[...] system of physics. The barzakh is pure Darkness; it could exist as such even if the Light were to withdraw. Thus, it is not even a potential light, a virtuality in the Aristotlian sense; in relation to Light it is pure negativity, Ahrimanian (اهریمنی) negativity as Sohrevardi understood it. It would be a mistake, then, to attempt to base the causal explanation of a positive fact on this negativity. Every species is an ‘icon’ of its Angel, a theurgy effected by this Angel in the barzakh which in itself is death and absolute night.


the schema of Mazdean cosmology, in which the universe of being is divided into menuk {celestial, subtle) and getik {terrestrial, dense);


{سهروردی}--{*} In Sohrevardi, the perception of the world includes, in structural terms, a metaphysics of essences; existence is simply a way of regarding {e'tebar اعتبار) essence or quiddity--it does not add anything to it in concrete.

The schema of the universe, then, is arranged according to a fourfold plan:
... (4) There is the mundus imaginalis (alame mesal عالم مثال). This is the world which is intermediary between the intelligible world of the beings of pure Light and the sensible world; and the perceiving organ proper to it is the active Imagination. It is the world not of Platonic ideas (muthuli flatunlyah مثل افلاطونی?), but of Forms and Images ‘in suspension’ (muthul mu'allaqah مثل معلق). This term means that such forms are not imminent in a material sub-stratum, as the colour red, for example, is imminent in a red body; they possess ‘epiphanic places’ (mazahir مظاهر) where they manifest themselves like the image ‘in suspension’ in a mirror. This world contains all the richness and variety of the world of sense in a subtle state; it is a world of subsistent and autonomous Forms and Images, the threshold of the malakut {ملکوت}. In it are to be found the mystical cities of Jabalqa جابلقا, Jabarsa جابرسا and Hurqalya هورقلیا.


It appears that Sohrevardi was indeed the first to elaborate the ontology of the inter-world, and the theme once introduced was taken up and expanded by all the mystics and gnostics of Islam.



stories:

The action of these Recitals, in fact, takes place in the ‘alame mesal’ [عالم مثال]. In them, the mystic relates the drama of his personal history on the level of a supra-sensible world, the world of the events of the soul, because the writer, in configurating his own symbols, spontaneously discovers the meaning of the symbols of the divine revelations.

We are not concerned with a series of ‘allegories’ but with the secret hierohistory, invisible to the external senses, which unfolds in the world of the malakut, and with which external and fleeting events symbolize.



سهروردی Sohrevardi's noble venture is not an ‘insurrection’ to islam an external and literalist religion, rather view that sees the integral Islam is spiritual, then Sohrevardi lies at the summit of this spirituality and is nourished by it.

crypto-Shiism شیعه

prophetic philosophy

...................................

Between a scientific treatise, a fable and philosophical discourse, Vampyroteuthis Infernalis imagines a pitch-dark world of an animal living as deep as possible down in the abyss in order to disclose a way of living opposed to the luminous one of the human being.

...................................

analogy of the cave


man with the x-ray vision

...................................

nowhere prosperous
ruinous prosperous

accidental intellects (subjects, qualities, quantities,)

light, self, presence, knowledge


One night darkness had settled in sky and a darkness that and held the hand of the brother of non-existence had been catered around the lower world.

After sleep came upon me, disappointment resulted.

I was holding a candle.

has two doors, one to the city and the other one to the desert. I went and closed the door

tailors of divine words

I then saw an eleven-layered pot thrown into the desert with some water in it and in the water were some pebbles around which here were a few animals.

The heavenly spheres were absolutely round and a straight line could not have been [drawn] between them. Those eleven levels were colorless and due to their extreme fineness, what was in them could not be veiled.

...................................

{Laura Marks}--[her method of description, “affective analysis”: act of describing, what is going on in your body, prior to the body, and prior to perception--i have to describe well and simply. (sometimes even doesn't go back to the object we are describing) --> to tribute imagination to people]

muslim majority countries (! instead of ‘muslim countries’)
occasional and atomist fabulation --> agency of God
(Occasionalism: God as the cause of things)
Islam's atomism it is not coming from Greek atomism

Mullah Sadra --> Process philosophy: Whitehead, Deleuze, etc.
تشخص tashakhos --> Gilbert Simondon theory of individuation

...so perception does not give complete access to the world (this is Foucauldian)
=> perception seems to have a more protective role (from unnecessary stimuli--in order to safe guard our survival) --Bergson: “it is grass in general that interests the herbivore” --> ‘sensory-motor schema’ is an agent of abstraction (Deleuze)
[@Varinia's “could/should/would”; ‘line of flight’ --> becoming; disturbing the virtual, in her work how is actual/virtual (made impossible to?) distinguished?]

sensory-motor schema:
Within constructivist theories, the sensorimotor schema is held to be the principal unit of knowledge in use during infancy. A sensorimotor schema is a psychological construct which gathers together the perceptions and associated actions involved in the performance of one of the habitual behaviors in the infant's repertoire. The schema represents knowledge generalized from all the experiences of that behavior. It includes knowledge about the context in which the behavior was performed as well as expectations about the effects. Sensorimotor schemas are central to Jean Piaget's explanation of infant development.
[http://link.springer.com/referenceworkentry/10.1007%2F978-1-4419-1428-6_463]


(motions, gestures:)
purposeful =/=? communicative



(Marks on) Invisibility, Legibility (khanayi خوانایی), and Aniconism (that the artist should or must avoid depictions of human beings or icons; an art that refuses to unfold its code, asserting that relationships need not be interpreted--a view developed in the conservative Sunni thought of the later Abbasid caliphate)

(عقل سرخ aghl-e sorkh --> Ulf Langheinrich's works)
the ways ambiguity stimulates imagination
“rubied mind-body”

(...ruined main body)


sense-perceptibles: images, etc. --> matter that is processed by information --> in new media (as Gilbert Simondon put it,) ‘form’ arises almost symptomatically from a ground modulated by information processes

a new level of invisibility--though not immateriality: information

cognitive attention as information to be processed =/=? sensuous material to be experienced --> is this a shift (predicted by Deleuze) from visual to information culture? (--> Trevor Paglen's works characterizes arts of the information age in general---image is the trace, effect, or document.)

the perceptible =/= the legible

aniconic: what we do not see is more significant than what we do --> that the temporal and social are more important than the visible***
“Islamic aniconism emphasizes the word--as written, read, and recited--and the social spaces of worship.”

enfold & unfold


(Deleuze's) Leibniz's monad: smallest unit of matter is the ‘fold’ (and not the point.) Each fold, being connected to the entire plane, has a point of view on the whole ----> ‘plane of immanence’ : a vast surface composed of an infinite number of folds; enfolded --> unfolds ==> actualizes


you might work on a concept, on a percept, on an affect, or on...

(Deleuze's) real = virtual + actual
•actual: exists; a thing, event, concept
•virtual: potential to exist or to pass, all that cannot presently be thought --> *most materiality is virtual*

wood grain (longitudinal arrangement of wood fibers) that guides the artisan to invent --> “thought's powerlessness at the heart of wood” (Marks)

(what is thought's powerlessness at the heart of digital new media?)

calligraphy --(interface)--> Qur'an --(interface)--> the divine

(Gregory Bateson:) information = "the difference that makes a difference”
(@Anouk)

“in Islamic art and new media art, we have two triadic models in which the infinite is mediated to perception by some kind of information.”

worship !~/=>? transcendence
(Who can say what people are really experiencing when, in the course of worship, they gaze at a dome, kneel on a carpet, or let an allegorical painting dazzle their senses? -Marks)


(Deleuze and Guattari acknowledge that) “every body of thought has its own plane of immanence, an unthought against which it struggles to give rise to new concepts”, still, they dismiss Chinese, Hindu, Jewish, and Islamic “philosophy” as prephilosophical(!)
intellectual struggle ~= jahd جهد, ejtehad اجتهاد (Averroes) ==> to bring new concepts into the world

yes, Islam assumes an epistemological endpoint, yet this endpoint is never achieved and inspires endless intellectual struggle (Sufi mystics, تفکر اسماعیلی Isma'ili thought) --> engaging with the *divine plane of immanence* {perceptual and contemplative venture into the infinite}

mediation between the divine and the world ~=> a certain manner of unfolding (--> for Sohrevardi: emanation--in terms of a philosophy of light --> universe is a cascade of unfoldings [veil?])
-Farabi: God contained the forms or models of things ==> the spirits of the spheres, active reason, soul, form, and matter
-Avicenna: all existence is contingent; God = 'the uncaused’
(Avicenna's conception of) the nonentity (or antimatter) as the virtual double of every existent ~= (Deleuze and Guattari's) concepts of the virtual and the actual
(Avicenna:) God ==> existence/nonexistence
(Deleuze:) existence <==> nonexistence; (mirror each other?)


virtual (حق hagh ~ truth) <--> actual (حقیقت haghighat ~ reality)

hierarchy of nonexistent things


not everything is cognitive, sometimes it is sensuous material to be experienced
(@Seba, flows of information that “demand” cognitive attention)


-what interfaces Zaher ظاهر and Baten باطن?
{plane of immanence, plane of infinite information, (gender neutral) pregnancy, ventral} Baten <--> Zaher {plane of image information, dorsal, hard and complete} ==> vulnerability of the virtual protected by a fold

فنا fana: an stimulating awareness of the nonexistent side of every existent ~->? (Deleuzian) creativity; [...the schizo/darvish/ درویش (creative processes)]
(Rumi as a child sees people in their house, grinding mill talking to him, his mill speaking with him; condition of schizophrenogenic hearing --> gheib غیب, alame gheib عالم غیب)

yes yes, in transcendentalism universe suffers in a state of nonreality (or illusion) --> sublimely inventive cosmologies

the current information culture with its lame digital infinity (reiterating paths of vast networks and archives with terrible, clicked, controlling sameness, and only quantitatively new) ==> “dividuals”

ابن عربی Ibn Arabi's locus of divine: pulsation: movement towards God and away from Him

*transcendence is a symptom of immanence, and not the other way around (Marks)
(El Khachhab:) transcendence is not in the world nor out of it. It simply has no location. It functions as an energy, coextensive of matter and does not belong to a separate stratum.


[logical death]


(@Seba) “logical depth”: the amount of (useful) labor enfolded in a message. (Charles Bennett) --> forgotten but constitutive history of *contemporary information culture*
([aspects of] ‘enfoldment’ instead of ‘narrative’ @Seba)
(relying on the thoughts and calculations of many thinkers:) ‘deeply enfolded’ instead of ‘complexity’ (~=? ‘the obscured social world’ @Seba)

.finding the direction of Mecca in a complex network of signifiers --> the local value of the work of science or narratology / Islamic culture of astrological experimentation ----> logical depth and enfoldedness index Baten باطن
-(living in a time of animosity,) is Seba wanting to democratize Baten?

descriptive encounters with objects
narrative encounters with objects
--> unfold what is enfolded (and enfold what is unfolded?)

how to commit to (history's) complexity's *dissipation*? and not to discover roots?

my work (now i have the feeling that) a little bit includes working on this bulldozed sites of difference/similarity between Islamic and European cultures
-I behave as if there is (a historical) continuity =/= the idea that things get lost tragically (Benjaminian?)
-we do not know what is lost
**chaotic loss --> to process through a host of errors and phantasms
what is the carrier bag theory of infinite?
عجایب --> (ajayeb's) inexplicable historical objects that suddenly turn up and refuse to be accounted for “fossils” (--> rupture =/= fold: history is deeply enfolded)
[which histories objects of ajayeb enfold and unfold?]

the origin is always complex

(how to) invert the judgment of value that informs us

piecemeal fabrication from alien forms =/= essential secret in history

positivism (esbat-gara اثبات گرا) =/= speculation

transhistorical claims about Islamic art--its ahistorical approach to Islam can contribute to Orientalism, (Nasr's spirituality) =/= to situate Islamic art within the history of ideas of its period, portrayal of a cultural worldview when they succeed (Marks)

Interpreting a cultural artifact for what it might have meant for the people of a past time is always an imposition--(to give preference to certain meanings at the expense of others)

(Marks’) existential phenomenology : one's own experience, sensory and mental, is used as a basis for analysis (to investigate), but does not assume this experience can be generalized.


code: a writing that is executable : a writing whose very nature is to carry out an action

“We are at a point where the Islamic heritage latent in Western modernism can usefully inform efforts to make information culture meaningful and responsive” -Marks


(Marks notion of) “Islamic art” --> unity (tohid توحید) of sorts -->  unity of the code ==> multiplicity or infinity --> unfolding: {directional (vector) & performative} --[D+G]--> (aesthetics of aniconism:) ‘abstract line’ & ‘haptic space’ ==> embodied perception ~=>? permeable, phenomenological, “nomadic,” contemplative subjectivity


“networks are the haptic space of our age”



qualities of latency

(in secular contexts) calligraphy, letters and words start to look like bodies
(Shii's favorite:) image latent in text --> foliated Kufic, shekaste nasta'ligh (شکسته نستعلیق), etc.
--> relationships are hidden, latent, and interpretable [--> veil]
•figures arise from text-based, nonfigurative works
•textuality and figurality


...................................

*relevance is hylomorphic, it imposes meaning from the outside
•to represent the nation / to critique the nation
•to self-orientalize / to critique orientalism
•to tell stories that everyone can relate to
•to be expressive / to be conceptual
•

hylomorphic nature
in which ‘matter’ and ‘form’ meld physically in myriad ways yet remain distinct linguistic categories


anamorphic: pertaining to a kind of distorting optical system, anamorphic lense, anamorphic gaze
(تغيير شکل دهنده) a notion of knowledge inquiry

...................................

Marks’ take on Sadra's triadic ontology of sensible, imaginal عالم خیال, and intelligible realms
+cognitive trinity of:
•mental intuition
•bodily knowledge
•spiritual knowledge
------> different human faculties perceive each real:
•sense perception --> external particulars: the sensible world of matter
•imagination --> internal particulars: the imaginal
•intellect --> universals: the intelligible
}--> with Avital i am learning technically (in language) to stay in a state of contamination (and their rewiring) of these faculties --> not to disavow the eching lines of my inherited tradition (“-->” + “~~>”)
◦sense perception ~~> universals
◦imagination ~~> external particulars
◦intellect ~~> internal particulars
◦...


*the islamic imaginal realm is (an audiovisual intangible) supra-individual and more real than matter*

Sadra argues that the imaginal realm subsists in the soul, mediating between the senses and the intelligence; it explains how extrapersonal, supra-sensory realities present themselves to imaginative perception --> نجم‌الدین کبری Najmuddin Kubra expert on visual metaphysics
تجربه شهودی
خيال و شهود
مراتب تجلّی

[*]imaginal realm: a radically pro-image concept
=/= Platonic denunciation of images (as misleading and false)
=/= Byzantine iconoclasm
=/= islamic aniconism
=/= 20th century culture of media critique
=/= iconoclasm of contemporary religious fanatics
=/= fantasies
=/= surrealism


suprasensory imaginal realm of sufism


history of imagination

world philosophy abounds with theories of the imagination

ancient Greek idea of how the imagination can make contact with a supra-individual reality --{followed & developed}--> Neoplatonist (understading of the imagination as) receptive of divine images
=/= memory images
=/= fantasmatic images --> phantasia --{i am wotking against the idea of “fantastic beast” ~-> phantasmata: post-sensory images combined in mind, independently of sense impressions ==> memory, dreams, and sensory illusion}
=/= imaginal images

هیولا hayula: the base, corporeal world

sensory-imaginal-intelligible

•a bottom-up theory of the imagination --> active intellect in the human
•a top-down theory of imagination --> pre-existing divine mind

i disagree with Marks that the (islamicated) imagination was a means to connect to a divine reality, higher truth. in ajayeb we encounter and abundance of descriptive environmental materialities.

Avital studies the interferences of:
1- the lower, sensory imagination
2- the higher, intellective imagination (that receives inspiration from above; #prophets)

ajayeb: synthesized Greek philosophy + Qur'anic thought + popular material body belief

( material body [ X ) immaterial intellect ]
“X” : imaginal مثل: (audio-visual glimpses of divine reality)
•accounts of afterlife --> gardens
•accounts of apocalypse --> sounds
•saints biographies --> performances
•


christian tradition started to view the intellect as internal to the soul ==> regard imagination as psychological: an inspiration, invention, recombination from within (and not from without) (Elen finds herself in this tradition?) ==> concept of an autonomous psychological subject

so persian subject wanted the  so much to be there, when there was no flower, that the went to a zone of beyond, picked some schizo-flowers and came back {this is Sa'di}--> iranian metaphysics
-i am more interested in the blooming of flowers, also metaphorical understanding of their morphogenesis. this tag line can be a subject of a phd study. for the last thousand years the iranian literature has been busy with this, how to describe flowers
*iranians believe in image


sufis, iranian philosophers, ... --> so poluted concepts and words


attachment to the world <--...(intelligible, barzakh)...--> presence of God
(who knows what the ‘presence of God’ means. let's not assume we know.)

Sohrevardi argues that the imagination effectively the indipendent real of images

فتوحات fotuhat --?--> illuminations

the imagination realm exercises its ruling property over every thing and non-thing. it gives form to absolute nonexistence , to the impossible, to the necessary, and to possibility. it makes existence nonexistence existent. (Ibn Arabi < Marks)


majmu al bahrain مجموع البحرین, confluence of two oceans, to set two oceans in motion that flow side by side together, with a barzakh between
--> #my بحرین theory, wave surface theory of language
(to be careful with the figure of) wave --> questioning the textual case while then morphing into the unreadablity of its own answer


Giovanni Pico de Mirandola: phantasy can strive to draw the senses to things celestial ... but if, yeslding to the senses, phantasy shall decline to apply itself to the business of virtue, so great is its power that it afflicts the body and beclouds the mind, and finally brings it about that man divests himself of humanity
(@Aela?)

imagination according to:
Kant + Hume combining and synthesizing agent
-what new materialism has to say about the imaginal?
Jungian archetype --> extra-individual, suprasensory world
Frankfurt school + Althusser saw collective unconscious as fascistic


*(my) material practices of unlearning:
•pretending i don't know --> enactment / acting
•(to try) forgetting --> clearance / erasure
•sleep-walking --> closing the eyes of certain perceptive stories, and become available to another
•the “let's not assume...” --> “in advance” of a the assumption
•


contemporary Western thought, tired of the sovereign subject, is trying to conceive of an extra-subjective reality that binds individuals ethically to others and to history --> this is totally apass :)
-contemporary Western thought (evident in Butler, Foucault, and many others) is seeking a politically efficacious concept of the collective imaginary*** (a positive conception of alterity, of an outside that inspires the imagination to create)

ajayeb for me is an alterity (of an quasi outside--not quite inside) that inspires the imagination to create (--> imagination is always creative)
ajayeb: alterity of a world that inspired (and inspires) storytelling and imagination (to create beings)


since Sohrevardi the islamic philosophy has abandoned substantialism for process

Sadra's approach:
•process ontology
•critique of abstraction
•celebration of singularity

God = neccessary being واجب الوجود

(tashkhis-e vojud تشخیص وجود) modulation of being <--> individuation (تشخص tashakhos)
ذات مخصوص, فرد مشخص معین, وجود جزئی اشیاء --> موجودی است که از نظر قانونی می تواند موضوع حق قرار بگیرد
=/= شخص ناپیدا =/= hayula
[tashkhis (everyday gesture of recognition of something gheir-shakhsi) ==>? tashakhos]

(Simondon:) individuation is prior to individuals, and individuals are simply symptoms or effects of individuation --> very processual

harkat-e johari حرکت جوهریtranssubstantiation, trans-substantial movement
*harkat-e johari respects the potential for intensification [= the capacity to know, act, and fully participate in the flow of being --and--> continual intensification;] in all things (including hayula)--> Miyazaki's faceless monster's ‘act of beiong’ (is efficaciously real in a Sadrian way)--> *Sadra's great refiguration is that he formulates the ‘act of being’ itself as the most real
-Miyazaki's monster (and Attar's San'an) is moved by love, it is the energy that traverses and transforms them; it is the best thing to be moved by. before, they are, in themselves, illusory and perishing
-Miyazaki's monster episode animation expresses how substance yields to process --> خونابه اى plasmaticness of the animated line: freedom from ossification استخوانى شدن (#Rigs), the ability to dynamically assume any form (Gunning) --> change occurring واقع from within + propelled سوق from without

Sadra's matter: place of nonexistence and absence (=? hayula)
hayula: form of the natural, elemental body

in Sadra:
•the plant(‘s form) (= vegetal soul) is animal
•the animal(‘s form =? surat صورت) (= sensate substance) is human
•the human...


physical acts of perception

(a typical account:) the stronger the imaginal soul, the less distracted it is by the body, the more manifestly imaginal images will appear

fotuhat فتوحات  or tazkirat تذکره is the stories of the intensity of their being, actualization, and certainty of effect
(Attar's stuff, articulate Sadra)

saryan-e vojud سریان وجود, *flow of being* (across the perceptible entities we encounter:) [the imaginal power working through them:]
•hear a person's say
•notice a weed growing
•smelling a...
•cognizing an image...
•touching a pig's nose [San'anian]
•

bodily senses can contact the divine presence, make contact, make a call (in Hafez, San'an's miscall)


•the imaginal realm is populated by singularities, every changing and infinite
•the imaginal faculty is of extreme presence, of intensification
(in this case ‘realm’ and ‘faculty’ bleed into each other's categories)


(let's get) creatively imaginal

accurate and attractive

***imagination is (definitely) not closing your eyes and dreaming, but being completely present to the world, committed to it and affected by it*** (to perceive something in its intense singularity)


مشاهده moshahede = contemplation

the infinate flux of visible phenomena (Kracauer)

قلمکار calico-world
چلوار

kaleidoscopic mountains

what was Sadra looking (moshahede) at?

•linear modeling of time --> clock time
•intensive model of time ==> movement across the “real” axis


effectively panpsychist: every entity is conscious, has a soul, and potential to intensify; minds in a world of minds


Whitehead's concept of transformative togetherness
ontological vitalism: exist ==> consciousness


reality precedes abstraction -->
for Sadra “point of view” is a distraction (for vojud وجود)
•perspectives
•names
•quiddity
--> because the positing of names and description is in correspondence to concepts and universal meanings, not in correspondence to existential identities and external/concrete forms (Sadra)
=/= Avital and Kohn --> but they do in amazonian forest semiotics
--> my point of departure with Sadra. i am tracing transfigurative signs of the flesh in practices of storytelling --(or not)--> Sadra emphasizes that imagination is better able to grasp Being: concepts are too static to capture/grasp the act of being (--> are they?! we have to deal with them anyway: wild facts, fables of practice, images are concepts, etc.)

ماهيت quiddity --> that which is understood (=/= being --> that which is experienced)
quiddity in Sadra is like the habits that Peirce and Bergson grudgingly accept as necessary for thought, though they need to be swept away for creativity to emerge. hence the importance of intuition for Bergson and Sadra, and of induction for Peirce. (Marks)
}--> (my departure:) a point of research branch for me: “to swept away quiddity”, is another story possible?


images have the power to multiply --> and other “sticky” things?

(like Sadra and Marks) i also prefer images that do not simply confirm general categories of what can be thought but undermine them with singularities that stimulate the imagination (=/= The Black Mirror tv series)


(destructive delusions, ideological images,) true visions and hallucinations --> the disappointment in hearing the deja vu
-deja vu is the dream of remembering


the divine outside
an immanentized imaginal real to be the source of truthful visions


to read Qur'an (or any text) as if it has been revealed to you


the visions of the imaginal are nonstatice images of things in their act of becoming


-is my ajayeb a modern interpreter of the islamic imaginal realm?
the ajayeb is about the lesser elite stances of the islamicated imagination --> the imaginal ecological consciousness
[title]


*imagination in rational thought [logocentrism]:
myth, symbol, and metaphors used as part of rational dialogue
--✕--> other ways of bringing the unthought [beyond] into the thinkable }--> tasavof
--✕--> other ways of bringing the far into the wondrous (~ the active imaginal) ==> as a basis for practical concepts }--> ajayeb
}--> beyond the official discourse


a time-specific (contingent) truth that intensifies as more people engage with it
[like all the concepts and metaphors we are working and patterning in apass]

...................................

Malabou's plasticity (<--✕-- différance)
the subject is plastic (~= malleable, =/= elastic), it never springs back into its original form, it can explode
[we are now dealing with a (highly adaptable, flexible, and disciplined) rational autonomous subject in a post-industrial and global world]
neuronal subject
mojud-e dahri-e ma'ghul

...................................

[...] اسم اعظمِ
esme a'zam

reality has an autor --> author always has a proper name

Alice (in wonderland): words can have many meanings
Haraway: the question is: which one (of many meanings) is to be {the master (meaning)}--> problem of art criticism in iran --> *let's resource aesthetics* / in iran we need more “making-with” and “make-kin” rather than “criticize” or “grounding” (of criticism) or...

[*]master: one with power to dispose something, male head of house, conqueror, a man skilled in something --> *one holding this title*
-->[*]to author: to have the power to originate, to name [#Beyzai seeking to produce natural iranian knowledge] (Sohrevardi who learned to write and speak, also must decipher a text, the book of nature, authored legitimately by islamicated inheritances...)
-Haraway discussing women's travail to construct a voice, to have authority, to author a text, to tell a story
-modes of telling (that we adopt in our attempt to produce authority)

(اسم اعظم esme a'zam -->) knowers--on top --> (usual tricks) to recede while substituting a fetish (of self) --✕--> subject and object can cohabit without the master-slave domination


sexist science


?am i laying: a foundation for an epistemological [...]

?do iranians need this:
•theories which are the heritage of Greek science (and of the scientific revolution of the 17th century)
•an epistemology (informing our inquiries) be a family member to existing theories (of representation and philosophical-realism [that which Holakouee promotes for “modern” iranian]) (--> to avoid the problem of epistemological anarchism: an epistemology that justifies not taking a stand on the nature of things is of little use to women trying **to build a shared politics** [Mehdi is angry at the sculpture community because they embody that failure])
•(to adopt) a radical form of epistemology that denies the possibility of access to a real world and an objective standpoint
•noninvasive knowing (such as Sa'di) and prediction and control (#Olearius)
•(authority and power, as Beyzai is after,) to name/give the world a new identity, a new story
•accurate rendering of an idiosyncratic process of sensory overlap and association
•
•


[*]biology: modern origin story
biology tell tales about origins, about genesis, and about nature

biologizing


[what is the word made of, what is the flesh made of]
***(Haraway highlights) an inherited knowledge through the paternal line: the *word* was Aristotle's Galileo's Bacon's Newton's Linnaeus's Darwin's; the *flesh* was woman's --> and the word was made flesh, naturally

(in Europe, from 15th to 18th century, transformations of [both] metaphors [and social systems]:) female nature --from--> nurturing mother --to--> patient-resournce
--> capitalist forms of patriarchy: *merchant تاجر seeing dialectic of apocalypse* (TV series such as West World, etc.)


[the book of nature]
nature is authored (by somebody)

(power +) autorship ==(fabricates)==> reality


Milton's justification of the ways of God, [to tell stories]

*(how many times we[?] are) forced to read a book in a language that signifies our lack, our difference*

two rhetorical strategies for contesting (جنگیدن برای) a voice (-to set the terms of speech that define good knowledge):
1- reinterpreted the origin story to get it right the second time
2- rebelliously proclaimed a totally new story


(Olearius does the same with iran and his european audience,) [Haraway on] Barash “reveal to the popular audience the inner voice of biology, the cake of nature under the icing of culture, the biogrammer of genes structuring the message of the organism--all that modern people structuring the message of the organism--all so that modern people might come to know themselves and fulfill their potential. Barash maintains that biology is the most powerful tool in the humanist project to know and achieve the self.”


phallic language


sociobiologica reasoning (<-- so dominant)

Star Trek --> sociobiology promises more than knowledge of the self; it also promises, like all humanisms, human unity, a real togetherness of nature beneath the merely verbal icing of culture
in the (rhetoric of persuasion by) patriline [/ patrilineal naming] of sociobiology --> [the “ultimate message” of sociobiology in] (Planet of The Apes, Terminator,) Star Trek:
•a doctrine of necessary biological determinism of all the chief forms of domination which are especially driven by the motors of ruthless competition and dominance
•(the identification of) the proper expert
•cracking the code of nature's secret voice
•*knowing how to read the word, how to access the value of the coin ==gives==> the power of determination to those who use those tools*
***(?how and which objects of knowledge become/are) a tool in the search for the self --> ending regularly in the discovery of the totalitarian object: nature, gene, word

@Nicolas {(the question of) sulf-fulfillment made possible by revealing the common coin, the medium of exchange, the equivalent that defines reality, the generator of meaning}

skin-encapsulated egos
(epidermis)

code-gene-coin-word

(in Barash's evolutionary biology:) parental investment <--> cost-benefit analysis

(capillarity of power relations)

the import of the questions

****
the rhetoric of expert --> the expert touching the elephant -->{"the experts, then, were assembled to mediate and interpret the marital squabble between scince and humanism and to show their higher unity. and they spoke--individually, authoratively, joined in debate by the power of editors and panel moderators--in the rhetoric to which we have his version of the history of science adopted, so that the legitimate lineage could be established.”


logic of __[domination, determinism, , ,] embeded in (fashioning) the tool of __[word, , ,]


red-baiting: those who oppose the truth of a selfish world are self-deceiving MArxists


setting the original terms of discourse <-- dont't!

rhetorical inheritance (<-- my research)


somatize our oppression. @Hoda

“what we must begin to give voice to as scientists and feminists is that there is no such thing, or place, as underneath it all.” (Leigh Star)
(@apass) locus for research: us who speak to each other is the changing, moving, complex web of our interactions, in light of the language, power structures, natural environments (internal and external), and beliefs that weave it in time


@Marialena, (strategies emerging from/for) ...feminists to begin with the heritage of names in a patriarchal voice


Museum of Comparative Zoology


* facts are theory laden --> theories are value laden --> values are history laden *

•animal model research is full of illogical shoddy evidence and special pleading (Lila Leibowitz & Ruth Bleier)
•relations of aggression and gender (Freda Salzman)
•similarities in sociobiology and biosociology (Marian Lowe & Ruth Habbard)
•lateralization in neurophysiology (Leigh Star)
•medicalization of moral-political issues through transsexual surgery (Janice Raymond)

•**everything is a cultural institution** (animal studies applied to humans, science is a cultural institution)
•upright stance and times of divergence between ape and hominid lines have been arenas of mortal combat in evolutionary theory more than once


how science becomes official

“evidence becomes a hero of mine”

the heavy hero's burden of telling the hard truth --> a story sold well in iran's intellectualism
(i have become interested instead in extended bibliographies, *to see our alternatives*)


خیس خیس

language plays a major role in generating reality --> what plays major role in generating reality and legitimator of new realities in iran?

research question of storytelling:
***what are the rules of interpretation that make any story unequivocally readable?


(Haraway shows) the epistemological and political problems of humanism and realism latent (or patent) in feminism


two things i am teaching myself (since 3 or 4 years):
1- how to hold someone else's speech --> دیگری چه گفت؟
2- how to sustain a discussion --> چطور بحث را عوض نکردن؟


...................................

*bad geography: insult, tohin, similar to trauma, they don't have an concret external object (yet they create them), it is a register of an event, affectual implosion of a percept
insult dones't exist out there, (tohin kardan vojud khareji nadarad), it is in the inside --> is that why tasavof works and labors with insult?

...................................

(also in apass, dancers and choreographers, are the children of modernism art of De Kooning) reaching inward to find within the body that sublime thing (Deleuze calls) the *figural* [=/= (iranian miniature's) sublimity of the infinite (<-- Aela testing this, under ‘mysticism'~-> state of constant openness ==> transformative relation between self and other)]

we can trace the (seductive power of) fana فنا in contemporary media art (Hoda's sublime digital-rhythmic embodiments? --> transcendental desires remain questionable)

doctrine of the minimal: smallest unit is the atom or point =/=
doctrine of Zaher/Baten: smallest unit is the fold*** ==> zoomorphic writing, infinitesimal

(mysticism:) a system of measurement based (not on the point, rather) on the fold

Star Trek --> extensive universe of the infinite =/=
tasavof --> intensive universe of the infinitesimal

apotropaic, turning away evil ~=
memory sticks, ward off the fear of data loss

...the letter ceases to be a *figure* and becomes a *field*

...................................

#comparative reading of Hedayat's The Benedictions (Afringan آفرینگان) and Sohrevardi's ghorbat gharbia (رساله غربةالغربیة)

...................................

@Ali's knowledge is like ‘face recognition’ (~ cannot say how he cognizes a “know” yet he does)
Ali: daneshe hozuri + politics (which is a secular knowedge, Sachlich, based on scales, measures, and divisions)
*intellect (? can never be merely:)
non-propositional knowledge ~= daneshe hozuri دانش حضوری
~-> the idea of non-mediation and direct awareness ~-> internal memory (~->? belief)
=/= descriptive knowledge, propositional knowledge, knowledge of propositions (“know-that”) ~-> explicit knowing <-- why am i practicing this? (i say things like “this is this...”) and yet not transfering without the ‘knowing subject’ (depending on close interaction, shared understanding, trust, and even love. in combination with my performances that are like that, thinking on the fly =/= storage and retrieval of conceptual knowledge) [in ajayeb.net i pretend i am coding articulated knowledge in explicit aggregation and appropriable without the ‘knowing subject’ but it is not. it is also part of something personal, distributive, and contextual], [my education in setar was tacit and cognitive apprenticeship, situated cognition,]
=/= “know-how”, procedural knowledge, tacit --> embodied characteristic of the expert who acts without explicitly reflecting on conditions of its involvement (body's nervous system + endocrine system دستگاه درون‌ریز)
“know-who” (knowledge of networks)


(Gibson's) affordance --> relational account of perception (=/= encoding of environmental features into the perceiver's mind), preconditions for activity

(effects =/=) effectivity: abilities that[...]