[...]lanchot)
="lsts lst1">•death of Man (Malraux, Kojeve, ="ppl">Blanchot, ="ppl">="ppl">Foucault)
="lsts lst1">•devirilization of man (Kojeve, ="ppl">Bataille, Queneau)
="lsts lst1">•terror (Marlaux, ="ppl">Bataille, Kojeve, ="ppl">Merleau-Ponty)
="lsts lst1">•

Kojeve and Jean Wahl ='lgc'>='lgc'>--> antifoundational realism ='lgc'>='lgc'>--> new ="trms">anthropology

antihumanism
a precondition of thought
a fluid matrix of ideas
a philosophical attitude

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

="large lg2" stl="font-size:111%"> Malraux's (="trms">literary-="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysical pursuits ='lgc'>[echoes ="ppl">Nietzsche ='lgc'>+ intellectual Left='lgc'>]) ="trms">heritage to us (to artists)='lgc'>: the alternative to bourgeois individualism ='lgc'>[can be achieved='lgc'>] through commitment to a justice based on a quasi-="ppl">Marxist notion of human dignity ='lgc'>='lgc'>--> the ='strcls'>*uprooted, cultured, and powerless individual='strcls'>* who struggled against the nation-driven, ="trms">science-executed destruction wrought by (arid and morally bankrupt) ="trms">modern warfare ='lgc'>[='lgc'>-='lgc'>='lgc'>--> ='gtrw'>go to forensic architecture, ="nms">apass='lgc'>] ='lgc'>='lgc'>--> (='thdf'>the idea that death of man can be averted through) ='strcls'>***a recognition of the heroism of the resistance='strcls'>*** ='lgc'>+ turn to human creativity

how i have used a non-western voice (“i am from outside the west”) to provide for myself an escape from political ="trms">categorization ='lgc'>+ claiming the knowl="trms"nttrm="knowledge,Knowledge">edge of an insider and enjoying the analytical clarity of distance ='lgc'>='lgc'>--> i make claims both ='strcls'>*expertise in='strcls'>* and cool-headed ='strcls'>*distance from='strcls'>* the essence of europe

(="trms">technique of) epistolary exchange


(to think of ="ppl">Kantian ="trms">cosmopolitanism a) a genuine model for commitment ='lgc'>=/= outdated illusion

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

research ="trms">method (a ="trms">heritage of surrealism='lgc'>:) exquisite corpse ="trms">technique ='lgc'>='lgc'>--> (unpre="trms">dictable and) innocent inventiveness

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

for ="ppl">Sohrevardi and ="ppl">Avicenna='lgc'>: ="trms">nature='lgc'> = chah چاه shahr gheyravan (="trms">material of ="trms">nature/="trms">world='lgc'>: ghir قیر) ='lgc'>='lgc'>--> zolmatkade ظلمت کده 

='at'>#comparative ="trms"nttrm="already,spread">reading of stranded
ghorbat gharbia ='lgc'>='lgc'>--> Crusoe

="lsts lst1">•daryaye sabz دریای سبز  (green sea)='lgc'> = donyaye mahsusat دنیای محسوسات (="trms">phenomenological ="trms">world)
="lsts lst1">•دایه daye='lgc'> = nafse nabati (vegetal self)- khahar sister='lgc'> = alame made عالم ماده (="nms">hayula هیولا) ='lgc'>='lgc'>--> (you should) wrap it in azab عذاب
="lsts lst1">•woman='lgc'> = shahvani شهوانی carnal, pas-mandani پسماندنی (the one who stays, Lot's wife leaving the catastrophic city ='lgc'>='lgc'>~= mashmul-e azab مشمول عذاب) ='lgc'>=/= salek سالک ="trms">wonderer='lgc'>='lgc'>==> ba shahvat nemitavan soluk kard ='lgc'>=/= queer mysticism
="lsts lst1">•maghak مغاک ghaar chah قعر چاه (where abe hayat is آب حیات ='lgc'>=/= abe heyvan آب حیوان)='lgc'> = riazat ریاضت

from the spiritual point of view we are always at the bottom of the pit


="brkr">

="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid bodies
http://download.autodesk.com/global/docs/maya2014/en_us/index.html='qstn'>?=contextId=BULLETNODES
A ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid body is a polygonal or NURBS surface converted to an unyielding shape. Unlike conventional surfaces, ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid bodies collide rather than pass through each other during animation. To animate ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid body motion, you use fields, keys, expressions, ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid body constraints, or collisions with particles.
Maya has two kinds of ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid bodies='lgc'>--active and passive. An active ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid body reacts to dynamics='lgc'>--fields, collisions, and springs='lgc'>--not to keys. A passive ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid body can have active ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigid bodies collide with it. You can key its ="trms">Translate and Rotate attributes, but dynamics have no effect on it.



notes on The ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">Rigid Bodies / (="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphysics of 3D)
the simulacrum / ideal / image ='lgc'>='lgc'>--> ="ppl">Plato
mystic ="trms">geometry ='lgc'>='lgc'>--> Pythagoras (='lgc'>='lgc'>--> mathematization of the real, real ‘is’ math)
='lgc'>}='lgc'>='lgc'>--> what does it mean to perform 3D for these two thinkers='qstn'>?

fire simulation in Maya ='lgc'><='lgc'>='lgc'>--> cotton touching fire in Islamic philosophy

(<)>  ='lgc'>='lgc'>-->='lgc'>{
() manifest image ='lgc'>='lgc'>--> shader/topology/raytracing
<> underlying (="trms">scientific='qstn'>?) image ='lgc'>='lgc'>--> C='lgc'>+='lgc'>+ / physics engine / object oriented programming

the mode of production in current 3D-biz creates a ="trms">sort of cultural collateral or collateral culture (term by ="ppl">Lazzarato). 3D practices are arising as series of activities, not recognized as “work,” rather involved in defining and fixing artistic/cultural standards, tastes, norms, and strategically public opinion.
“is this real or fake='qstn'>?” (you have to click)
='lgc'>='lgc'>--> when the productive mediation is smashed to pieces and replaced by this ="trms">question.
either it is ‘made’ or ‘real’
='lgc'>[structural imposibility, a double bind, ...='lgc'>]
='lgc'>}='lgc'>='lgc'>--> the image-warrior who violently asks us to choose between the visible and the invisible
( ='lgc'><-)='lgc'>--='qstn'>?='lgc'>--(='lgc'>-> )

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

='thdf'>the notion of “general purpose toolkit”
synthesis, patches,
environment ='lgc'>='lgc'>--> media
="trms">interface ='lgc'>='lgc'>--> physical
="trms">dataflow programming, rapid prototyping, indeterministic machine paradigms,
one-dimensional array of values
telemetry (duri-sanj دوری سنج)

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

an evange="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list builds a monument
softimage monument
virtual='qstn'>?


="large lg1" stl="font-size:136%">
movement and stillness in houdini='qstn'>?
who the 3d software, as an ="trms">ontological device to recreate and study and understand being, is devided or made-up='qstn'>? the presebce of ='thdf'>the notion of movement in it and essence. what is movement and apparition='qstn'>?
='lgc'>[we can have a workshop that teaches houdini just through movement. or a non-movement approuch to 3D making.='lgc'>]


nonre="trms">presentational maya
="trms">epistemology and cognitive approuch to space and ="trms">matter

="trms">ontology of ="trms">matter in maya

="trms">worlding in autodesk industry (look at the trailers, tutorials, and so on.)
="trms">historical view='qstn'>?


i see maya and other 3D apps as visualization ="trms">technologies en="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">listed as ="trms">="trms"nttrm="metaph,metamorph,metabol,metal">metaphors by ="ppl">="ppl">Haraway and as ="trms">languages that actively ="trms">intertwine in the production of ="trms">literary value


friction, forms of masks (shaders='qstn'>?), and play, and the dance of Dis-tanz
the separations and partings
nearness


transforming and transformative ="trms">agencies

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

“="trms">matter refers to the ="trms">materiality/="trms">materialization of ="trms">phenomena” (="ppl">="ppl">Barad)
="prgrph">-let's look at my 3D-related practices again and investigate their ="trms">ontological implications and rework how ="trms">matter is defined, ='lgc'>[="trms">matter, force, ="trms">interdependency, appearance,,, ="trms">phenomena, meaning,='lgc'>] ="ppl">Delanda-='lgc'>[intensification, ="trms">articulation, flow-of,='lgc'>]


="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

='at'>#="frds scrmbld">Femke workshop='lgc'>: on ="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigging and skinning, ="trms">writing ="trms">stories cultivating creation and creatures before their enrollment in George Lucas film, speculating on the inorganic skeletal ="trms">animacies

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

(Brey > ="ppl">="ppl">Ihde='lgc'>:) ='lgc'>[="trms">technology:='lgc'>] a special class of artifacts (='thdf'>for example telescopes, probes, hearing aids, etc) that are capable of engaging in ‘="trms">symbiotic’ ="trms">relationships with the human body. ='lgc'>[...='lgc'>] means through which the environment is experienced and acted on.


essential ambiguity of ="trms">technology / of ="trms">material human-="trms">technology ="trms">relations

hermeneutic fluency (and the special enigma) of the connection between text and ="trms">world

='strcls'>*="trms">bird's-eye='lgc'>=='qstn'>?/!='lgc'>~navigational='lgc'>='lgc'>~/='qstn'>?=.'='lgc'><-="trms">phenomenological
='lgc'>[...in front of the open (blank) page (of the ="trms">book) (we teach ="trms">children to take the) ="trms">position of the industria="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list, the ="trms"nttrm="disturban">urban planner, or the ="ppl">Cartesian philosopher ='lgc'>='lgc'>--> outside the page is outside and inside the page is inside ='lgc'>]='at'>@="frds scrmbld">Eunkyung's scriptural enterprise ='lgc'>='lgc'>--> ="ppl">Derridean proper space of ="trms">writing
="prgrph">-the panopticon as observing ="trms">instrument for human ="trms">sciences is embeded in the page of the ="trms">book we open. part of this tradition ='lgc'>=/= first person shooter

(="ppl">="ppl">Ihde on) game-bodies='lgc'>: (on multistability ='lgc'>='lgc'>-->) ‘modes of navigation’ ='lgc'>[macro ="trms">phenomenological conditions, modeling observational possibilities, ='lgc'>]='lgc'>:
='lgc'>[1='lgc'>]- third person (pretended) overhead view looking down a map-like ="trms">world and plotting your course, one says “I go to X.” he calls it “the ="trms"nttrm="already,spread">reading ="trms">position” (usually a western navigator) ='lgc'>='lgc'>--> using ="trms">instrumental mediations to ="trms">translate this (overhead) ="trms">position, star patterns are with the north star
='lgc'>[2='lgc'>]- first person shooter, take your body as stable ="trms">position, one says='lgc'>: “X is coming to me.” (usually a south pacific navigator) ='lgc'>='lgc'>--> ="trms"nttrm="already,spread">reading ="trms">phenomena as ="trms">instruments, dynamic motion of star patterns are without the north star
='lgc'>[3='lgc'>]-



="large lg6" stl="font-size:113%"> every major culture/civilization watches the ='strcls'>*movements of heaven='strcls'>*
="trms">technologies of temporality, lunar calendars (mostly migratory or non-agricultural people who were into smaller cycles) and solar calendars (people who were into lager cycles), knowl="trms"nttrm="knowledge,Knowledge">edge of repeated patterns of environmental ="trms">phenomena
from stonehenge ='lgc'>[= stabilizer of perception, ='at'>#stone telling the movement of heavens;='lgc'>] to chip (, devices to record cycles) ='lgc'>='lgc'>--> the ="trms">techno="trms">science has changed (="trms">phenomenologically merely) in scale
='lgc'>[='strcls'>*='lgc'>] ="trms">science is always ="trms">science-mediated-through-="trms">instrument ='lgc'>[='lgc'>='lgc'>--> regarding ="nms">ajayeb='lgc'>: ='at'>#model is the principal ="trms">instrument of (="trms">modern) ="trms">science.='lgc'>]='lgc'>-='lgc'>='lgc'>--> am I in which model-shift='qstn'>? (how='qstn'>? and why='qstn'>?)='lgc'>:
="lsts lst1">•idealized models ='lgc'>[='lgc'>='lgc'>~='lgc'>-> my “art"='lgc'>] (='lgc'><='lgc'>--)to='lgc'>='lgc'>--> heuristic models ='lgc'>[='lgc'>='lgc'>~='lgc'>-> my ="trms">lectures='lgc'>] ='qstn'>?
="lsts lst1">•computational models ='lgc'>[='lgc'>='lgc'>~='lgc'>-> my ="trms">CG period='lgc'>] (='lgc'><='lgc'>--)to='lgc'>='lgc'>--> ="trms">phenomenological models ='lgc'>[='lgc'>='lgc'>~='lgc'>-> my ="nms">ajayeb='lgc'>] ='qstn'>?
="lsts lst1">•fantasy models ='lgc'>[='lgc'>='lgc'>~='lgc'>-> my ='qstn'>?='lgc'>] (='lgc'><='lgc'>--)to='lgc'>='lgc'>--> theoretical models ='qstn'>?
="lsts lst1">•re="trms">presentational models ='lgc'>[='lgc'>='lgc'>~= my images='qstn'>?='lgc'>] (='lgc'><='lgc'>--)to='lgc'>='lgc'>--> ="trms">epistemological models ='qstn'>?
='lgc'>[='strcls'>*='lgc'>]

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

like the blind man's cane or probe, means through which the environment is perceived and acted on, how is the 3D computer simulations an ="trms">embodiment ="trms">relation='qstn'>? what are the (dis)="trms">embodied habituations of the hacker='qstn'>? ='lgc'>='lgc'>==> philosophy of action ='lgc'>: how 3D work as an (dis)="trms">embodied artifact change our ="trms">relation to the ="trms">world='qstn'>? or, which ="trms">world is experienced as perceived through ="trms">embodied artifact of the 3D='qstn'>?
="lsts lst1">•re="trms">presentations of the location
="lsts lst1">•="trms">question of orientation
='lgc'>='lgc'>--> ="trms">epistemological studies of ="trms">scientific ="trms">instrumentation

(="ppl">Feenberg, passivity missing in ="ppl">="ppl">Ihde)
(my own ="trms">interest in shyness and the) passive dimensions of body='lgc'>--lived experience of being the object of action='strcls'>***

="ppl">Feenberg (reflecting on medical ="trms">situations forward='lgc'>:) we live our body not only as actors in the ="trms">world, but also as beings who invite action on our bodies by others
dependent body ='lgc'>='lgc'>--> highly ="trms">technologized experience

="trms">instrumentalized status of ="trms">modernism, in which the ‘dependent body’ belongs to ="trms">childhood
purified “humans” ='lgc'>: the subject distinguished from its ="trms">instrumentalities

sex='lgc'>: construction of the dependent subjectivized bodies
(="ppl">Sartre ='and'>& ="ppl">Merleau-Ponty='lgc'>:) person becomes a thing in the ="trms">world of the other

lived-body ='lgc'>=/= body ='lgc'>[='lgc'>='lgc'>--> also the concern of ="ppl">I="trms"nttrm="righ,rigo,riga,rigi,trig,rign">rigaray and ="ppl">Butler='lgc'>]
(this is ="ppl">Husserl's Körper and Leib)
='lgc'>~ machine-infused ="trms">neuro-physical body
="lsts lst2">◦kin="trms">aesthetic sensations
="lsts lst2">◦="trms">presentational sensations
="lsts lst2">◦“="trms">internal” perception
="lsts lst2">◦“subject” -body
="lsts lst2">◦organ of perception / organ of action /
='lgc'>='lgc'>--> (identity of the ego ='lgc'>='lgc'>-->) the (existentia="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list visua="trms"nttrm="listen,alist,ilist,llist,olist,ylist,ulist">list and strange) idea of='lgc'>: “I am my body"='lgc'>--body in terms of “I can” ='lgc'>='lgc'>==> self-movement
(="trms">intra-action ='lgc'>=/= that sensations are freestanding complexes and ="trms">internally ="trms">differentiated entities that can be identified and studied “before” the action)
='strcls'>*perception (is an act='lgc'>:) “animating” the ="trms">data of sensation (='qstn'>?)

the extended body signifies itself through ='lgc'>[='lgc'>=/= acts through='lgc'>] the ="trms">technical mediation

the impersonal and atomizing (commonplace) as="trms">sociations with ='thdf'>the notion of dis="trms">embodiment ='lgc'>='lgc'>--> ='thdf'>the idea that in online involvement ="trms">relations are abridged and trivialized, that there is a lack of commitment and risk, and moral engagement is impossible, and so on.

='strcls'>*what would be a ="trms">situated account of the (lived-)body in ="trms">CG='qstn'>?

“the ringing of the cell phone that embarrasses us in the middle of a ="trms">lecture” ='lgc'>='lgc'>--> extended body

plasticity and poly="trms">morphism of our bodies (online) ='lgc'>[="ppl">="ppl">Ihde='lgc'>]

programmers working in other programmers’ works (='lgc'>--not ="trms">imaginative engagement with the other, rather) ='lgc'>--through='lgc'>='lgc'>--> ="trms">interfaces and ="trms">folds in ="trms">interpretation ='lgc'>{tutorial voices, screen videos, scripts, help files, layers of ="trms">codes and tools on each other, nested ="trms">folders on one's own computer, named ="trms">categories by oneself, horde of text files and renders, etc='lgc'>}='lgc'>='lgc'>--> these are (en-/de-)crypting extended bodies constructed of ="trms">language
subjectively constructed ="trms">phenomenon of the ="trms">communed ="trms">fold ="trms">interpreted ='lgc'>: the 3D computer programm
(='lgc'>=/= romantic refusal of all mediation)

="prgrph">-what is the ="trms">nature of the ="trms">technology involved in ="trms">CG='qstn'>?

="lsts lst1">•what is the source of the somatic sense of place, if not the body (since ="trms">Greeks) and ="trms">animality (since ="ppl">Deleuze ='lgc'>+ ="ppl">Guattari), in the case of ="trms">CG='qstn'>? ='lgc'>--='qstn'>?='lgc'>='lgc'>-->='lgc'>{the way a good farmer will pick up soil and feel the dirt in his hands='lgc'>}
(="trms">Greek word) ‘soma’ refers to a corpse (in ="ppl">Homer,) not a living body (='lgc'>='lgc'>--> ='at'>#lived-body)
Neither the living body as an entity nor the Mind as an entity had a name.
for ="ppl">Aristotle, ‘thinking’ part of the soul, had an existence from any connection to the body.
“to experience the ="trms">world is the very ="trms">nature of body inside out.” (="ppl">="frds scrmbld"nttrm="Christianson">Christian ="ppl">Hubert > John Schumacher)


a ="trms">community whose ="trms">members are aware of each others’ passive ="trms">presence is ="trms">different forms
(active ='lgc'>=/= ="trms">present)

these are issues of ="trms">social subject in a ="trms">technically mediated ="trms">world

to look at ="trms">CG ="trms">embodiment ="trms">relations='lgc'>:
="lsts lst1">•="trms">fold (="ppl">="ppl">Ihde)
="lsts lst1">•="trms">skill (="ppl">Merleau-Ponty)
="lsts lst1">•theory of affordance (="ppl">="ppl">Gibson)
="lsts lst1">•="trms">intra-action (="ppl">="ppl">Barad)
="lsts lst1">•detour (="ppl">="ppl">Latour)

(="ppl">Merleau-Ponty's) ‘body schema’ ='lgc'>: space of the body='lgc'> = 'space of ="trms">situation,’ orientation towards possible (not only existing) tasks ='lgc'>='lgc'>==> aspects of the external/virtual ="trms">world
body understood in terms of their ability to enter into one's projects ='lgc'>=/= spatial location
='lgc'>[what is the body schema of the hacker in ="trms">CG='qstn'>? (an external ="trms">world where there is no near or far.) what is experienced as their ="trms">Gestalt='qstn'>? which grasp is automatically localized='qstn'>? what are their ="nms">phantom limbs='qstn'>? ='lgc'>='lgc'>==> body immediately known to self='lgc'>]


(body as the) ="trms">system of possible actions, a virtual body with its ="trms">phenomenal “place” defined by its task and ="trms">situation. “My body is wherever there is something to be done.”

kinaestheses, proprioception,

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................
="large lg6" stl="font-size:131%">
what ‘play’ does to ‘ego’='qstn'>?

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

(='lgc'>[is for ="frds scrmbld">="frds scrmbld">Lilia (='qstn'>? like ="ppl">Wittgenstein) all ‘certainties'='lgc'>] grounded in the) certainty of the body
='lgc'>{pain ='lgc'><='lgc'>='lgc'>--> certainty='lgc'>}='lgc'>='lgc'>--> trauma ='lgc'>+ ="trms">memory

="display:block;white-space:nowrap;margin-bottom:-1em;overflow:hidden;">...................................

(="ppl">="frds scrmbld"nttrm="Christianson">Christian ="ppl">Hubert > ) Rudofsky “un="trms">fashionable human body” (='at'>#="trms">veil)

="large lg3" stl="font-size:111%"> Thomas Friedman “The Golden Straitjacket”
="lsts lst1">•political-economic garment of globalization era ='lgc'>='lgc'>--> Straitjacket
(Cold War era='lgc'>:)
="lsts lst1">•Mao ='lgc'>='lgc'>--> suit
="lsts lst1">•Nehru ='lgc'>='lgc'>--> jacket
="lsts lst1">•Russian ='lgc'>='lgc'>--> fur
="lsts lst1">•
="lsts lst1">•Islam ='lgc'>='lgc'>--> hejab

(Tasavof='lgc'>='lgc'>-->='lgc'>{for which the body does not remain concrete and ="trms">material, and soul is ambiguous and poly="trms">morphic='lgc'>}, Pythagorean='lgc'>:) veli='lgc'>: soul can clothe itself in ="trms">different bodies ='lgc'>=/= (="ppl">Aristotle='lgc'>:) soul is the form of a particular living body ='lgc'>{ soul='lgc'> = organization of the body ='lgc'>}='lgc'>='lgc'>--> “..there seems to be no case in which the soul can act or be acted on without involving the body” ='lgc'>=/= (="ppl">Descartes='lgc'>:) soul='lgc'> = enlightened machine (='lgc'>='lgc'>~=='qstn'>? proper organization of the brain)


='strcls'>***The body is a special image ='lgc'>='lgc'>--> ="nms">body image

body, the priveleged image, the ="trms">world of consiousness (through self-reference), the brain's primary frame of reference ='lgc'>[-constructed with libidinal intensity='qstn'>? ='lgc'>='lgc'>--> a map of ="trms">narcissistic investment='lgc'>] (='lgc'>=/= body without organs)
="lsts lst1">•condition of the subject's access to spatiality (of the ='lgc'>[numero-computationally='qstn'>?='lgc'>] built environment)
="lsts lst1">•anatomy is always “="trms">imaginary anatomy”
="lsts lst1">•the (body-)ego is a formation of ="nms">body image through primary ="trms">narcissim (in terms of Oedipus complex)
="lsts lst1">•="nms">body image also incorporate external objects (implements and ="trms">instruments ='lgc'>='lgc'>--> intimate, vital, even libidinally cathected parts of the body) ='lgc'>='lgc'>~='lgc'>='lgc'>--> the “detachable” parts of the body='lgc'>: urine, faeces, saliva, sperm, blood, vomit, hair, nails, skin='lgc'>--all retain something of the cathexis and value of a body

="prgrph">-for ="ppl">Bergson='lgc'>: an image that one know from within by ="trms">affections, rather than from without by perceptions='lgc'>: body ='lgc'>}='lgc'>='lgc'>==> “my body” is the center of actions ='lgc'>==births='lgc'>='lgc'>==> re="trms">presentation
="prgrph">-for ="ppl">Whitehead='lgc'>: “self-knowl="trms"nttrm="knowledge,Knowledge">edge of our bodily event” ='lgc'>='lgc'>==> (organic) conception of ="trms">nature
="prgrph">-masculinity='lgc'>: body subordinate to the mind ='lgc'>='lgc'>='lgc'>~=>='lgc'>{ body='lgc'>: site for feminist critique
="prgrph">-for contemporary feminism (="ppl">Grosz)='lgc'>: body is neither a biological nor a ="trms">sociological ="trms">category, but rather a point of overlap between physical, ="trms">symbolic, and ="trms">material conditions

="large lg4" stl="font-size:111%"> the ideological re="trms">presentations of a “real” precultural body
='lgc'>[='lgc'>='lgc'>--> idealized in terms of abstract ="trms">geometry, rendered primal in primates,,,='lgc'>]

“The theory of the body is al="trms"nttrm="already,spread">ready a theory of perception.” ="ppl">Merleau-Ponty

(in his studies on body, ="ppl">="frds scrmbld"nttrm="Christianson">Christian ="ppl">Hubert quotes John Schumacher quoting) James ="ppl">="ppl">Gibson='lgc'>: “The optical information to specify the self, in="trms"nttrm="cluster,club">cluding the head, body, arms, and hands, accompanies the optical info[...]