[...]ded on a return to ancient ="trms">Greek models)
="lsts lst1">•="ppl">Humboldt's reconceptualization of Renaissance humanism (in 19th century Germany)
="lsts lst1">•Enlightenment humanism (from Montesquieu through ="ppl">Rousseau and Condorcet)
="lsts lst1">•19th century liberal humanism (frequently based on ="trms">natural law, autonomy over one's own body and mind, and human ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights)
="lsts lst1">•="trms">socia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list humanisms (with its commitment to contractarian ="trms">social theory)

Encyclopedie's attack on theological knowl="trms"nttrm="knowledge,Knowledge">edge

19th century construction of ="trms">modern humanism (="trms">sociopolitical goals of a “human ="trms">nature”) ='lgc'>='lgc'>--> left-leaning, often democratic, (but certainly) utopian ="trms">sociopolitical mentality

='lgc'>[='strcls'>*='lgc'>]ideology='lgc'>: a thinking that does not critique, nor even think its provenance from and proper ="trms">relation to reality ='lgc'>--="ppl">Nancy='lgc'>='lgc'>--> humanism='lgc'> = the machine par excellence through which a ="trms">community produces meaning for itself, “the ="trms">system that produces meaning” ='lgc'>==> “we” (="trms">community's raison d'etre)
='lgc'>='lgc'>--> ='lgc'>[humanism is='lgc'>] arbitrary, auto-productive, and all but tautological


='lgc'>{every political/philosophical movement='lgc'>:
="lstsrd">1. rejected bourgeois humanism as insufficient, egotistical, and corrupt
="lstsrd">2. claimed for itself a privileged access to the dignity of man
='lgc'>}='lgc'>--="ppl">Geroulanos='lgc'>='lgc'>--> structure of a ='strcls'>*rejection of mainstream thought and policy='strcls'>* for not taking into account (and hence devaluing) the goals of one's ="trms">anthropo-theologico-political commitment

="large lg2" stl="font-size:111%"> wreckage of WWII ='lgc'>==> man could not find meaning either in faith or in his own knowl="trms"nttrm="knowledge,Knowledge">edge and construction of the ="trms">world

_...dive into the depths of human solitude and suffering


(like existentialism and the Western ="ppl">Marxist tradition,) human ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rights came to operate as a “humanism from below” ='lgc'>=/= generic and top-down humanisms (='lgc'>~ monopoly of violence that states held over their individual subjects)

(="ppl">Geroulanos not arguing that antihumanism was the driving force or the secret heart of intellectual movements and philosophies, nor claiming that it was a single movement, concept, idea, or trend; rather) antihumanism is what emerged from, shaped, and configured a major matrix of concerns


problem with secular humanist utopias ='lgc'>='lgc'>--> forging of a ‘new man’ through the mobilization of a ="trms">specific a ="trms">priori de="trms">finition of man required (both)='lgc'>:
="lsts lst1">•man's divinization خداسازى
="lsts lst1">•man's purge پاکسازى

essentia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list de="trms">finitions of man ='lgc'>==> biologistic, ="trms">scientistic, political, ="trms">religious, mora="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list projects ='lgc'>==>
="lsts lst1">•lay claim on universality
="lsts lst1">•="trms">prioritize themselves over any such universality

ideologies continue to disguise a ='strcls'>*politics of the will='strcls'>* as a universalism

="large lg1" stl="font-size:141%"> antihumanism='lgc'> = antiredemptive, antimora="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list, antimessianist ="trms">worldview

='lgc'>+ proliferation of ="trms">tropes ='lgc'>='lgc'>--> dooming contemporary man to an existence without meaning or future='lgc'>:
="lsts lst1">•last man (="ppl">Nietzsche, Camus, ="ppl">Blanchot)
="lsts lst1">•death of Man (Malraux, Kojeve, ="ppl">Blanchot, ="ppl">="ppl">Foucault)
="lsts lst1">•devirilization of man (Kojeve, ="ppl">Bataille, Queneau)
="lsts lst1">•terror (Marlaux, ="ppl">Bataille, Kojeve, ="ppl">Merleau-Ponty)
="lsts lst1">•

Kojeve and Jean Wahl ='lgc'>='lgc'>--> antifoundational realism ='lgc'>='lgc'>--> new ="trms">anthropology

antihumanism
a precondition of thought
a fluid matrix of ideas
a philosophical attitude

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Malraux's (="trms">literary-="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysical pursuits ='lgc'>[echoes ="ppl">Nietzsche ='lgc'>+ intellectual Left='lgc'>]) ="trms">heritage to us (to artists)='lgc'>: the alternative to bourgeois individualism ='lgc'>[can be achieved='lgc'>] through commitment to a justice based on a quasi-="ppl">Marxist notion of human dignity ='lgc'>='lgc'>--> the ='strcls'>*uprooted, cultured, and powerless individual='strcls'>* who struggled against the nation-driven, ="trms">science-executed destruction wrought by (arid and morally bankrupt) ="trms">modern warfare ='lgc'>[='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to forensic architecture, ="nms">apass='lgc'>] ='lgc'>='lgc'>--> (='thdf'>the idea that death of man can be averted through) ='strcls'>***a recognition of the heroism of the resistance='strcls'>*** ='lgc'>+ turn to human creativity

how i have used a non-western voice (“i am from outside the west”) to provide for myself an escape from political ="trms">categorization ='lgc'>+ claiming the knowl="trms"nttrm="knowledge,Knowledge">edge of an insider and enjoying the analytical clarity of distance ='lgc'>='lgc'>--> i make claims both ='strcls'>*expertise in='strcls'>* and cool-headed ='strcls'>*distance from='strcls'>* the essence of europe

(="trms">technique of) epistolary exchange


(to think of ="ppl">Kantian ="trms">cosmopolitanism a) a genuine model for commitment ='lgc'>=/= outdated illusion

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research ="trms">method (a ="trms">heritage of surrealism='lgc'>:) exquisite corpse ="trms">technique ='lgc'>='lgc'>--> (unpre="trms">dictable and) innocent inventiveness

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for ="ppl">Sohrevardi and ="ppl">Avicenna='lgc'>: ="trms">nature='lgc'> = chah چاه shahr gheyravan (="trms">material of ="trms">nature/="trms">world='lgc'>: ghir قیر) ='lgc'>='lgc'>--> zolmatkade ظلمت کده 

='at'>#comparative ="trms"nttrm="already,spread">reading of stranded
ghorbat gharbia ='lgc'>='lgc'>--> Crusoe

="lsts lst1">•daryaye sabz دریای سبز  (green sea)='lgc'> = donyaye mahsusat دنیای محسوسات (="trms">phenomenological ="trms">world)
="lsts lst1">•دایه daye='lgc'> = nafse nabati (vegetal self)- khahar sister='lgc'> = alame made عالم ماده (="nms">hayula هیولا) ='lgc'>='lgc'>--> (you should) wrap it in azab عذاب
="lsts lst1">•woman='lgc'> = shahvani شهوانی carnal, pas-mandani پسماندنی (the one who stays, Lot's wife leaving the catastrophic city ='lgc'>='lgc'>~= mashmul-e azab مشمول عذاب) ='lgc'>=/= salek سالک ="trms">wonderer='lgc'>==> ba shahvat nemitavan soluk kard ='lgc'>=/= queer mysticism
="lsts lst1">•maghak مغاک ghaar chah قعر چاه (where abe hayat is آب حیات ='lgc'>=/= abe heyvan آب حیوان)='lgc'> = riazat ریاضت

from the spiritual point of view we are always at the bottom of the pit


="brkr">

="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid bodies
http://download.autodesk.com/global/docs/maya2014/en_us/index.html='qstn'>?=contextId=BULLETNODES
A ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid body is a polygonal or NURBS surface converted to an unyielding shape. Unlike conventional surfaces, ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid bodies collide rather than pass through each other during animation. To animate ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid body motion, you use fields, keys, expressions, ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid body constraints, or collisions with particles.
Maya has two kinds of ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid bodies='lgc'>--active and passive. An active ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid body reacts to dynamics='lgc'>--fields, collisions, and springs='lgc'>--not to keys. A passive ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid body can have active ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid bodies collide with it. You can key its ="trms">Translate and Rotate attributes, but dynamics have no effect on it.



notes on The ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Rigid Bodies / (="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics of 3D)
the simulacrum / ideal / image ='lgc'>='lgc'>--> ="ppl">Plato
mystic ="trms">geometry ='lgc'>='lgc'>--> Pythagoras (='lgc'>='lgc'>--> mathematization of the real, real ‘is’ math)
='lgc'>}='lgc'>='lgc'>--> what does it mean to perform 3D for these two thinkers='qstn'>?

fire simulation in Maya ='lgc'><='lgc'>='lgc'>--> cotton touching fire in Islamic philosophy

(<)>  ='lgc'>='lgc'>-->='lgc'>{
() manifest image ='lgc'>='lgc'>--> shader/topology/raytracing
<> underlying (="trms">scientific='qstn'>?) image ='lgc'>='lgc'>--> C='lgc'>+='lgc'>+ / physics engine / object oriented programming

the mode of production in current 3D-biz creates a ="trms">sort of cultural collateral or collateral culture (term by ="ppl">Lazzarato). 3D practices are arising as series of activities, not recognized as “work,” rather involved in defining and fixing artistic/cultural standards, tastes, norms, and strategically public opinion.
“is this real or fake='qstn'>?” (you have to click)
='lgc'>='lgc'>--> when the productive mediation is smashed to pieces and replaced by this ="trms">question.
either it is ‘made’ or ‘real’
='lgc'>[structural imposibility, a double bind, ...='lgc'>]
='lgc'>}='lgc'>='lgc'>--> the image-warrior who violently asks us to choose between the visible and the invisible
( ='lgc'><-)='lgc'>--='qstn'>?='lgc'>--(='lgc'>-> )

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='thdf'>the notion of “general purpose toolkit”
synthesis, patches,
environment ='lgc'>='lgc'>--> media
="trms">interface ='lgc'>='lgc'>--> physical
="trms">dataflow programming, rapid prototyping, indeterministic machine paradigms,
one-dimensional array of values
telemetry (duri-sanj دوری سنج)

="large lg3" stl="font-size:110%"> ="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

an evange="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list builds a monument
softimage monument
virtual='qstn'>?


="large lg4" stl="font-size:111%">
movement and stillness in houdini='qstn'>?
who the 3d software, as an ="trms">ontological device to recreate and study and understand being, is devided or made-up='qstn'>? the presebce of ='thdf'>the notion of movement in it and essence. what is movement and apparition='qstn'>?
='lgc'>[we can have a workshop that teaches houdini just through movement. or a non-movement approuch to 3D making.='lgc'>]


nonre="trms">presentational maya
="trms">epistemology and cognitive approuch to space and ="trms">matter

="trms">ontology of ="trms">matter in maya

="large lg5" stl="font-size:144%"> ="trms">worlding in autodesk industry (look at the trailers, tutorials, and so on.)
="trms">historical view='qstn'>?


i see maya and [...]