shift from) signs of God's wrat ='lgc'>--to='lgc'>='lgc'>--> signs of ="trms">nature's fertility
(by the end of 17th century) ='lgc'>--to='lgc'>='lgc'>--> comparative anatomy and embryology (teratology)
(from) اعجوبه prodigy ='lgc'>--to='lgc'>='lgc'>--> examples of medical pathology

="large lg14" stl="font-size:133%"> ='strcls'>*peasant and professional had participated to a significant extent in a shared culture of intellectual and ="trms">religious ="trms">interest='strcls'>* ='lgc'>--='not'>✕='lgc'>='lgc'>-->='lgc'>{
(="trms">literate culture evolved far more rapidly ='lgc'>='lgc'>==> sharpening of ="trms">social boundaries of)
city dwellers ='lgc'>=/= peasants
="trms"nttrm="disturban">urban ="trms">literate elite ='lgc'>=/= unlettered day laboure
='lgc'>='lgc'>--> for the educated layman='lgc'>: (="trms">religious as="trms">sociations of) ="trms">monsters='lgc'> = another manifestation of popular ignorance and superstition ='lgc'>--fostering='lgc'>='lgc'>--> uncritical ="trms">wonder ='lgc'>=/= sober investigation of ="trms">natural cause


prodigy ='lgc'>='lgc'>--> contrary to ="trms">nature ='lgc'>='lgc'>--> attributable directly to God (divine displeasure)
="prgrph">-the sunne shal suddenly shine againe in the night, and the moone thre times a day. blood shal drop out of the wood, and the stone shal give his voyce ='lgc'>[...='lgc'>] There shalbe a confusion in many places, and the fyre shal oft breake forthe, and the ="trms">wilde ="trms">beastes shal change their places, and menstruous women shal beare ="trms">monstres='lgc'>[...='lgc'>]

="lsts lst1">="trms">monstrum='lgc'> = prodigium ='lgc'>='lgc'>==> ="trms">monstrat ='lgc'>[="trms">monstro='lgc'>: i ="trms">wonder ='lgc'>='lgc'>--> i indict ='lgc'>='lgc'>--> i teach, de="trms">monstrate='lgc'>]='lgc'> = god's will
="lsts lst1">apocalyptic as="trms">sociation ='lgc'>='lgc'>--> ="trms">world reformation, the overthrow of the wicked ='lgc'>='lgc'>--> vindication of god's elect

(="trms">bestiaries were a lot commentaries)

various bestial parts...

bestial vices and errors (of...)

ephemeral ="trms">literature
displayed and re="trms">cited publicly
characteristically illustrated
appeal through spoken word ='and'>& image to the il="trms">literate


="frds scrmbld">Pierre Boaistuau ='lgc'>[='lgc'><='lgc'>== Peucer, Lycosthenes, Swiss surgeon Jakob Rueff, ="trms">natura="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list Konrad Gesner, ="frds scrmbld">Pierre Belon='lgc'>]
="trms">histoire tragique
="trms">histoire prodigieuse (="trms">monster ="trms">literature, ="trms">bestiary='qstn'>?)
="lsts lst1">two-headed woman seen in Bavaria in 1541
="lsts lst1">three-legged Siamese twins from 1552
="lsts lst1">calf without forelegs reported in 1556
="lsts lst1">celebrated ="trms">monster of Cracow
="lsts lst1">
ghoulish tone, ="trms">religious didacticism, erudite آموزنده, ="trms">monsters as polemical weapons
="trms">nature's ="trms">wonder='qstn'>?='lgc'>='lgc'>--> to “discovre the secret judgment and scourge of the ire of God”

The Scripture sayth, before the ende
Of all thinges shall appeare,
God will wounders straunge thinges send,
As some is sene this yeare.
The selye infantes, voyde of shape,
The calues and pygges so straunge,
With other mo of suche mishape,
Declareth this ="trms">worldes chaunge.


...="trms">monsters began to lose their ="trms">religious resonance
it was unlawful to “delight” in the undesirable
portentous meaning of ="trms">monster

(from) fear ='lgc'>--to='lgc'>='lgc'>--> delight
(from) prodigy ='lgc'>--to='lgc'>='lgc'>--> ="trms">wonder
(from) sermon ='lgc'>--to='lgc'>='lgc'>--> table-talk
(from) horrible, terrible, effrayable, espouventable ='lgc'>--to='lgc'>='lgc'>--> strange, ="trms">wonderful, mer="trms">veilleux (marvelous جالب)
(from) final cause ='lgc'>--to='lgc'>='lgc'>--> proximate cause (physical explanations and the ="trms">natural order)
='lgc'>}='lgc'>='lgc'>==> ="trms">nature began to assume the role of an autonomous entity with a will (and sense of humour of her own) ='lgc'>='lgc'>~='lgc'>~> ="trms">natural ="trms">wonder



="trms">wonder ="trms">literature (='lgc'>[lavishly illustrated ="trms">bestiary, ="trms">cosmography, ="trms">travel ="trms">literature, geological curiosa, herbal and astrological lore,='lgc'>] of later 16th and 17th century ="ppl">Daston) ='lgc'>='lgc'>--> secularization of an ="trms">interest in (="trms">monsters as) prodigies
='lgc'>--part-of='lgc'>='lgc'>--> the great body of common culture
='lgc'>--af="trms">finity='lgc'>='lgc'>--> popular 16th century genre of diverses lefons (selections from famous ="trms">authors)

catalogues of strange instances or hidden properties of ="trms">animals, vegetables and mineral
(middle class culture in elizabethan england)

prodigies denuded of their super="trms">natural aura ='and'>& (="trms">presented) to surprise and entertain the ="trms"nttrm="already,spread">reader ='lgc'>=/= to acquaint the ="trms"nttrm="already,spread">reader with imminent apocalypse and judgeme

Certaine Secrete ="trms">Wonders of ="trms">Nature

portentous events بد شگون

(cro="trms">codiles) to be granted honorary ="trms">monstrous status by virtue of their rarit

many will ="trms"nttrm="already,spread">reade them ='lgc'>[="trms">monsters='lgc'>], heare them and haue profit by them, that otherwise whould neuer haue knowen them. For many (I ="trms">suppose) will buye this ="trms">Booke for the things whereto they are ="trms">affectioned, that neuer coulde or would have bought, or looked on the ="trms">bookes, wherein all they are. -Lupton

common and popular forms of escapist ="trms">literature='lgc'>: ='strcls'>*="trms">travel ="trms">books='strcls'>* and ='strcls'>*chivalric romanc='strcls'>*
(='lgc'>='lgc'>--> don Quixote)
="trms">monstrous races (men with a single giant foot, or huge ears, or their faces on their chests, giants and dwarfs)

medically oriented ="trms">monster ="trms">literature

='lgc'>[="ppl">Daston:='lgc'>] Pare was forced to eliminate a section on lesbianism, with a graphic description of the female genitals, before in="trms"nttrm="cluster,club">cluding Des ="trms">monstres in later editions of his collected work

="large lg10" stl="font-size:131%">
A Helpe to ="trms">Memorie and Discourse (of ="trms">Wonders, Foreign and Domestic)
='strcls'>*the passages and occurrences of the ="trms">world='strcls'>* ='at'>#="nms">ajayeb
="lsts lst1">the creatures thereof
="lsts lst1">the casualties therein

little-known properties of... (wine and water, fish, dogs, cuckolds, hunchbacks and ="trms">monsters)

="large lg3" stl="font-size:111%"> popular ignorance
solitary efforts of the professional scholar
culture of the educated layman (lawyer, businessman, government official, and their wives and daughters)

='lgc'>[change in sensibility (&-='lgc'>=>='qstn'>? change in ="trms">interpretation)='lgc'>]
beginning of the withdrawal of the educated classes fr[...]